• 제목/요약/키워드: Social instinct

검색결과 29건 처리시간 0.03초

현대 패션 디자인의 그래픽 요소에 나타난 매개 소스별 미적 특성 -유희본능적 시각 표현을 중심으로- (Aesthetic Characteristics of Graphic Factor in Contemporary Fashion Design Categorized by Media Source -Focusing on Play-Instinct Visual Expression-)

  • 제갈미;이연희
    • 복식문화연구
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    • 제19권5호
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    • pp.945-956
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    • 2011
  • The purpose for this paper is to categorize and analyze the aesthetic characteristics of graphic factors in contemporary fashion design by media source. Focused on play-instinct visual expression in contemporary fashion design and adopted media source following the way of communication design. A variety of literatures and online sites for graphic factors in contemporary fashion was studied. The standard of media source is classified as graphic media-source: photography media-source, typography media-source, illustration media-source. With this standard, expressed ways are as followings. First, graphic media-source in play-instinct expressional fashion design is mostly borrowing existed character or using designer's brand logo. Second, photography media-source in play-instinct expressional fashion design is placed photograph of social issued people in front of shirt. Third, typography media-source in play-instinct expressional contemporary fashion design is mostly expressed social messages or designer's name in brand. Fourth, illustration media-source is the best way to express play-instinct visual expression. Based on these, aesthetic characteristics of graphic factor in contemporary fashion by media source are classified as three: social words, playfulness and information transference. Frequency ratio using media source per aesthetic characteristics is different and these are able to categorize expression way and image feature. In conclusion, expressional way of graphic factors in contemporary fashion design became diverse as social and cultural changing. Frequency of graphic factor use in contemporary fashion is increased than before. This paper suggested that fashion design is one of the way of communicating with people and should be analyzed graphic factors in contemporary fashion design.

Asperger씨 증후군 - 자폐증, 분열성 인격장애와의 연계성 - (ASPERGER'S SYNDROME - THE LINKAGE WITH AUTISM AND CHILDHOOD SCHIZOID PD -)

  • 이영식;조인희
    • Journal of the Korean Academy of Child and Adolescent Psychiatry
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    • 제5권1호
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    • pp.41-53
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    • 1994
  • 1944년 Hans Asperger는 아동기에 사회적인 고립과 특이한 행동 양식을 보이는 400명의 증례를 보고하고 자폐적 병질(autistic psychopathy)이라 명명하였는데 이 아동들은 1943년 Kanner에 의하여 기술된 자폐 아동들과 여러 가지면에서 유사하였으나 임상적인 관찰에서 몇몇 현저한 차이를 나타냈다. 가장 주목할 만한 것은 정상 언어 발달과 지능 수준의 차이를 들 수 있다. 이후에 이들은 Asperger's syndrome([CD-10) 혹은 Asperger's disorder(DSM-IV)로 명명되었는데 이들은 자폐증과 연속선상에 있는 높은 기능 수행을 보이는 경한 형태의 발달장애로 보는 시각, 아동기 인격 장애의 특수한 형태로 보는 시각, 혹은 성인 정신분열증의 초기 아동기 행태로 보는 시각등이 있는데, 모두 그들 나름대로 연구 방법의 타당성과 결과 해석의 문제점을 안고 있다. ICD-10(1992)과 DSM-IV(1994)에서 전반적 발달 장애의 영역내에 새로이 독립된 진단 체계로써 확고히 자리한 지금에 와서도 이들 질환과 완전히 분리된 개념으로 간주하기에는 미흡한 실정이다. 저자는 이 질환의 현재 개념에 이르기까지의 역사적 고찰과 더불어 독립된 질환이냐의 논의점과 최근 연구 경향에 대해 문헌 고찰을 하였으며 이 증후군이 큰 맥락에서 사회적 본능(social instinct)에 결함이 있는 장애라는 견지에서 연계 질환들과의 관계를 도식적으로 요약해 보았다.

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디지털 미디어 스토리텔링을 위한 케릭터 연구 (A study of characters for digital media storytelling)

  • 이강현
    • 디지털융복합연구
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    • 제10권10호
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    • pp.511-516
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    • 2012
  • 문학작품의 전통은 작가의 개성에 의해서 계승 형성되어 왔다고 볼 수 있다. 한국문학의 전통이 자체의 내재적 동력에 의해 발전해 왔다는 인식을 전제 한다면 한 작가의 작품 연구는 과거와 현재를 하나의 연속성으로 이어주는 전통적 실체를 파악해야 하며, 또 이러한 연구는 시대를 초월한 한국문학 내부에 흐르는 맥을 짚어보려는 작업이라는 점에서 한국문학의 전통과 해당 작가의 개성을 고찰하려는 노력이 중요하다. 작가가 현실을 어떻게 인식하고 또 어떻게 형성화시켰는가를 고찰하는 것은 문학작품의 가치를 규명하는 필수적 과정이다. 문학적 인식행위는 작품의 외면적 현실을 통해 삶의 내재적 본질을 파악하는 과정이라고 하겠다. 문학작품은 이러한 기능을 수행하기 위하여 현실을 문학자체의 예술적 방법으로 형상화시켜야 한다. 문학작품의 본질을 파악하기 위해서는 작가가 어떠한 예술적 방법으로 현실성을 획득하고 또 형상화시켰는가를 규명해야 한다.

성인학습자의 배움 의미에 관한 연구 (A Study on the Meaning of Learning in Adult Learners)

  • 배나래
    • 한국융합학회논문지
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    • 제13권3호
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    • pp.185-190
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    • 2022
  • 사람들은 어떤 이유로 배움을 시작하게 되는가 라는 질문으로 배움의 의미에 대한 연구를 시작하였다. 배움은 인간화이며 인격화이다. 배움은 인간의 기본적인 본능이며 배움의 본질은 타인과 나의 삶에 대한 이해이며 공동체를 배우고 사회적 자본을 익히는 계기가 된다. 인간에게 배움은 유목적인 판단력을 주며 사회환경과의 끊임없는 조화를 이루면서 살아가야 할 인류에게 생산적 삶의 계기를 마련해 준다. 배움은 자기 관리, 다양한 세대와의 의사소통, 자아실현 등의 계기를 마련해 주며, 배움은 세상을 바라보는 시각을 확장 시킨다. 우리에게 배움은 개인의 존재론적 의미, 실존적 의미를 찾게 하는 중요한 기제로 작용한다.

서울지하철 범죄 실태에 대한 범죄심리학적 연구 (Study on the Realities in Seoul Subway Crimes: Criminal Psychology)

  • 임상곤
    • 시큐리티연구
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    • 제7호
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    • pp.233-285
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    • 2004
  • ‘Defined legally as a violation of law' (Sutherland, E. H. Principles of Criminology, Lippincott, Chicago, 1939) Crime within the group is essentially and primarily antisocial in that the criminal who is welfare of his group acts instead against it and breaks the principles of social solidarity not merely by not doing what these principles prescribe, but by doing something exactly opposites. Any program set up to attack crime and delinquent behavior at their sources. A program of his nature needs the constant and comprehensive collaboration of psychiatrists, social works, educations, lawmakers, and public officials, since crime is a social problem and it should be treated as such. Some crime preventives which should be mentioned are as follows, (1) The insurance that every child will be decently born and that his home life be socially and economically adequate; without socially mature parents the chid is handicapped at the start; thus parental education, integrated with the public school system, should be developed now. (2) A more meaningful educational program which would emphasize ideals of citizenship, moral integrity, and respect for the law and the police. (3) A periodic check made for potential delinquents throughout the public schools and treatment provided if possible; and if not, proper segregation in institutions. (4) Careful attention paid to press, movies, and radio so that crime may no longer appear to be glamorous. This can be done by women's clubs, civic bodies, and other educational groups exerting pressure on the movie syndicates and broadcasting companies to free their productions of the tawdry and lurid characteristics of crime and criminals. Aggression associated with the phallic stage of development, The child ordinarily comprehends sexual intercourse as an aggressive and sadistic act on the part of the male, and specifically on the part of the penis. Evidence that the penis is phantasied as a weapon of violence and destruction come from unconscious productions of normal adults. Limerick, for instance, often refer to the penis as square, or too large, etc., so that intercourse is dangerous and painful for the partner, This may wall be a projection of the male's own fear of coitus. A certain portion of the death-instinct always remains within the person; it is called 'primal sadism' and according to Freud is identical with masochism. 'After the chief part of it(the death instinct) has been directed outwards towards objects, there remains as a residuum within the organism the true erotogenic masochism, which on the one hand becomes a component of the libido and on the other still has the subject itself for a object.' Criminalism, compulsive-neurotic frequent repetition of criminal acts in a compulsive manner. Like most symptoms of the compulsive-neurotic, such antisocial act are closely rated to feelings of hostility and aggression, often against the father. Because these acts are symptomatic, they afford only temporary relief and are therefore repeated. One patient with compulsive-neurotic criminalism was apprehended after breaking into hardware store and stealing money. He later confessed to many similar incidents over the preceding two years. At the same time it was apparent that he stole only for the sake of stealing. He did not need the money he thus obtained and had no special plans for using it.

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건축 사유체계 변화에 의한 색채사용 특성에 관한 연구 (A study on the characteristics of color by change in architectural thinking system)

  • 이선민
    • 한국실내디자인학회논문집
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    • 제15권2호
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    • pp.166-173
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    • 2006
  • Architectural color has been preserved the multiple characteristics reflected the change of social value criteria and technical development. Especially, the change of technical paradigm has led to variation from simple and fixed color system, as through the considerable change of architect's subject thinking, favored and symbolic system. Now, architectural color has also been revealed as the timely, moving, behavioral and existent color by anthropolatric thinking system. Therefore, it could be transformed expressive system reflected from abstract-pictorial characteristics, from the fixed to non-determining system, constructive to non-constructive system, context to expressive system, reasonal to emotional system, respectively. So, the range of architectural color has been extended as a element in reinforced the planned concept of the architect beyond the past decorated and symbolic color scope. As thereinafter, future's architectural color could be expected to concrete to the public-friendly relation system, developed widely to the system for reinforcing the concept not introduction of meaningless, fragmental and instinct color through the relational adaptation with design concept.

판소리 소설과 풍속화를 중심으로 본 조선후기 여자복식의 풍속연구 (A Study of Women's Costume in the later Choson based on the Pansori Novel and Genre Paintings)

  • 김혜영
    • 자연과학논문집
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    • 제8권2호
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    • pp.257-287
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    • 1996
  • 조선후기는 근대 서민 문예의 부흥기로서, 서민문예의 대두와 더불어 일어난 서민계층의 등장은 복식에 있어서의 대중 복식 문화를 부각시키면서 복식의 유행현상이 나타나게 되었다. 이 시기 모든 계층의 여성 복식에서 공통적으로 풍미한 유행사조는 과장된 치마허리 그리고 둔부를 volume감 있게 강조한 치마등을 통해 여체를 드러낸 선정적인 silhouette이 나타났다. 유교 규범에 의해 억제되고 절제된 여성들의 복식행동(clothing behavior)에서 이처럼 육체를 긍정한다는 것은 사회의 일정한 진보단계에 위치한다고 보겠다. 그것은 Eroticism자체는 영원한 인간의 본능에 의존하겠지만, 이 Eroticism을 통하여 어떤 사회적 질곡을 벗어나려고 하는데에 있어서는 그 Eroticism의 발로가 사회적 의의를 가지는 것이다. 그러므로 조선후기의 여성복식에서의 Erotic Mode는 여성들 자신의 것인 동시에 그 사회의 것이며, 그것은 가식적이고 표면적인 유교적 도덕관의 외피 속에 흐르고 있는 인간성의 폭로이고, 그것을 표현할 수 있다는 데에 서민문예의 진보성과 근대성이 있는 것이다.

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몸·복식에서 억압과 욕망의 패러다임 개발 (Development Paradigm of Repression and Desire Embodied by Body and Clothing)

  • 정기성;김민자
    • 복식
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    • 제63권6호
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    • pp.97-112
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    • 2013
  • In this study, physical, social and psychological repression embodied by the body and clothing are referred to instinctual, power and creative desires, respectively, from the point of biological, social and aesthetic views. Desire refers to a behavior to overcome men's imperfections with individual security, sense of belonging and the pursuit of an ideal, which are obtained by living as a social creature. Repression through the body is sub-categorized depending on whether it is temporary or permanent. Repression expressed through clothing is seen through revealing/concealing, contraction/expansion, and deconstruction/ reconstruction. What enables human beings to embrace changes in fashion without fierce resistance or backlash is the changes of formativeness demonstrated by repression through the body and clothing. The aesthetic values drawn from the exhibition of repression and on the body and clothing are categorized into narcissism, fetishism and aestheticism. While narcissism is an instinctive desire grounded on the originality and confidence of the self that results in refusing repression, fetishism is a desire for power that expedites repression in the pursuit of materialistic value or sexual fantasy. Aestheticism is a desire for creativity that symbolizes the body-and-clothing repression in the pursuit of aesthetic idealism. Repression evokes desire, and the pursuit of desire leads to another repression. The aesthetic values of desire for instinct, power and creativity can be substituted with each other for interpretation according to the attitudes of an initiator, a user and a spectator.

현대 패션에 나타난 잔혹성 이미지 -크리스테바 이론을 중심으로- (A Study on the Cruel Images Shown in Modern Fashion - Focused on Julia Kristeva′s Theories -)

  • 윤영;양숙희
    • 복식
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    • 제54권1호
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    • pp.83-96
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    • 2004
  • Upon the threshold of late 20th century, the social, cultural and artistic trend began to pursue aesthetic pluralism and deconstructivism, and thus, fashion also began to reflect such a trend only to express cruel, detestable, horrible and ugly aesthetics. Under such circumstances, this study focused on the cruel images appearing in the modern fashion and thereby, attempted to determine their causes in reference to Julia Kristeva's theories. Her theories of women explain that women have incessant desires or blind obsessions about penis due to the bisexual instinct inherent in their subconsciousness, and thereby, discuss sado-masochism, a characteristic of women's violence and cruelty. In addition, she determines of abject, detestable and horrible nature of women by explaining their struggle to be separated from mothers at the stage of Oedipus (sexual differences). Based on such theories about women's cruelty, the cruel images shown in the modern fashion are categorized into sado-masochism, the violent and destructive image, and abjection, the women's apparels made of unpleasant, terrible and creepy materials decorated, to be reviewed systematically.

오뜨꾸뛰르 컬렉션에 나타난 데카당스적 특성연구-1997년 S/S에서 2002년 S/S를 중심으로- (A Study of Decadence Represented in Haute Couture Collection-Focus on the 1997 S/S-2002 S/S-)

  • 김양희;박선경
    • 복식
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    • 제52권8호
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    • pp.73-85
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    • 2002
  • Decadence is a phenomenon that people express fear from their inside, so unsound aspects appear in the social culture when the existing society is about to be collapsed. This study covered the cultural and aesthetic meaning and the role of decadence by examining the concept and phenomenon of it and analyzing the real case of expression appeared in the modern fashion. Characteristics of decadent phenomenon were divided into sexual corruption, ideality, cynicism and extreme technique, and decadent expression appeared in the fashion images was examined based on the divided phenomenon. Main results are as fellows. People bring the incidents that animals go through into relief, sticking to animal instinct when the society is on the decline. At that time, sexual decadence becomes remarkable, so voyeurism by exposure in their dress is deepen, revealing abnormal sexual propensity with bisexual tendency and sexual perversion. The real facts and appearance of people are revealed by transforming and distorting bodies for the fear of humans inside suppressed in the fin-de-siecle mood. The sense of alienation and helplessness of people anxious about the future is developed to cynicism expressing the uncertain emotion in their dress, and the formative methods of dismantlement. destruction and abrasion appear to form sickly images in the gloomy and cold mood. The intention of affirmative decadence is realized by mixing heterogeneous styles and producing new things. Extreme decorative technique and gorgeousness are even mysterious and show the highest refinement.