• Sijohaknonchong
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• v.25
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• pp.29-48
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• 2006

Saseol Sijo which reflects on people's life often showns us relationships between love and economy of those periods' people in Chosun dynasty. Meaning of a word 'housewife' is a woman who supporting and organizing family with her husband. Materialistic problems and economic problems appeared in Saseol Sijo emphasize entertaining and merrymaking rather than struggling to the society enforcing poverty. Therefore, it is often said that Saseol Sijo stimulates overconsumption of goods and money. We can regard sexual discussions appeared in those periods' Saseol Sijo as reflections of desire which are the way of releasing repressed sexual appetite of women or substitutions of satisfying their sexual appetite. Features of housewives appeared in Poong-ryu-bang and Saseol Sijo which are succeeded as productions of merrymaking in Latter half period of Chosun dynasty, can spotlight because of its meanings. It told us not only housewives' roles are started to change but also vivid sexual discussions similar to nowadays things are begun in latter half Period of Chosun dynasty. Main subject pecuniary mediated sexual discussion of housewives appeared in Saseol Sijo teaches a lot of things to twenty first century's contemporary people experiencing collapsed family relationship, pariakapitalismus and wide spread sexual industries.

• Sijohaknonchong
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• v.30
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• pp.189-217
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• 2009

Unlike Sijo researchers' wishes, there is no enough place for Sijo in school education. Its falling tendency has caused the crisis of literature. Literature is not only an act of making a human life become itself humanly but also the most effective way for communicating with all around the world. Especially, Sijo is an important genre for four reasons: (1)understanding about the traditional sentiment, ideology (thoughts), and way of life of a people, (2) including the wisdom to help us live in reality, (3)having a set pattern (standard) which is an important element to develop the language culture, (4)letting us know about the root of the racial literature. These peculiar characteristics of Sijo are the machinery and materials that can elevate the self-identity of teenager who has been undergoing emotional and psychological instability. Therefore, Sijo education should be done to draw a 'clear-map' by using the following order: to understand of Sijo and apply the subjective experience, imagination, and pre-understanding of a learner to it - to understand the embodied world in Sijo in the concrete and experience the basic manner about the way of putting the world into shape - to express the learner's idea and feeling freely and positively - the expression activity focused on their critical thinking - an appreciation expression stressed on the learner's activity to elevate the self-identity.

• Sijohaknonchong
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• v.30
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• pp.147-164
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• 2009

The conclusion of this paper is as follows. First, the authentic syllable count of sijo can be summed up as following: Second, the structure of the statement can be summed up as following: 1) Each statement extremely excludes the use of modifiers to clarify the development of the logic. 2) The meaning of each of the three statement, chojang (the 1st statement), jungjang (the middle statement) and jongjang (the last statement), is connected to the previous one closely, so the text as a whole is perfect. 3) The last statement identifies itself as the conversion or conclusion of the whole text. Therefore, the last statement should begin with a connective adverb like 'Therefore' or 'Then'. But in ancient sijo works, this sort of connected adverb is normally omitted. 4) Each statement of sijo is composed of one of the 4 structures suggested below: a) subjective phrase + predicative phrase b) the formal clause + the latter clause c) location-indicating phrase + sentence d) objective phrase + predicative phrase Since the text of a sijo work is formed like this, sijo is said to be composed of three jang (statement) & six gu (phrase), which is the very feature that proves that sijo is a fixed form of verse.

• The Journal of the Convergence on Culture Technology
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• v.5 no.2
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• pp.305-311
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• 2019

Does the healing of life lead to a grave, or can death heal life? The healing in life exists in the emotional circuit of the space of life. So what kind of space does healing in death exist? For now, healing in death exists beyond life. Imje (林悌, 1549-1587) is famous for reciting Sadness Sijo in his beloved Hwang Jin-yi's Grave. For the Literature Therapy, this time we're trying to code the Emotions of Sijo "The Valley Which is Covered With Blue Grass", which Imje is said to have recited in the Hwang Jin-yi's Grave. This Sijo sings the love of Sadness such as Love and Death, Grave and Sadness. That is, how fuse human Emotions, which are caused by conflicting concepts of love and pain or love and separation. Imje's Sijo fuses signifiers such as Grave, Love and Sadness to code 'The Transience of Human Life.' This 'The Transience of Human Life' is a function of this Sijo's Literature Therapy. 'The Transience of Human Life' has a role of healing that relaxes the human body. With the Literature Therapy in place like this, no matter how painful life is, we have some leeway. This is because the sadness of 'The Transience of Human Life' delivered by Sijo conveys the effect of the Literature Therapy, which contemplate and tolerate the entire life. We look forward to continuing this research and achieving Emotion Coding for new life.

• Journal of Korea Entertainment Industry Association
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• v.15 no.7
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• pp.71-86
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• 2021

The purpose of this study is to reveal the significance of musicals and find a way to utilize them in Korean language culture classes for foreigners. Korean language education aims to improve communication skills, and cultural education is necessary to help students understand not only the language but also the social background and context of the language. Accordingly, the author of this study has put together a lesson plan for Korean culture incorporating musicals, a topic that has been heretofore disregarded in Korean language education. Musicals are an appealing art medium for Korean language learners, as they provide striking visuals centered around distinct narrative structures and music. The musical "Swag Age: Shout out Joseon!," which this study focuses on, provides particularly suitable content, as it deals with social issues that are relevant even in contemporary Korean society and includes sijo (poetry), which can be used to teach traditional Korean literature. Based on the above characteristics, the author of this study outlines a Korean culture lesson plan teaching sijo through the musical "Swag Age: Shout out Joseon!" The class will be for learners of intermediate level and above, and consists of 4 sessions: 1) Understanding the overall plot of the musical, 2) Learning about Korean sijo, 3) Writing sijo based on your own life, and 4) Presenting your own sijo. This culture class is significant in that it goes beyond simply learning about sijo and enables students to internalize the meaning of and actively enjoy sijo by writing their own versions. In addition, it is expected to be a compelling class that, on top of its educational value, introduces and allows students to experience a wider range of Korean popular culture by adding the musical genre to the common repertoire of movies, dramas, plays, and pop songs often covered in Korean culture classes.

• Sijohaknonchong
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• v.44
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• pp.75-103
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• 2016

The purpose of this study is to demonstrate that the main creative attitude in Lee Eun-sang's Sijo relies upon the juxtaposition technique, with paying attention to juxtaposition of being found in the works of being put in the Nosan Sijojip(時調集, collection of Sijo poems), and that this creative attitude provides readers with the easiness for understanding. A type in the juxtaposition technique, which was shown in "Nosan Sijojip", was divided in the dimension of the anaphora in a meaning and the confrontation in a meaning. The anaphora of a meaning was classified into synonymous juxtaposition, comprehensive juxtaposition, specific juxtaposition and syntactic juxtaposition. The confrontation of a meaning was examined in the contradictory juxtaposition. Most of Lee Eun-sang's works are applying this juxtaposition technique. Also, the dynamic of image, which is indicated in juxtaposition, is what was influenced by the British and American imagism. This study will be able to solve problems that modern Sijo has to some extent, and will be helpful even for acquiring the identity in Sijo.

• The Journal of the Convergence on Culture Technology
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• v.5 no.2
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• pp.299-303
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• 2019

This study is one of the preparatory tasks for this researcher to do Emotion Coding on AI. This time, we're doing an Emotion Coding for Sijo "Blue Mountain is My Meaning" by Hwang Jin-yi. Huang Jin-yi is doing Emotion Coding on Blue Mountain and Green Stream in this Sijo. These Emotions code, as seen in Emotion Codon, as in UUU. This phenomenon can be described in the form in which this researcher hypothesized. In other words, this Emotion Coding acts as a catalyst for the formation of an amino acid called phenylalanine. If we continue this research, it is thought that the function of literature, which is more healing, will be utilized in the future of mankind.

• Sijohaknonchong
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• v.21
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• pp.23-46
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• 2004

The purpose of this thesis is to clarify the aspect on the Leisure-Activity of Sasul-Sijo in Choson Dynasty. The Aspect on the Leisure-Activity of Sasul-Sijo can be divided into three type, Three type are the recreation. the health-care, and the self-discovery. The type of the recreation is reversed the Youth age-Leisure in the second chapter, the type of the health-care is reversed the Old age-Leisure in the third chapter, the type of the self-discovery is reversed the Youth age and Old age-Leisure in the fourth chapter. In order to study the Aspect on the Leisure-Activity of Sasul-Sijo which have succeeded up to present without interruption, it is to gather more materials, widen an appreciative eye our leisure-activity and deepen the till now study continuously.

• The Journal of the Convergence on Culture Technology
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• v.2 no.1
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• pp.13-33
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• 2016

In arts, literary is always dealing human emotion and it makes a man weap or laugh among them. Hence, insight on how to write a poet is very effective in view of literary theraphy. The healing effect by literary theraphy on the invisible frame of life gives the resultant limitation using the poetry of a fixed form. Therefore, the search on how to write the free human immune system related on neurons or on how to deal with literary drugs makes our technique creatively developed. In this study, "the right writings for Korean poetry of a fixed form 'Writing Sijo'" is shown to make the literary theraphy more extensible and it is shown to makes the life quality more abundant. This paper suggests the right writing methodology of Sijo in such a view point.

• Sijohaknonchong
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• v.20
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• pp.5-27
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• 2004

This article aims to clarify the significance of nature's silence in sijo by comparing with the works taking misunderstanding and lie as poetic materials. Sijo poets praise the silence of nature with correlating the false of the mundane language. This is the natural consequence in which they arrive by denying both 'mundane' and 'language'. In mundane world people struggle for their interest and distinguish between right and wrong. Therefore the silence of nature is not the principle of life but counter-pair of mundane politics. Sadaebu[사대부], the sijo poets praise the silence of nature to realize needs to rise above the boundary of right and wrong. Then they don't recognize the nature as pure scenary. As Confucianist, they recognize the nature in connection with mundane world. Because they have two persona, the scholar [사] and politician[대부]. In Confucianism the naturalization of moral and moralization of nature is pursued simultaneously.