Sijohaknonchong (한국시조학회지:시조학논총)
- Volume 30
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- Pages.147-164
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- 2009
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- 1226-2838(pISSN)
A study on the Form of Sijo seen from Various Aspects
다각적 관점에서 본 시조 형식 연구
Abstract
The conclusion of this paper is as follows. First, the authentic syllable count of sijo can be summed up as following: Second, the structure of the statement can be summed up as following: 1) Each statement extremely excludes the use of modifiers to clarify the development of the logic. 2) The meaning of each of the three statement, chojang (the 1st statement), jungjang (the middle statement) and jongjang (the last statement), is connected to the previous one closely, so the text as a whole is perfect. 3) The last statement identifies itself as the conversion or conclusion of the whole text. Therefore, the last statement should begin with a connective adverb like 'Therefore' or 'Then'. But in ancient sijo works, this sort of connected adverb is normally omitted. 4) Each statement of sijo is composed of one of the 4 structures suggested below: a) subjective phrase + predicative phrase b) the formal clause + the latter clause c) location-indicating phrase + sentence d) objective phrase + predicative phrase Since the text of a sijo work is formed like this, sijo is said to be composed of three jang (statement) & six gu (phrase), which is the very feature that proves that sijo is a fixed form of verse.
이 논문에서 밝힌 바를 요약 정리하면 다음과 같다. 첫째, 여태 일반적으로 말해온 음수율은 아래와 같이 정리할 수 있다. 각 숫자는 음보율에서는 음보 단위가 되고 있다. 현대시조에 와서는 자수의 넘침이 고시조보다 심한 경우가 있지만 대체로 아래 표로 정리될 수 있겠다. 초장 3(2 - 4)
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