• 한국컴퓨터정보학회논문지
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• 제7권3호
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• pp.9-15
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• 2002

최근 들어 인터넷과 기타 영상 구현 매체에서 가상현실을 구현하려는 노력들이 점점 증가하고 있다. 또한 이러한 노력들이 단지 연구나 교육에만 미치는 것이 아니라 점점 더 실생활 속에 근접되어 오고 있다. 이에 본 논문에서는 이러한 움직임에 일환으로 문화재의 보존, 홍보측면과 종교적 측면에서의 사이버 법당을 3D 애니메이션과 영상 그리고 프로그램을 사용하여 개발 구현하였다.

• 기독교교육논총
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• 제72권
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• pp.147-164
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• 2022

연구 목적 : 본 논문은 어린이 예배에서 이루어지고 있는 이야기식 설교에 초점을 맞추어 이야기식 설교가 지니고 있는 기독교교육적 함의를 다루고자 한다. 연구 내용 및 방법 : 이야기는 기독교교육의 중요한 교육방법으로 연구되어 왔다. 최근의 종교교육 논의에서 이야기는 시각적인 미디어와는 반대로 아이들만의 고유한 판타지를 자극한다는 의미에서, 그리고 얼굴과 얼굴을 맞댄 직접적인 커뮤니케이션이라는 측면에서 긍정적으로 평가되고 있다. 세상에 대한 우리의 가장 근원적이고 열정적인 지향은 이야기에 의해 빚어진다. 이야기는 우리에게 감동을 주어 마음을 움직이고 그에 따라 행동하도록 우리의 무의식을 형성해 가기 때문이다. 그러나 지금 아이들에게 이야기를 공급해주는 주체는 다양한 대중 매체와 소비문화이다. 그것이 전해주는 이야기는 세속적 세계관을 주입하고 하나님 나라와 전혀 다른 세상을 꿈꾸도록 한다. 우리 아이들에게는 하나님 나라를 상상할 수 있는 이야기가 필요하다. 어린이 예배에서 설교의 한 형태로서 이야기식 설교는 아이들에게 생생하게 이야기를 들려줄 수 있는 좋은 방법이다. 이에 본 논문은 어린이 예배에서 이루어지고 있는 이야기식 설교에 초점을 맞추어 이야기식 설교가 지니고 있는 기독교교육적 함의를 다루고자 한다. 문헌 연구를 통하여 우선 이야기에 대한 대략적인 개념과 성경을 이야기로 접근한 문학 비평의 입장에 따라 성경을 이야기로 다룰 것이다. 두 번째는 이야기식 설교에 대해 다룰 것이다. 우선 성인을 대상으로 하는 이야기식 설교에 대해 살펴보고 이어서 어린이를 위한 이야기식 설교를 다룰 것이다. 두 개의 이야기식 설교는 따로 구분돼 있다기 보다는 어린이의 특성을 고려한다는 의미에서 구분하여 다룰 필요가 있다. 마지막으로 이야기식 설교에 대한 기독교교육적 함의를 이끌어낼 것이다. 결론 및 제언 : 본 논문은 현재 어린이 예배에서 행해지고 있는 설교가 보다 더 이야기식 설교에 초점이 맞추어지길 기대하면서 거기에서 발견할 수 있는 기독교교육적 함의를 다루었다. 이야기식 설교를 통하여 아이들에게 참여적 배움의 길이 열리며 하나님과 자아와 타자에 대한 종교적 언어를 획득함으로 신앙의 성장에 도움을 얻을 수 있기를 기대한다.

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.175-182
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• 2009

Korea Protestant slower growth and social church's changes in the environment of the traditional worship center for the sermon to a variety of changes was required, because of this period reflects the availability of a new type of worship was to appear. These changes in the type of worship in the form of the worship space, and space configuration is affecting many more. This study was the type of church korea today, the type is classified as a traditional worship and contemporary worship, and to characterize the category by a change in the type of church worship space in the configuration that affects cases throughout the analysis was to investigate, study follows. Traditional worship the center of the altar, the altar placed platform form, a vertical elevation of the platform sheet form, the installation of the cross, place the side of the choir seats, church chair type attribute appears tradition and in part compressed pulpit appears symbolism. Contemporary worship to the exclusion of the symbolic elements of the platform open, flat sheet form and the platform was the preferred form of minor elevations of the flat, multi-purpose space used for worship to sermon platform placed around the altar of the adjustable type, the choir seats placed in scheelite, preferred form of scheelite was an individual chair. However, the characteristics of traditional and contemporary worship space features a mix of worship space, quite a lot of cases that have been found. Integrated and consistent element of the worship space, the worship of the discrepancy in the form of systematic theological depth analysis did not come true without lust about contemporary culture is changing rapidly to accommodate sprawl is judged. Therefore, the characteristics of the type of worship and prayer to understand the changes in the church building is a prerequisite to be a very important aspect.

• 한국조경학회지
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• 제18권3호통권39호
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• pp.11-22
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• 1990

Culture has long been associated with and advanced by stone as observed in prehistoric dolmen, menhir, megalith monuments, memo-rial stones, and others. The closs association of monuments is seen even in an earlist form of culture and is witnessed to evolve with human history. Korea, with its large quality granite repository, has been active with granite-based monuments in various forms of towers, bridges, and larterns. These stone structures are so abundant throughout Korea that Korea has been called the country of stone tower in Asia. With this historical background, we survey these Korean memorial stone and monuments, found at roadsides, momerial buildings, village entrances, scenic places, schools, sermon halls, public pleasure ground, and other common places. Based on installation orientation, location, and size, a particular emphasis is on the structural value, meaning, beauty, and function of these momnuments coupled with trees, shrubs, water and appropriative landscapes.

• International Journal of Advanced Culture Technology
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• 제9권1호
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• pp.99-104
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• 2021

The most widely used instrument to assess perceiving a calling, the CVQ(Calling and Vocational Questionnaire), is composed of three constructs: transcendent sermon, purposeful work, and prosocial orientation. Recently assessing perceiving a calling has received great attention and it is critical not only for job incumbents but also college students who are in the job search stage. The purpose of this study is to investigate measurement invariance of the Korean CVQ between employees and college students. 339 job incumbents and 252 college students participated in this study, and based on the multiple group confirmatory factor analysis from the structural equation model, we confirmed the measurement invariance between employees and college students at the scale level. Thus, the perceived calling scale is applicable to both employees and college students without biases. This study provided meaningful information in understanding calling, and we discussed limitations and future directions.

• International Journal of Advanced Culture Technology
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• 제10권1호
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• pp.97-101
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• 2022

The perceiving a calling scale is composed of three constructs: transcendent sermon, meaningful and prosocial aspects. Based on the multiple group confirmatory factor analysis from the structural equation model, we confirmed the measurement invariance between Christians and non-Christians at the scale level. Furthermore, to investigate the mean difference between Christians and non-Christians, we performed latent mean analysis. The results showed that the three-factor structure is equivalent across Christians and non-Christians, and further confirmed metric invariance and scalar invariance. Thus, the perceived calling scale is applicable to both Christians and non-Christians without biases. We also examined mean differences between the two groups. Christians demonstrated significantly higher scores on the three factors but no difference on the living a calling. This study provided meaningful information in understanding calling, and we discussed limitations and future directions.

• 디자인학연구
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• 제17권2호
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• pp.413-424
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• 2004

텔레프레즌스는 '현상체가 현실세계를 떠나 가상세계로 이동함에 따라 가상세계의 사물과 인물에 대해 마치 현실세계의 사물과 인물에 대해 반응하는 것과 유사한 심리적, 행동적 반응을 보이는 현상'이며 '커뮤니케이션 매체를 통해 제공된 환경에 존재한다고 지각하는 경험'이다. 텔레프레즌스는 매체를 수단으로 경험하게 되는 것으로, 매체의 특성은 매개된(mediated) 환경에 직접적인 영향을 끼친다. 하나의 매개된 환경이 사용자에게 텔레프레즌스의 경험을 불러일으킬 것인지 아닐지는 환경에 사용된 감각자극들의 조합, 사용자가 환경과 상호 작용할 수 있는 방법들 그리고 그 환경을 경험하는 사용자 개인들의 특성들에 의해 결정된다. 텔레프레즌스 아트는 네트워크로 연결된 사이버 공간(cyber space)에서 서로 다른 지역에 있는 사람들을 텔레커뮤니케이션 시스템(telecommunication system)을 이용해 연결하고 그들로 하여금 가상현실(virtual reality)의 감각적 정보를 기반으로 상호작용하게 함으로써 텔레프레즌스(telepresence)를 경험하도록 하는 예술 활동을 말한다. 텔레프레즌스 아트의 특징은 원거리 통제(remote control), 원거리 영상(remote vision), 원거리 운동(telekinesis), 실시간 시청각 정보의 교환(real-time exchange of audiovisual information)이라 할 수 있다. 본 연구는 텔레프레즌스의 결정요인을 감각적 몰입도(sensory immersion), 감각적 충실도(sensory fidelity), 인지적 충실도(cognitive fidelity), 사용자의 개인적 특성들(personal factors)로 분류하고 이 네 가지 결정요인이 적용된 텔레프레즌스 아트의 사례분석을 통해 뉴미디어 아트를 위한 미학적 접근과 디자인 방법론을 모색하고 있다.

• KIEAE Journal
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• 제17권2호
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• pp.21-28
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• 2017

Purpose: The early churches such as tabernacle, temple and synagogue had played a important role to form space concepts of western churches. Tabernacle and temple were designed with vertical axis which consisted of sanctuary, sanctum, outdoor yard. Synagogue was designed pew of congregation around pulpit to give a sermon. The aim of this paper is to analyze spatial principles of churches designed with vertical axis and centralized plan. Method: The concept of vertical axis plan succeeded to Basilica, Romanesque and Gothic churches, and the concept of centralized plan succeeded to Byzantine and Renaissance churches. Therefore, this paper analyzed spatial characteristics and role of light in churches according to epoch, and was progressed by examining the existing researches and case studies. Result: The churches designed with vertical axis plan realized spatial composition to show the concept of domus dei, and worship space was illuminated with mysterious light. The churches designed with centralized plan realized spatial composition to show the concept of domus ecclesiae, and light created dramatic holiness in worship space.

• 한국농촌건축학회논문집
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• 제13권2호
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• pp.79-86
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• 2011

The purpose of this study is to understand a architectural characteristics of local church in Virginia, U. S. This study focuses on not only analyzing the worship and service program inherent in the site planning of local church but also introducing worship service space and chancel elements of it in the village of garden area. We surveyed five protestant churches where are located in suburban and rural area outside of Midlothian city in the early August, 2010. I surveyed church building site and worship service space of churches focused on platform design, interviewed the historical background and program of churches with ministers, and corrected annual calender and newsletter. The results of this study are as follows. First, the characteristics of site plan have a comfortable parking lots and site of churchyard(cemetery) with playground that can take an activities out of chapel. The axis of church building follows to front street. Second, worship services keep two types of traditional and comtemporary worship in order to consider of both adult and youth members. The worship hall has a balance of bilateral symmetry. Third, the form of platform is built that is able to perform a music drama and movement of sermon without only one church, GraceLand Church that church building has over fifty years, and they stick to simple traditional type of Chancel that is established by pulpit, table(altar), baptistery(only baptist church), music instruments, and so on.

• 수완나부미
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• 제2권1호
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• pp.17-53
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• 2010

The Chandi Borobudur was likely constructed around 800 AD, during the period of the Sailendra dynasty in central Java, Indonesia. The Chandi Borobudur have 1460 narrative panels of reliefs which are distributed from the hidden foot to the fourth gallery. The 160 panels show various scenes of actions producing the corresponding results according to the Karmavibhanga(分別善惡報應經) text. Blameworthy activities with their purgatorial punishments and praiseworthy activities with their subsequent rewards are both shown. The 120 panels depict the biography of Buddha according to the Lalitavistara (方廣大莊嚴經) text. The 620 panels depict stories from Jatakas (本生譚) and Avadanas (譬喩經). The stories of 560 panels are based on Mahayayana (入法界品, 488 panels) and Bhadrucari (普賢行願讚, 72 panels) of Gandavyuha (華嚴經) text. In this study, among the 120 narrative reliefs which tell the life story of Buddha according to the Lalitavistara text in Chandi Borobudur, the images of Birth of Siddhārtha(誕生), The Great Departure (出家), Attaintment of Enlightenment (成道) and The First Sermon (初轉法輪) have been compared with the images of biography of Buddha showing in Ancient India, Gandhara and South India, and China. From a historical perspective of cultural exchange, Borobudur is very important site because it is located on the south route of transmission of Buddhism from India to South Asia, China, Korea and Japan. Study on the reliefs sculptured on the wall of Chandi Borobudur provide us information to understand the process of spreading and changes in styles of Buddhist arts.