• The Journal of the Acoustical Society of Korea
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• v.25 no.4
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• pp.191-196
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• 2006

Human tend to rely their information about the size of a space on vision. However, it might be a common experience to perceive a certain difference in spaces without any visual difference, in such spaces as rooms for music performance, multimedia environments with multiple sound sources, and car cabins, where auditory experiences have a certain importance. In the present work, apparent auditory room size was measured at different positions in a room through a series of listening experiments. Also, measurement of room acoustic parameters was carried out and their relationships with perceived auditory room size were analyzed. The results suggest that apparent auditory room sizes were largely dependent on musical clarity, distance between a source and a receiver, and sound pressure level at the listening position. Also, the results from acoustic preference test suggest that smaller apparent room sizes were preferred for listening to orchestral, cello and flute music. The relationship between apparent auditory room size and vocal music was found to be statistically insignificant.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2007.11a
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• pp.493-502
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• 2007

Measurements of RT, EDT, $D_{50}$, $C_{50}$ and STI carried out in three different unoccupied University classrooms. For acoustic measurements, various sound sources are used (white noise, pistol shot, MLS and sweep signal). In this study, It found that interaction exists between sound source and place. Also there was high correlation between STI and various acoustic parameter.

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.16 no.7 s.112
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• pp.683-689
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• 2006

The sound absorption materials have been used to enhance the performance of a noise barrier and improve the room acoustics. In this study, 6 products of sound absorption materials generally used in Korea were chosen, and their absorption performance was tested in various conditions, that is, it was measured while changing thickness, density and air-gap in their back, and measured with or without facing on their face.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2004.11a
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• pp.343-348
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• 2004

Since its foundation of Won-Buddhism in 1916 there established around 500 Temple-Halls in both domestic and overseas areas, and it is a native religion that currently on its development of edification activities. As for Won-Buddhism which being under rapid development likely as such going, together with its expansion of the religious influence, there required more broader spaced grand sanctum at where the large-scaled religious events are able to perform. According to this, Balcony-styled plane form is on increasing trend from the internal plane form of Won Buddhism Sanctum. On such viewpoint, this study hereby intends to grasp the character of room acoustics through on-the-spot survey about the objects of 3 Won Buddhism Sanctums which equipped with mutually different characters of the balconies already built, and willing to furnish the fundamental material which enables to improve acoustic capability when design Won Buddhism Sanctum equipped with balcony in the future.

• The Journal of the Acoustical Society of Korea
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• v.19 no.1
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• pp.48-53
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• 2000

To analyze a room reverberation, many objective parameters have been suggested as measures of subjective perception in concert hall acoustics. However, it is difficult to understand the relationship among the individual parameters and to have a whole image of them. In this paper five primary objective parameters were selected and a reverberation model based on them was established by the reverberation decay curve. The proposed model was interpreted geometrically in terms of subjective characteristics. And finally we discuss the usefulness and the limitation of the model when it is applied to the analysis and.

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.21 no.7
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• pp.650-656
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• 2011

The noise inside a naval vessel is very important in considering the need for hearing protection, improving the working environment and maintaining good communications for crews living on board a naval vessel. The indoor noise of a ship usually is specified by the A-weighted sound pressure level, but other evaluating parameters are required to reflect human senses more effectively. This paper uses additional noise indices related to room acoustics, such as NR(noise rating), NC(noise criterion), RC(room criterion), PSIL(preferred speech interference level) and loudness level to evaluate the noise inside cabins on a naval vessel. Using these psychological noise indices, allowable limit of noise level in cabins is suggested through psycho-acoustic evaluation for the noise in cabins.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2001.11b
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• pp.1099-1103
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• 2001

In room acoustics, reverberation time (RT) is the most important and general factor that represents character of room or inner space. However, RT, especially in low frequency range, can have the different value according to the measuring points and methods. This study comprehends the cause of error occurring dominantly in low frequency range when RT is measured and examines that the each error of RT measured in the cabin and reverberation chamber having different properties, influences what extent on sound transmission loss (STL)

• Journal of Industrial Technology
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• v.41 no.1
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• pp.15-20
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• 2021

This work proposes a simple method to use the added absorption per person values to predict the expected values of the acoustical conditions in occupied classrooms. This method is based on the effects of the values of added absorption per person on the unoccupied total absorption values of the classrooms and on other room acoustical parameters. The total sound absorption in an unoccupied classroom can be calculated from measured reverberation times in the classroom. The expected occupied absorption can be calculated using equation which was obtained in a previous study (Choi, 2017) by fitting a linear regression line to a plot of total occupied absorption versus the corresponding unoccupied total absorption values measured in 12 university classrooms. The ratios of occupied-to-unoccupied sound absorption are used to predict increments in the values of acoustical parameters that result when occupants are added to the rooms.

• The Journal of the Acoustical Society of Korea
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• v.25 no.6
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• pp.282-290
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• 2006

This paper proposes a new Digital Reverberator that models Analog Helical Coil Spring Reverberator for guitar amplifiers. While the conventional digital reverberators are proposed to provide better sound field mainly based on room acoustics, no algorithm or analysis of digital reverberators those model Helical Coil Spring Reverberator was proposed. Considering the fact that approximately $70{\sim}80$ percent of guitar amplifiers are still with Helical Coil Spring Reverberator, research was performed based not on Room Acoustics but on Helical Coil Spring Reverberator itself as an effector. After performing simulations with proposed algorithm, it was confirmed that the Digital Reverberator by proposed algorithm provides perceptually equivalent response to the conventional Analog Helical Coil Spring Reverberators.

• The Journal of the Acoustical Society of Korea
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• v.25 no.6
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• pp.291-297
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• 2006

This paper proposes a new Digital Reverberator that models Analog Helical Coil Spring Reverberator for guitar amplifiers. While the conventional digital reverberators are proposed to provide better sound field mainly based on room acoustics, no algorithm or analysis of digital reverberators those model Helical Coil Spring Reverberator was proposed. Considering the fact that approximately $70{\sim}80$ percent of guitar amplifiers are still with Helical Coil Spring Reverberator, research was performed based not on Room Acoustics but on Helical Coil Spring Reverberator itself as an effector. After performing simulations with proposed algorithm, it was confirmed that the Digital Reverberator by proposed algorithm provides perceptually equivalent response to the conventional Analog Helical Coil Spring Reverberators.