• 한국실내디자인학회논문집
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• 제17권1호
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• pp.19-29
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• 2008

The purpose of this study is to reveal that the concept of relation in the postwar CIAM's debate was the hot issue which leaded to the collapse of CIAM, and that Aldo van Eyck developed it into the concept of "in-between". The postwar CIAM's young members voiced a critique of the universalizing attitude toward dwelling that CIAM had pursued since 1928 and looked for a new approach that would take into account the relation around dwelling. So, this study reviews the concepts of relation which were proposed by the postwar CIAM's young members. As a result, it is revealed that Aldo van Eyck extended the concept of "in-between" not to have the polarities, such as inside/outside, close/open, part/whole, neutralize or cancel one another out, but to attune them in such a way that they reinforce each other by mutual contrast, while the other young CIAM's members limited it to transition or connection. And, this paper analyzes the Municipal Orphanage in Amsterdam which was presented in CIAM 10. Through the analysis, it is revealed that the building presents many polarities simultaneously such as those; indoor and out door realms, dynamics and immutability, part and whole, and so on. In conclusion, it is possible to recognize that the concept of "in-between" is the fundamental binary-compound relation that lies at the root of Aldo van Eyck's architectural thought and bears on an interaction on a reciprocal relation between the inhabitant and the built environment.

• 대한건축학회논문집:계획계
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• 제35권4호
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• pp.115-126
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• 2019

Construction of the Pyongyang Railroad Station began in 1907 as an important foothold for the Japanese colonization of the Korean Peninsula and the further invasion of Manchuria. As Pyongyang gradually grew in size and political significance, the Pyongyang Station came to have two responsibilities: Fulfill its functional role and serve as a monument to the growing dignity of the city. This study argues that the Pyongyang Station, newly rebuilt in 1958, was the first building to solve the demands for both functional expansion and the pursuit of monumentality. Stylistically, the original single-story wooden building became a three-story classical masonry building. The stylistic change symbolizes the political shift by which the building was reconstructed. The simple wooden building built by the Japanese, representing Pyongyang's status as a colonial provincial town, was transformed into an imposing gateway for the capital city of a newly born socialist state. Socialist Realism, correctly described by its slogan "socialist in content and national in form," harmoniously blended classical architecture, socialist symbols, and Korean local motifs. This study is significant in that it illustrates the historical changes and continuity of the Pyongyang Station from 1907, when it was first built, through the "liberated space" to the postwar reconstruction period of the 1950s.

• 한국주거학회논문집
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• 제25권5호
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• pp.113-124
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• 2014

The grands ensembles, or large-scale high-rise housing projects, are widely regarded as notorious products of postwar French government policy in the area of housing and urban planning. There was a general consensus that the grands ensembles had been a 'failure'. They were perceived as the source of all the ills of the contemporary city, as responsible for a social breakdown stemming from lack of infrastructure, geographical isolation, and monotonous environments. French government embarked on a broad renovation effort in light of the deteriorated condition of grands ensembles in the 1980s, which has been approved as generally 'successful'. This study focusing on French cases allowed me to demonstrate that following qualifications are critically important for successful housing projects: urban contextual continuity, socially mixed community, authentic planning for achieving sense of place, relationship between collective and individual expression, et cetera.

• 대한건축학회논문집:계획계
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• 제34권9호
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• pp.117-128
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• 2018

The United States understood the fostering of pro-U.S. elites in "free world" countries as an important Cold War weapon. From 1954 to 1962, the U.S provided considerable assistance to Seoul National University (SNU) for its postwar rehabilitation and future development in terms of repair and construction of campus buildings, equipment and book purchases, and faculty exchanges. With the aid of this educational assistance project widely known as the Minnesota Project, SNU was reborn with an academic orientation to the U.S., separating itself from the Japanese education that was its origin. This study argues that the Minnesota Project played an important role in crafting SNU's architecture program and the exchange program's recipients as key "knowledge brokers." For individual trainees, experience in the U.S., as opposed to a backwards situation in their homeland, had allowed them to recognize the U.S. as an ideal source of knowledge. Since the Minnesota Project, SNU's Architectural Engineering Department was filled with faculty members who had trained or studied in the U.S., which became a significant distinction of SNU's architecture program in sharp contrast to its counterparts at Hanyang University and Hongik University where most of the faculty members studied in Japan during the Japanese colonial period. As many graduates of SNU had been appointed as faculty members in newly-founded architecture programs in South Korea, a hierarchical diffusion path had emerged in architectural education that led from SNU to other school's architecture programs, with the U.S. at the apex. The legacy of the Minnesota Project extended over the next few decades, in which studying architecture in the U.S. was recognized as a shortcut to success in the field.

• International Journal of Human Ecology
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• 제7권2호
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• pp.1-15
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• 2006

The purpose of the study is to examine how the apartment housing became common and how it became the main structure type of housing in Korea, as well as the social backgrounds. The study also focuses on how such phenomenon caused the housing problems which become social problems, and how new trials in terms of housing supply were performed to provide solutions to meet various housing needs of households. The purpose was accomplished by the examination of related literature since the liberation from Japan in 1945 to the early 1990s. In fact, it was uncommon to have apartment housing as the main figure of housing style. However, it became the major housing culture in Korea. Even if there have been lots of blames for apartment housing for last forty years, they were able to settle in Korea. Major reasons for such phenomenon include desperate needs for a larger quantity of housing due to industrialization, urbanization, etc.

• 한국전통조경학회지
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• 제38권2호
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• pp.60-76
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• 2020

본 연구는 전통정원의 가치 발굴과 재조명을 목적으로, 임실 이웅재고가의 공간적·시각적 배치 특성과 경관과 정원 구조를 검토하여 전통정원으로서의 문화재적 가치를 부상시키기 위한 목적으로 시도되었다. 연구의 결과는 다음과 같다. 고가가 입지한 둔덕리 동촌마을은 배산임수의 전형적인 형국으로 3개로 모인 물줄기 북측에 전착후관한 집성촌을 이루고 있다. 단구대와 삼계석문의 경승을 갖는 동촌마을은 노적봉과 계관봉은 안산(案山)으로 한 '지네가 하늘을 나는 형국(飛天蜈蚣形)'의 길지로 이해된다. 이웅재고가는 16C 중반 춘성정 이담손에 의해 조영된 전북지역에 현존하는 가장 오래된 고가이자 조선 왕실가문의 종가로 추정된다. 임진왜란 및 일제강점기 일본에 저항한 충정과 대문채의 효자정려 그리고 편액과 주련에 담긴 충효의 가풍은 물리적인 가옥의 가치를 부상시키는 요소가 되기에 충분하다. 경사진 지형에 거스르지 않게 배치된 사랑채나 안채의 배치 그리고 높은 돈대에 올린 사랑채는 최대한 원경을 차경하는 효과를 거두며 왕가 건물로서의 위엄성과 위계성을 높이고 있다. 또한 사주문과 중문을 통한 안채 진입방식, 넓은 후원과 채원의 할애 그리고 안채에 배려된 공루 등의 가옥 구성은 일반 사대부가에 비해 매우 독특하다. 그러나 전후관계로 보면 사당을 주변으로 넓은 후원을 안배함으로써 유교적 이상을 실현하는 한편 자연과의 조화를 꾀하고 있다. 한편 지금은 교란·훼손되었으나 외원에는 비교적 넓은 면적을 갖는 방지원도형(方池圓島型)의 지당(池塘)이 존재했던 것으로 확인된다. 고가에서 주목되는 식재수종은 후원의 소나무, 팽나무, 감나무, 매화, 홍단풍 그리고 측정의 산수유를 비롯하여 외원의 자두나무 등이다. 석축 위로 조성된 화계는 고가의 정원상을 가장 명료하게 보여주는 공간으로 정원 특성을 잘 간직한 공간이지만 화계 식생경관에 어울리지 않게 종 다양성과 사당에 어울리지 않는 화려함이 극도로 높아 식재의 짜임새를 상실한 느낌이다. 이웅재고가는 조선 전기 궁궐 밖에 조성된 궁가(宮家) 건축의 한 단면을 보여줄 수 있는 조영물이라는 점에서 문화재적 가치가 매우 높다. 이와 같은 연구 결과를 바탕으로 이웅재고가의 관리 개선방안을 제안하였다.