A Study on the concept of "In-Between" in Aldo van Eyck's Architecture -Focus on the postwar CIAM, 1945-1959-

알도 반 아이크 건축에서 "사이 영역" 개념에 관한 연구 -1945년부터 1959년 사이의 전후(戰後) CIAM을 중심으로-

  • 오광석 (한국해양대학교 해양공간건축학부) ;
  • 안웅희 (한국해양대학교 해양공간건축학부) ;
  • 전영훈 (중앙대학교 건축학부)
  • Published : 2008.02.29

Abstract

The purpose of this study is to reveal that the concept of relation in the postwar CIAM's debate was the hot issue which leaded to the collapse of CIAM, and that Aldo van Eyck developed it into the concept of "in-between". The postwar CIAM's young members voiced a critique of the universalizing attitude toward dwelling that CIAM had pursued since 1928 and looked for a new approach that would take into account the relation around dwelling. So, this study reviews the concepts of relation which were proposed by the postwar CIAM's young members. As a result, it is revealed that Aldo van Eyck extended the concept of "in-between" not to have the polarities, such as inside/outside, close/open, part/whole, neutralize or cancel one another out, but to attune them in such a way that they reinforce each other by mutual contrast, while the other young CIAM's members limited it to transition or connection. And, this paper analyzes the Municipal Orphanage in Amsterdam which was presented in CIAM 10. Through the analysis, it is revealed that the building presents many polarities simultaneously such as those; indoor and out door realms, dynamics and immutability, part and whole, and so on. In conclusion, it is possible to recognize that the concept of "in-between" is the fundamental binary-compound relation that lies at the root of Aldo van Eyck's architectural thought and bears on an interaction on a reciprocal relation between the inhabitant and the built environment.

Keywords

References

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