• 한국의류학회지
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• 제20권1호
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• pp.183-196
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• 1996

The purpose of this study was to analyze the influnce of Postmodernism on 90's fashion trends, and to present applications of it's inspiration to print design. 90's fashion trends represented in fashion magazines, in fashion trend reports, and in related books were anlyzed. Informations referring to two selected target markets were collected by phone interview. In 90's fashion trends, seven fashion images seemed to be influenced from Postmodernism emerged. Based on these seven fashion images, several print designs were created and developed for one domestic market and for one export market.

• 복식문화연구
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• 제9권1호
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• pp.141-153
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• 2001

In the midst of rapid cultural and artistic changes with the turn of the century, postmodernism is exerting great influence on the value and trends of arts. many artists are making utmost efforts in order to overcome ambiguity and confusion caused by these changes. Analysis of the works and philosophy of prominent fashion designers provides insight into the influence of postmodernism to the creation of modern arts including fashion. This paper attempts to explore how pluralism, one o the most important features of postmodernism, has given impacted to the modern fashion design. fashion trend and works of Paco Rabanne were reviewed with particular emphasis on pluralistic expressions in his fashion creation. it was found that Paco Rabanne's diversified and innovative use of materials and design methods were possible due to the influence of pluralism. It is anticipated that this trend will e observed in the various forms of arts wit the further analysis of fashion designers and artists.

• 한국수학교육학회지시리즈A:수학교육
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• 제48권2호
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• pp.169-182
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• 2009

This study deals with the postmodern perspectives in mathematics classroom. Today, mathematics and mathematics education can be explored through postmodernism because they have very different practices, pluralism, and anti-authoritarianism. Thus practices and researches of mathematics classroom are coherent to postmodern perspectives such as situated theory, anthropological approach, and interactionism. In these socio-cultural views, learners' milieu and participation, language of classroom activities, and culture of mathematics classroom are considered very important. Therefore, it is required that both mathematics educators and researchers make a change toward postmodernism in attitude and subject of mathematics classroom research.

• 복식
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• 제63권8호
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• pp.14-26
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• 2013

The purpose of this study is to compare and analyze Jacqueline Kennedy and Michelle Obama's fashion style from a perspective of modernism and postmodernism. The method utilized in this study was first, to examine the properties of modernism and postmodernism. Next, we explored the types of role performance of the first ladies and the application of their fashion as an aid to their roles through the precedents of the research concerning modernism and postmodernism. The results of the study are as follows. First, there was a trend of formalism and anti-formalism. Jacqueline Kennedy made her public appearances wearing a formal dress in order to express the first lady's authoritarian figure of restrained elegance. The fashion of the first lady aspired to formalism. Meanwhile, Michelle Obama followed more of a free style by eschewing the typical formality of the first lady. She created diverse styles utilizing a variety of items, which were not interrupted by form or by using heterogeneous items. Second, there is a trend of elitism and populism. While Jacqueline Kennedy preferred only haute couture designers' costume in order to show the prestige and dignity of the upper class, Michelle Obama patronized unknown designers' clothing or mid-level casual brand goods that the public favors in order to interact with the public through her fashion. Third, while modernism regards totality or unity to be important, postmodernism puts an emphasis on the eclecticism by pursuing complexity and diversity through the deconstruction of an indigenous genre. In case of Jacqueline Kennedy, this tendency featured monotone clothing color, which presented a unified full set dress that excluded decoration. Michelle Obama, in contrast, mixed and matched formal dresses and a casual cardigan or felicitously mixed luxury brand or low to middle priced brand goods.

• 복식
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• 제50권6호
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• pp.163-175
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• 2000

This study focuses on the Zen style in contemporary fashion which presents itself as one of the dominant cultural phenomena these days. After investigating the basic concepts and features of the Zen style and examining its birth and development, this study moves on to the ways in which it is characteristically applied for the world of fashion. This study is also performed both by the theoretical research on related books and papers for the explication of main concepts and by the practical research on fashion magazines and works of famous fashion designers for the presentation of more detailed illustration. When we are talking about postmodernism, which is a reaction against or a continuation of modernism, as a cultural dominant shown up in the late twentieth century, the Zen style itself can be regarded as a typical representation of postmodernism in fashion. Although the Zen style can be viewed as sharing the basic principles with minimalism which is a main branch of modernism, it is strongly in line with postmodernism (which is human-centered) in that its fundamental idea is based on emotions and feelings of human beings and the purity of natural world. As above, ZEN is a crossover phenomenon between postmodernism and modernism. In this sense, it is said that within the name of postmodernism the Zen style has satisfied our desire to present our inner world of mind with the help of regional philosophy (in this case Oriental one). The four main aspects of the Zen style in fashion are following : simplicity connected with the Oriental moderation, the use of the Oriental silhouette and detail, the destruction of form, and the nature-friendly attitude. These will be under close examination in this study.

• 한국수학사학회지
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• 제12권2호
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• pp.135-141
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• 1999

It can be said that postmodernism shows a tendency to be anti-Descartes in the sense that it criticizes modern rationality which has started from Descartes. This paper suggests the relationship between modernism and postmodernism and that between. traditional Mathematics and fuzzy logic in three aspects, and shows that fuzzy logic tends to be a postmodern science in Mathematics.

• 한국수학사학회지
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• 제16권4호
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• pp.45-52
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• 2003

It is said that mathematics is neutral and free from any thought. But the history of mathematics refuses it. This paper aims to investigate modernism and postmodernism in mathematics and to scrutinize them. For this, first modernism is characterized by concentrating on Descartes' philosophy, and next postmodern view which criticizes modernism is discussed. Finally it is claimed that mathematical realism and postmodernism can be comparable in different dimensions.

• 복식
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• 제38권
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• pp.369-392
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• 1998

In order to identify and describe the central core of fashion desire, the concept of“anti-aesthetics”and“open fashion”were analyzed based on the discourses of postmodernism dis-cussed in the field of sociology, culture, art and philosophy. In this paper, first, the new perspectives of fashion related to modernism and postmodernism were proposed, open concept, anti-aesthet-ics which is ephemerality but eternal ideology. Key principles of postmodernism as anti-aess-thetics mean the philosophy of nihilism proposed by Nietzsche indeterminency, the endd of original art(the death of art), the sublimity provided by Lyotard, and the pluralism to release human from the closed way of thinking, value, ideology. Second, the old and classical definition of fashion,“the differentiation of class”proposed by Veblen and Simmel has been changed into the“differentiation of taste”in postmodern condition. Third, the dichotomous system, that is, ration vs emotion, soul vs body, male vs female, culture vs nature, and so on has been deconstructed and disolved in the postmodern fashion phenomenon using the technique of anti-formalism, such as pastich, parody, bricolage an kitsch for the expression of sublimity and freedom of human.

• 한국콘텐츠학회논문지
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• 제16권3호
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• pp.162-170
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• 2016

자비에 돌란의 모성과 성적(性的) 정체성에 천착하는 작품들의 영화적 시도와 실험은 어렵거나 낯설지만은 않다. 기존 영화의 양식과 형식을 해체하거나 파괴하기보다는 우리가 기억 하는 친숙한 영화나 시, 패션, 음악, 미술 등의 상호텍스트성 기법인 패스티시와 자기반영성을 통해 소통하고 있기 때문이다. 또한, 그는 작품에서 거듭 반복되는 포스트모더니즘의 특징들이라 할 수 있는 탈(脫) 장르, 탈 주체, 대중문화에 대한 관심, 과거에 대한 향수의 재현으로 말을 건넨다. 본 연구에서는 일종의 유행처럼 지나갔다고 여겨진 포스트모더니즘의 현재를 재인식하고자 하고 자비에 돌란의 영화의 포스트 모더니즘적 특징과 반복적으로 사용된 모티프를 분석하고자 한다. 또한, 그의 작품에서 등장하는 인물들을 통해 소수자들에 대한 감독의 관심과 알레고리적 분석을 시도하고자 한다.

• 자연과학논문집
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• 제8권2호
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• pp.199-224
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• 1996

후기산업사회로 특정지워지는 새로운 가치와 생활양식이 한국사회 속에서 퍼져나가고 있다. 이에 이소고는 먼저 복식 디자인속에서의 포스트모더니즘에 관한 것으로 후기산업사회의 논리와 포스트모드니즘의 문화형태 사이의 복잡한 연관관계들을 설명하려고 한다. 그리고 나서 디자인영역에서 "모더니즘"으로 대표되는 바우하우스와 비교하여 포스트모더니즘의 특징을 비판적으로 정의할 것이며, 포스트모더니즘 디자인의 기본적인 요소들과 그 정향점을 비판하기 위해 필자가 선택한 적절한 예들을 상세히 분석할 것이다. 결국 필자는 바우하우스와 포스트모더니즘을 뛰어넘는 새로운 시각을 제시하고자 한다. 다시말하면 '열린대화주의적 디자인'이라는 제3의 디자인 개념을, 소개하는 범위내에서 제안하려는 것이다.