• 제목/요약/키워드: Posthumous

검색결과 23건 처리시간 0.025초

홍씨독서록의 목록기술방식에 대한 고찰 (An analysis on the bibliographical description of the Hong-ssi Tok-so-rok(홍씨독서록))

  • 리상용
    • 한국문헌정보학회지
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    • 제27권
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    • pp.215-228
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    • 1994
  • This study is to analyze the background and circumstances of the bibliographical description method appearing in the Hong-ssi Tok-so-rok, or an annotated classified bibliography of Korean and Chinese books edited for the Hongs and their clan. The conclusions are as follows. Each entries of the bibliography are entered under titles, and generally followed by bibliographic elements of volumes, written age, author's name, functional word of authorship, and annotation. The written age is stated by the dynasty name for the first authors within each classes. However some anonymous works and government compiled works are recorded the king's shrine name or the reign title. Entries of the bibliography are arranged by the chronological order in each classes. The writer's name is generally described by 'surname + given name'. However it is sometimes also recorded in the one of the following forms; Appellation (hao, 호) or posthumous title + surname + given name. Sumame + appellation or posthumous title + given name. Appellation ( (hao, 호) or posthumous title + sumame + Sonsaeng (선행) + given name. Sumame + government position title + given name. Appellation (hao, 호) + surname + cha(자, master). surname + ssi(씨). ect. Married women's names are stated by her husband's surname followed by the Chinese character 부 or 절부 which signifies wife or virtuous women, and then her given name. The works written or compiled by King's order (명찬서) are generally described in the form of 명제신+ functional word of authorship. Names of government agencies are occasionally stated as the authors' for the government publications or government compiled works. The functional words of authorship are described in the phrase of 소작야, 소편야 instead of 저, 찬, ect. It is more noticeable that in the case of the collections of individual writers' works the wording of 지문야, 지시야 is written after the name of the author. More complicated descriptive forms are seen in the entries of works for the shared authorship and mixed responsibility. Two or more than two monographic works of the same author classed in the same class are annotated all together.

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잃어버린 das Ding과 라캉 정신분석의 사후 주체 - 무궁화 꽃은 피지 않는다 - (The Lost Das Ding and A Posthumous Subject of Lacan's Psychoanalysis - Mugunghwa Flowers Do Not Bloom -)

  • 이동석
    • 문화기술의 융합
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    • 제8권5호
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    • pp.127-136
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    • 2022
  • 이 논문은 자크 라캉(Jacques Lacan:1901~1981)이 가장 애착을 가지고 있는 "정신분석의 윤리 세미나 VII" 연구이다. 국내에는 아직 번역본이 출시되지 않았다. 연구의 판본은 라캉 세미나 VII의 불어 원전과 영어 번역본을 이용하였다. 라캉은 정신분석의 윤리 세미나에서 중요한 개념을 소개한다. 독일어로 das Ding(다스 딩)이다. 우리말로는 '큰 사물'로 번역되었다. 라캉은 이 용어를 불어로 La chose(라 쇼즈)로 소개한다. 영어로는 The Thing이다. '큰 사물'은 어릴 적 엄마가 부여해 준 사물이기도 하다. 또한 어릴 적 완벽하게 해소되지 않은 잃어버린 것으로 해석될 수 있다. 따라서 라캉이 말하는 주체는 잃어버린 대상의 되찾기 위한 일생의 여정을 전개하게 된다. 이 지점을 라캉은 정신분석 윤리의 출발점으로 제시하고 있다. 우리는 본론에서 잃어버린 장소로서의 das Ding을 추적하여 윤리의 문제를 다시 재조명하려 한다. 첫째, das Ding의 기원을 살펴볼 것이다. 두 번째로 사랑과 das Ding의 관련성을 통해 빈자리를 메우려는 주체에 대해 논할 것이다. 셋째, 미국의 자아심리학과 das Ding과의 관계를 라캉의 도식으로 해석하는 시도를 할 것이다. 마지막으로 '무궁화 꽃이 피었습니다.' 놀이를 통해 사후 주체를 다룰 것이다.

알프레드 히스콕의 스릴러 영활에 나타난 복식의 상징성 (A Study on the Symbolism of Costumes Appeared in Aflred Hitchcock′s Film)

  • 이효진;류근영
    • 복식문화연구
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    • 제9권2호
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    • pp.259-276
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    • 2001
  • Hitchcock, "a master of the thriller" "leading figure of thriller", was famous for his work style. He never starts filming until completing a perfect conception in his mind before shooting. He started filming after getting a perfect filming plan adding a picture even one detailed shot picture. Also the movie costumes was not an exception in his movie. He put more main object to express a symbolic meanings by recreating movie costumes which were fit to drama′s subject than function which spoke for contemporary popularity also he guides actors to put on the movie costumes examined previously to shape a definite visual character in that works. This research intends not only to look into symbolic and expressive means of dresses through the movie costumes on thriller appeared in Hitchcock′s movie, but also the comprehension width by grasping importance of the movie-costume and dress image in the movie. Hitchock made about 55 movies, mostly thriller movies, from Number 13(1922) n unfinished work to family plot(1976) ones posthumous work. This research examined his the second half of term works(after 1950) such s Rear Window(1954), Vertigo(1958), Psycho(1960), Torn Curtain(19660, Topaz(1969) and Frenzy(1972) which are generally familiar to the public. In conclusion, we can find that the thriller movie costumes as well s the other movie and appeared a character of the film′s characters, social rank, economic level, personality. But expecially, a costume of Hitchcock′s thriller movie can be contained a characteristic factor of a kind of five.

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태음인 처방의 사상의학적 병리 연구 (Study on the Pathology of Taeeumin Prescription in Sasang Constitutional Medicine)

  • 유승엽;최나래;오승윤;박수정;주종천
    • 동의생리병리학회지
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    • 제30권1호
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    • pp.14-19
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    • 2016
  • This study was designed to define the efficacy of prescriptions of Taeeumin in Sasang constitutional medicine. The twenty four prescriptions registered in Donguisusebowon Sinchuk edition written by Je-ma Lee in 1901 are the targets of this paper. We searched and analyzed original text such as Donguisusebowon Sinchuk edition written in 1901, Donguisusebowon Gabo edition written in 1894, Donguisusebowon Sansang Chobongwon, and posthumous manuscripts left by Je-ma Lee published by the Ministry of Health of North Korea. The pathology of the Taeeumin is classified into four mechanisms those are Esophagus-Cold (Wiwanhan), Cold Lung-Dry (HanpaeJo), Liver-Heat (Ganyeol), and Heat Lung-Dry (YeolpaeJo). The prescriptions of Taeeumin regulate four mechanisms. Twenty four prescriptions of Taeeumin regulate the mechanisms of Wiwanhan, HanpaeJo, Ganyeol, YeolpaeJo and correct the energy-fluid pathology of Taeeumin.

한국석탑의 세부 명칭과 의미 고찰 (A Study on the Name Details and Meaning of Korean Stone Pagoda)

  • 천득염;정지윤;오창명
    • 건축역사연구
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    • 제27권3호
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    • pp.59-72
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    • 2018
  • The detailed names and meanings of Korean stone pagodas have not yet been properly studied or clearly defined. Therefore, an aim of this report is to compare the detailed names of Korean, Chinese, and Japanese stone pagodas by focusing on content used previously by Ko and his students and content that is currently in use (i.e., since the Japanese colonial era). Additional objectives are to assess the significance of these names and propose an appropriate detailed draft regarding names of stone pagodas. The discussion will proceed by dividing the stone pagoda into three parts: the podium, main structure, and finial. First, the content in Luo Zhewen(羅哲文)'s "Ancient pagodas in China(中國古塔)" (1985) is considered; then, "朝鮮の石塔" (1943)-published by during the Japanese colonial era-is explored. The thesis written by Yu-Seop Ko regarding Korea's first stone pagoda and the content in "A Study of Korean Pagodas(朝鮮塔婆의 硏究)" (1948), which contains Yu-Seop Ko's posthumous works published in book form by his student Su-Yeong Hwang, Heu-Kyoung Kim are examined. to pagodas that are used today, are compared and reviewed. Since Korea, China, and Japan influence each other, pagoda-related terms are shared to some extent. In this study, these were applied to stone pagodas, and names used thus far that have not drawn criticism were studied and proposed as suitable alternatives.

영건(營建) 관련 자료를 통해 본 조경단(肇慶壇)의 건축특성 (A Study on the Architectural Characteristics of Jogeongdan Examined through Construction-Related Records)

  • 안선호
    • 건축역사연구
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    • 제32권5호
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    • pp.59-68
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    • 2023
  • Jogyeongdan is an altar built by the Korean Empire within the burial grounds of Sijomyo(始祖墓), the Jeonju Lee clan, as a part of their posthumous respecting project. This site adheres to strict rules and formalities that are comparable to those of the royal tombs of the Joseon Dynasty, with its altars and monument House demonstrating construction techniques that hold high value in architectural history. This study compares and analyzes construction-related records such as Uigwe, Statements, and Figure, along with their historical context. Through this effort, the study explores in detail the original form of Jogyeongdan at the time of its construction and subsequent transformations in later periods. Findings showed that the Figure was drawed by Chae Yongsin and was only a blueprint prior to the construction; it was modified during the actual construction process. A part of Jogyeongdan project was carried out by demolishing four government office buildings that were closed because of the Gabo Reform in order to secure wood and roof tiles, among other materials. Additionally, concluded the Jaesil was by relocated Deokryudang from Samryeyeokcham. Further, instances of distinctive terminology usage were found related to construction materials in the Jogyeongdan Uigwe, which were not used in another Uigwe. These terms were distinguished in detail according to the locations in which the materials were used.

인터넷 유저의 능동적인 참여를 유도하는 게임성향 광고 콘텐츠 개발 과정에 관한 연구 (Research about development process of game tendencious advertisement contents that drive active participation of internet user)

  • 임우성;유석호
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2004년도 추계 종합학술대회 논문집
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    • pp.101-109
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    • 2004
  • 오늘날 디지털 기술의 발달로 인터넷이 대중화되었고, 인테넷 이용자가 증가함에 따라 인터넷을 이용한 광고가 증가하고 있다. 특히 인터넷을 이용한 광고는 시간에 관계없이 고객과 기업이 쌍방향(interactive) 커뮤니케이션이 가능하여, 제품의 특성이나 회사에 대한 이미지를 고객에게 능동적이고 효과적으로 제공할 수 있다는 특징을 가지고 있다. 이렇게 인터넷 광고는 시간에 상관없이 불특정 다수 인터넷 접속자에게 시선을 끌 수 있다는 주목도(Attention)와 쌍방향 커뮤니케이션이 가능하다는 매력(Charming)이 있어서, 인터넷 이용자가 보다 더 손쉽게 참여(Easy to Participation)를 할 수 있다. 현재 인터넷 광고의 주를 이루는 베너광고나 그 외의 광고는 인터넷 유저와 상호작용이 활발하지 못하다. 게임의 가장 중요한 요소가 상호작용이라는 점을 인터넷 광고에 이용한다면 더욱 효율적인 광고가 될 수 있다. 이러한 점에 착안하여 본 연구자는 인터넷 광고의 특성과 게임의 상호작용성을 토대로 하여 게임 성향의 인터넷 광고의 실제 디자인 프로세스 사례를 제시하고자 한다.

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태음인 약재의 사상의학적 병리 연구 (Study on Pathology of Taeeumin Medicinal Herb in Sasang Constitutional Medicine)

  • 유승엽;최나래;오승윤;곽시라;최진양;주종천;박수정
    • 사상체질의학회지
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    • 제30권2호
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    • pp.1-7
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    • 2018
  • Objective This study was designed to define the efficacy of medicinal herbs of Taeeumin in Sasang constitutional medicine. Method We searched and analyzed original text such as Donguisusebowon Sinchuk edition written in 1901, Donguisusebowon Gabo edition written in 1894, Donguisusebowon Sansang Chobongwon, and posthumous manuscripts left by Je-ma Lee published by the Ministry of Health of North Korea. Results Seven herbs such as Ephedrae Herba, Coicis Semen, Castaneae Semen, Fel Ursi, Mori Cortex Radicis, Ginkgonis Semen, and Farfarae Flos regulate the mechanism of Esophagus-Cold (Wiwanhan). Three herbs such as Melonis Pedicellus, Ailanthi Radicis Cortex, and Quisqualis Fructus regulate the mechanism of Cold Lung-Dry (HanpaeJo). Sixteen herbs such as Rhei Rhizoma, Angelicae Tenuissimae Radix, Puerariae Radix, Cimicifugae Rhizoma, Angelicae Dahuricae Radix, Moschus, Gleditsiae Spina, Mume Fructus, Aurum, Glycine Semen Germinatum, Ampelopsis Radix, Cornu rhinocerotis, Antelopis Cornu, Bomeolum, Bezoar Bovis, and Typhae Pollen regulate the mechanism of Liver-Heat (Ganyeol). Three herbs such as Chrysanthemi Indici Flos, Nelumbinis Semen, and Spirodelae Herba regulate the mechanism of Heat Lung-Dry (YeolpaeJo). Conclusion Forty four herbs of Taeeumin regulate the mechanisms of Esophagus-Cold (Wiwanhan), Cold Lung-Dry (HanpaeJo), Liver-Heat (Ganyeol), Heat Lung-Dry (YeolpaeJo) and correct the energy-fluid pathology of Taeeumin.

물의 주거로서 더 갤러리 카사 델 아구아에 구현된 리카르도 레고레타의 건축언어 (The Architectural Languages of Ricardo Legorreta in the Gallery of Casa del Agua as Dwelling of Water)

  • 김형준
    • 한국주거학회논문집
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    • 제25권2호
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    • pp.37-44
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    • 2014
  • The Gallery of Casa del Agua in Jeju Island was demolished by Jeju local government on March 6 in the last year. In the meanwhile, a lot of people including the architectural field had denied the demolition. Regardless of sustained efforts in order that the building could be preserved as a work, Jeju government ended up with demolishing the gallery. The Gallery of Casa del Agua was a temporary building constructed as a model house of Casa del Agua. As the remaining period of the temporary building had passed, it was on the verge of demolition by Jeju government. Casa del Agua is 'dwelling of water' in Korean, and the building was the last posthumous work of Mexican architect Ricardo Legorreta. Knowing from the expression of 'dwelling of water', this house is a dwelling work of him. Through this work, his architecture languages that he had pursued contained in dwelling could be looked into. This study examined the background and course of demolition of the Gallery of Casa del Agua, 'dwelling of water' and arranged problems in the course of demolition. Then, the fact that the Gallery of Casa del Agua as an architecture work of Ricardo Legorreta included his architecture languageswas analyzed. For this, his universalarchitecture languages were examined and how the architecture languages were applied to the Gallery of Casa del Agua was analyzed. As a result, it could be known that languages of composition and languages of emotion consistently shown in his works were represented in the Gallery of Casa del Agua.

청강 김영훈의 거서화중탕 임상 활용에 대한 연구 - 1915~1924 김영훈 진료기록을 중심으로 - (The Research on the Clinical Use of Cheonggang Kim Yeoung-hun's Geoseohwajung-tang - Focusing on Kim Yeoung-hun's Medical Records (1915~1924) -)

  • 김동율;정지훈;차웅석
    • 한국의사학회지
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    • 제28권1호
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    • pp.143-158
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    • 2015
  • The purpose of this study is to examine the prescription of Geoseohwajung-tang which often appears in Kim Yeoung-hun's medical records and how he employed this prescription. Geoseohwajung-tang is a prescription that can be found in no books of medicine in East Asia other than Kim Yeoung-hun's medical records, his posthumous work, Cheongganguigam, and Seungjeongwon Ilki, the diaries of royal secretariat of the Joseon dynasty. It was mostly used for digestive problems resulted from eating wrong food in summer and diversely applied by changing the composition of the medicinal ingredients according to the patient's symptoms. To see how Geoseohwajung-tang was used clinically, the researcher analyzed Kim Yeoung-hun's medical records written in 1915~1924. Among his total 21,369 medical records, 549 ones included Geoseohwajung-tang, and all of them were in July to September, so we can see that it was a prescription for the summer season. The use of the prescription was not highly related with the patient's gender, occupation, or age. The names of the diseases are mostly diarrhea, dysentery, acute vomiting with diarrhea, and all of them are highly related with diarrhea. The causes of them are mostly summer-heat, dampness, and food poison.