• 디지털융복합연구
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• 제17권11호
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• pp.547-556
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• 2019

본 연구는 참전 국가유공자의 외상 후 스트레스와 우울의 관계를 파악하고, 외상 후 스트레스와 우울의 관계에서 자아-적응유연성의 매개효과를 확인하고자 하였다. 한국보훈협회의 협조를 얻어 2018년 3월부터 6월까지 한국전 또는 베트남 전쟁 참전군인 383명을 대상으로 자료 수집하였다. 수집된 자료는 SPSS 24.0 Statistics Program을 이용하여 외상 후 스트레스와 우울의 관계에서 자아-적응유연성의 매개효과를 계층적 다중회귀분석으로 분석하였다. 대상자의 참전 기간이 긴 경우(F=7.97, p<.001), 무직인 경우(t=2.09, p=.040), 경제 상태가 좋지 않은 경우(F=64.49, p<.001) 외상 후 스트레스가 높았으며, 외상 후 스트레스와 우울의 관계에서 매개변수인 자아-적응유연성이 부분 매개하는 것으로 나타났다. 본 연구결과를 바탕으로 참전군인들의 우울 중재를 위해 자아-적응유연성 향상에 초점을 맞춘 다양한 프로그램 개발 및 국가 차원에서의 체계적인 관리가 요구된다.

• 건축역사연구
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• 제23권6호
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• pp.27-37
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• 2014

Early 20th century Singapore was faced with the problem of overcrowding. The attendant problems of a rapid increase in population density, namely the lack of proper housing and sanitation, resulted in the issue of an appropriate residential environment emerging as an important task in urban planning. It was necessary to construct housing estates in order to solve this issue. At that time, the British colonial government attempted to transplant modern technology into the construction process of a residential complex system. However, Singapore's climate and traditional lifestyle made it impossible to apply the British modern system in a straightforward manner, and in the process, a number of transformations emerged. With a specific focus on the Tiong Bahru estate, one of Singapore's representative public housing projects, from the 1930s through the 1950s, this study intends to look at the way in which such residential estates were assimilated into local surroundings, and the effect of the transplantation of British concepts of modern housing theory. Therefore, the study is divided into an examination of the estate both before and after the turning point of World War II. This study confirms that the difference between the pre-war and post-war planning strategies for the Tiong Bahru estate were made according to the concept of 'open space.'

• Journal of Nutrition and Health
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• 제22권2호
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• pp.108-117
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• 1989

The purpose of this study was aimed to investigate the historical tends of population growth which has reflected direct effect of the ratio of food self sufficiency in Korea between the year of 1910 and 1980. Author divided the whole years between 1910 and 1980 into five different periods ; colonial period from 1910 to 1945, post colonial period from 1945 to 1950, Korean war period from 1950 to 1955, post Korean war period from 1955 to 1960, fast economic growing period 1960~1980. The ratio of national food self sufficiency has been profoundlly affected by dual factors ; rate of population group and increment of GNP which reflect the national economic development. Total food production never reached the level of population growth ratio in Korea. As a result food demand and supply has shown imbalaced condition which leads to import foods from outside contury to compensate food shortage. The increment of GNP sharply cut down the cereal consumption. The consumption of fish, milk, eggs and meat reflected to increase since 1970.

• 한일민족문제연구
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• 제35호
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• pp.107-144
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• 2018

This paper summarizes the genealogy of post-war Zainichi magazines in Japan until 1959 and examines their meaning in the context of magazine history in Japan. The purpose of this paper is to prepare the framework to view characteristics of Zainichi magazines in Japan after the war until the present from a continuous and comprehensive perspective. Zainichi, who were left behind in Japan after the war began to project diverse aspects of their lives onto magazines. Despite the poor publishing environment, censorship of GHQ, shortage of writers and financial limitations, the Zainichi society did not give up the public sphere of magazines. The confusion in this time period acted as an element to expose limitations of Zainichi magazines in Japan. Most of magazines published in 1940s and 50s had to focus on political propaganda within the political frame, and many of such magazines were only published for a short term. In other words, it is ambiguous to define the majority of them as 'magazines' and a considerable number of them cannot even confirm the existence, making it difficult to examine the whole picture of magazines from this period. However, recently excavated materials indicate that most of Zainichi magazines in Japan attempted to reflect the reality of the Zainichi society in various ways, though they were confined in the political frame. The process in which language of magazines was changed from Korean language to Japanese and then again to Korean language suggests that Zainichi magazines in Japan tried to consistently express their existence in 'ethnicity,' 'homeland' and beyond, mediated by 'politics' and 'culture.' Moreover, the experience of seeking for the possibility of Zainichi culture in Japan from the flow of cultural movements in Japan during 1950s is an experience of seeking for a popular 'expression' that overcomes the political conflict of homeland. This reveals the diversity the Zainichi society to occur afterwards. A more precise study on individual magazines published during this period would be necessary in the future.

• 문화기술의 융합
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• 제9권1호
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• pp.407-412
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• 2023

외상을 경험하는 대상자가 극심한 스트레스를 경험할 때 적절히 대처하지 않으면 외상 후 스트레스 장애(Post Traumatic Stress Disorder, PTSD) 등을 포함해 다양한 정신과적 문제가 발생할 수 있다. 또한, 전쟁이 아니더라도 군 복무 중 목숨을 위협하는 사건을 경험한 군인들은 심각하고 만성화된 PTSD 증상을 경험할 수 있음을 고려하면 이에 대한 개입을 위해 장병들이 어떠한 외상사건에 노출되어 있는지, 이로 인한 PTSD 증상을 어느 정도 경험하는지에 대한 연구가 필요하지만, 아직 국내연구가 부족한 실정이다. 따라서 본 연구는 국내 연구의 동향을 파악하고 이를 통해 군 장병의 PTSD와 심리적 지원을 위한 기초자료로 활용될 수 있는 방안을 제공하며 더 나아가 군인뿐만 아니라 전투를 경험한 '민간인'의 PTSD에 대해서도 연구하고 일반외상과 전쟁 외상의 PTSD 차이에 따라 증상 치료 및 완화 프로그램을 민간인들에게 제공한다면 대군 신뢰 상승뿐만 아니라 군이 전쟁 외상 PTSD 연구와 예방, 치료 및 완화 분야에서 주도적 역할을 할 수 있을 것이라 기대된다.

• 한국산학기술학회논문지
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• 제12권12호
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• pp.5974-5983
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• 2011

본 논문은 6.25전쟁이후 한국현대건축 형성에 미국과 일본건축이 미친 영향에 관한 연구다. 2차세계대전 종전과 함께 광복을 맞이한 후 미군정과 6.25전쟁을 거친 한국 건축계는 미국의 원조를 통해 미국식 건축교육시스템과 건축생산시스템의 영향권에 빠르게 편입되지만, 동시에 일제강점하에 형성된 인적 제도적 관성에 기초한 일본건축의 지속적인 영향 속에서 재편되었다. 본 연구의 목적은 미국과 일본에서 수학한 두 건축가(김정수와 김수근)의 작품을 분석하여 미국과 일본의 건축이 전후 한국의 현대건축 형성기에 어떠한 영향을 미쳤는지 밝히는데 있다. 전재 복구가 마무리된 후 경제개발 과정에서 낙후된 한국의 건축생산시스템의 한계를 극복해야 하는 당면과제를 김정수는 개인적 차원에서 새로운 재료와 구법 그리고 국제주의건축의 구현을 통해 실현시켰다면, 김수근은 한국종합기술개발공사를 통한 국가적 지원을 통해 극복하고자 했다. 두 건축가가 취한 해법의 차이는 국비와 개인부담이라는 유학자금, 미국 연수와 일본유학이라는 교육배경과 유학동기의 차이에 기인하고 있음을 밝혔다.

• 한국국방경영분석학회지
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• 제17권2호
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• pp.1-15
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• 1991

If one were to say that war is political in its nature, then war could be one of the several ways of achieving political goals. Thus, the aspect of wars will, in certainty, be altered by the changes in political environment. Wars in the past broke out mainly due to ideological differences that ran to extremes and were of high intensity. However, wars today show such restraints as controlling them beforehand or during the war in anticipation of the post-war situation. The trend of ideas to actualize such wars in the effective operation of airpower is on the rise. Airpower normally possesses speed and operative flexibility as well as capability of destruction, so it is possible to destroy the politically declared targets clearly. Previous airpower was merely employed as means of helping to vertically detouring the spatial obstacle that the ground forces encountered. Over the years, due to the speedy improvement of aviation technology and of ideas concerning wars in space, more advanced application has been developed. but they also were nothing more than an auxiliary role to facilotate the ground forces, that needed a longer effective range of firepower and did not become forces with the right of self-determination, that is, the fact of decisive war that makes its outcome. However, under transitional strategic environment like that of the present, Airpower possesses not only the capability to operate as a decisive means of war but also as theories to support it. The advancement in air technology has enabled supremacy over targets in depth, and the development of electronic technology has empowered the improvement of degree of destruction but also triumphant war by means of an overwhelming supremacy in a relatively short period. Thus, the method of systematic destruction that accomplishes the stated goals while rejecting the damage of accumulative destruction has been realized. The progress of such a concept has also proved that the counter-force strategy that has been developed in nuclear strategy is useful in conventional warfare as well. Therefore, it can be said that the under today's strategic environment airpower is an outstanding means of military strategy that can deeply affect to achieve the national objectives.

• 한국가구학회지
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• 제17권2호
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• pp.69-79
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• 2006

German furniture design had been downward in trend after Bauhaus closed and through the War. Meanwhile Italy emerged as a center in furniture industry after the Second World War. After the Unification in 1989, however, German furniture still play predominant role in the world since they have their own unique quality and territory. This study explores the significance of German furniture design by three different eras-Post-war recession (1946-1965), Arising times (1966-1989), Contemporary (1990-2005)-and categorized the major characteristics are summarized as in the below. First, function oriented design Second, pursuing perfection of technology Third, simplicity and purity of design.

• 한국가구학회지
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• 제12권1호
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• pp.91-101
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• 2001

This study explored the trend of postwar period American furniture design and analyzes the contexts of the trend. To be more specific, this study categorized the types of the styles or "looks" of furniture which were dominant in postwar period America: the machine look ; the handicraft look ; the biomorphic look. The background and the context for each look were traced back and analyzed both diachronically and synchronically. Based on the analysis, this study provided two conclusions. First, postwar period American furniture design is in many ways indebted to the World War II, because the war itself and postwar economic revival produced high demands for furniture, which consequently produced a variety of looks of furniture. Second, the furniture design in this period is attributed to commercialism and consumer-oriented design policy formulated in the mid 1920′s when American design established its own identity separating from European avant-gardism.

• 한국가구학회지
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• 제14권2호
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• pp.53-61
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• 2003

Wharton Esherick (1887-1970) is the pioneer of the Studio Furniture movement which was emerging after the Second World War in the United States. As Esherick began to work on his studio at Paoli, Pennsylvania from 1926, he became enormously influential in the Stuido Furniture movement until his death in 1972. He was connecting the English Arts and Crafts ideal to the post-war craft revival. As the work of William Morris did, in the period of consumerism Esherick's furniture gave a chance to purchase unique furniture to people who wanted a different taste. Not only his furniture is unique and hand-crafted also has sculptural quality which made his followers to see furniture as a different possibilities. His work was influential to the people who followed him after the war such as Arthur Carpenter, Wendell Castle, and Sam Maloof. In the roots of the craft revival, it is hard to underestimate the contribution of Esherick's notion of sculptural furniture.