• 복식
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• 제62권5호
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• pp.108-124
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• 2012

The purpose of this study is to examine the political and social statements through fashion design, by comparing with more activated statements in the general design area. To achieve this, the documentary study and practical case study have been executed. First of all, the meaning of design politics was defined and the cases of design practice of political and social statements were reviewed and classified historically. Traditionally, designs have been inextricably linked with political authorities and ideologies. As propaganda, it has been used for power authority to seize power and maintain dominance. On the contrary, they could be an instrument to resist and criticize against contemporary power authority and dominant. Next, the political and social statements were traced historically through fashion design on the basis of the two previously reviewed categories. And then, comparing political and social statements between design and fashion design, the contents and ways of their expressions were similar. In design, there were more various ways when the designers were leading collective behavior, but in fashion design, there were more leading voices of socio-political organizations and resistant counter culture groups. Now, new trends are rising constantly where individual designers' creations express many different socio-political beliefs. This study which inquires designers' political and social involvement will be helpful in making people rethink the social role of fashion design and encouraging conscious fashion design activism.

• 한국기록관리학회지
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• 제17권4호
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• pp.27-49
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• 2017

최근 동물권 운동은 사회적 약자를 위한 사회운동 중 하나로서 인정받기 시작하였으며, 우리 사회의 새로운 사회적 정치적 관점을 형성하고 있다. 이 연구는 액티비즘 아카이브의 관점에서 동물권 운동 아카이브를 탐구한다. 동물권 운동 아카이브에 적용할 수 있는 공동체 아카이브의 원리를 네 가지로 정리하여, 아카이브의 유형에 따라 그 원리들이 어떻게 작동하는지 검토하였다. 그 유형들 중 액티비즘 아카이브를 선택하여, 동물권 아카이브가 갖는 사회적 의미와 쟁점을 검토하였다. (사)동물보호시민단체카라의 사례에서 액티비즘 아카이브의 쟁점을 살펴보았다.

• International Journal of Advanced Culture Technology
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• 제9권1호
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• pp.64-69
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• 2021

Brands have begun to act without giving in to the challenges facing our society. Just like the slogan in the novel "The Three Musketeers" by Alexandre Dumas proclaimed, "All for one, one for all!" in the age of transmedia the success of brand activism must reflect the same principle. Specifically, by embracing the big as well as the little stories of consumers scattered everywhere, each and every one should create a huge resonance. This means that brands should use the cultural lever of transmedia so that the various stories of consumers do not fade into oblivion and, furthermore, expand the brand's call to action. By analyzing brand activism cases in business, this study explores the effectiveness of brand activism for advertisers to develop a better understanding of brand communication strategy. Building on findings that show new young generation consumers to favor brands that respond to social, political, and environmental issues and conceptual implications of the snowball effect, this study emphasizes consumer participation in the brand story creation process and the need for brands to aim for high standards of professionalism and accountability, so that they can grow together with their consumers.

• 기록학연구
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• 제42호
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• pp.213-243
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• 2014

최근 기록학계에는 배제된 소수의 기록화와 사회정의 실현이라는 관점에서 공동체, 일상, 정치사회적 운동, 인권 등에 대한 다양한 기록화 논의가 진행되고 있다. 이러한 기록학 실천주의는 근래 들어 새로이 형성되었다기보다 이미 1960년대 후반부터 학문적 사회적 영향에 따라 변모되어왔다. 최근의 기록학 실천주의는 디지털 환경과 맞물려 기관, 지역을 넘어서 전세계적, 주류/비주류를 아우르는 모양새로 다방면에서 진행중이다. 일어나지 말았어야 할 4.16참사는 우리나라 기록공동체에게도 여러 과제를 안겨주었다. 증거, 치유의 기록에 대한 성찰적 접근이 필요한 시기이다. 이 글은 월가점령운동의 기록화 사례를 통해 동시대 기록화에 대한 과제에 시사점을 찾아보고자 한다. 이를 위해 기록학 실천주의의 개념, 그 기원과 의미의 발전과정을 살펴보고 월가점령운동의 기록화 활동 사례를 통해 기록학 실천주의를 수행하는 기록전문직의 역할에 대한 함의를 찾고자 한다.

• 기록학연구
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• 제67호
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• pp.267-318
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• 2021

이 연구는 기록학에서의 기억 접근법을 기록전문직의 실천이라는 관점에서 살펴보기 위한 것이다. 국내외 기록학계의 기억 연구들을 토대로 실천 영역별로 나누고 이를 모형화하였다. 기억 연구들이 제시하는 실천 영역은 다음과 같이 범주화하였다. 첫째, 기억기관(사회적 기억의 형성자 역할), 둘째, 기억투쟁(과거사 진상규명을 위한 기록활동), 셋째, 회복적 기억(사회적 참사나 인권침해 피해자들의 트라우마 기억 치유를 기록활동), 넷째, 기억과정(공동체 정체성을 추구하는 기록활동)이다. 또한 각 범주 별로 의미와 쟁점을 분석하였고, 아울러 실천에 필요한 역량으로서 기록전문성의 개입을 통한 실천과 정치사회적 실천성을 함께 살펴보았다.

• 한국간호교육학회지
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• 제29권3호
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• pp.263-271
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• 2023

Purpose: This study aimed to assess the factors influencing the political participation of nursing students who, as they become future leaders in the nursing field, will need to increase their participation in health policy decisions. Methods: Data were collected using web-based questionnaires answered by 157 nursing students between March 13 and 27, 2023. Those data were analyzed using t-test, a one-way ANOVA, Pearson's correlation coefficient, and a multiple linear regression. Results: The average score of political participation was 2.77±0.70 out of 5 points. Political participation showed positive correlations between political efficacy (r=.48, p<.001) and nursing professionalism (r=.27, p<.001). Furthermore, sex (female) and political efficacy were identified as influencing factors on political participation among nursing students, which explained it with 24.0% power. Conclusion: Providing timely nursing education is necessary for enhancing political efficacy, which could promote political participation among nursing students.

• 한국콘텐츠학회논문지
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• 제21권10호
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• pp.184-193
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• 2021

인터랙티브 다큐멘터리는 창작자와 수용자가 다양한 멀티미디어를 재료로 능동적으로 상호작용해 만들어내는 새로운 양식의 다큐멘터리를 말한다. 인터랙티브 다큐멘터리는 공론장을 형성하고 상호작용성에 기반한 경험을 통해서 수용자들로 하여금 사회 변화에 직접 참여하도록 매개하는 플랫폼으로 주목받고 있다. 하지만 이론적 관점에서 그 가능성이 체계적으로 탐색되지 못했고, 실천적 관점에서 가능성을 실현하고 발전시킬 방법에 관한 고려가 부족했다. 본 논문에서는 이론적 기반으로서 발터 벤야민의 정치 미학, 특히 예술의 정치화에 관한 논의들을 정리하고, 텍스트 마이닝을 통해서 인터랙티브 다큐멘터리의 매체적 특징을 분석한다. 그리고 이 둘을 서로 연결하여 인터랙티브 다큐멘터리의 정치적·미학적 가능성의 지도를 그려보고, 이를 바탕으로 실제 작품에서 그 가능성이 어떻게 실현되었고 한계는 무엇이었는지를 분석한다. 본 연구는 인터랙티브 다큐멘터리의 정치적·미학적 가능성에 대한 이론적 체계를 마련했다는 가치를 갖는다. 후속 연구에서는 이를 기반으로 트랜스미디어 액티비즘으로서 인터랙티브 다큐멘터리의 실천적 전략을 고민하고 실용성 있는 분석 및 기획 방법론을 개발할 것이다.

• 미술이론과 현장
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• 제10호
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• pp.105-118
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• 2010

This study discusses the community of participants in new media-based art of Taeyoon Choi, Wafaa Bilal and Mushon Zer-Aviv in relation to current discourses on social functions of art by Nicolas Bourriaud and Jacques Ranciere. Focusing on these artists' participatory projects which aim to provide alternative perspectives on wars between countries, to raise awareness about expanding surveillance systems in city spaces, or to create new public spaces on the web, this paper argues that their works hybridize entertainment culture and political activism to suggest a new model for political art.

• 수완나부미
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• 제6권2호
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• pp.85-106
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• 2014

Protests are not new in Malaysia, though it is restricted by the ruling government. The trend of street protests and demonstrations since the emergence of Coalition for Clean and Fair Elections (Bersih), Malaysia's first people movement on electoral reform, has triggered a sentiment of people power among Malaysian citizens. With protests and popular mobilization becoming pronounced in Malaysian politics, political activism becomes for Malaysians a channel of discontent and expression of political preferences. Using information obtained from interviews with individuals linked to the movement, this paper articulates that protests are no longer exclusive to Malaysians. This paper illustrates the emergence of the Bersih movement and explores the three Bersih mass rallies that took place in 2007, 2011, and 2012. This paper further links the protests with the electoral reform initiatives. It argues that the Bersih movement has managed to lobby fundamental changes in the Malaysian political culture.

• 영어영문학
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• 제56권4호
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• pp.667-690
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• 2010

This essay attempts to read Percy Bysshe Shelley s The Mask of Anarchy by attending to a political agenda that Shelley seeks to propose and embody in the poem. This poem was written as a response to an exceptional political event, the Peterloo Massacre, and thus it is evident that Shelley intended to engage in contemporary politics by writing this poem. As many critics have pointed out, however, the way in which this poem addresses social, plitical issues is ambivalent and even confusing, since it contains many elements that contradict each other, and sometimes its political visions are based on incoherent conceptions. For this reason, this poem has been considered to be a failure as an occasional poem which should provide the reader with a clear direction for political actions. Faced with this critical problem, this essay proposes that the ambivalence this poem reveals-e.g., the confrontation between moderate artistic fantasy and radical tenets-is not a retreat from political activism, as some critics suggested, but a result of its creation and embodiment of a public sphere which invites various social classes and their positions. The mode in which Shelley conceives this unified public sphere in the course of writing The Mask of Anarchy can be interpreted in terms of the following three features. First, this poem underscores the significance of thoughts in constituting a communal space between people, thus asking the reader to participate in this process of thinking on given issues. Second, this poem suggests that people should enlighten each other by engaging in communicative reciprocations. Lastly, the public sphere formulated by the previous two features should incorporate various socio-political agents beyond class boundaries (even oppressors themselves) into its own working field. After explaining how these three features are manifested in the poem, this essay argues that the unified public sphere thus formed in the poem is the very agenda that Shelley aims to propose for the contemporaneous politics and culture. As a conclusion, this essay highlights how Shelley s project of creating a unified public sphere finally failed in contemporary history through observing two contrasting receptions of Shelley s works.