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http://dx.doi.org/10.5392/JKCA.2021.21.10.184

An Analytic Framework for the Political and Aesthetic Possibility of Interactive Documentary and Its Practice  

Kwon, Hochang (성균관대학교 트랜스미디어연구소)
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Abstract
Interactive documentary refers to a new style of documentary that is created and accepted through active interaction. It is attracting attention as a platform that forms a public sphere and mediates audiences to participate in social change. However, the possibilities was not systematically explored, and there was insufficient consideration on how to realize them. In this paper, discussions on the political aesthetics of Walter Benjamin are examined, and the media characteristics of interactive documentary are analyzed through text mining. Then, by connecting the two to each other, we draw a map of the political and aesthetic possibilities, and based on the map, we analyze the actual works. This study has the value of establishing a theoretical framework for the possibilities of interactive documentaries. In the follow-up study, we will consider the practical strategy of interactive documentary as a transmedia activism and develop a practical analysis and planning methodology.
Keywords
Political Aesthetics; Walter Benjamin; Politicization of Art; Text Mining; Transmedia Activism;
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