• 한국의류산업학회지
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• 제8권3호
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• pp.258-268
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• 2006

The purpose of this study is to consider incense culture found in costume and life in forms of carrying and decoration. Here, incense for carrying and decoration is classified into two cases, using it as a costume accessory and life space. Hyangjumony, Hyangnorigae, Hyangjul, Hyangdae and Hyangseonchu were costume accessories. Hyangjumony was not only used for the royal palanguin, but also for bedroom. When Poetic Literature, and other ancient publications were reviewed in regard to incense for carrying and decoration, it was estimated that incense began to be carried for the first time before the late period of Shilla(9C). In addition, it was found that incense was not just a personal taste, but one of important gifts exchanged between states, envoys of different nations and between sovereign and subject and that incense was a necessary costume accessory for men. Types of incense for carrying and decoration used in this nation are classified into Hyangjumony, Hyangnorigae, Hyangjul and Hyangseonchu. Hyangjumony is a fabric pouch that contains incense. Hyangnorigae is Norigae whose main material is incense. Hyangjul is a string to which incense is hanged. Hyangseonchu is Seonchu whose main material is incense. Incense for carrying and decoration was based on five colors that symbolize cosmic order and harmony, of which red and purple were mostly used. Red strongly suggests expelling Yin with Yang, or exorcism. The color gives a strong impression, so it was often used to make a carried incense more decorating. Main materials of incense for carrying and decoration were gold, silver, precious stone and horsehair. They are different in characteristics, but were used appropriately for incense fragrance and decoration. Patterns mainly used for the incense had shapes of animal, plant, sipjangsaeng and letter. These were all auspicious patterns that symbolize human wishes and desires, especially individual and family happiness.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.62-69
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• 2015

The purpose of this research is to analyze the methods of the decorations using module plants in interior spaces. This research produced 18 types of the module plant decoration: considering the classifications of module plants(soil, hydroculture, moss), directions of module plants (up, side, down), assembling ways of module plants (horizontal, vertical). Applying these 18 types to the interior space decoration (floor stand, wall attach, ceiling hanging), 54 types were classified. After that, 150 cases of the decoration using module plants in interior spaces were collected and analyzed. In result, the cases were belong to 25 types of 54 types. The important types were the types to be able to decorate wide area of walls or ceilings without occupying floor area: SOIL-UP-VERTICAL, HYDROCULTURE-UP-VERTICAL, MOSS-SIDE-VERTICAL. These types were the decorations with function of bio-filter for air cleaning. Special types were SOIL-SIDE-HORIZONTAL, SOIL-SIDE-VERTICAL with soil developed not to pour and SOIL-DOWN-HORIZONTAL, SOIL-DOWN-VERTICAL with lucks not to pour soil. Plants will be used widely in interior design because of the awareness of eco-friendly design. The strength that module plants are portable, changable, able to exchange parts helps users to maintain plants in interior spaces. For designers, module plants are flexible materials in order to make variety of forms to adjust to interior spaces. The results of this research about methods of the decorations using module plants in interior spaces are useful to designers who want to design interior spaces eco-friendly and user-friendly.

• 복식
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• 제56권4호
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• pp.82-95
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• 2006

The purpose of this study is to figure out the types and characteristics of golden decoration technique out of various techniques of expressing patterns on the costumes. This study reviews both costumes decorated with gold in the relics of Chosun dynasty and literatures focused on domestic and Chinese documents and records. The types of decoration technique using gold include JigGeum (brocade technique), InGeum (gold powder and flake attaching technique), and GeumSaJaSu (embroidery technique). The JigGeum is weaved using golden thread instead of silk thread in order to express patterns. The InGeum technique is to attach gold or silver powder or thin gold or silver flake on the surface of the fabric. The GeumSaJaSu technique is to embroider with gold thread on fabrics. 82 pieces of costumes made using gold in Chosun dynasty era are analyzed. The results follows; In terms of types of technique, is shown to take the majority; JigGeum (43.90%), InGeum (30.49%), GeumSaJaSu (23.61%). Looking at the patterns used by the types, plant pattern and letter pattern are mostly used for both the JigGeum and the inGeum. In terms of the characteristics by their uses, the InGeum is used for court dresses (52%). It is also used for ordinary dresses (12%) and for other purposes (36%). It is mostly used in the court dresses in the late period of Chosun dynasty era. The JigGeum is used for ordinary dresses (47.22%), for court dresses (44.44%) and for other purposes (8.34%). It is evenly used for court dresses and ordinary dresses.

• 식물병연구
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• 제30권1호
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• pp.82-87
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• 2024

Leatherleaf fern (Rumohra adiantiformis) is an important ornamental plant in Indonesia and global. Green fern leaves with bold dark green color with long shelf-life, attract florists as decoration. Indonesia is one important leatherleaf fern exporters, however currently an outbreak of leaf blight decreased production significantly. Initial symptom was reddish brown spots from edge of leaf, which was gradually followed by dark-brown necrotic lesions causing leaf blight and dried. This is a study to do Koch-Postulate approach and molecular identification, to identify the pathogen of the "new emerging disease" reported. Based on multigene analysis using primers from ITS, β-tub and tef1-α gene markers, the pathogen was identified as Neopestalotiopsis sp. All sequences have been deposited in GenBank with accession number of OR905551 (ITS), OR899817 (ßtubulin) and OR899816 (TEF). This Neopestalotiopsis leaf blight causes an emerging concern in leatherleaf fern in Indonesia and global biosecurity because it infected an export commodity.

• 한국화예디자인학연구
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• 제45호
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• pp.13-29
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• 2021

우리나라 전통 화훼장식의 기술 체계는 과거로부터 현대로 그 맥이 이어졌을 것이라는 인식 아래, 이 연구에서는 조선시대 화훼장식에서 디자인 형태의 유형을 추출하여 표현기법을 분석하고 현대의 전통 화훼장식과의 연관성을 규명하고자 하였다. 그 결과, 조선시대화훼장식 작품들은 대부분 중앙 출발점에 1개 초점(1점 출발)을 주로 표현하였다. 중심가지선은 주로 1개 사용하였고, 밑받침 소재로는 주로 절엽을 사용하였다. 현대 화훼장식에서도 1개의 중앙 출발점, 잎 소재의 밑받침이 주로 사용되고 있어 조선시대와 흡사하다. 표현기법별 사용 빈도를 보면, 줄기를 그대로 노출시킨 줄기 노출 기법의 빈도가 가장 많았고, 모든 기법에서 절화와 절지가 비슷한 빈도로 사용되었다. 사용된 식물성 소재로는 꽃을 이용하는 절화와 선의 표현할 수 있는 절지가 주로 사용되었다. 그 외에 깃털, 부채, 붓 등의 비식물성 소재도 장식에 이용되었다. 결론적으로, 우리나라 전통 화훼장식은 표현기법 측면에서 이미 조선시대에 체계적으로 정립되어 높은 수준의 화훼장식품이 제작되었다는 것을 알 수 있다. 향후 우리 화훼장식의 역사를 좀 더 다양한 방법으로 연구하고 역사적 전통을 살려가면서 현대의 화훼장식을 발전시켜 나가는 노력이 필요할 것이다.

• International Journal of Computer Science & Network Security
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• 제21권2호
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• pp.205-211
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• 2021

Plants are important for humanity. They intervene in several areas of human life: medicine, nutrition, cosmetics, decoration, etc. The large number of varieties of these plants requires an efficient solution to identify them for proper use. The ease of recognition of these plants undoubtedly depends on the classification of these species into family; however, finding the relevant characteristics to achieve better automatic classification is still a huge challenge for researchers in the field. In this paper, we have developed a new automatic plant classification technique based on artificial neural networks. Our model uses leaf texture characteristics as parameters for plant family identification. The results of our model gave a perfect classification of three plant families of the Ivorian flora, with a determination coefficient (R2) of 0.99; an error rate (RMSE) of 1.348e-14, a sensitivity of 84.85%, a specificity of 100%, a precision of 100% and an accuracy (Accuracy) of 100%. The same technique was applied on Flavia: the international basis of plants and showed a perfect identification regression (R2) of 0.98, an error rate (RMSE) of 1.136e-14, a sensitivity of 84.85%, a specificity of 100%, a precision of 100% and a trueness (Accuracy) of 100%. These results show that our technique is efficient and can guide the botanist to establish a model for many plants to avoid identification problems.

• 원예과학기술지
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• 제32권4호
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• pp.507-516
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• 2014

본 연구는 전자빔 조사에 따른 잿빛곰팡이병 방제효과와 절화 장미의 수확 후 품질을 알아보고자 수행하였다. 10MeV 전자가속기를 이용하여 0.1, 0.2, 0.4, 0.6, 0.8, 1, 2, 10, 20kGy로 조사했을 때 전자빔 선량이 높아짐에 따라 Botrytis cinerea 포자 발아와 균사 생장은 억제되었다. 전자빔 조사가 B. cinerea 포자 발아와 균사 생장에 미치는 영향을 비교했을 때, 포자 발아를 50% 억제하는 선량은 2.02kGy, 균사 생장을 50% 억제하는 선량은 0.89kGy였으므로 포자가 균사에 비해 전자빔에 대한 저항성이 더 높았다. 전자빔 조사후 배양온도에 따른 B. cinerea 균사 생장을 비교한 결과 잿빛곰팡이병균에 대한 전자빔 효과는 배양온도가 낮아질수록 증가하였으며, 특히 $10^{\circ}C$에서 가장 높은 균사 생장 억제효과를 보였다. 토마토 유묘를 이용하여 전자빔의 in vivo 살균활성을 검정한 결과 전자빔 선량이 높아짐에 따라 방제효과도 증가하였다. 절화 장미는 전자빔 선량이 높아짐에 따라 절화수명 및 생체중의 감소, 개화 지연 등을 보였으며, 'Decoration', 'Il se Bronze', 'Queen Bee', 'Revue'는 0.4kGy이하에서 전반적인 절화품질이 유지되었지만 'Vivian'은 0.2kGy 이하에서만 절화품질이 유지되어 장미 품종에 따라 전자빔에 대한 감수성이 다르게 나타났다.

• 복식
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• 제56권7호
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• pp.133-147
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• 2006

This paper deals with utilization of traditional Indian textile design found in 21st century fashion. It examines the decoration of the traditional Indian textile design which inspires and widely adopted in the modern fashion design, and the immanent meaning of the traditional pattern. This paper also analyzes the trend of its utilization in the modern fashion design. In order to examine variety of Indian textile design and its modernization, the Indian ethnic dresses found in 21st century western designer collections were compared with the Indian traditional textile design adopted by Indian fashion designers. The result of the study shows followings : Firstly, the typical traditional decoration in Indian textile design contains plangi, chintz, ikat, roghan and embroidery (mirror-work), and the traditional Indian patterns are roughly divided into natural pattern, plant pattern, animal pattern and geometric pattern. Secondly, comparison of 203 fashion items of world top 4 collections with 422 fashion items of Indian designer's collections shows that the paisley pattern obtains the majority in western design collections, while the geometric pattern in Indian designer collections. Thirdly, the comparison and analysis of the 21st century western fashion design shows that the traditional Indian textile design is mostly used in the seasonal trend color or is mixed & matched with other patterns. You can also find the feeling of the traditional Indian patterns in some western collections. In Indian designer collections, on the other hand, the traditional Indian patterns are widely used in the manner that they maintain the traditional feeling, while they are reconstructed in modern style.

• 디지털융복합연구
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• 제18권11호
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• pp.449-457
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• 2020

한국 전통도자에 적용된 식물의 시각적 표현은 우리 민족의 의식과 정서에 기반하고 있으며, 당시 사람들이 추구하던 길상(吉祥)적 염원(念願)과 벽사(辟邪)를 볼 수 있다. 이러한 상징적 표현은 도자의 형과 장식의 표현, 그리고 그들의 융합을 통해 새롭고 다채로운 의미로 확장되어왔다. 본 연구에서는 한국 전통도자에서 보이는 융합표현의 현상을 형과 형, 형과 장식, 그리고 장식과 장식으로 구분해 그것들의 특별한 의미를 분석한다. 이를 위해 한국 전통도자에서 활용된 식물의 형과 장식의 특징을 문헌적 정보를 바탕으로 고찰한다. 2장에서는 의미를 담은 형과 장식의 배경이 되는 식물을 개괄적으로 분석하고 의미를 소개한다. 3장에서는 식물들의 특징과 의미를 기반으로 형과 형, 형과 장식, 장식과 장식의 융합 형태로 구분하고 그들의 융합현상을 통해 새롭게 발현된 의미를 제시한다.

• 패션비즈니스
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• 제11권6호
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• pp.139-156
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• 2007

The purpose of this study is to analyze the aesthetic characteristics of traditional Korean patterns appearing on fashion collections from 1990 to 2005. Traditional Korean patterns have been used as an important element to express a Korean image since the 1990s. Frequently used patterns included several kinds of geometric patterns, plant patterns(flower, peony, Four Gracious Plants), and Chinese character patterns. Specifically, since the 2000s, animal patterns such as tiger, Chinese phoenix, and giraffe which were not often used, plant patterns such as arabesque, peony, and flower, and a variety of Chinese character patterns appeared. For the expression techniques, while embroidery and printing was often used in the 1990s, they became varied into printing, beading, embroidery, gold and silver leaf, and hand painting after 2000 as a result of designers' active attempts. The aesthetic characteristics of fashion design with its focus on traditional patterns were analyzed. First, Chinese character patterns and phoenix pattern which were mainly used for a court suit, and show the excellence and unique originality of Korean culture. Second, traditional Korean patterns directly and indirectly imply symbolistic significance of lucky sign and illustrate the use of various lucky sign patterns. Third, traditional Korean patterns such as arabesque or peony were expressed by colorful embroidery to add decorative beauty. Finally, traditional Korean patterns reflect a naturalistic worldview and are completed finished as the design.