• 한국실내디자인학회논문집
• /
• 제40호
• /
• pp.68-75
• /
• 2003

The purpose of this study is to find out the expression style of space in Rietveld's early works in comparison with Mondrian's paintings. Through investigating the development of their works and analyzing the composition and disposition type of elements such as point, line, plane, color in the selected works, we can draw the following conclusions. .First, Rietveld pursues the dissolution of traditional volume and the de-composition of elements as Mondrian does. Second, the painterly property of plane is emphasized by the projection of separately floating elements on the picture plane. Third, the separating the layer of lines from the layer of planes and the re-combination of these two layers present the superimpositional image of three-dimensional objects. This leads into new conception of architectural space and develops the transparency and the extension of plan in modem architecture.

• 한국컴퓨터정보학회:학술대회논문집
• /
• 한국컴퓨터정보학회 2013년도 제47차 동계학술대회논문집 21권1호
• /
• pp.271-272
• /
• 2013

The music with the times, evolved from analogous tape music to digital music. New authoring tools, interfaces, and applications make us to produce high quality music using cheap equipments. Inspired by this concept, we design an classical chinese style-instrument with the audio-visual interactive function. It enables a user to compose music and to see a vivid picture at the same time.

• 한국조경학회지
• /
• 제19권2호
• /
• pp.23-31
• /
• 1991

In this paper, based on the thought of the place, I tried to define the meaning of th place and interprete its landscape. The landscape of the mt. Toham with its Grotto-temple "Sokgulam" is the major object of it. The "matter and form" of the Sokgulam realizes the archetypal meaning of the grotto, birth or place of the birth, in a concrete picture. The aesthetics of the Sokgulam, the mater and form in the work of arts, comes out light harmonious with the elements: "grotto", the new foreign element of the architectural style and "orientation", the old domestic one of the Shilla that presented itself at the Chomsongdae, a kind of observatory. The interrelation of the old and new elements in work of the Sokgulam shows us also a thought as an opinion of the transference to say: the matter of the traditional subject, "grotto" and the form makes the abstract matter concretely in sight, by receiving the natural happening of the sunrise at the winter solstice.

• 로봇학회논문지
• /
• 제9권3호
• /
• pp.140-146
• /
• 2014

This paper introduces a dual-arm robot painter system which is capable of sketching a camera-captured image with short line segments. To express various curved edges in the image by combining line segments, we first apply edge detection algorithm to the entire image, split the edged image into small boxed pieces, and then apply Hough Transformation to each piece so that the edges inside the piece can be approximated with short line segments. To draw the picture within a reasonable time, we designed a simple dual-arm robot system and controlled both arms concurrently according to linear interpolation algorithm. From the experiments, we could verify that simple linear motions can describe various images effectively with a unique brush style.

• 한국통신학회논문지
• /
• 제22권11호
• /
• pp.2531-2542
• /
• 1997

This paper describes a method for region segmentation and string extractionin documents which are mixed with text, graphic and picture images by the use of the structural characteristic of connceted components. In segmentation of non-text regionas, with connection-characteristic functions which are made by structural characteristic of connected components, segmentation process is progressed. In the string extraction, first we organize basic-unit-region of which vertical and horizontal length are 1/4 of average length of connection components. Second, by merging the basic-unit-regions one other that have smaller values than a given connection intensity threshold. Third, by linking the word blocks with similar block anagles, initial strings are cresed. Finally the whold strings are generated by merging remaining word blocks whose angles are not decided, if their height and prosition are similar to the initial strings. This method can extract strings that are neither horizontal nor of various character sizes. Through computer exteriments with different style documents, we have shown that the feasibility of our method successes.

• 대한전자공학회:학술대회논문집
• /
• 대한전자공학회 1999년도 하계종합학술대회 논문집
• /
• pp.651-654
• /
• 1999

In this paper we propose an emotional expression method using a comic model and special marks for effective sign-language communications. Until now we have investigated to produce more realistic facial and emotional expression. When representing only emotional expression, however, a comic expression could be better than the real picture of a face. The comic face is a comic-style expression model in which almost components except the necessary parts like eyebrows, eyes, nose and mouth are discarded. In the comic model, we can use some special marks for the purpose of emphasizing various emotions. We represent emotional expression using Action Units(AU) of Facial Action Coding System(FACS) and define Special Unit(SU) for emphasizing the emotions. Experimental results show a possibility that the proposed method could be used efficiently for sign-language image communications.

• 대한전자공학회:학술대회논문집
• /
• 대한전자공학회 1999년도 추계종합학술대회 논문집
• /
• pp.536-539
• /
• 1999

In this paper we propose a 3D emotional expression method using a comic model for effective sign-language communications. Until now we have investigated to produce more realistic facial and emotional expression. When representing only emotional expression, however, a comic expression could be better than the real picture of a face. The comic face is a comic-style expression model in which almost components except the necessary parts like eyebrows, eyes, nose and mouth are discarded. We represent emotional expression using Action Units(AU) of Facial Action Coding System(FACS). Experimental results show a possibility that the proposed method could be used efficiently for sign-language image communications.

• 중국학논총
• /
• 제61호
• /
• pp.255-277
• /
• 2019

This paper presented a course plan based on the ideas I gained from conducting a lecture on Chinese language for students in the second semester of the Chinese language department at a four-year university. In the paper, we sought to deviate from the traditional grammar-translation teaching style and find ways for students to enjoy learning without difficulty in all areas by using the 'total language approach' such as writing, speaking, listening and reading through reading skills. Therefore, we discussed the educational significance and expression of the 'Chinese Languages' class, and introduced the class stages and methods of progress. In other words, they suggested introduction of text plots, explanation of vocabulary and grammar, presentation of original text, questions about text, arrangement of words, ordering sentences to fit the plot, and understanding the plot while looking at the picture.

• 복식
• /
• 제57권4호
• /
• pp.173-187
• /
• 2007

The purpose of this study is to analyze the fetishist characteristics and the aesthetic values of glamour style based on the premise that fetishism is the theoretical root of glamour style expressed in fashion throughout history. The following results are from analysing fetishist characteristics of glamour style. First, luxury was analysed from an angle of commodity fetishism. Every culture develops images and stories that portray a world in which its ideals are realized: a paradise, a utopia, a golden age, etc. Consumer goods often serve as 'bridges to these ideals'. People thus can fantasize about owning the perfect life. Crucially, however, they must never get everything they picture. That is why luxuries often take on displaced meaning. Glamour gives the displaced meaning visual form, making it beautiful and real. Second, the attention on the glamour of luxury goods as a bridge to ideals is connected to the glamour icon who is simultaneously a consumer of these luxury goods and a producer of cultural goods. Glamour icons including the courtesan of the late 19th century, the actress of the 1930s' Hollywood golden age and today's celebrities appear to efface the traces of production and create fetishist images in culture. Through this artificial principle, the commodity-cum-glamour icon comes to life as a splendid image of spectacle. Third, masquerade and seduction were analysed from an angle of sexual fetishism. A magnificent image of masquerade as sexual fetishism is often equated with femininity, especially in Hollywood movies, because the artificial seduction of the feminine -namely glamour- can be effected by the absence or silence of being. That is to say, the aesthetic revelation of femininity coincides with the fleshing out of artificial signs. Masquerade and the seduction of the feminine are connected with glamour's artificial sensuality from this point. Fourth, since 1980's when homosexuality as sexual deviation resurfaced as a hot topic, sexual ambiguity and bisexual image have gained attention as perverse sexuality. Next came queer theory, which reduced gender itself to a matter of surface rather than depth. According to queer theory, gender itself can be revealed as a kind of drag act. Drag's imitative performance may reveal that womanliness is just about 'dragging up'. Queerness as a decadent play makes a connection with the wicked origins of glamour. From these characteristics, four aesthetic values were deduced: ostentatious luxury and mysterious idolatry by commodity fetishism, artificial sensuality and playful queerness by sexual fetishism.

• 디자인학연구
• /
• 제19권5호
• /
• pp.313-322
• /
• 2006

화면을 구성하는 여러 가지 조형요소 중에서 형태는 그려지고 표현된 모양에 따라 어린이의 심리적 반응을 불러일으킬 뿐만 아니라 이야기내용에 따른 주제와 배경의 관계, 등장인물이 처한 상황이나 감정 등을 전달하는 시각적 진술방식이라고 할 수 있다. 본 연구는 화면에 표현된 형태가 시각적, 심리적으로 어린이에게 어떻게 작용 하는가를 분석하기 위하여 먼저, 형태에 대한 어린이의 지각발달과 지각경험이 어린이의 연령에 따라 다르게 나타나는 것을 살펴보았으며, 어린이의 독창성과 창의성발달, 시각적, 심리적 사고발달, 그리고 꿈과 상상력 자극에 영향을 미친다는 것을 파악하였다. 그리고 형태의 표현형식을 재현적 형태표현, 단순화된 형태표현, 과장된 형태표현, 왜곡된 형태표현으로 각각 구분하여 그 특성을 알아보고, 이를 1, 2차에 걸쳐 진행되는 설문자료로 활용하여 어린이의 표현 형태별 유형에 따른 반응과 선호도를 분석하였다. 끝으로 어린이의 반응분석 통하여 도출된 결과는 일러스트레이터의 개성과 창의성이 바탕이 된 형태표현에 도움이 됨은 물론, 일러스트레이션을 배우는 학생들의 효과적인 표현방법 연구와 실험에 활용될 것으로 사료된다.