• 안보군사학연구
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• 통권8호
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• pp.311-350
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• 2010

War has been existing with human history. There seems to be two approaches of war study. One is to deter war among politicians, the other is to get victory in a war among soldiers. Many scholars and soldiers tried to find out the way of victory at war, that is, the major factors of victory at war. They found out some factors that dominate the victory of war through numerous experiences of war, and we call it 'principles of war'. The principles of war which we are using has been shaped during past three centuries. But, nowadays rapid change in the environment of war has brought the change of features of warfare and method of waging war. NCW may be the most typical example of new environment of war. The Iraque War may be the most recent modem war performed under the NCW environment. And the Iraque War brought up the need of new principles of war adaptable to the NCW environment. This article is focusing on new principles of war that comprehends future wars. I suggest that some principles of war which we are using should be supplemented to be understood its own conception, and new principles are needed such as principle of paralysis, principle of synchronization & Integration.

• 안보군사학연구
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• 통권7호
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• pp.129-154
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• 2009

The principles of military operations(principles of war) are the fundamental principles ruling warfighting that made based on the experiences of wars from the time of ancient Greeks to the World War II. Recent wars such as Iraq War showed us the change of environment of war and the style of waging a war. It is believed that future war will be executed with the style of Rapid Deceive Operations, Effect Based Operations, Network Centric Operations. Therefor the principles of war which we use should be reconsidered whether it is useful or not in future warfare. By considering the present principles of operation which are using in many countries and analysing the style of waging future war, we suggest new principles of operations : principle of gravity, principle of mass and dispersal, principle of disturbance, principle of speed, principle of paralysis, principle of synchronization and integration, principle of leadership, and principle of information.

• 융합보안논문지
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• 제14권3_1호
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• pp.55-63
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• 2014

인류의 역사는 전쟁으로 점철되어 왔으며 지금 이 순간에도 전쟁은 벌어지고 있다. 이러한 전쟁을 대비하기 위해 전쟁사연구를 하고 있으며 그 중요성은 크게 세 가지로 요약 할 수 있다. 첫째, 전쟁을 이해하여 예측하고, 둘째, 상황변화에 맞는 교리를 개발하며, 간접 전쟁경험을 통해 전술전기를 연마하는 것이다. 현재 2년제 부사관 학과의 전쟁사교육 역시 전쟁사연구를 통해 교훈을 도출하여 대비능력을 배양해 나가는 교육과정이 무엇보다 중요하다고 할 수 있다. 교육을 통해 간접경험을 함으로써 장차 직책수행 시 그 능력을 배가 할 수 있기 때문이다. 이러한 관점에서 본고에서는 대부분의 학생들이 졸업 후 초급간부로 임관 할 2년제 부사관 학과에서 현재 시행하고 있는 전쟁사교육 내용 및 방법이 적절한가에 대하여 알아보고 향후 적용할 전쟁사교육 발전방안을 제시하고자 한다.

• 미국학
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• 제44권2호
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• pp.131-158
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• 2021

This paper examines how nation-specific history of Asian war brides affects different representations of war brides in Velina Hasu Houston's Tea (1984) and Julia Cho's The Architecture of Loss (2003). While war brides had long been excluded from American history, Japanese war brides were brought to public attention in the 1980s. Korean war brides, on the other hand, were kept out of sight until the 2000s. Focusing on how this time gap is related to ethnic difference, this paper analyzes dramaturgical differences between the two plays such as the presence/absence of war bride on stage or ethnic solidarity/familial reconciliation as the main device of war bride memorialization. Such differences, the paper suggests, stem from ethnic/historical differences between Korean and Japanese war brides. Through historical interpretations of the plays, this paper argues that America's military relationships with Korea and Japan were reproduced within the Asian-American families of each drama in ways that raise questions about pan-Asian identity.

• 미국학
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• 제42권2호
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• pp.161-185
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• 2019

Two recent novels on the Korea War, Lark and Termite and The Coldest Night, focus on two particularly disturbing incidents of the Korean War: the No Gun Ri massacre and the battle of the Changjin Reservoir. The novels explore the ways in which these ugly episodes of the war revise the official memory of the Cold War and resonate with the lives of those within the U.S. After excavating and examining the relevance of the Korean War, they simulate the older paradigm of returning to domesticity, reflecting not only the cultural and political tendency of the 1950s but also that of the public responses to the 9/11. This paper intends to read the significance of the treatment of the two novels on the Korean War as well as the limits therein to understand the implications of the shifts in the American public memory of the War.

• Journal of Information Technology Applications and Management
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• 제29권6호
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• pp.123-134
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• 2022

War films are a general term for films that have battlefields as their main background. Although war films as a genre directly deal with combat situations, they also deal with characters or subjects related to war. War films promote patriotism and nationalism, but they also argue against war by highlighting the disastrous war. This study is based on the color theory that the meaning of film color is temporarily and infinitely generated according to the cultural differences, with Eisenstein's creative theory on film color and pathos. I wanted to clarify the pathos effect and the meaning of color green expressed in the Korean war films. In war films, colors are visualized in art forms such as symbols, similes and metaphors. In war films, color green symbolizes life. On the battlefield, the green of nature stands against the catastrophic situation. The green of ecology, which insists on the flow of life, evokes fear in ecological crises such as war, disaster and climate change. The dark green caused by a catastrophe like war warns of the destruction of life. The connotation of color is temporarily and infinitely expands according to the cultural differences. The dark green, which visualizes the battlefield of destruction, is a form and element of pathos that indicates changes in emotions such as sadness, pity, grief and despair. Pathos as an emotional appeal is a leap from the quality to the quality of the means of expression and refers to the departure from Dasein. The green color that dominates the visuals of war films is a symbol of life and functions as a pathos that makes emotional changes take a new leap. A qualitative leap through pathos means all changes that become new.

• 한국콘텐츠학회논문지
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• 제12권11호
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• pp.100-109
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• 2012

전쟁의 역사는 국가의 정체성과 시대의 사회 상황을 제시해 준다는 측면에서 모든 집단에게 관심 있는 주제이다. 따라서 전쟁은 문화산업의 중요한 소재가 되었고, 전쟁영화는 다양한 양상으로 전장을 재현하며 우리에게 사회를 이해하는 중요한 서사를 제공하였다. 이 연구는 전쟁영화의 유형적 분석을 통해 영화 속에 나타난 전쟁의 양상과 재현을 살펴보는데 그 목적이 있다. 전쟁의 양상과 그것의 사회적 영향을 비교하기 위해서는 보다 포괄적인 재현의 개념에 접근할 필요가 있다. 따라서 전쟁을 소재로 한 국내 외 전쟁영화들 중 연구주제에 맞춰 전쟁영화의 유형을 분류하고 분석대상에 맞는 영화를 자료체로 선택하였다. 이를 바탕으로 전쟁의 재현이 영화 속에서 어떠한 모습으로 투영되고 묘사되고 있는지와 그 내용들이 전쟁의 양상을 어떻게 반영한 재현인 것인가를 살펴보았다.

• 영미문화
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• 제18권4호
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• pp.1-31
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• 2018

It is needless to say that America's indiscriminate artillery and chemical attacks have worsened the conditions of Vietnam's tropical rain forests, causing war-torn combat troops and civilians to suffer more from the participation and aftermath of the Vietnam war. Around two decades after the Vietnam War, American and Vietnamese writers dealing with the destruction of the human and nature of the Vietnam War and the following traumatic experience commonly report the horrors of inhumane warfare, but some differences among them appear in the reception of the ecocide consciousness. For American writers who had been involuntarily involved or who had stayed in the back area as interpreters and counter-intelligence force, the Vietnam War was often a kind of exotic "addicted adventure" which their American hometown could not provide. But apart from overcoming postwar post-traumatic stress by writing of healing which was shared with American war writers, Vietnamese writers have been able to overcome the scars of war as the communal memorial, which Jonathan Shay emphasized as the necessary comforting ritual by community members showing the sign of honor and care. On the other hand, American war writers were on the side of "separate peace," as Jeong stressed, and the Vietnam War to them was more racist like the case of "body count." Nevertheless, it is fortunate that the hideous experience of war could turn them all into the creativity pool, just as the 5,000 square mile of bomb creators have been used as the postwar fish ponds.

• 한국언론정보학보
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• 제40권
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• pp.80-113
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• 2007

이 연구는 한국 언론의 전쟁취재 역사를 간략하게 살펴보고, 실제로 전쟁취재를 했던 현직 기자들을 만나 전쟁취재 활동 과정에서 제기될 수 있는 문제점과 그 개선방안을 탐구한다. 한국 언론의 전쟁취재 역사는 50년 이상 되었지만, 취재과정의 노하우가 부족하고 취재활동에 필요한 여러 가지 여건의 개선은 이루어지지 않은 실정이다. 무엇보다도 전쟁특파원들은 한국 언론들이 전쟁취재를 위한 체계적 준비과정 없이 관습적으로 기자를 파견한다는 점을 주요 문제점으로 지적하고 있다. 또한 전쟁취재 기자들은 자신이 처한 환경과 개인적 경험만을 토대로 전쟁 상황을 생색내기 식으로 보도하는 경우가 많다. 전쟁취재 경험이 적은 기자들을 갈등 지역에 파견하는 것도 전쟁취재의 문제점으로 지적됐다. 이러한 문제를 극복하기 위해서는 먼저 한국 언론들이 제한된 환경에서도 생생한 취재활동을 벌이기 위해 중동지역의 국제전문가와 분쟁 전문기자 또는 특파원을 두어 이들을 체계적으로 교육하고 관리할 필요가 있다.

• 한국멀티미디어학회논문지
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• 제25권11호
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• pp.1613-1620
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• 2022

Through previous studies, it was found that news from legacy media, including television, has an agenda-setting effect and priming effect on the perceptions and attitudes of audiences about politics and war, and that film media also has an agenda-setting effect and political priming effect on war issues. However, it is difficult to find studies on the effects of war-related TV documentaries on media audiences. Therefore, in this study, An experimental study was conducted to investigate whether there is a change in 'recognition of the importance of security', 'will for South-North Unification' and 'will to participate in war in case of emergency' for the audience who watched the KBS special <100 Days of Invasion of Ukraine, Part 1 into the Fire>. As a result of the analysis, it was found that watching a war-related TV documentary reinforced the audience's 'recognition of the importance of security' and 'will for South-North Unification'. However, it was confirmed that watching a war-related TV documentary did not strengthen the audience's will to participate in war in case of emergency.