• 한국시뮬레이션학회논문지
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• 제9권2호
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• pp.27-38
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• 2000

For developing a new Tire Manufacturing Cell, the cooperation between the designer of facilities and the designer of system is very important. The purpose of this paper is to develop a simulation model that can be applied to the system design of Tire Manufacturing Cell. The mechanic characteristics of new facilities are obtained from facility design team and the simulation model is developed with SIMPLE++ using those input data. A model for estimating the number of tire drum required is also suggested and it is verified with numerical examples. The results of simulations can be fed back to the facility design team and used for modifying the structure of the facilities.

• 한국가구학회지
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• 제22권1호
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• pp.42-53
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• 2011

This article aimed at identifying the concept of 'artistic-quality' of furniture and presenting the concept of 'artistic-quality based furniture creation' as the future direction of furniture design. For this, the authors approached to the theoretical background of the concept of artistic-quality, and then examined the prospect of practical application of the concept by analyzing the tendencies in today's art furniture. In this light, 'artistic-quality' of furniture could be understood as a quality that triggers the designer's venturous spirit throughout the process of furniture creation, so that the designer keeps seeking for the novelty and innovation in his experimental design and process. The feature of the current tendencies of art furniture in terms of the expression and effect, which could explain this venturous spirit of artistic-quality based furniture creation, could be summarized as follows; first, High-touch: Furniture that exemplifies the artistic-quality by specific texture of handmade quality, second, High-feeling: Furniture that arouses the new feelings and new concepts of furniture structure & function by experiments on new abstract forms of furniture, and third, High-mentality: Furniture that leads us to the sphere of subtle aesthetic recognition and mentality with its specific poetic expression and sensibility.

• 한국컴퓨터정보학회논문지
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• 제6권3호
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• pp.143-151
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• 2001

패션산업은 새로운 이미지를 창출하는 지식산업의 하나이다. 특히 패션제품을 생산하는 디자인 제품기업은 이제 새로운 지식기업으로 전환을 해야 한다. 새로운 이미지의 디자인은 디자이너의 창의력으로부터 시작된다. 각개 디자이너로부터의 새로운 이미지와 디자인의 창출보다는 자율 독립권을 갖는 디자인 팀의 지식 및 정보공유를 통한 동시공학을 활용한 디자인 및 제품개발이 보다 더 신속한 제품 디자인 및 개발이며 고객 지향적이다. 또한 공급자와 지식 및 정보공유를 기초로 한 Just-in-Time II의 개념에 의한 생산 및 공급자 관계 유지는 생산 속도의 빠름은 물론 제품의 품질 향상과 원가 절감에 기여 할 것이다.

• 한국지능정보시스템학회:학술대회논문집
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• 한국지능정보시스템학회 2001년도 The Pacific Aisan Confrence On Intelligent Systems 2001
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• pp.400-409
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• 2001

In conceptual design of engineering devices, a designer decomposes a required function into sub-functions, so-called functional decomposition, using a kind of functional knowledge representing achievement relations among functions. However, such knowledge about functionality of engineering devices is usually left implicit because each designer possesses it. Even if such knowledge is found in documents, it is often scattered around technical domains and lacks consistency. Aiming at capturing such functional knowledge explicitly and sharing it in design teams, we discuss its systematic description based on functional ontologies which provide common concepts for its consistent and generic description. We propose a new concept named “was of achievement” as a key concept for capturing such functional knowledge. Categorization of typical representations of the knowledge and its organization as is-a hierarchies are also discussed. The generic concepts representing functionality of a device in the functional knowledge are provided by the functional concept ontology, which makes the functional knowledge consistent and applicable to other domains. We also discuss development of a design supporting system using the systematized knowledge, called a functional was server. It helps human designers redesign an existing engineering device by providing a wide range of alternative ways of achievement of the required function in a manner suitable for the viewpoint of each designer and then facilitates innovative design.

• 한국의류학회지
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• 제45권5호
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• pp.852-865
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• 2021

The purpose of this study is to investigate the characteristics of menswear designers and the process of becoming a menswear designer expert through qualitative evaluation and statistical analysis. This study used ten menswear designers with more than fifteen years of experience. After going through the University P IRB approval process, a semi-structured questionnaire was prepared and individual in-depth face-to-face or video interviews were conducted from March 1, 2020 to March 31, 2021. From this qualitative study examining the characteristics of menswear designer job experience, four key themes were found: the competence required for the professionalization process of menswear designers; the creative sensibility of menswear designers; the uniqueness of menswear designers' work; basic education required for menswear designers. In order to find additional meaningful implications using the visual analysis technique, we examined the primary vocabulary using the word cloud technique and examined the relationship between the vocabulary using the network graph. In the follow-up study, we expect to develop a material-oriented education program for new menswear designers and to resolve the limitations of the study, targeting a small number of experienced menswear designers.

• 공업화학
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• 제16권5호
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• pp.595-602
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• 2005

이온성 액체는 $100^{\circ}C$ 이하에서 액체로 존재하는 이온성 염으로 낮은 휘발성, 비가연성, 높은 온도에서의 액체상 안정성, 유기물과 무기물에 대한 높은 용매화 능력, 높은 전기 전도성 등 독특한 화학적, 물리적, 전기적 특성을 갖고 있어 신 개념의 매체로 주목받고 있다. 특히, 이용 목적에 따라 양이온과 음이온을 다양하게 조합하여 그 특성을 변화시킬 수 있어서 디자이너 용매(designer solvent)라고도 불린다. 이온성 액체는 기존 화학산업을 비롯한 에너지, 재료, 전자 등 광범위한 산업분야에서 필수적으로 사용되는 휘발성 유기용매를 대체하여 환경유해물질의 배출을 원천적으로 방지하면서 반응선택성과 반응성을 향상시킬 수 있는 green media로 기대되고 있다. 본 총설에서는 이온성 액체의 구조, 특성, 응용분야와 연구동향에 대해 기술하였다.

• 디자인학연구
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• 제15권4호
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• pp.379-390
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• 2002

새로운 패러다임으로의 전이를 의미하는 과학혁명은 필연적으로 지적 영역의 변화를 동반한다. 더욱이 과학과 예술의 관계는 서로를 가능케 하는 상생의 관계라 할 수 있다. 최근 비선형 과학에 대한 놀라운 관심과 함께 예술에의 신속한 적용은 양자의 긴밀한 상호작용을 다시 한 번 가늠케 한다. 과학과 예술에 있어서 중요한 것은 새로운 창조의 과정과 방법을 제시하는 일일 것이다. 이를 위하여 때로는 역발상을 시도하고, 또한 일상을 탈피하여 예측할 수 없었던 것들을 추적하는 모험과 탐구정신이 절실하다. 이와 같은 관점에서 본 연구는 비선형 패러다임의 기저가 되는 카오스 이론과 함께, 물리학과 수학에서 다루어지는 관련 이론들을 준거로 하여 비선형적 공간조형을 재검토하였다. 연구 과정에서 비선형은 일련의 계(a system)에 대하여 부분이 아닌 전체로 보아야 할 것에 대한 강력한 제안이며, 또한 새로운 질서요 창조의 원리임을 확인할 수 있었다. 이울러 본 연구는 비선형적 공간 조형에 있어서 형태적 차용에 급급한 디자인 행위를 지양하도록 하는데에 암묵적 의도가 있었다. 따라서 비선형 동력학 현상의 원리와 프로세스를 이해, 적용함으로써 비선형이 지닌 창조적 속성이 공간에 총체적으로 발휘되기를 기대해 본다.

• 복식
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• 제62권6호
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• pp.165-181
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• 2012

Alexander McQueen is a typical designer of unconventional and experimental design who showed maximalism through outstanding tailoring. The purpose of this research is to study formative characteristics of maximalism that are expressed in modern fashion based on the works of Alexander McQueen, and to suggest boundless possibilities of development through his sense of design and the expressive ability of his works. Theoretical considerations will be made through literature research and precedent studies, and the collection data for case analysis will be used to select ready-to-wear women's collections from 2001 S/S to 2010 F/W by referring to internet sites. The study results are as follows. First, the most representative characteristic of formative characteristics of maximalism expressed in Alexander McQueen's works is expandability. Second, decorations used as a part of detail on clothes is used as decoration itself, and handcraft expression is shown through excessive use of decorations. The expandability of decoration that emphasizes splendid magnificence is expressed through flawless technique. Third, the fusion of each different image and the combination of ethnic image and modern image was most prevalent. Fourth, fantasy expresses a fictive image that could not be seen in reality by expressing an unrealistic and maximized image through the imagination of designer. Fifth, experimental element is expressed as an image that actively reflects the challenging spirit, which suggests a new direction of beauty through shocking and extraordinary images of the inner world of the designer and the root of new ideas about inhumane modern society.

• 한국의류산업학회지
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• 제24권2호
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• pp.249-259
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• 2022

To analyze recent changes in designer-specific garment composition, detail, and design elements of jackets, we classified jackets from the Paris Haute Couture Collection from 2000 S/S to 2019 F/W according to their designers and examined their characteristics. Our analysis of the jackets by Armani, Chanel, Dior, Jean-Paul Gaultier, and Valentino shows that the hour-glass silhouette was most common in Armani, Chanel, Dior, Jean-Paul Gaultier and Valentino jackets; Chanel used more straight silhouettes compared to other designers. Most jackets, regardless of the designer, had midlength waist-to-bottom, tight sleeves fitted to the body, natural shoulder shape, and solid color. Moreover, woven fabric was the most common material. Jackets with no collar were the most common for Armani, tailored collars for Dior and Jean-Paul Gaultier, and standing collars for Chanel and Valentino. For the closure method, Armani used hook-and-eye, Chanel, Jean-Paul Gaultier, Valentino used button closures, and Dior used snap closures the most. New design attempts by designers are bringing details and design elements together. In an era characterized by an abundance of designs and frequent replacement of each brand's creative designers, it is important to create and maintain a brand's unique design identity and philosophy that can meet consumers' elevated standards, which tend to be biased towards new and stimulating designs due to the development of the IT industry.

• 한국실내디자인학회논문집
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• 제16호
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• pp.153-160
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• 1998

The past and present time are consistent thinking process system which composed of single concept not separated concept. It's common concept for interior designer to how to realize the thinking process system in actual present day. So this paper was focused on purpose of establishing for procedural process theory by approaching typological process system in interior design process. Interior design being composed of typological thinking process system has been headed as a critical issue to how to transplant well between the design and typological objects. Also we have to be needed to know for the process of visual expression and verbal ability to be able to extract the designer's elements from it. Through the process of visual expression and verbal ability to be able to extract the designer's elements from it. Through the process of visual transformation and analysis we have to extract concepts with united design objects. From these process it should be followed adequate adjudgment on the extracted fragments' assembly and dissociation methods through physical limitation of elements functionality and feasibility's measurements. Therefore from the morphological designed results reflected to typological concepts finished material detail and texture we should be able to take the integrated thinking process system. Lastly interior designer should be able to check whether it was best choice from the consistent design feedback process to ask whether it contains the conceptual design process and new typological objects without non-conformity between past and present days in interior space. Now we should be asked for development of practical design process to be able to realize above assumptions called "Development and Suceeding of Cultural Value System'. Additionally, we have to continue to develop for our true meaning of interior design process, not repetition of past's imitation.tion.