Fashion & Textile Research Journal (한국의류산업학회지)

The Society of Fashion and Textile Industry (한국의류산업학회)
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Analysis of Jacket Shapes by Designers in the 2000s

2000년대 디자이너별 재킷 형태분석

  • Park, MiKyeong (Dept. of Fashion Design, School of Textile & Fashion Design Kungpook National University) ;
  • Song, Jung-A (Dept. of Fashion Design, School of Textile & Fashion Design Kungpook National University)
  • 박미경 (경북대학교 섬유패션디자인학부 패션디자인전공) ;
  • 송정아 (경북대학교 섬유패션디자인학부 패션디자인전공)
  • Received : 2022.01.25
  • Accepted : 2022.04.09
  • Published : 2022.04.30
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Abstract

To analyze recent changes in designer-specific garment composition, detail, and design elements of jackets, we classified jackets from the Paris Haute Couture Collection from 2000 S/S to 2019 F/W according to their designers and examined their characteristics. Our analysis of the jackets by Armani, Chanel, Dior, Jean-Paul Gaultier, and Valentino shows that the hour-glass silhouette was most common in Armani, Chanel, Dior, Jean-Paul Gaultier and Valentino jackets; Chanel used more straight silhouettes compared to other designers. Most jackets, regardless of the designer, had midlength waist-to-bottom, tight sleeves fitted to the body, natural shoulder shape, and solid color. Moreover, woven fabric was the most common material. Jackets with no collar were the most common for Armani, tailored collars for Dior and Jean-Paul Gaultier, and standing collars for Chanel and Valentino. For the closure method, Armani used hook-and-eye, Chanel, Jean-Paul Gaultier, Valentino used button closures, and Dior used snap closures the most. New design attempts by designers are bringing details and design elements together. In an era characterized by an abundance of designs and frequent replacement of each brand's creative designers, it is important to create and maintain a brand's unique design identity and philosophy that can meet consumers' elevated standards, which tend to be biased towards new and stimulating designs due to the development of the IT industry.

Keywords

References

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