• Title/Summary/Keyword: National Art Museum

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New Paradigm in exhibition organization at the National Museum of Contemporary Art ('연구 업무 전담제'를 통해 살펴보는 국립현대미술관 전시 기획의 새로운 패러다임)

  • Choi, Eun-Ju
    • The Journal of Art Theory & Practice
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    • no.3
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    • pp.67-84
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    • 2005
  • Since the evaluation of its intellectual activities and abilities is done by curator's capabilities, planning exhibition is very important as the final result achieved by their own knowledge, information, and research. ARPA(Advanced Research Project on Arts) is suggested as the system which enables curators responding simultaneously to the society in the times, based on its special characteristics. If this system settles well, which means that the curators at NMCA(National Museum of Contemporary Art, Korea) play their roles as the professionals in each of their fields, the goal of consolidating the status of museum as the representative national museum, and building up competent department of curators, will be achieved at the same time. To clarify above, the curators set up the various assignments of research about the types of arts such as painting, Korean painting, sculpture, installation, new-media, design, craft, photogarphy, architecture, etc. And they establish the art objects classified by the regions, such as the Northern American, Southern American, European, Asian, and other Third World countries. They elaborate art objects more on the history, the work, the artist, and the issue of contemporary art. Furthermore, when the curators devote deeper study to those research subjects, they can have the opportunities to design an exhibition upon the research. Today, the museum of art is 'The Place for Communication and Encounter', it is regarded important to share the aesthetical, creative values with current artists, and to understand mutually with the spectators. It is needed to improve the curator's work, in order to meet the demands of the times and even to advance. Because the form of 'exhibition' is the tool that reveals the identity NMCA aiming at, the motivation, the development, and the realization should be leaded by the curators, who are the mainstream of the museum. ARPA is a system for identifying the exhibition like mentioned above. The main purpose of this system is to produce synergy effect, having the researching, collecting work in liaison with planning exhibition. ARPA will be able to improve the quality of exhibition through the way of developing the exhibition, passing through the stable process in the long run. So far, I have referred to a new paradigm of the exhibition design at NMCA via ARPA. Yet, there still remain missions in reality, such as analyzing the previous exhibition and reshuffling personnel and system, which should be done. When these matters settled, these plans would be suggested practically. At this point, it is the most significant that NMCA is attempting to let others aware of the importance of exhibition planning based on research. when the ARPA and exhibition planning is conjoined together successfully, the competent exhibition will be achieved, which can offer a meaningful exhibition to the art world, strengthen infra structure thru exchanging with public museum in the region, and eventually, establish a network with museum in foreign countries.

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Localization of Metadata Elements in the Art Museum Community

  • Nam, Young-Joon;Lee, Seung-Min
    • Journal of the Korean Society for Library and Information Science
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    • v.46 no.2
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    • pp.175-197
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    • 2012
  • The art museums in South Korea are mostly small-scaled institutions with small amount of art works. Thus, internationally accepted metadata standards such as CDWA and VRA Core may not be efficient to manage their collections. Because of these distinct local characteristics, there is a need to create a set of metadata elements that can be used for the art museum community in the country. This research aims to propose a set of metadata elements customized to fit into the context of small-scaled art museums in South Korea. The construction of the element set was not from scratch but on the basis of existing standards such as CDWA, VRA Core, and Dublin Core. By identifying core elements that are indispensable in describing art works and collecting opinions of experts in art museums, the proposed set of metadata elements is expected to support the operation and management of art works and satisfy the localized needs of the art museum community.

The Conservation Treatment of the Bark of Wooden Sculpture (목제 조각품의 수피부 보존처리)

  • Kim, Young Mok;Han, Ye Bin;Shin, Jeong Ah;Cha, Sun Min;Kwon, Hee Hong
    • Journal of Conservation Science
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    • v.37 no.5
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    • pp.516-524
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    • 2021
  • The 'artist's intention' plays an important role in the conservation process of contemporary art. Accordingly, the information on artworks owned by the artist, their bereaved family members, and foundations that have decision-making power is important. The artist's interview is the kind of data that can clear 'artist's intentions' to ensure reliable conservation treatment can be carried out even after the artist's death. Therefore, this study attempted to use information from the artist's interview on the type of wood in the manufacture of the filler required for lifted and separated bark conditions in the conservation process of wooden artwork in the National Museum of Modern and Contemporary Art. While the conservation treatment resulted in the stable preservation of the bark of artwork, an analysis of the wood confirmed that the information in the artist's interview was not true. Consequently, we suggest that attention must be paid toward the information provided by artist, their bereaved families, etc. Based on the result of this study, this is also expected to help preserve upcoming artworks with similar bark conditions.

The Material Analysis and Conservation Treatment of Six Modern Korean Calligraphic Painters' Collaborated Works of Folding Screen: Focused on 'Sansu' (근대 서화가 6인 합작 '산수' 병풍의 재질분석 및 보존처리)

  • Park, So Hyun;Choi, Hye Song;Kim, Jung Heum;Choi, Jeom Bok;Lee, Na Ra
    • Journal of Conservation Science
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    • v.34 no.5
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    • pp.319-331
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    • 2018
  • The collection of the National Museum of Modern and Contemporary Art, Korea, features a sansu folding screen that was created in 1940 to commemorate the sixtieth birthday of Soseok Kang Jin-Koo. It was created by six oriental painters, who were among the ten best painters in that era. The folding screen has been previously repaired and restored; however, owing to damage such as twisting of its wooden frame, abrasion, and moisture stains, rigorous conservation treatment is required. Hence, scientific research was conducted to analyze the textile, paper and pigments employed while creating the folding screen, to identify the associated material properties. Results showed that the textile used in the screen's picture and janghwang comprise synthetic fibers and natural fibers such as cotton and silk. Various types of papers were used in the folding screen, such as those from mulberry, herbaceous, and coniferous fibers. Furthermore, calcite deposits were found on the base of every picture, and certain colors employed by the artists appear to be produced from different pigments.

Study on their Presentation Types and Exhibition Methods in National History Museum - Focused on National History Museum In Korea - (자연사박물관의 전시매체유형 및 연출기법에 관한 고찰 - 국내자연사박물관사례를 중심으로 -)

  • Lee Jong-Sook;Kim Kyung-Mi;Yoo Dong-Lim
    • Korean Institute of Interior Design Journal
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    • v.15 no.1 s.54
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    • pp.131-138
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    • 2006
  • This paper compares presentation methods which are characteristic among museums of natural history in Korea. The different medium for exhibitions are divided into Specimen, Model or Panel Type Displays, Video Presentations, Sound, and Tactile Exhibits, and further classified as Fixed (A Type), Observable (B Type), or Performance Art (C Type) Displays. The museums we studied were the Seodaemun Museum of Natural History, Ewha Womans University Museum of Natural History, Seoul National Science Museum, Gyeryongsan Natural History Museum, the National Science Museum, Mokpo Natural History Museum, and the JejuDo Folklore and Natural History Museum. A study of these museums' approaches to display composition, and exhibition methods according to their exhibit types and contents, revealed the following results: The museums of natural history rely more on Fixed type displays to show information, with appropriate uses of the Observable and the Performance Art type exhibitions. Better utilization of appropriate medium is desired for display contents of Astronomy Space Earth, Minerals Rocks Geology, Animals, Plants, Insects, Prehistoric Organisms Environment, and Anthropology.

A Study on Metadata Formats for Integration of Cultural Contents : Focus on case to Library, Museum and Art Museum (문화콘텐츠 통합을 위한 메타데이터 포맷 연구(II) - 도서관, 박물관, 미술관 사례를 중심으로 -)

  • Cho Yoon-Hee
    • Journal of the Korean Society for Library and Information Science
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    • v.38 no.3
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    • pp.201-219
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    • 2004
  • The Library, Museum and Art Museum are gradually expanding access to cultural contents for general public through the distributed network. However, unlike general contents in cultural contents characteristics most the objects of cultural contents seldom contain the words used for organization and search for information. In addition, it's hard to share or interconnect information between different systems because the names, expressions and meanings are different between metadata elements of various cultural contents. In order to solve this problem, proper organization and management of metadata is vital. In this study, the researcher have comparatively analyzed the data elements of each format based on National Library of Korea, National Museum of Korea, National Museum of Contemporary Art , the metadata formats approached from various aspects in the cultural contents area, the researcher tried to provide the basic materials for integration of cultural contents by securing interoperability of different metadata formats.

Demand Estimation for Art Museum using Travel Cost Method : A Case of National Museum of Modern and Contemporary Art (여행비용접근법을 적용한 미술관 방문수요함수 추정 : 국립현대미술관을 사례로)

  • Eom, Young-Sook;Kim, Jin-Ok;Park, In-Sun
    • Review of Culture and Economy
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    • v.19 no.2
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    • pp.29-50
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    • 2016
  • This paper is to apply an individual travel cost method(TCM) to estimate demand functions for cultural services enjoyed by visiting 3 branches of the National Museum of Modern and Contemporary Art located in the Seoul Metropolitan area. This paper extends the standard TCM by incorporating opportunity costs of leisure time and two different data generating process - 398 respondents from an on-site survey and 600 respondents from a general household survey. Negative binomial models reflecting the non-negative integer nature of visiting frequency with over-dispersed variance were best fitted for demand functions, in which residents of Seoul metropolitan area surveyed from on the site exhibited higher visitation demand for the national art museum. Price elasticity and income elasticity differed by respondents' residency. Price elasticity of long distance visitors (-0.21) was more inelastic from those of Seoul residents (-0.34 ~ -0.5). Moreover, regional residents outside of Seoul area seemed to consider that services from the national art museum is a normal good with income elasticity of 0.5, whereas the Seoul residents seemed to perceive it to be an inferior good with income elasticity of -0.05.

A Study on Buffering Effect of Silicagel to Control Relative Humidity in Air-tight Case (밀폐장내(密閉欌內) 실리카겔의 습도조절(濕度調節) 효과(效果) 연구(硏究))

  • Kim, Myoung-nam;Yu, Hei-sun
    • Conservation Science in Museum
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    • v.2
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    • pp.77-82
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    • 2000
  • The purpose of this study is to evaluate the effect of ART-SORB which is commonly used in museums and galleries at home and abroad including National Museum of Korea, so as to collect useful information to control micro-environment. Experiment was conducted in air-tight condition in order to evaluate only the effect of ART-SORB excluding any influence from outside factors. A certain amount of ART-SORB considering the case size and ART-SORB in cassette type were used to evaluate the humidity controlling capability. The result showed that target humidity was reached in 10~17 hours in case of using corresponding amount of ART-SORB to the cubic volume and in 5~6 hours in case of excessive use of cassette type ART-SORB. And it also showed that humidity can be controlled in the range of RH 50~70%. In addition, ART-SORB was excellent at raising humidity at low humidity and poor at high humidity. Therefore, ART-SORB turned out to be an effective humidity buffer for controlling micro-environment of such artifacts as wooden ware, lacquer ware and paintings, which require high humidity. However, unfortunately, there are some difficulties in applying this result to real condition, given the fact that this study was conducted under firm air-tight case. Therefore, ART-SORB can be fully effective only in firm air-tight case.

Conservation of Contemporary Artworks Made with Soap and Research on the Appropriate Hygrothermal Environment (비누로 제작된 현대미술 작품의 보존과 적정 온습도 환경 연구)

  • Shin, Jeong Ah;Han, Ye Bin;Cha, Sun Min;Kim, Young Mok;Kwon, Hee Hong
    • Journal of Conservation Science
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    • v.37 no.5
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    • pp.464-476
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    • 2021
  • Various materials, depending on the personality of the artist, are required for contemporary art. Thus, it is necessary to decipher the expressive intentions of the artist and characteristics of the materials required for the conservation of such art. The purpose of this study is to analyze the causes underlying the deterioration of sculptures made from soap and to determine the ideal hygrothermal environment required to stably exhibit and store these artworks. Furthermore, we aim to maintain the long-term structures of the artworks in accordance with the changing expressions and intentions of the artist. Our analysis confirmed that the extracts of the soap sculptures were composed of glycerin and that the sculptures were sensitive to humidity. Moreover, we determined that a relative humidity (RH.) of approximately 60~65% made for an appropriate hygrothermal environment required to preserve the sculptures. We also preserved each work in various ways by applying appropriate preservation treatment, and found that the optimum preservation environment for soap sculptures was a temperature of 20±2℃ and a RH. of 60±5%.

A Study on the Structure and Content Analysis of Art Museum Websites in Korea (미술관 웹 사이트의 구조 및 콘텐츠 분석에 관한 연구)

  • Noh, Dong-Jo;Lee, Seung-Wook
    • Journal of the Korean Society for Library and Information Science
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    • v.54 no.1
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    • pp.277-301
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    • 2020
  • The purpose of this study is to analyze art museum websites and derive implications for future operation of art museum websites. To this end, this research collected basic information about art museums according to '2018 National General Report of Cultural Infrastructure' and investigate the websites of 30 art museums through multi-step sampling process. This study analyzed the structure and menu of the art museum websites as well as the current state of various contents provided by the websites and the search service for the collections offered by the websites. Following sentences are the results. First of all, the art museum websites offer 5.6 top menus on average. Secondly, contents related to art museum, exhibitions, news, education, general forum, and SNS are the basic contents that should be provided on the art museum websites. Third, for contents related to news, education, and events have problems with hierarchical structure and need to be adjusted. Fourth, in the content type, specialized information contents are relatively insufficient and thus need to be improved. Fifth, the art museum websites should give sufficient information about the collection and offer directory searching hat includes keyword searching as well as detail searching service. It is also required to reorganize the directory along with the download function for searched results and the sorting service.