• 한국주거학회논문집
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• 제18권6호
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• pp.115-123
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• 2007

This study aims to analyse the method and strategy of spatial composition in the selective works of Italian architect Carlo Mollino. With the continuos renovation of the interpretative frames and method on modernity and in particular on the spatial phenomenon, works of Mollino, once disregarded by the historiography and evaluated for its peculiarity. emerge as important architectural phenomenons. The intrinsic value in his works also enable to comprehend the complexity and multiplicity of modernity in contemporary architecture. In order to achieve this preposition, six important works were analyzed with three key words, to understand comprehensively the process and the significance of each work and Mollino's contribution in the spatial composition of domestic and public spaces. Evaluation of the spatial strategies in conceptual investigations of Mollino had been underestimated to the relative poor conservation or incomprehension of various work, excluded from the categories of architectural elaborations. This study also aims to contribute, in the broad sense, the dialectical significance of modernity by emphasizing the aspects of his work related with Surrealism and vernacular tradition, as well as with its relationship with the various spatial dispositives.

• 패션비즈니스
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• 제23권4호
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• pp.38-52
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• 2019

This study aimed to examine the factors associated with emotional imagery from Obanggansaek and to analyze the difference between emotional imagery and the preference for Obanggansaek according to demographic characteristics. This study surveyed the responses of 320 participants to a questionnaire. The subjects consisted of men and women in their 20s-50s living in Gyeongnam and Busan region. The data were processed with SPSS 20.0 and were analyzed using factor analysis, t-tests, ANOVA, and Duncan's multiple range test. The results obtained were as follows. Five emotional imagery factors were associated with Obanggansaek: modernity, attractiveness, conspicuousness, soft/hard feeling, and newness. The analysis of emotional imagery for Obanggansaek according to demographic characteristics showed a significant difference in modernity, attractiveness, conspicuousness, and newness with respect to gender; in attractiveness with respect to marital status; in modernity, conspicuousness, soft/hard feeling, and newness with respect to age; in attractiveness and conspicuousness with respect to monthly income; and in attractiveness, soft/hard feeling, and newness with respect to occupation. The analysis of preference for Obangganasek according to demographic characteristics showed that women, married people, people in their 50s, and specialists preferred Obanggansaek the most. The interaction effect between preference for Obanggansaek and the demographic variables showed significant differences between gender and age, gender and occupation, marital status and monthly income, age and occupation, and monthly income and occupation.

• 문화기술의 융합
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• 제9권6호
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• pp.737-742
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• 2023

이 논문은 오스망에 의해 주도된 파리의 변화를 발작과 보들레르의 작품에 등장하는 배회자를 통해서 분석하려는 시도이다. 두 작가의 작품 모두 근대성을 표상하는 배회자가 파리의 시가지, 특히 건축물들을 관조한다. 근대성을 표상함에도 불구하고, 배회자들은 양가적으로 과거의 유산에 빠져있기도 하다. 발작의 『파리의 그릇된 면모』에서 남성 부르주아인 고드프와는 과거의 유산인 오래된 건축물들을 관조하는 배회자이다. 보들레르의 시 「빅토르 위고를 위한 백조」에서 근대의 카루셀을 지나는 배회자는 과거의 파리가 사라진 것을 느낀다. 「파리의 꿈」에서 환영화된 파리는 나폴레옹 3세가 장려한 자본주의적 활동에 의해 형성된 대도시의 이미지를 보여준다. 두 작가의 차이는 근대성이 파리를 어떻게 변모시켰는지를 예시해주고 있다.

• Asian review of World Histories
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• 제1권1호
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• pp.151-155
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• 2013

• 대한지리학회:학술대회논문집
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• 대한지리학회 2005년도 춘계학술대회
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• pp.119-121
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• 2005

• 건축사
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• 통권650호
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• pp.108-110
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• 2023

• Journal of Contemporary Eastern Asia
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• 제23권1호
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• pp.83-86
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• 2024

• Asian review of World Histories
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• 제1권2호
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• pp.189-226
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• 2013

Discussions of world history often focus on the pros and cons of thinking on large spatial scales. However, world history also tends to employ unusually large timescales, both for research and teaching; frequently it is framed around a teleology and a series of "revolutions" which mark milestones taking humans from a very distant past to "modernity". Moreover, world history usually rejects regionally specific period markers (e.g. Renaissance), making periodization within this long timespan especially difficult. This article surveys various approaches to these problems, and shows that any of them, if treated as sufficient by itself, introduces significant distortions. It argues for a world history that highlights this problem, rather than hiding it, and which uses the need to deploy multiple timescales simultaneously to clarify the distinctive intellectual contribution of historical thinking.

• 한국실내디자인학회논문집
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• 제26호
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• pp.11-18
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• 2001

This study explores the interior image preferred by females living in urban areas. It also examines the relationship between interior image and socio-demographic characteristics such as age, marital status, employment status, total household income. The target population of this study was 301 adult females living in Kwangju City. The data were analyzed with frequency, percentage, General Linear Model, and Duncan's multiple range test using the SAS package. The major findings of this study were as follows. 1) The majority of the females generally preferred modernity of interior image to traditionalism. Also they preferred feminity of interior image to masculinity and complexity to simplicity. 2) Females in the age of 40s were more likely to prefer simple and oriental-traditionalism image to those under the age of 30s. 3) Those with the higher total household income were more 1ike1y prefer western-traditionalism image to those with the lower. But those with the lower household income were more tended to prefer modernity image to those with the higher.

• Architectural research
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• 제11권1호
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• pp.1-6
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• 2009

While the ideal universality of the modern period has achieved outstanding results in terms of establishing sanitary cities in contemporary urban environments, it has caused the decline of the genius loci. This study raises the question of the lost sense of place and proposes a solution, 'The Human-Environmental Ecological City'. The Human-Environmental Ecological City, called 'Ecoumenal City', does not provide a fake idealism with the conclusion of modernity of non-place or sense of place without modernity. It is both cosmological and geogenic, and the technology of the time is projected onto it human-environmentally. It does not pursue any more a urban planning as the overall work of an individual, but it aims at a balance rediscovered through the individual spontaneousness.