• 복식
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• 제56권2호
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• pp.56-69
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• 2006

The purpose of this study was to analyze the characteristics of Korean costume colors according to the diachronic stages of culture(Chosun dynasty, Modern times, Present age) and to interpretate the meanings of costume colors as a cultural code. To examine the color characteristics according to the cultural change, the quantitative analysis and the qualitative analysis were used. For the quantitative analysis 1535 color samples were collected and for the qualitative analysis on the sensitive aspect of Korean costume color, 340 color names were collected. The results of this study as follows; 1.'Red' and 'Blue' were preferred throughout the periods. In Chosun dynasty, the higher saturation of 'Red' and 'Blue', its symbolic meanings were more emphasized. 2. In the Modern times, 'Pink' was more distinctive than 'Red'. 'Pink' meant that the ecdysis of the traditional view of color. 3.'Yellow' of the low Saturation was used frequently in Chosun dynasty but in the Modern times, the use of 'Yellow' increased and the high saturation were used. In the Present age, the frequency of 'Yellow' was reduced relating to the increasing use of 'Brown'. 4.'Neutral Color' has changed according to the diachronic stages of the culture. 'Black' was increased and had a big meaning in the cultural aspect of the Modern times. In the Present age, 'Gray' and 'grayish colors' were increased related to Technology, Metals and High rise buildings.

• 한국실내디자인학회논문집
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• 제16권6호
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• pp.3-10
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• 2007

It has been happened many changes in our country on construction and culture with the economy and society, after the efflorescence. And it was provided the rapid growth in the theater space which is the center of culture with advance in economy and the society. The change of theater space with improvement of theaters gives a chance to develop arts of culture and crowds satisfied there demands. Accordingly this research is finding the origin of movie theaters and clarifies the change of space characteristics. Accordingly, movie theaters have been introduced and improved the age which is defined from modern to present. Moreover the cases are selected by Korean Film Council and Chronicle of Korean Architectural Culture. The characteristic of theater space is made an analysis by consist and form of space, and this research is let us know the theaters space has been changed and developed due to ages. Besides, this analysis research would he made theaters more active and culture spaces more improved in the future. The deepen research and analysis should be kept studying to make theater space improve and rev up.

• 복식
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• 제56권9호
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• pp.98-111
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• 2006

The objective of this research is to examine the commonness and differences of Korean, Chinese and Japanese costume colors of modern and present ages. The result of this study showed that modern China and Japan had quick influx speed of Western culture. Dissimilarly, modern Korea kept conception of colors from Chosun periods that show the high frequency of 'Five Elements Colors' and neutral colors in Red, Yellow and Purple Blue. Today, the costumes of China, Korea and Japan use similar tones of color but each country approached in different selections of achromatic colors; Korean prefers color in Yellow Red, Purple, and Chinese in Green Yellow, Green and Japanese in Purple Blue. Light greyish and pale toned Yellow Red and grayish tone have increased in modern Chinese and Japanese costumes. Also both countries have corresponding assumptions in using color of Red in strong tone. The analysis of color and tone distribution showed that, Japanese costume colors in modern and present times have correlative number of use as in Western culture. Traditionally, Japan has least notion of using 'Five Elements Colors' which only gives minor changes by convergence of Western color culture. In other side, China had developed in color rather than tone compares to Korea and Japan by using many of the Red color of strong, vivid and deep tones which made red distinguishing color of China. Japan continues to use of low chroma colors and became a characteristic in modern and present day, also they use an abundance of color in Yellow Red, purple Blue. Korea has a higher frequency showing in light, bright tones of color distinctively compares to China and Japan.

• 복식
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• 제61권3호
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• pp.83-96
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• 2011

It will be very effective in studying fashion images that reflect society to investigate the process of the images of military uniforms becoming fashion with the images as the original or image changes in the military look in relation to The hyperreal of the Simulation phenomenon. The foundation of the study was set up by studying simulation and simulacra. Studying the simulation phenomenon in fashion was followed by explaining the aspects of simulacra and the hyperreal in image changes in fashion to study and analyze the simulation phenomenon of the military look based on the findings. The study examined the military look from the Industrial Age to modern times through simulation and the hyperreal in the military look of modern fashion through the changes of images that started with military uniforms. Those research efforts led to the following conclusions: Looking into fashion through the military look reveals that The hyperreal made its appearance in most cases with few cases of the 1st and 2nd simulacrum. And hyperreality was closely related to media in fashion under the influence of media. In short, fashion and copy are in an inseparable relation, and the hyperreality phenomenon has always been present in modern fashion.

• 한국가구학회지
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• 제23권2호
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• pp.122-129
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• 2012

This article was intended as fundamental materials to recognize the current status of furniture hard ware in Korean market and to fix the identity of Korean furniture, by investigating and comparing the furniture hard ware used in the Joseon era and in modern times by type, function, shape and material. The analysis of furniture hard ware of the Joseon era and modern times from the view of functional aspects was oriented to the hard ware necessary to open and close the door & drawer on one side, and to that being attached to the main body of furniture not to scratch the wood by another wood on the other side, and from this the following conclusion was drawn. First of all, "Gwangdoojung" - a kind of spike- and metal decoration on the edge of the furniture disappeared, while the function-oriented hard wares have been diversified in modern times, from the perspective of the change of kinds. Second, the functional aspect of the furniture hard ware was emphasized in modern times than the Joseon era. In other words, the hard wares of the Joseon era came into view due to their strong appeal to decoration, whereas those of modern times were mostly hidden or moderated, keeping the function substantially. Third, the hard wares from the Joseon era were shown in concrete and detailed shape motivated by natural objects and furthermore even gloriously, but the modern hard wares are simple & basic geometry, from a formative point of view. Fourth, the material aspects present that the Joseon era's hard ware was mainly cast iron, whereas that of modern times shows the diversification from metal to even plastic. Finally, the recent trend in naming of the hard wares is the words of foreign origin. This resulted from that the foreign names of hard wares are valid also after import process in Korean market, so the domestic development of hard ware as the essential factor for the furniture design is urgently necessary to establish the identity of Korean modern furniture.

• 비교문화연구
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• 제22권
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• pp.29-49
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• 2011

This study is focused on looking into the essence and application in the modem history of 'Martial Art Culture' that is a representative cultural code in the East Asia. Doubting and reconstructing the paradigm of the past and present, Postmodernism in the 21st century has defined marital arts as a new cultural phenomenon. This study begins by doubting whether the essence of martial arts was a cultural conduct to train both bodies and spirits. Practically used as a fighting skill since the primitive age, martial arts has fallen into sports or cultural behaviors due to the invention of the state-of-the-art modern weapons. However modern people misunderstand that martial arts of East Asia is originated a kind of cultural behaviors. It implies there is a fundamental mistake in the wat Western civilization evaluates the orientalism. This study analyzes this mistake through access method based on realities of modern history. This trial will contribute to expanding the thinking range, inquiring into varied cultural phenomena including martial arts which are misunderstood in modern history.

• 한국융합학회논문지
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• 제9권10호
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• pp.229-235
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• 2018

한옥교회는 우리나라 근대시대의 생활상을 종교적 관점에서 고찰할 수 있는 중요한 문화유산이다. 근대시대 건립된 한옥교회의 경역과 한옥 건축의 특성을 알아보고자 한다. 그러기 위해서 전라북도에 남아 있는 김제 금산교회를 현지답사 및 인터뷰, 수리보고서를 조사 분석 하였다. 금산교회는 현존하고 있는 한옥건축물로 건축적 특성을 세부적으로 확인할 수 있었다. 교육의 기능을 담당한 유광학교도 한옥건축물로 자료를 통해 위치와 규모를 짐작할 수 있었다. 결과적으로 금산교회의 경역은 현재의 담장이며 서측은 건물이 동측은 운동장이 있었던 것으로 보인다. 금산교회의 평면은 당시의 유교사상을 반영하여 ㄱ자형 공간으로 구성하여 남녀로 구분하였다. 그리고 유광학교는 2칸 규모로 강의에 적합한 ㅡ자형 통구조로 현대 교회의 진입부 부분에 위치해 있었던 것으로 판단된다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.171-175
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• 2005

The Principle of space composition in modern architecture is thought about functionalism that based on function and program but the present age attempt that escapes form of former space composition. The present age brings fast development than former ages, so we need the space which has correct flexibility on New Age for escaping in existing structural formality. Specially, the space that boundary of existing plate, column and wall is crumbled as becoming possible technological support with social backgrounds. What this study saying is the analysis about the relation between the concept of topology and the consecutive space composition. Therefore, there is the purpose understanding a characteristic of continuity of the plate through the topological concept and understanding the roll in interior space.

• 한국시조학회지:시조학논총
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• 제24집
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• pp.173-197
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• 2006

고전을 현대적으로 계승하여 재창조된 작품들은 현대시나 소설, 희곡이나 영화 장르에서 빈번하게 나타나고 있다. 필자는 '고전 시가의 현대적 계승과 변용'에 주목하면서 그렇다면 시조 장르의 경우에는 '고전의 재창조' 양상이 어떻게 이루어지고 있는지 궁금하였고 본 논의는 기본적으로 이러한 관심사에서 출발한다. 이 과정에서 고전을 현대적으로 계승하여 재창조한 시조는 상당수의 분량을 차지하고 있고 지금도 현대시조로 재창조된 작품들이 지속적으로 나타나고 있는 것을 확인할 수 있었다. 특히 1920년대 이광수의 시조를 비롯하여 1940년대 조운의 시조는 이 방면에서 선구적인 작품들이다. 이후 현대시조에서 고전을 재창조한 작품들은 지속적으로 이어지고 있다. 그렇다면 이렇게 재창조된 현대시조는 과연 어떠한 의미를 지니는 것이며 그리고 그것이 나아가야 할 방향은 무엇인지 파악하여 점검해 보는 데에 본고의 목적이 있다. 또한 이러한 논의는 현대시조 창작의 미래를 위한 단서를 제시해 줄 수도 있을 것으로 예상된다. 고전을 현대적으로 계승하여 변용하는 일련의 작업들은 전통문화를 이어 가며 고전의 당대성과 현대성을 연결시킴으로써 인간의 삶의 문제를 돌아보게 한다는 점에서 그리고 집단의 정서를 공유할 수 있게 한다는 점에서 매우 가치 있는 과제라 할 수 있다. 일례로 이광수나 조운의 시조는 고전의 재창조 작업을 통해 문학사적 의의를 지니고 있음을 확인할 수 있다. 문제는 이러한 맥을 이어받아 고전의 창조적 실험을 꾀하고 있는 현대시조에 있다. 많은 현대시조들이 시조의 구조적 원리와 형식 미학을 체득하지 못하고 내용의 기법에 치중한 상태에서 창작되고 있기 때문에 고전을 현대적으로 수용 한 시조들은 창작의 한계를 드러내고 있다. 게다가 다시 산기의 내용도 원전의 내용을 그대로 담아 시조 화하는 것은 의미가 없다. 그런 점에서 고전을 다시 살기 한 현대시조는 현재의 삶과 문화. 시대 현실을 반영하면서 시조의 형식 미학을 함께 겸비할 때 그 영역의 타당성을 확보해 낼 수 있다.

• 건축역사연구
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• 제7권3호
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• pp.53-66
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• 1998

In the meantime, the study of traditional and contemporary house had been produced so many achievements in korea, but modern house is yet to be solved, Accordingly, It is necessary to develop and present the basic research data in order to build up an objective study for urban house in the modern age(1910-1945), Following to a study on the foreigner's house in grid-type settlement of Open Ports, in this research is to investigate and analyze modern houses of urban areas in korean inland, and then clarify types and changes of them. In the first year($1995{\sim}96$), the modern houses of Central Inland Districts(arrounding river Kumgang)-Kunsan kanggyong Puyo Kongju Pugang Chongju were investigated by the layout of room, the construction and materials, the design and style, etc. In the second year($1996{\sim}97$), the modern houses of Open Market(開市場)-Seoul Taegu Kwangju Taejon Chonju were conducted to investigate as above. The traditional house transformed by differentiation and addition of room(kan), the various types were respectively adopted for the korean reforming and western cultural house. In the layout of room, the types of plan were gradually concentrated from the single wings of korean traditional house. The korean traditional house was later improved through the introduction of entrance, corridor, and internal toilet/bathroom. But the korean under-floor heating system(andal) and a series of three rooms had been entirely maintained, composed of master bedroom/living room(daechung)/room. And the traditional town house with shop and storage, being built closely to each other and walled up both sides, it had taken gradually the extensive characteristics in itself. By the displacement of shop/dwelling/ storage. the various types were respectively adopted for the separated, multi-storied, and complex type. The type of them was gradually changed to the narrow and linear form. And so with the stockpile of fundamental datas about modern houses in korean urban areas, we expect these results contribute to the knowledge of the spatial characteristics of urban house at present which are required to the understanding of transition as well as types.