• 건축사
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• 통권522호
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• pp.79-84
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• 2012

• 건축사
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• 통권536호
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• pp.86-90
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• 2013

• 건축사
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• 통권591호
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• pp.15-20
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• 2018

• 건축사
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• 통권644호
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• pp.122-130
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• 2022

• 한국산학기술학회논문지
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• 제12권2호
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• pp.952-958
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• 2011

산업화는 근대화 및 근대건축의 탄생에 중요한 역할을 담당하였다. 산업화에 의한 변화와 그 결과물에 대한 믿음은 건축에 대한 사고와 과정도 산업화와 연관 지으려는 시도로 나타나게 된다. 건축을 산업화 과정에 편입시키기 위해서는 건축을 더 이상 과거의 역사주의적 전통이 아니라 실질적인 과학기술과 직접적으로 접목시켜 이해하는 것이 필요하게 되었다. 20세기 초 건축을 산업생산물의 일종으로 파악하려는 것은 두가지 의미로서 하나는 건축의 결과물에 대한 인식이며 또하나는 건축의 과정도 산업 생산의 과정으로 이끌어가고자 하는 생각이다. 본 연구에서는 산업혁명 이후 근대 초기 까지 이러한 산업화에 의한 건축의 변화 과정을 살펴보고 그 의의와 영향을 살펴보는데 그 목적이 있다.

• 한국실내디자인학회논문집
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• 제25권4호
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• pp.51-59
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• 2016

Recent modern architecture shows a lot of cases that introduce natural light in indoor space, arousing diverse emotions within a minimal space by means of changes in the light. There are various causes for the background of these streams of times, and it may be said that pursuing the relationship between natural phenomena and space, using changes in light, is an important factor among them. This is closely linked to the raise of phenomenological architecture. In the case of Japan, there are many cases where the architectural language connected to the traditional architecture has been restructured to fit to modern architectural technique. The modern reinterpretation and development of the Japanese traditional effect of light and its meaning can be seen in cases of Kuma Kengo and Tadao Anndo. Of the modern architects that have used the appearance of spatial concept of light in Japanese architectural space, Kengo Kuma shows his attempt at finding identity in his designs through the acceptance and modern reinterpretation of orientalism of nature, along with the traditional and regional interpretation through materials and ways construction. It is his use oh light input used in traditional Japanese settings that have differentiated his work. On this, the present thesis intends to analyze and synthesize what impressions Kengo Kuma's unique methods of light production create in the formation of users' spatial perception, how the unique encounter of light and materials seems to perceivers, and the characteristics of his light production and expression that harmonize space, human, and nature in the visual and perceptual experience of space;

• 한국융합학회논문지
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• 제10권4호
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• pp.115-121
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• 2019

본 연구의 목적은 1950년대 말의 한국 멜로드라마 영화에 대한 분석을 통하여 근대적, 서구적 이미지로 드러난 건축공간을 고찰하는 것이다. 이는 대중영화가 당대의 주거문화, 건축공간, 인간행위 등을 필연적으로 반영한다는 사실을 전제로 진행되었다. 고찰을 위해 신상옥 감독의 50년대 멜로드라마 5작품이 선정되었으며, 각 영상자료의 장면들과 등장인물의 특성, 대사, 관련 작품해설이나 평론 등이 종합적으로 분석되었다. 멜로드라마 속에서 근대건축공간은 크게 2가지로드러났다. 첫째, 전후 빈곤과 사회적 혼란 속에서도 전통적 주거건축과는 대비되는 근대적 건축공간들이 조명되었는데, 이는 서구적 주거방식과 부유층의 생활상에 대한 관객들의 동경과 호기심을 반영한 것이었다. 둘째, 주거공간뿐 아니라 업무공간, 상업공간 등 다양한 비주거 건축공간들이 비중 있게 묘사되었는데, 주로 공간의 내부를 비추면서 서구적 이미지의 인테리어 디자인이 조명되었다.

• 건축역사연구
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• 제2권1호
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• pp.126-135
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• 1993

Italian Rationalism held a specific position in the Modern Movements of Architecture, due to the fact that Italian Rationalism could not totally escape from the classical tradition of Italy. Until the seventies, Italian Rationalism had been criticized for having made no contribution to the progressive aspects of the Modern Movements owing to the very keeping of tradition. After the seventies, however, there emerged a movement which tries to reinterprete the Modern Movements of Architecture in relation to tradition and under this new situation, Italian Rationalism is believed to have a historical possibility of unifying tradition with modernity. This study is to show how Italian Rationalism struggled with the issue of tradition, why Italian Rationalism was under-evaluated and which historic lesson we can learn from it in the contemporary days of the revivalistic Post-Modernism.

• 한국농촌건축학회논문집
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• 제10권2호
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• pp.1-8
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• 2008

This paper is aimed to clarify the conservation and reuse of historic areas in modern ages, especially focused rural settlement Honbul village, Namwon city. Honbul village has modern historic areas as well as the korean traditional head houses, and so many narratives. There are old Seodo station building and the other facilities centered on these areas. And so this paper is to conserve and reuse not only this station but also traditional head house as modern cultural assets for revitalizing Honbul village. This study has been done by the field survey and interviews on the basis of the blueprint and its conditions. Through these modern historic areas, it would be for visitors experiencing the sustanable living condition from now on, excellent landscape of Honbul village. And also development of agricultural products and brand naturally increase incomes of farm families, and finally it will go far toward solving the rural problems.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.40-47
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• 2012

Courtyard is evolving from the conventional one element of a building far beyond into independent peremeter of urban architecture, of which function has been darmatically upgraded from embedded traditional air fluiding, nutural lighting system into where full fledged function can be experienced so much as your imagimation reaches taking major social responsibility such as intact offline social networking which links people from neighbors, inter / extra buiding openness which allow people can communicate among othewise between themselves and artificial natural environmental emelents supplier where people resort to relaxation and natural healing. Roles of courtyard has been by far streatched out into nearby natural healing space where people can shake off their unavoidable stresses from the modern life relaxing themselves looking at the sky otherwise observe natural surroundigns such as plants, flowers and waters. Thanks to hereonto mentioned its merits, Courtyard building is widely used and seen as a center of modern urban design in residence, public bilding and urban planned buildings. Courtyard biulding is nowadays boasting their morphological diversity brought out from lots of topological variation, type variants, cross section and inter relationship with the other neighboring spaces. Hence, hereby I have been studied how above mentioned three major peremeters of courtyard has been upgraded in modern architecture comparing the period from 1960 to 1990 and the period starting from 1991.