1 |
M. H. Kim. (2006). History of Korean Films. Communication Books, Inc., 39.
|
2 |
KOFA. (2003). Traces of Korean Cinema from 1945 to 1959. Munhaksasangsa, 216.
|
3 |
J. Steven. (2007). The Wrong House: The Architecture of Alfred Hitchcock. 010 Publishers, 10.
|
4 |
J. H. Jeong. (2017). Movie Paradise 2017 09+10 Vol.57. Korean Film Archive, 51.
|
5 |
Y. H. Park. (2017). Movie Paradise 2017 09+10 Vol.57. Korean Film Archive, 22.
|
6 |
Y. H. Park. (2013). Shin Sang-ok's Melodramas from the 1950s. Korean Film Archive, 10-11.
|
7 |
http://www.kmdb.or.kr
|
8 |
Y. H. Park. (2013). Shin Sang-ok's Melodramas from the 1950s. Korean Film Archive, 14.
|
9 |
G. J. Moon. (2018). The Scenery of the Urban Residence Represented in Korean Films of the Liberation Period. Journal of the Korea Convergence Society, 9(4), 119-125. DOI : 10.15207/JKCS.2018.9.4.119
DOI
|
10 |
E. T. Jeong, K. H. Jung, H. J. Song. (2016). A study of Convergence Relationship between Post-Modern aspects and storytelling from Imaging Content Production. Journal of the Korea Convergence Society, 7(6), 177-184. DOI : 10.15207/JKCS.2016.7.6.177
DOI
|
11 |
G. J. Moon. (2016). The Use of Urban.Architectural Elements Represented in Korean Films of 1950s. Design Convergence Study, 15(4), 105.
|
12 |
G. J. Moon. (2017). The Scenery of the Modern City Represented in Korean Films of 1930.40s. Journal of the Korea Convergence Society, 8(4), 159-165. DOI : 10.15207/JKCS.2017.8.4.159
DOI
|
13 |
S. M. An. (2015). Study on the Convergence between Spatial Design Education and On.Offline Communication Methods. Journal of Digital Convergence, 13(5), 317-327. DOI : 10.14400/JDC.2015.13.5.317
DOI
|
14 |
W. S. Park. (2014). 2014 Seoul Photo Festival. Seoul Metropolitan Government, 9-14.
|
15 |
G. J. Moon. (2017). The Convergence Study of the Cinematic Gaze Represented in Seojong MA-Residence. Journal of the Korea Convergence Society, 8(9), 293-300. DOI : 10.15207/JKCS.2017.8.9.293
DOI
|