1 |
Le Corbusier, Precisions: On the Present State of Architecture and City Planning, the MIT Press, p.125, 1991.
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2 |
김여수, "산업문명의 위기와 대안적 문명의 모색", 김경동, 임종철, 이홍구, 김여수 공저, 근대화-그 현실과 미래, 서울대 출판부, p199, 1979.
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3 |
석동호, 과학기술사, p.129, 1984.
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4 |
스즈끼 히로유키, 서양 근현대건축의 역사: 산업혁명기에서 현재까지, 우동선 역, 시공사, 2003.
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5 |
이상헌, 철 건축과 근대건축이론의 발전, 발언, pp.195-201, 2002.
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6 |
J.Summerson, "Viollet-le-Duc and the Rational Point of View," Eugene Emmanuel Viollet-le-Duc 1814-1879, AD Profile, p.8, 1980.
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7 |
W. Morris, The Aims of Art, Office of the Commonwealth, London, 1886.
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8 |
"The Sugestion of a mode of structure or support, other than the true one", "The painting of surfaces to represent some other material than that of which they actually consist, or the deceptive representation of sculptured ornament upon them", "The use of cast or machine-made ornaments of any kind". Ruskin, J, The Seven Lamps of Architecture, London, J.M.Dent & Sons Ltd., pp34-35, 1849.
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9 |
W. Gropius, The New Architecture and the Bauhaus, the MIT Press, 1965.
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10 |
W. Gropius, Scope of Total Architecture, p.72, 1949.
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