• 한국실내디자인학회논문집
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• 제27권1호
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• pp.97-108
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• 2018

This study is based on the way Kim Kwang Soo works, which reveals a strong expressive tone that is rare in Korean architecture. His work is not decorative and symbolic representation of the intention of positive amusement. Therefore, the following noteworthy points will arise. The various phenomena associated with architecture and society are researched and analyzed in a critical manner. So, it creates and expresses its own formal logic. In this study, the theory of the subversive appropriation theory was identified by using the expressive characteristics of engagement. The study was based on a conceptual framework for the overturning of the mimesis, which Benjamin and Adorno have described. From this, this study summarizes Kim Kwang Soo's nihilistic attitude, finding boundaries and crack points, and subversive expression as a new form of architectural formal logic as main characteristics of interpretation of works. The characteristics of subversive expression of Kim Kwang Soo architecture derived from this are as follows. It does not take an ideological approach to the dismantling of the internalization of traditional Korean architecture. Popular culture and social phenomena are used as materials for expression. These are structured sensibly with appropriated formal logic. Finally, the architectural position adhered to the limit of performativity was recognized as the dimension of new meaning generation.

• 한국가구학회지
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• 제21권2호
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• pp.144-156
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• 2010

Since late 1960s, we have had the discourse about the way of succession of korean traditional architectural heritage. Through 60s and 70s, the formal mimesis and transformation was pretty much dominated in domestic design currents. After 80s, we could see a kind of different ways of design to deal with traditions in architectural practices. These methodology can be summarized as spatiality, abstraction and diversity. These discourses acted as bases for aesthetic and formal stream which might be needed to present the formal possibilities for various commercial needs. Especially, the interior design field utilized those ideas in order to show korean identity for the commercial needs such as korean restaurant, korean bar, or korean costume shop. Interior designers positively adapted the ideas from architectural discourse and created their own vocabulary after 90s. Before 90s, interior designers did very representational mimesis to express korean identity designing commercial facilities. However from mid 90s they could establish new tendencies in expressing korean traditional moods. These tendencies are a focus on spatial relationship, abstraction and materiality, utilization of traditional objects and lighting method.

• 디지털융복합연구
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• 제12권12호
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• pp.513-520
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• 2014

인간은 유사 이래로 자신을 둘러싼 모든 것들을 본능적으로 미메시스(Mimesis)하고 환영(Illusion)을 생산하며 예술과 문화를 계승 발전시켜왔다. 그 대상으로는 단지 지시할 수 있는 객체만이 아닌 객체를 둘러싼 공간 역시 포함되었다. 르네상스 시대에 등장한 원근법은 서구 역사에 있어 공간을 바라보는 지배적인 방식으로서 자리를 잡았고, 근대 시각 체계를 형성하였다. 오랫동안 원근법에 기반 했던 공간의 연출방식은 디지털 미디어 시대에 접어들면서 다층적 구조를 내포한 수평적 데이터 구성이라는 개념으로 재정의 되었다. 이러한 구성적 특성은 보다 효율적이고 합리적인 방식으로 공간의 사실적 재현을 가능하게 만들었다. 공간의 연출방식은 시각 예술 문화에 있어서 하나의 방법론이라는 외피적 범주를 넘어 세상을 바라보는 인간의 가치관을 반영한다는 의미를 지니므로 디지털미디어 기반의 공간 연출방식에 대한 심도 있는 연구의 필요성이 있다.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.85-96
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• 2013

This study relates to meta-phenomena in architectural design. Among others, this study aims to interpret and demonstrate the cognitive thoughts and methodological systems in 'autonomy and instrumentality' presented in works of art by positivist architects focusing on diagrams after the second modernity in addition to earlier formal experiments by John Hejduk, Peter Eisenman, Bernard Tschumi, and Daniel Libeskind. In order to achieve these aims, this study approached the mimetic concepts developed by Walter Benjamin and Theodor Adorno. Especially, meta-phenomena in the methods of architectural design were connected to productivity in Adorno's mimetic concepts. Also, in terms of formation and creation of works of art, the mimetic backgrounds of Adorno's theories on aesthetics were identified from features of concepts on the part of formal experiments. The results were systemized methodologically based on meta-phenomena appearing in pure arts and overall architectural design. These were presented as a framework to interpret 'autonomy and instrumentality' that exist in the working of negativity and mimesis. In this way, logics and intuition in architectural design as well as methodological systemization of convergent creativity were proved valid. In conclusion, Adorno's mimetic concepts systemized based on negativity and critical awareness may lead to new concepts. It has been proved that it is valid for security of meta-phenomena of architectural design as a production of autonomous spaces for differences and creation.

• 한국의류학회지
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• 제33권2호
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• pp.200-212
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• 2009

Since the late of 20C, contemporary fashion have becoming enlargement between role and function of fashion through the combination and the deconstruction among various different spheres. Because multi-functional and trans-formal fashion transforms and extends original space and role toward any other fields through the morphologic and structural combination, this has been freed form the representational function pursuing more simple morphologic imitation, and becomes to change the space that is able to 'becoming' of Jill Deleuze. This paper intends to make a comparative study between the representation phenomenon about simple morphologic imitation of existing fashion design, and the becoming phenomenon of fashion focused on the change toward any other different object. This studies' conclusion as follows. 1) First representation imitates a lot of nature forms that are able to be restored any fixed form and picture. 2) Second representation is the representation of representation that re-imitates imitated object and art work. 3) Ontalogical becoming is classified with depaysement, self-presentation of fashion, morphing, and becoming the nature as a element.

• KIEAE Journal
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• 제14권5호
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• pp.13-20
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• 2014

Museums have developed various needs of the visitors and exhibits over the past two centuries. Currently, they have multiple functions of display, conservation, research and public education about artworks and cultural events. Therefore, exhibits should be displayed in various ways so that visitors can feel inter-relations with exhibits. The exhibition areas of museums should be provided with the stable lighting environment for visitors and artworks. For the study, I selected four museums, which were the Seoul Museum, the Mimesis Art Museum, the Seoul Museum of Art in Nowon and the National Museum of Modern and Contemporary Art in Gwacheon, and I measured illumination levels of the selected Museums, and then, I surveyed the visitors' responses on the lighting conditions of them. According to the results, the measurements of the illumination levels in the four museums showed that the illumination levels of them were effectively controlled to display the art works. However, the illuminance levels at some areas that drew the natural light as lighting source were much higher than recommended illumination values for museum. In the mean time, the answers of questionnaires showed that the natural light were so effective to light the museums although the natural light provided some areas with high illumination levels.

• 디지털콘텐츠학회 논문지
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• 제15권5호
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• pp.621-630
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• 2014

본 연구는 G. 레이코프와 M. 존슨이 제시한 '개념적 은유'를 적용해 소셜 네트워크 서비스의 은유적 특성을 분석하는 것을 목적으로 한다. 소셜 네트워크 서비스는 일방향적 소통만 가능했던 기존 매체와는 달리, 사용자가 참여적으로 자신의 일상을 표현하고 타인의 서사를 해석하는 과정을 통해서 그 텍스트를 확장한다. 기존 매체에서 수동적이던 독자가, SNS에서 적극적인 발화자로 전환될 수 있었던 가장 큰 이유는 SNS에 내재된 은유적 속성 때문이다. 이에 본 연구에서는 SNS 사용자 텍스트의 생성 및 해석 과정을 '근원영역'과 '목표영역'을 중심으로 고찰했다. 이후 은유적 속성을 통해 나타난 사용자 텍스트의 생성구조를 폴 리쾨르의 삼중 미메시스를 통해 증명했다. SNS를 환유로 전제했던 기존의 연구 관점과 달리, 본 연구는 SNS의 은유적 특성 및 의미를 제시했다는 점에서 그 의의가 있다.

• 철학연구
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• 제116호
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• pp.105-128
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• 2017

이 글은 황재형의 작품세계를 예술공간의 미메시스적 재구성이라는 프레임으로 읽어보려고 시도한다. 나는 황재형의 작품이 품고 있는 세계가 그 자신의 주관적 경험으로 환원되지 않는 공간으로 구성되어 있다고 생각한다. 작품 속의 공간은 황재형 작가가 음악적으로 사태에 동화되는 과정, 곧 미메시스를 통해 재구성한 세계로 읽힌다. 이런 읽기를 위해 나는 먼저 빛과 어둠의 교차로에서 그의 작품과 소통하는 길을 찾고자 한다(2). 이 길에서 미메시스적 반응으로 재구성된 황재형 작품의 예술 공간 안팎을 넘나들다가(3), 시간을 품은 공간을 통과해(4) 길 밖으로 나온다(5).

• 한국콘텐츠학회논문지
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• 제18권2호
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• pp.553-568
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• 2018

대중음악은 생산과 소비 과정에서 청년들의 내재된 욕망과 가치관이 잘 드러나는 공간이다. 그동안 한국의 청년세대 및 청년문화에 대한 논의는 주로 기성세대에 대한 저항이라는 정치적 논리 안에서 진행되어왔다. 그러나 이는 청년문화가 갖고 있는 고유한 미시적 특성들을 간과한다는 점에서 한계를 갖는다. 이에 본 연구는 미메시스 이론을 통해 대중음악 안에서 청년세대가 주체적으로 만들고 공유하는 기호 및 담론은 무엇이며, 그것이 사회적 맥락과 어떻게 연관되는 가를 살펴보았다. 그 결과, 1990년대 음악 <교실 이데아>와 에서는 기성세대에 대한 저항을 나타내는 이야기 구조 및 이항 대립이 두드러졌으며, 억압성 및 집합성을 나타내는 단어 표현들이 자주 등장한 반면, 2010년대 음악 와 에서는 파편화된 기호들이 다수 등장하며 그것들을 개별적인 문맥 안에서 재구성하는 담론 구조가 발견되었다. 이는 당시의 사회적 맥락 안에서 청년들이 경험하는 감성과 욕구를 가시화함으로써 그들로부터 많은 공감과 인기를 얻은 것으로 판단된다. 이를 통해 청년음악에 대한 고정된 시각적 접근에서 벗어나 시대적 맥락 안에서 음악에 담긴 청년들의 감성 및 욕망 등을 주목할 필요성을 제기한다.

• 의학교육논단
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• 제13권1호
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• pp.25-34
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• 2011

Modern medicine has early experienced the absence of mimesis and has been trying to replace the absence with objective grounds and experimental data. However, as medicine became science, the crisis of medicine spread more widely. Microscopic powers and violences are invisible, but individuals are powerless and vainly unable to resist. The anguish or introspection about the situation is sometimes described in stories such as An Engagement by Lee Eung Jun. An Engagement is mentioned in this article due to the writer's attitude, which shows his introspection and desire for harmony through the wounds of each trivial character. The writer is unceasingly talking about suffering people in his story and his seriousness enables readers to find his stronger sympathy over life and death than in any other medical stories. In fact, it is impossible for readers to comprehend the confusing propositions which the writer pours out, and even uncomfortable to read the story. Nevertheless, the propositions are always in contact with reality. Perhaps it is not the writer's confusing propositions that make us uncomfortable. It might be ourselves who are always alienated and starved. We can say that the characters' pains and wounds are phantom pains caused by the absence of mimesis. Since there is no affected area, their pains cannot be measured by only scientific medicine. However, the current medical profession regards objective research evidences as absolute truth and allows them to be the sole criterion. Although scientific skills such as DNA analysis and MRI scan can be the substitutes for doctors' judgment, so much of medicine is still interpersonal relationships. An Engagement. As a person promises to marry another, as all beings together in the world promise to subordinate to one another, every subject is consistently a valuable part of each other for the writer's eyes. He is aware that it is originally impossible to get engaged to the world, but he does not give up the possibility of genuine communication. In today's post-modernism society, where a large number of pathological views define the members and the world itself, endless questioning of existence and digging into pathology will be the only way to reduce the gap between individuals and their world. This article does not say that a literary work will lead the change of medical paradigm. It sprang from a desire for medical humanities to gain more interest of the medical field, where the encounter between literature and medicine is still unfamiliar, and to make medical education recognize the importance of humanities. Starting with this work, I believe that the humanities will help us to find the solution to the age of absence of mimesis and to the crisis of medicine.