• 한국의류학회지
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• 제37권3호
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• pp.371-385
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• 2013

This study considers types of expression and examines aesthetic characteristics through analyzing designs (such as the Coca-Cola contour bottle as fashion) which has actively progressed in the collaboration of fashion designers and fashion brands. The conclusions of this study are as follows. The types of fashion expression on the Coca-Cola contour bottle are a presentation of diverse fashion images through a digital print expression that allow people-friendly images to be three-dimensional (or by adding a formative element) and the use of accessories or clothes. The symbolism characteristic were first indicated for the aesthetic characteristics on the Coca-Cola contour bottle. Symbolism is indicated through the identification of an implicit meaning towards a specific object. The symbolism of fashion was highlighted by designing the Coca-Cola's contour bottle with a typical material and pattern pursued by fashion designers and fashion brands. Second, the characteristic of playfulness was presented to expresses the instinctive desire in human nature for pleasure. The expression of visual playfulness is emphasized through the combination of item and image or by changing and re-analyzing a form through refuting stereotypes. Third, the characteristic of femininity was shown to express beauty in external image or a woman's delicate and soft inner propensity. Femininity was created by presenting a sensual femininity that recognized the voluminous curve silhouette of the Coca-Cola bottle such as a sexy female body or through the combination of a women's inner beauty with the sensory image of the object.

• 한국재난정보학회 논문집
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• 제1권1호
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• pp.27-42
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• 2005

Recently the demand for civil security and security guards shows rapid growth. However the supply and training system have some limitations. Educational and training systems for civil body and security guards are in the basic level and private organizations trained the professional work force. So this paper is showing what a social dominant factor and a divice of development of the private security. Capitalism is based on a material desire of the human being. the social control of capital value and the management of capital ability reflects the actual condition of the capitalism well. The unconstrained growing and the expansion of capitalism, it finally lost social meaning and an importance of human being element and the safety of the civilian life, began to threat the security of citizen by forming over the material center structure of society. Improving human life quality and material richness on their life leads positive factor of capitalism whereas is causing several crimes through the society which is being threatened around a human being life for a negative factor of the capitalism. Therefore capitalistic social system has offered both a positive factor 'growing' and 'richness' and that of a negative 'structural poverty' and 'lack of security' and they have been remaining the assignment of capitalism 'poverty' and 'security' by settlement in the society for a extremely phenomenon of both sides. In Korea because their recognition of the study approach and the social safety for social security control function is still staying first step and our daily life is annoying from various threat of the society. many studies and the realistic necessity of experience related with social security is being studied. In addition. The development possibility of the civil guard and defense at the civil field which will be keep the social security has a wide position but its study approach and realistic comprehension is still in insufficient condition.

• 패션비즈니스
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• 제24권4호
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• pp.117-129
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• 2020

Just as the name 'aesthetics' implies, the meaning of 'aisthesis' or 'sense' in Greek, is perceived as an important element in modern social design. Gilles Deleuze emphasized sensory expression over the rational side of the body, and argued for sensory theory, which is the theory of how painting produces new senses. The purpose of this study was to theoretically examine the sensory theory of Deleuze, which has given new value to the senses, apply it to analyze the body expression method shown in the Iris van Herpen collection, and derive its aesthetic characteristics. In his sensory theory, Deleuze argued that the senses can be expressed by the embodiment of force and rhythm, and one can only create art through the senses. To develop one's philosophical logic through Bacon's painting, we divided it into Hysteria, Cops sans organs, Diagram, Becoming, and Paired figures. Based on these analyses, the visualization of the senses in Iris van Herpen fashion resulted in hysteria, organ-free body, diagrams, and heterogeneity combinations. Analysis of the method of expression revealed rhythmicity, atypicality, scalability, and reproducibility as expression characteristics. Applying Deleuze's sensory theory to access experimental Iris van Herpen's fashion could confirm that there was an open system's accessibility. Deleuze's sensory theory, which has given a new value to the senses, will further help to understand modern fashion design in a wide and diverse way and discover the intrinsic value within it.

• 디자인학연구
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• 제12권1호
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• pp.133-142
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• 1999

빛은 인간에게 모든 사물을 보게 하는 절대적인 요소이다. 특히 시각을 통하여 느끼고 시각적으로 표현하는 미술가에 있어서 그 중요함이란 더 말할 나위가 없을 것이다. 회화 사에 있어서나 인간생활에 있어서나 빛은 매우 중요한 의미를 가진다. 빛은 3차원적인 공간의 표현을 가능하게 할 뿐만 아니라 정신적, 심리적, 조형적 의미도 함께 지니며 현대에 와서는 빛 그 자체만으로도 회화상의 존재가치를 부여받고 있다. 일반적으로 회화에 있어서 빛의 연구와 색채 표현에 관한 접근은 어려운 것으로 간주되어 왔다. 색채 및 빛의 효과란 비단 가시적인 효과뿐만 아니라 심리적인 경험과 정신적 상징이 내포된 무의식의 존재로 이해되는 것으로서 주관적인 경우가 대부분이기 때문이다. 본 논문은 이처럼 인간의 역사나 미술사에서 언제나 부단한 관심의 대상이었던 빛이 과연 과거에 어떠한 방식으로 탐구되고 전개되었으며 현대에 와서 새롭게 조명될 수 있는 의미는 무엇인가를 분석한다. 그것을 바탕으로 빛의 효과가 동양회화와 르네상스, 바로크의 렘브란트, 그리고 인상파의 서양미술사를 중점으로 어떻게 전개되었으며 오늘날의 현대적 일러스트레이션에 적용되었는가를 조사하여 현대에 나타난 빛의 의미 등을 인식할 수 있는 새로운 계기를 제공한다.

• 디지털융복합연구
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• 제14권8호
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• pp.407-413
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• 2016

본 연구의 목적은 한국 문화 콘텐츠인 민화의 도상을 통한 상징체계는 근원적인 우리의 조상들의 긍정적이고 개방적이며 유연한 사고방식의 표현이고, 의사소통의 방법이었으며, 이는 현대에서도 새로운 매체와 더불어 전승할 수 있는 소중한 유산임을 논의하고자 함이다. 이를 위한 연구 방법으로 언어학적 분석을 토대로 보편적 소망을 담은 민화 도상중 하나인 모란의 상징 내용에 디지털 매체를 통한 주얼리 디자인 프로세스를 적용하여 현대적 주얼리 디자인을 하였다. 분석을 통한 결과물로서 모란 도상의 보편적 소망인 부귀와 명예의 내용을 담은 Blossom 과 함박웃음을 주제로 현대의 최신 기술들을 접목하여 3D 디지털 도구를 통한 디자인 프로세스 및 변형 과정을 보여 주었으며, 생산 방식에 있어서도 3D 프린팅 방식과 레이져 커팅 방식을 통해 민화의 상징체계에 있어서의 개방성과 유연한 사고를 접목하여 형상화 하였다.

• Nuclear Engineering and Technology
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• 제23권2호
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• pp.183-199
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• 1991

가압수형 원자로 가압기의 오동작 보조살수 과도시 용기벽에서의 온도분포에 대한 과도응답을 해석하였으며, 해석은 분무수적으로 젖게되는 용기벽면에서 나타나는 열응력에 대하여 보수적으로 수행되었다. 수적이 부딪혀서 흘러내리는 용기벽의 내부경계면에서 강제대류열전달계수를 결정하기 위하여, 분무수적들이 살수노즐을 떠나 수증기와 비응축성인 수소기체로 이루어진 혼합기로 채워져 있는 가압기 내부공간을 통하여 비행한 후에 용기내부벽면에 도달할 때의 수적들의 과도온도를 예측하였다. 용기벽에서의 과도온도분포는 유한요소법을 사용하여 구하였으며, 대표적인 결과들을 제시하였다. 열해석의 결과는 입력자료에 대한 묘사와 부합되며, 타당한 물리적 의미를 가짐 이 확인되었다.

• 조형예술학연구
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• 제2권
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• pp.5-41
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• 2000

The purpose of this thesis is to study about destructive method in late twentieth Century Paintings. To do this we will consider the examples of Frank Stella and Anselm Kiefer's expressive methods. And this thesis is designed to investigate the change of the two Modes. The centering change is in the destructive manner of them, and they are traced systematically. In these chapters we will study the procedure of the destruction and specification of the Modes; the subject which contains the special element, the relation between it and the artist's willful meaning, morphological specification, symbol system formative language, subject, material and coloring way. etc. The origin of the methodology is systematically studied and the procedures of the content applicated are considered. In the special characteristics of the methodology, the special feactures it contains will be considered. The basis of the deconstructive idea from Nietsche, Derrida, Saussire, Andrew Benjamin and others will be applied to understand the two Modes of artistic methodology, and whether or not they can be tools of explaining the methodology of our time is distinguished. Next, the methodologically founded contents and concepts from Chapter#2 are related and intertwined together. The outer destructive aspect and inner destructive specification are centrally uncovered by the Interpretation. The resulting background of the Mode, the factor of destruction and central concept, along with the works, applied ideas, and pre-scholar's writings, are conjoined and explained. The characteristics of S Mode are revealed as being similar to those of Vandalic Destruction and Baroque formalistic Style, while K Mode is closely related to Iconoclastic Destruction and Neoclassical Antiformal Style.