• Journal of the Korean association of regional geographers
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• v.1 no.1
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• pp.103-116
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• 1995

The purpose of this paper is to explore a brief review of trends in existing geographical research on music and to analyze music by the 5 themes of geography and to explore a variety of classroom techniques which examine song lyrics for their geographic content. The results of this paper are summarized as followed : Firstly, the trends in geographical research on music can be classified into five areas, the first is on spatial diffusion in music, the second on spatial diffusion in music, the third on regional division in music, the fourth on regional characteristics in music, the fifth on pedagogical tools in the teaching of geography. Secondly, music holds numerous possibilities for regional geographical study. The lyrics of music are littered with geographical term through which song writers impart image of culture, the distinct geographical nature of music lyrics gives rise to many geographical question, also, music lyrics gives place its special character. The results of analyses by the 5 themes of geography indicate that music are useful to learning of regional geography. The application of music to learning regional geography attracts much attentions. In the respect of importance of learning new regional geography, and in the respect of adapting globalization have to be focused on this subject.

• 한국HCI학회:학술대회논문집
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• 2008.02a
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• pp.733-738
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• 2008

Serial Music, introduced by A. Sch nberg, is a one of the important composition techniques. This music style has features of pantonality and atonality, so it generates unique atmosphere of modern music. In this paper, we introduce an method of generating serial music using mathematical algorithm. This method generates music that satisfy the requirement that the number of pitches belonged to each pitch class are exactly same, though the requirement is less strict than Sch nberg's definition. To do this, our method uses space-filling curves traversing the twelve tone matrix, which is constructed by the serial series, its inversion and its transpose. Using these curves, we can generate a music that has all notes in the matrix exactly once and adequate repeatness because of the curve's locality. Result music, therefore, can be more suitable for people that are not familiar with modern music, while maintaining the features of pantonality and atonality. This paper also introduces a method of generating extended serial music that uses serialism of duration and dynamic of notes, using multi-dimensional space-filling curves.

• 한국HCI학회:학술대회논문집
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• 2009.02a
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• pp.725-732
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• 2009

Thanks to the development of the Internet, people can easily access a vast amount of music. This brings attention to application systems such as a melody-based music search service or music recommendation service. Extracting melodies from music is a crucial process to provide such services. This paper introduces a novel algorithm that can extract melodies from piano music. Since piano can produce polyphonic music, we expect that by studying melody extraction from piano music, we can help extract melodies from general polyphonic music.

• Journal of Korea Multimedia Society
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• v.12 no.11
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• pp.1581-1592
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• 2009

Recently, we can hear various kinds of music in everywhere and anytime. If a user wants to find the music which was heard before in a street or cafe, but he does not know the title of the music, it is difficult to find it. That is the limitation of previous retrieval system of music data. To overcome these problems, we research a method of content-based retrieval of music data based on the recorded humming, the part of recorded music and the played musical instrument. In this paper, we investigated previous content-based retrieval methods of papers, systems and patents. Based on that, we research a method of content-based retrieval of music data. That is, in case of using the recorded humming and music for query, we extract the frequency information from the recorded humming/music and the stored music data by using FFT. We use a MIDI file in case of query by the played musical instrument. And by using dynamic programming matching, the error caused by the disparity of length between the input source with the stored music data could be reduced.

• The Journal of the Acoustical Society of Korea
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• v.34 no.3
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• pp.247-255
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• 2015

This paper presents a study on the performance of the music search based on the automatically recognized music-emotion labels. As in the other media data, such as speech, image, and video, a song can evoke certain emotions to the listeners. When people look for songs to listen, the emotions, evoked by songs, could be important points to consider. However; very little study has been done on the performance of the music-emotion labels to the music search. In this paper, we utilize the three axes of human music perception (valence, activity, tension) and the five basic emotion labels (happiness, sadness, tenderness, anger, fear) in measuring music similarity for music search. Experiments were conducted on both genre and singer datasets. The search accuracy of the proposed emotion-based music search was up to 75 % of that of the conventional feature-based music search. By combining the proposed emotion-based method with the feature-based method, we achieved up to 14 % improvement of search accuracy.

• Journal of the Korea Society of Computer and Information
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• v.13 no.3
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• pp.99-106
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• 2008

Recently, digital music retrieval is using in many fields (Web portal. audio service site etc). In existing fields, Meta data of music are used for digital music retrieval. If Meta data are not right or do not exist, it is hard to get high accurate retrieval result. Contents based information retrieval that use music itself are researched for solving upper problem. In this paper, we propose Same music recognition method using similarity measurement. Feature data of digital music are extracted from waveform of music using Simplified MFCC (Mel Frequency Cepstral Coefficient). Similarity between digital music files are measured using DTW (Dynamic time Warping) that are used in Vision and Speech recognition fields. We success all of 500 times experiment in randomly collected 1000 songs from same genre for preying of proposed same music recognition method. 500 digital music were made by mixing different compressing codec and bit-rate from 60 digital audios. We ploved that similarity measurement using DTW can recognize same music.

• Proceedings of the Korean Information Science Society Conference
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• 2007.06c
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• pp.252-257
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• 2007

MusicXML은 다양한 전자악보 형식들이 음악을 악보로 표현하는데 있어 지니는 한계를 잘 극복하면서 응용성, 확장성 및 공개성 등의 장점으로 인해 현재 전자악보의 표준으로 가장 적합한 것으로 평가되고 있는 악보 형식이다. 그러나 MusicXML은 XML을 기반으로 한 텍스트 데이터이기 때문에 이러한 악보 형식을 실제 악보로 변환하거나 연주하는 것은 물론 실제 악보 내용을 기반으로 한 악보 검색이 용이하도록 적절한 데이터 구조로 표현하는 것이 필요하다. 본 논문에서는 MusicXML 악보에 대하여 다차원 속성 정보를 가진 데이터의 표현에 용이한 k-d 트리 기반 데이터 구조로 표현하는 방법을 제안한다. 논문은 또한 악보에 대한 k-d 트리 구조를 보다 다양한 응용에 활용할 수 있도록 k-d 트리를 확장하여 구조화하는 방법을 제시한다. 본 논문에서 제안한 방법은 특히 내용을 기반으로 한 악보 정보 검색에 유용하게 이용될 수 있다.

• Journal of Korea Society of Industrial Information Systems
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• v.24 no.1
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• pp.13-21
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• 2019

The tendency of buyers of web information is changing from the cost-effectiveness which emphasizes the performance over the price to the cost-satisfaction which emphasizes the psychological satisfaction of the buyer. In music recommendation, one of the methods to increase psychological satisfaction is to use the music mood. In this paper, a music recommendation method considering the mood tag and the synonyms tag is proposed and, as an intermediate result of the proposed method, mood tags and music pieces are expressed in Thayer's AV space and then their distribution are analyzed. The analysis result shows the distributions of mood tags and the ones of music pieces are similar, which implies that the proposed recommendation method can provide significant results. In the future, the music recommendation performance will be analyzed.

• Journal of Korea Entertainment Industry Association
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• v.13 no.7
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• pp.205-218
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• 2019

Music sampling, which has been popular since hip-hop DJs used it in the 1970s, is now one of methods of producing music that is used regardless of genre or country. In this study, an overall production methodology for music sampling was presented through in terms of content and techniques. First of all, in terms of the contents, we classified them into the reuse and length of materials, and the function of samples in the mixed songs. In terms of the techniques, editing and effecting techniques were classified. By combining these elements, the methodology of music sampling applicable to the productions as well as the analysis was presented. Based on this methodology, the sampled songs of Korean Popular musicians - Jang Ki-ha and Faces, Epik High, The Quiet, and DJ DOC - were successfully analysed. Through the analysis process, the organic relationship of elements within the methodology was investigated, and the results of the analysis showed the effectiveness of the proposed methodology. This study can be meaningful in laying the groundwork for applying music sampling directly when actually producing songs or analyzing sampled songs.

• Journal of Digital Contents Society
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• v.12 no.2
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• pp.177-184
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• 2011

This study deals with Timing Synchronization of motion picture and music in film music's physical point of view. Timing Synchronization appears by using Click Track, which calculates time of picture and location of bar. We also can find Hit, the emphasis point of music, by computation Frame Per Beat and estimate the location of note per time. Hit can be placed at upbeat, but, because of music's characteristic, it is more convenient to composer when it's placed at downbeat. Therefore, this study suggests three methods to sync the music and picture. First of all, sync through time conversion, second of all, sync through tempo conversion, and lastly, there is way to sync through offset. These each methods have their pros and cons, so choice should be made based on the music's natural flow.