• 한국학교보건학회지
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• 제1권2호
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• pp.118-135
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• 1988

This study is designed to analyze the problems of health education in schools and explore the ways of enhancing health education from a historical perspective. It also shed light on the managerial aspect of health education (including medical-check-up for students disease management. school feeding and the health education law and its organization) as well as its educational aspect (including curriculum, teaching & learning, and wishes of teachers). At the same time it attempted to present the ways of resolving the problems in health education as identified her. Its major findings are as follows; I. Colculsion and Summary 1. Despite the importance of health education, the area remains relatively undeveloped. Students spend a greater part of their time in schools. Hence the government should develop a keener awareness of the importance of health education and invest more in it to ensure a healthy, comfortable life for students. 2. At the moment the outcomes of medical-check-up for students, which constitutes the mainstay of health education, are used only as statistical data to report to the relevant authorities. Needless to say they should be used to help improve the wellbeing of students. Specifically, nurse-teachers and home-room teachers should share the outcomes of medical-check-up to help the students wit shortcomings in growth or development or other physical handicaps more clearly recognize their problems and correct them if possible. 3. In the area of disease management, 62.6, 30.3 and 23.0 percent of primary, middle, and highschool students, respectively, were found to suffer from dental ailments. By contrast 2.2, 7.8, and 11.5 percent of primary, middle and highschool students suffered from visual disorders. The incidence of dental ailments decreases while that of visual impairments increases as students grow up. This signifies that students are under tremendous physical strain in their efforts to be admitted by schools of higher grade. Accordingly the relevant authorities should revise the current admission system as well as improve lighting system in classrooms. 4. Budget restraints have often been cited as a major bottleneck to the expansion of school feeding. Nevertheless it should be extended at least, to all primary schools even at the expense of parents to ensure the sound growth of children by improving their diet. 5. The existing health education law should be revised in such a way as to better meet the needs of schools. Also the manpower for health education should be strengthened. 6. Proper curriculum is essential to the effective implementation of health education. Hence it is necessary to remove those parts in the current health education curriculum that overlaps with other subjects. It is also necessary to make health education a compulsory course in teachers' college at the same time the teachers in charge of health education should be given an in-service training. 7. Currently health education is being taught as part of physical education, science, home economics or other courses. However these subjects tend to be overshadowed by English, mathematics, and other subjects which carry heavier weight in admission test. It is necessary among other things, to develop an educational plan specifying the course hours and teaching materials. 8. Health education is carried out by nurse-teachers or home-room teachers. In connection with health education, they expressed the hope that health education will be normalized with newly-developed teaching material, expanded opportunity for in-service training and increased budget, facilities and supply of manpower. These are the mainpoints that the decision-makers should take into account in the formation of future policy for health education. II. Recommendations for the Improvement of Health Education 1. Regular medical check-up for students, which now is the mainstay of health education, should be used as educational data in an appropriate manner. For instance the records of medical check-up could be transferred between schools. 2. School feeding should be expanded at least in primary schools at the expense of the government or even parents. It will help improve the physical wellbeing of youths and the diet for the people. 3. At the moment the health education law is only nominal. Hence the law should be revised in such a way as to ensure the physical wellbeing of students and faculty. 4. Health education should be made a compulsory course in teachers' college. Also the teachers in service should be offered training in health education. 5. The curriculum of health education should be revised. Also the course hours should be extended or readjusted to better meet the needs of students. 6. In the meantime the course hours should be strictly observed, while educational materials should be revised in no time. 7. The government should expand its investment in facilities, budget and personnel for health education in schools at all levels.

• 한국산학기술학회논문지
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• 제13권3호
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• pp.1105-1113
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• 2012

본 연구는 학사학위전공심화과정에 재학 중인 성인학습자들을 대상으로 이들이 조직생활에서 경험하는 직무차원과 관계차원의 적합성이 기술개발의도에 영향을 미치는 메커니즘을 규명하였으며 개인-직무적합성, 개인-상사적합성과 기술개발의도간의 관계에 있어 직무만족의 매개효과를 검증하였다. 본 연구의 가설검정결과 첫째, 개인-직무적합성, 개인-상사적합성은 직무만족에 유의한 영향을 미치는 것으로 나타났고 둘째, 직무만족은 기술개발의도에 영향을 미치는 것으로 나타났다. 셋째, 개인-직무적합성은 직무만족을 완전 매개하여 기술개발의도에 영향을 미치는 것으로 나타났고 개인-상사적합성도 직무만족을 완전 매개하여 기술개발의도에 영향을 미치는 것으로 나타났다. 본 연구는 성인학습자들의 기술개발 활동에 이르는 과정을 환경적 요인으로부터 규명했다는 측면에서 새로운 시도이자 이론적 시사점을 갖는다고 생각하며 기업의 인적자원관리 관점과 성인교육 관점에서 실무적 시사점 및 연구의 한계를 논의하였다.

• 미술이론과 현장
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• 제16호
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• pp.107-137
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• 2013

This paper examines a number of Korean artists-Whanki Kim, Po Kim, Byungki Kim, Lim Choong-Sup, Min Byung-Ok and etc-working in New York in the 1960s and 1970s, focusing on their motivations to head for the U.S. and their life and activity in the newly-emerged city of international art. The thesis was conceived based upon the fact that New York has been one of the major venues for Korean artists in which to live, study, travel and stay after the Korean War. Moreover, the United States, since 1945, has had a tremendous influence upon Korea politically, socially, economically, and, above all, culturally. This study is divided into three major sections. The first one attends to the reasons that these artists moved out of Korea while including in this discussion, the long-standing yearning of the Korean intelligentsia to experience more modernized cultures, and American postwar cultural policies that stimulated them to envision life beyond their national parameters, in a country heavily entrenched in Cold War ideology. The second part examines these artists' pursuit of abstraction in New York where it was already losing its avant-garde status as opposed to the style's cutting edge cache in Korea. While their turn to abstraction was outdated from New York's critical perspective, it was seen to be de rigueur for Koreans that had developed through phases from Art Informel in the 1960s to Dansaekhwa (monochromatic paintings) in the 1970s. The third part focuses on the artists' struggle while caught between a dualistic framework such as Korea/U.S, East/West, center/margin, traditional/modern, and abstraction/figuration. Despite such dichotomic frames, they identified abstract art as the epitome of pure, absolute art, which revealed their beliefs inherited from western modernism during the colonial period before 1910-1945. In fact, their reality as immigrants in America put them in a diasporic space where they oscillated between the fixed, essentialist Korean identity and the floating, transforming identity as international artists in New York or Korean-American artists. Thus their abstract and semi-abstract art reflect the in-between identity from the diasporic space while demonstrating their yearning for a land of political freedom, intellectual fulfillment and the continuity of modern art's legacy imposed upon them over the course of Korea's tumultuous history in the twentieth century and making the artists as precursor of transnational, transcultural art of the global age in the twenty-first century.

• 한국조경학회지
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• 제34권2호
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• pp.80-98
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• 2006

This study originated from following questions. What can we understand the conception of deconstruction, which has been the core idea of new discourses developed in various ways since modernism? How can this question be interpreted in landscape design? What is the conceptional frame of integration the prominent hybrid post-genre movements and phenomena? The frame can be epitomized with the deconstruction phenomenon. 'Deconstruction' is the core conception appeared in late or post-modern ages in the embodiment of modernity and can be viewed as an integrating or a hybrid phenomenon between areas or genres in formative arts. Therefore, the author regards the hybrid movements widely witnessed in the post contemporary formative arts as one of the most important indicators of de-constructive signs. It is safe to say that the phenomenon of this integration or hybridism, of course, does not threaten the identity of landscape design but serves as an opportunity to extend the areas of landscape design. One of the consequences of this integration or hybridism is the voluntary participation of users who have been alienated in the production of the meanings of design works and hybrid landscape design with the hybridization of genres that is characterized with transformation in forms. This view is based on the distinction between hybridization of interactions between the designer (the subject) and the user (the object), and hybridization of synesthesia. Generally speaking, this is an act of destroying boundaries of the daily life and arts. At the same time, it corresponds to vanishing of modern aesthetics and emerging of post-contemporary aesthetics which is a new aesthetic category like sublimeness. This types of landscape design tries to restore humans' sensibility and perceptions restrained by rationality and recognition in previous approach and to express non-materialistic characteristics with precaution against excessive materialism in the modern era. In light of these backgrounds, the study aims to suggest the hybrid concept and to explorer a new landscape design approach with this concept, in order to change the design structure from 'completed' or 'closed' toward 'opened' and to understand the characteristics of interactions between users and designs. This new approach is expected to create an open-space integrating complexity and dynamics of users. At the same time, it emphasizes senses of user' body with synesthesia and non-determination. The focus is placed on user participation and sublimity rather than on aesthetic beauty, which kind of experience is called simulacre. By attaching importance to user participation, the work got free from the material characteristics, and acceptance from the old practice of simple perception and contemplation. The boundaries between the subject and object and the beautiful and ordinary, from the perspective of this approach, are vanished. Now everything ordinary can become an artistic work. Western dichotomy and discrimination is not effective any more. And there is 'de-construction' where there is perfect equality between ordinary daily life and beautiful arts. Thus today's landscape design pays attention to the user and uses newly perceived sensitivity by pursing obscure and unfamiliar things rather than aesthetic beauty. Space is accordingly defined to take place accidentally as happening and event, not as volume of shape. It's the true way to express spatiality of landscape design. That's an attempt to reject conventional concepts about forms and space, which served as the basis for landscape design, and to search for new things.

• 비교문화연구
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• 제39권
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• pp.241-286
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• 2015

This study explores how folktales' motifs are used in diverse cultural contents such as literature, movies, or comics. More precisely, it is concerned with mysterious characters like Babayaga and Koshchei who appear in Russian fairytales. When the motifs of the reviewed literature are analyzed, the following three criteria are used for classification: New Writing, Rewriting, and New Version. Or course, it is New Writing that is far from the original work. Most of the collected works, including Joan Aiken's The Kingdom Under the Sea, Patricia Polacco's Babushka's Doll, Babushka Baba Yaga, and Tai?-Marc Le Thanh's BABAYAGA, belong to New Writing. The New Writing type mainly focuses on Babayaga's secluded life. In fairytales, Babayaga is depicted as the goddess of Mother Earth, the heroine of the Nature, or the ruler of the Animal Kingdom. That is why she lives in the deep and uninhabited wood. She is related to the Coming of Age ceremony. Her 'Hut on hen's legs' is an obstacle for immature protagonists to face before they come of age. Protagonists are supposed to solve the problems posed by Babayaga. If they succeed, they can get her magical help so as to complete their final mission. Babayaga is likely to appear as their antagonist. Protagonist may be subjected to a terrible ordeal created by Babayaga, and then come of age by recovering from that ordeal. Sometimes, Babayaga helps protagonists to get a grip on reality. That is why she lives in a hut in the deep and dark forest which is on the borderline between life and death. On the other hand, Marianna Mayer's Baba Yaga and Vasilisa the Brave has been classified as a controversial work between New Writing and Rewriting. It is apparently closer to New Version. However, it cannot be classified as a work of New Version because the author incorporates 'probability' into her work. Among the reviewed works, it is Korean Writer Rye, Kami's The Spider Woman's House that best reflects the essence of Babayaga. Babayaga and other characters are amusing in movies because most of the movies are animations for children. In one sense, it is positive that the scary characters in folktales are approachable to children. In other sense, however, it is regrettable that symbolic motifs are completely eliminated. In Mike Mignola's Hellboy, Japanese animations such as Index or Narutaru, on-line games such as Cabal or Vampire: The masquerade, the essence of the supernatural characters in folktales is completely eliminated, and only their 'belligerent power' stands out. It is desirable to put stories into perspective whether they are written or told. The literature property of folktales provides a special opportunity to readers. In this light, a variety of motifs have a good reason to be reborn as modern cultural contents. The bottom line is to maintain its true nature.

• 한국연극학
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• 제52호
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• pp.271-317
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• 2014

This essay studied the acting theories of Diderot, Delsarte, Meyerhold, and Artaud to know the historical formation of 'sign acting' and its theoretical and aesthetic appropriateness. The sign acting so far discussed shows the repetitive patterns of idea as follows. The sign acting (1) emphasizes the physical expression such as gesture and movement, (2) assumes that the physical expression functions as a sign evoking special emotion and thought, (3) thus recommends the imitation of the outer sign, (4) uses a tableau for the effective reception of outer sign, (5) aims for the spectator oriented aesthetics as it stresses the result of outer sign rather than the creative process of a role, (6) assumes that the emotional reaction or the intellectual understanding springs from the physical experience, (7) thus emphasizes the physical language rather than speech, (8) can attain the appropriateness of physical language by the recent theories of cognitive science. Besides having such commonness, the sign acting also reveals the individual differences. For instance, the intended sign for Diderot and Delsarte was the sign of emotion, for Meyerhold the stylized sign of circus and acrobatics, and for Artaud the spiritual sign. If Diderot and Meyerhold demands the cool consciousness for the correct sign acting, Artaud's sign acting tends to pursue the state of trance. And if Diderot, Delsarte, and Meyerhold think the sign acting on the level of sensory appeal, Artaud insists that the sign acting should dismantle the spectator's sense. As such the discussion of sign acting shows both recurrent ideas and new visions, forming an unity out of diversity. Perhaps the sign acting is a matter of practice before we consider it as a theory. It is not only supposed to have been existed practically since ancient theatre, but also used by actors consciously and unconsciously in expressing certain emotion and thought. We need to study the sign acting more academically, considering its long history and aesthetic potentials. In fact the sign acting has been an essential element of acting, in spite of bad reputation judging it as a banal and worn-out style. It is true that the sign acting, in the worst case, could produce a stereotypical expression. It was this aspect of sign acting that caused a fierce negative reaction of the realists who sought the natural expression based upon psychological truth. Of course the sign acting has a serious problem when it stays banal and artificial. But we need to see this issue from a different perspective. What is the natural expression of emotion? How is it free from the learned way of expression? In some respect, we use, in reality, a learned expression of emotion that could be accepted socially. For instance, when we attend a funeral, we use the outer sign of mourning gestures learned socially. If a semiotic expression pervades various aspects of our life, the acting, being the representation of life, seems not to be free from codified expression. The sign acting could be used consciously and unconsciously in all kinds of acting.

• 벤처창업연구
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• 제17권4호
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• pp.115-125
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• 2022

평생직장의 개념이 없어진 현시대에 대학생들에게 창업은 취업의 대안적인 요인뿐만 아니라 인생 전체의 관점에서 보면 필수적인 고려사항이다. 오늘날 대한민국 대부분의 대학에서는 대학생의 창업 육성을 위하여 비교과 프로그램으로 창업동아리를 교과 프로그램으로 창업강좌 등 창업교육 프로그램을 운영하고 있다. 기존 선행연구에서 창업의지에 영향을 미치는 요인으로 기업가정신이 있다. 본 연구는 대학생의 기업가정신과 창업교육프로그램(창업동아리 참여, 창업강좌 수강) 통한 창업의지가 창업행동에 미치는 영향을 실증적으로 살펴보고자 한다. 창업공모전 참여 등 창업교육프로그램이 대학생들의 창업의지에 영향을 미치는지 실증적 연구는 일부 있지만 그 중요성에 비해 많지 않고, 기업가정신과 창업교육프로그램이 창업의지와 창업행동에 미치는 영향을 검증한 실증연구는 국내외 연구에서 찾아보고 어렵다. 따라서 본 연구는 창업동아리와 창업 강좌를 운영하고 있는 국내 대학 1군데를 선정하여 전체 재학생에게 온라인 설문 배포 후 회수된 127명의 설문을 실증 분석에 사용하였다. 연구결과 첫째, 대학생의 기업가정신의 하위요인인 진취성, 위험감수성은 각각 창업의지에 유의한 긍정적인 영향을 미치는 것이 확인되었으며, 혁신성은 유의한 긍정적 영향을 미치지 않는 것으로 확인 되었다. 둘째, 대학생의 창업교육프로그램의 하위요인인 창업동아리 참여는 창업의지에 유의한 긍정적인 영향을 미치는 것으로 확인 되었으며, 창업강좌 수강은 유의한 긍정적 영향을 미치지 않는 것으로 확인되었다. 셋째, 대학생의 창업의지는 창업행동에 유의한 긍정적인 영향을 미치는 것으로 확인하였다. 넷째, 창업의지는 위험감수성, 창업동아리참여 각각의 요인과 창업행동과의 매개효과가 있는 것으로 확인되었다. 본 연구는 대학생들이 위험감수성을 높이고, 창업동아리 참여를 통하여 창업의지를 높이고, 이를 매개로 하여 창업행동에 도달 할 수 있다는 시사점을 제시하였다.

• 한국가정과교육학회지
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• 제22권4호
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• pp.155-183
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• 2010

본 연구는 일본 중등학교 가정 교과서 주생활영역 교육내용 분석을 통하여 우리의 가정 교과서 주생활영역 집필, 내용 수시보완 및 교육내용 재구성 시의 시사점을 얻고자 하였다. 분석대상은 현재 사용되는 2009년판 중학교의 '기술 가정' 교과서 '가정분야' 2종과 고등학교의 '가정총합' 6종이며, 분석내용은 외형체제, 본문내용, 용어해설, 읽기자료, 표자료 및 활동자료의 내용이었다. 연구결과의 시사점은 다음과 같다. 첫째, 주생활영역의 교육내용을 학교급의 증가에 따라 학습의 연계성을 갖고 계통성 있게 심화할 수 있도록 구성하면, 주생활영역의 학습목표를 학생들에게 명확하게 구현할 수 있을 것이다. 따라서 앞으로 개정되는 중등학교 교육과정과 가정교과서의 주생활영역은 학년별, 학교급별로 교육내용의 연계성을 갖도록 구성한다. 아울러 2009년 교육과정에 제시된 한 시점에 집중이수하는 방식은 교육효과가 낮을 것이므로 교육과정의 검토가 요망된다. 둘째, 주생활영역의 교육내용 구성 시 관점은 생활의 주체인 개인이나 가족을 중심으로 주거환경, 근접환경, 광역환경 차원을 반영하여 학습자가 자신과 사회와의 관계를 중시하고, 지구환경을 생각하며, 전통문화를 계승 발전시킬 수 있도록 구성한다. 셋째, 주생활영역의 교육내용 구성 시 수준은 학교급별 이해수준을 감안하여 이해도가 낮은 중학교에는 실험이나 실습과 같은 체험활동을 포함하고, 고등학교에는 스스로 문제를 연구하고 실생활에 적용하며 실천할 수 있도록 구성한다.

• 한국사회복지학
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• 제60권2호
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• pp.99-129
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• 2008

이 연구는 근거이론 방법을 활용하여 중도장애인의 레질리언스 과정을 분석한 것이다. 이를 위해 갑작스러운 사고로 장애를 갖게 된 중도장애인 8명을 심층 인터뷰하였다. 연구 결과, 총 393개의 개념이 도출되었고, 이를 45개의 하위범주, 18개의 상위범주로 유목화할 수 있었다. 중도장애인 레질리언스 과정의 패러다임 모형에서 인과적 조건은 '장애에 대해 모름', '너무 아파 힘듦', 심리적 고통으로 '마음 안으로 숨어듦'인 것으로 나타났다. 맥락적 조건으로는 '집에만 있어 무기력해지고', 장애인정이 어려워 '스스로 장벽을 쌓으며', 장애에 대한 '사회적 장벽'으로 좌절을 경험하는 것으로 나타났다. 또한 장애유형, 장애정도, 성(gender), 장애획득시기, 중도장애 여부 등에 따라 레질리언스에 차이가 있음을 보고하였다. 이러한 인과적 조건과 맥락적 조건에도 불구하고 중도장애인이 레질리언스를 갖게 되는 중심현상은 '긍정의 힘에 탄력이 붙음'으로 확인되었다. 이러한 중심현상을 촉진 혹은 억제하는 중재조건으로는 외적으로 가족, 친구, 주변사람, 제도의 지원을 통해 '혼자가 아님을 깨닫고', 내적으로 종교의 힘과 모델링을 통하여 '변화의 의지와 삶의 목표를 가지고 내일을 준비하는' 것으로 나타났다. 작용/상호작용전략은 '노력을 배가하고', '직접 찾아보며', '능동적으로 실행하기'로 나타났으며 그 결과 중도장애인들은 장애와 사회에 대한 '관점이 달라지고', 삶의 '여유가 생기며', 매사에 '적극적으로 참여함'을 알 수 있었다. 중도장애인 레질리언스 과정의 핵심범주는 '긍정의 힘을 믿으며 주도적으로 나의 삶 선택하기'이었으며, 이는 장애인 레질리언스에서 선택과 자기결정을 통한 주도성의 확보가 매우 중요함을 보여주는 것이다. 과정분석에서는 '고통', '낯섬', '성찰', '일상' 단계로 확인되었으며, 이 단계들은 단선적이기보다는 역동적인 순환과정으로 나타났다. 이 과정에서 중도장애인의 레질리언스 유형은 존재성찰형, 진로개척형, 은근노력형, 적극실행형으로 구분되었다. 또한 개인, 가족 및 친구, 사회 및 제도 차원의 위험 및 보호요인에 관한 상황모형을 정리함으로써, 향후 실천적 개입을 위한 기초 자료를 제시하였다. 본 연구는 국내에서 처음으로 중도장애인의 레질리언스 과정을 근거이론 방법을 활용하여 심층적 이해를 구축하면서 그 과정 및 유형, 상황모형 등을 구체적으로 밝힘으로써 중도장애인 연구에 관한 이론구축 및 정책적, 임상적 개입에 그 함의가 클 것으로 기대한다.

• 대순사상논총
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• 제49집
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• pp.93-125
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• 2024

본고에서는 현대사회의 급속한 변화 속에 대순사상의 강령에 대한 재해석과 그에 따른 확장적 적용이 필요하다는 문제의식에서 출발한다. 대순사상은 조선사회가 내우외환 속에 근대화되는 과정과 맞물려있다. 당시에 민족생존이나 반봉건주의의 기치 하에 민생, 민중, 민권의 근대의식이 고양되었다. 근대의식은 계도나 교화를 통해 조선사회의 총체적 삶 전반에 스며들었다. 대순사상의 강령도 이러한 총체적 삶과 관련한 문화적 담론에서 접근될 수 있다. 조선사회는 근대화의 시대적 전환 속에 민족적 전통을 중건(重建)해야 하는 시대적 과업에 직면하고 있었다. 당시에 민족생존이나 반봉건주의의 기치 하에 민생, 민중, 민권의 근대의식이 고양되었다. 근대의식은 계도나 교화를 통해 조선사회의 총체적 삶 전반에 스며들었다. 문화적 담론에 관한 대순사상의 조감도에서 민족생존이나 반봉건주의를 위한 계도나 교화의 등고선을 찾아가면서 조선의 문화적 공간을 조망하고 그 문화생태주의적 좌표를 알아낼 수 있다. 여기에서 문화생태주의란 문화의 심층적 바탕에 인간과 자연의 생태적 관계가 깔려있다는 전제 하에 생태주의의 문제의식을 인문학적으로 특화한 사조를 가리킨다. 생태주의적 좌표는 민생, 민중 및 민권의 동일선상에서 공감, 공생, 화합 등의 열린 공간을 제시한다. 대순사상은 기본적으로 인간의 존재와 가치에 기초한다. 그 강령에는 조선사회의 근대화에서 삶 전반의 총체적 모습 속에 세계의 실재에 참여하고 실천하는 합목적성과 가치지향성이 자리잡고 있다. 존재의 합목적성이 천지공사의 세계와 관련된다면 가치의 지향성은 지상선경의 경계와 관련된다. 이러한 강령의 문화생태주의적 조감도에는 현실적 실천과 이상적 바람의 격차를 원만하게 해소하고 전통적 사회와 근대적 사회를 조화롭게 화해하는 탈경계적 지평이 열려있다. 그 지평에서 민생, 민중 및 민권의 입체적 관계에 기반한, 현세적인 통합적 삶이 온전하게 충족될 수 있다. 즉 근대사회의 변화가능성에 맞추어 천지공사의 실천가능성을 도모하고 지상선경의 지속가능성을 모색하는 것이다. 특히 지상선경의 통합적 차원은 선천시대에서 후천시대로 나아가는 문화정신의 총체적 흐름으로 특징지을 수 있다. 지성선경의 경계는 현실의 세계를 탈출하려는 도피처가 아니라 당면한 현실적 공간 속에 또 하나의 현실의 공간을 자각적으로 창출한 근대의식의 산물이다. 이는 현세주의적 염원을 투영한 결과로서, 현대적 의미에서 현실과 이상을 함께 아우르는 탈경계적인 문화생태주의적 조감도에서 조망할 수 있다.