• Journal of Acupuncture Research
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• v.19 no.1
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• pp.225-235
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• 2002

Objective : This study was carried out to review Chang-Won Lee's theory of Sasangand acupuncture of constitution. Methods : We have investigated Chang-Won Lee's unknown literature "Medicine of sassang "(四象醫學). Results : Constitutional acupuncture is based on the diversity of human being and medically developed the response variation to disease and acupuncture. The diversity is due to the Organ's Congenital Formation Variation based on human nature and it is categorized as four from physiology, pathology, symptoms, to therapy. Chang-Won Lee's constitutional acupuncture discriminated constitution of comparison palpations of right and left both sides. He insisted that constitution only four type(Sasang), not exist man of To-Hyoung (土形人) in "young -chu"(靈樞) and his constitutional acupuncture all used Jung-kyuck (reinforcement acupuncture method) and Seong-kyuck(reducing acupuncture method) of Sa-am(舍岩)

• Information Display
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• v.4 no.1
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• pp.22-29
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• 2003

• Geotechnical Engineering
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• v.37 no.1
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• pp.13-20
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• 2021

• The Journal of the Korea Contents Association
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• v.13 no.11
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• pp.587-596
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• 2013

Film is all about people. Characters in films represent the worldviews and perspectives on "people" of film directors. Lee Chang-Dong, Lim Sang-Soo, These are the directors who concentrate on "persona" in their films, but in turn, they see it at unique and distinctive angles. Director Lee Chang-Dong seeks for innocence as the core of humanity and hopes to recover it in his films. On the other hand, director Lim Sang-Soo keeps his sarcastic and nihilistic stances towards human nature, claiming that we are just mere beings who "happen to" be living and staying at our time in history. This paper examines the contrasting views on 'human nature' of the two directors, which are uniquely explored in the films , of Lee Chang-dong and , , of Lim Sang-soo respectively. What is the true human nature that each of these two directors wants to imbue his films with and how different are their perspectives?

• The Journal of the Korea Contents Association
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• v.15 no.2
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• pp.122-129
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• 2015

Director Lee Chang-dong's movies deal mainly with the matter of subject as a human individual. He attempts to show how the subject as a human individual is structured in society through the characters in the movies. It can be seen that a considerable part of this is connected to the matter of subject which is maintained by Michel Foucault, a modern French philosopher. Foucault contends that the subject has lost its identity in the huge structure of society and has become the object. The subject is alienated within the power. The subject is also divided into normality and abnormality in the social structure. Particularly, the movie directed by Lee Chang-dong shows an individual containing consideration toward self and Foucault also showed his attempts in his later years to newly interpret the subject in the context of consideration toward self. Through this thesis, I attempt to examine the matter of the subject that the film director Lee Chang-dong and Foucault have in common.

• The Journal of the Korea Contents Association
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• v.12 no.2
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• pp.116-126
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• 2012

As a film maker, Lee Chang Dong stands out from most Korean film makers who work within the trappings of genre films. To be sure, Lee has also used the trappings of genre films, such as noire and melodrama, but primarily as a tool to communicate with film audience. In his most recent film "Poetry", Lee seems to have even stripped even the minimal trappings of genre film. Lee commands the audience to self-reflect and work towards their own conclusions by denying them the illusory identification on screen. In this way, Lee's works are counter cinema. Lee achieves a distancing effect using such filmic apparatuses as hand-held camera, fantasy, mise en abyme, and returned gaze. Through these filmic apparatuses, Lee exposes the re-presentation of text and compels his audience to see the historical and political contexts of the text. In this study, I make the case that Lee Chang Dong's film making is an act of repetition compulsion that cultivates ethical reflection, through symbolization of the invisible realities.

• 기계와재료
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• v.16 no.4 s.62
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• pp.55-65
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• 2004

• 한국전자현미경학회:학술대회논문집
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• 2007.05a
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• pp.68-70
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• 2007

• Nuclear industry
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• v.27 no.2 s.288
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• pp.43-47
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• 2007

• East Asian mathematical journal
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• v.10 no.2
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• pp.261-263
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• 1994