• Sijohaknonchong
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• v.26
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• pp.125-149
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• 2007

Until the late 19th century, $\ulcorner$Gagogwonryu(歌曲源流)$\lrcorner$ was a collection of songs which had powerful influence on Gagog tradition. However, its role on Gagog(歌曲) tradition since then is less well known. Generally, it is presumed that Gagog tradition might disappeared by giving way to modern song genre. So this article question that $\ulcorner$Gagogwonryu$\lrcorner$ became extinct rapidly between the late 19th century and early 20th century, and follow $\ulcorner$Gagogwonryu$\lrcorner$ tradition of early 20th century. Gagog instruction for beginner had a clue to answer this question. This instruction was written by Ha Son-il(河順一) who was a teacher and singer in a private music institute. named 'ChoyangGurakbu(調陽俱樂部). Accordingly, this article has processed two phases in order to find out this question. First of all, this article analyzed Gagog instruction that Ha soon-il edited. As a result, it found out that Gagog instruction included the whole $\ulcorner$Gagogwonryu$\lrcorner$'s contents in the 19th century and was transmitted actively until the early 20th century. Second, this article found out $\ulcorner$Gagogwonryu$\lrcorner$ tradition of the early 20th century by analyzing character of ChoyangGurakbu. And also this article discovered ChoyangGurakbu had been managed by an vigorous aid association. Gagog instruction for beginner written by Ha Son-il had spreaded from strength to strength in the early 20th century.

• The Research Journal of the Costume Culture
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• v.9 no.2
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• pp.295-307
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• 2001

This study was investigated to a effect of sociocultural environment on the vicissitudes of headgear in Europe on 19th Century. Form of headgear was increasingly more functional and simple. It was needed various items with various usage. Since Industrial Revolution the french Revolution. A diffusion of sport and increase of leisure time gave rise to entrance of mass headgear with reasonability and simplicity. But female headgear was more decorative than males. Until late 19th century when female has participated in social performance, female headgear was not functional and simple form. More often female took male headgear(fedora, straw boater, cap, tc.) than bonnet when female role-awareness was changed and sport is diffused.

• Journal for History of Mathematics
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• v.20 no.4
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• pp.85-92
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• 2007

In this paper We study Some history and development of Geometry from the early 19th century to the late 20th century.

• Journal of architectural history
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• v.27 no.4
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• pp.7-16
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• 2018

This study is focusing on anchogongs(按草工) in yeonggeonuigwes(營建儀軌), which were recorded with few details and in unsettled transcriptions. First, the positions and functions of anchogongs in $18^{th}$ censtury are analyzed by comparing to anchogongs in more detailed early $19^{th}$ century yeonggeonuigwes and those in extant buildings. Second, with the result, the historical significances are presumed in changing transcriptions of anchogong terms in those uigwes. In $18^{th}$ century uigwes, most of anchogongs are functioned as matbo-anchogongs and only four anchogongs in a gate building were used as jongryang-anchogongs. It is mainly because the sorts of buildings in $18^{th}$ century yeonggeonuigwes had only several varieties: most of the buildings belonging royal shrines. Transcriptions of anchogong terms had been changed for reflecting functional developments of anchogongs in $18^{th}$ century. However, reflections were much later than changes of actual functions.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.34 no.5
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• pp.79-88
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• 2018

The purpose of this study is to analyze the plan type of excavation remains during the Mid to Late Joseon period around Jong-ro area in Seoul. 523 building remains were selected in accordance with plan type could identified through the excavation investigation report. Among these, 276 building remains were verified to the $15-16^{th}$, 145 and 102 building were verified to the 17-18th and the $19^{th}$ century. By classifying excavation remains, four dominant plan type of the each century came out. First, -shape was the most common plan type took nearly 50 percent. In a considerable proportion of cases, this plan type seems an annex of main building. However, -shape plan type also seemed to be used for main building in some cases. ㄱ and ㄷshape plan type took the second and the third. In most cases, these types seemed typical plan used for a main housing building. For the last, ㅁshape plan type identified the most unusual. This plan type merely took under five percent but, these cases are meaningful because it shows the plan alteration from ㄷshape to ㅁshape plan type. Existence proportion between each plan types of the $15-16^{th}$ century were continued to the $18-19^{th}$century without small changes between -and ㄱ types in $17-18^h$ century. By examining selected excavation remains, installing front Toi space on ㄱ, ㄷ and ㅁshape plan type stand out clearly compared with -shape plan type. From this tendency, it could be considered that plan type became a significant factor influenced installing Toi space. Similar to periodical tendency of plan type was not changed dramatically, the rate of installing Toi space in the $15-16^{th}$ century was not changed much until the $18-19^{th}$ century. It also shows the close relation between plan type and installing Toi space. In some excavation remains, floor type in the $15-16^{th}$ century also verified. There are some points of similarities on installing typical location of On-dol, Ma-ru and Bu-eok in these excavation remains with later period housing type such as Ut-Bang-Gguk-Oem-Jib and Ddeul-Jib.

• Journal of architectural history
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• v.13 no.1 s.37
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• pp.71-81
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• 2004

The $18^{th}$ century's Industrial Revolution brought about influx of commerce, industry, and agricultural population into the urban areas, entering the $19^{th}$ century. Quality of rural communities declined, and the exploding population in the cities gave rise to various problems. 'Mietskaserne' Blockhousing was constructed by the 'Hobrechtplan', but led to social problems such as poor living conditions, insufficient sunshine due to overcrowding, slums due to incomplete urban infrastructure, epidemics, and so on. Starting in the early $20^{th}$ century, Berlin has driven forward a remodeling plan under the motto of 'critical reconstruction (kritische Rekonstruktion)'. It is performed in the place, which represents the vicissitudinous history of Berlin with site plans coexisting past with presence, using modern vocabulary of architectural forms. Reconstructing a city is a process which not only raises the economic value of each building consisting a city, but also a redevelopment process that brings out cultural value of an era. When a new era emerges buildings get reconstructed or rebuilt, and thereby form the identity of a city by reflecting its society, culture, politics, economy, and history. Old German architecture were not destroyed or rebuilt recklessly just by the fact that they are functionally or aesthetically outdated. Each building is treated as precious cultural heritage reflecting the history. This is how Berlin is being transformed today.

• Journal for History of Mathematics
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• v.19 no.2
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• pp.77-88
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• 2006

In 1876, America's first Jewish math professor J. J. Sylvester took a department head position at the first research university in USA at the age of 61. He launched the America's first research journal of mathematics in 1877. We study the role and meaning of J. J. Sylvester, F. Klein and E. H. Moore in late 19th century of American mathematics from Korean's perspective.

• Journal for History of Mathematics
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• v.12 no.1
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• pp.1-12
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• 1999

The first part of this thesis discusses the types and the properties of errors, one of which makes up systematic errors of measurements, removable by detecting their causes, the other errors of accidental causes which can not be removed. The final part of this thesis deals with the historical background of the Gaussian distribution by Hershel, Hagen, Laplace and Gauss from the late 18th century to the early 19th century. It can be concluded that the accidental idea and the treatment of accidental error distribution by Gauss Is the best one based on the assumption that the most probable value of true value is the arithmetic mean of data, obtained by repeated measurements of a given quantity.

• (The) Research of the performance art and culture
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• no.36
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• pp.185-221
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• 2018

This study examined the process of the formation of Deoneum, Sugungga(水宮歌), and its tendency of the change through the trace of the Pansori masters who worked in 19th century. The time that the main group of the Sugungga masters appeared in the Pansory history is estimated in early 19th century. The Sugungga masters in this time could be divided in two groups, one is the early days masters who worked in early 19th century and the other is the latter days masters who worked in middle and late 19th century. Kwon Sam-deuk(權三得), Song Heung-lok(宋興祿), Yeom Gyeo-dal(廉季達), and Shin Man-yeob(申萬葉) are the Sugungga masters who worked in early 19th century. By the records they left, I could confirm that they used the description about the dramatic characteristics in the work and Soritjo(Pansori master's tonality), like the appearance of 'Bangge(crab)' and 'Tiger', and particularly they developed which has the scene of the Rabbit's deceiving the Dragon King and Rabbit's return, 'Goandaejangja(寬大長者)', 'Gaja-Eoseoga', 'Sojinowha(笑指蘆花)', 'Apnae-Beodeuleun' and the scene of 'Rabbit's curse(the part that Rabbit curses Byeljubu)' etc. I could understand that the interest of the early days Pansori masters about Sugungga is on the characters and the latter part of the work. The separation of Dongpyeonje(東便制) and Seopyeonje(西便制) of Pansori was done in the middle and late 19th century. As the Dongpyeonje master, Song Wu-ryong(宋雨龍), Park Man-sun(朴萬順), Song Man-gab(宋萬甲), Shin Hak-jun(申鶴俊) and Yu Seong-jun(劉成俊) worked. As the Seopyeonje masters, Park Yu-jeon(朴裕全), Kim geo-bok(金巨福), Kim Su-yeong(金壽永) and Baek Gyeong-jun(白慶順) etc. sang Sugungga. The Dongpyeonje masters developed the 'Toggigibyeon(토끼奇變)' related Deoneum paying attention on the latter part of Sugungga same as the early days masters. Meanwhile it looks like that they had interest in developing the parts which belong to the middle and early parts of Sugungga like 'Toggiwhasang(토끼畵像)', 'Gogocheonbyeon(皐皐天邊)' and 'Tobyeolmundab(兎鱉問答)'. The Seopyeonje masters developed the parts belong to the early part of Sugungga, which are related to Dragon King and the courtiers in Sugung palace, like 'YongwangTansik(龍王歎息)'. And I could confirm that they developed the parts influenced by Shin Jaehyo's editorials like 'Tosahobi(兎死狐悲)' and 'Goguksancheon(故國山川)' etc. In short, I could confirm the trend that the Pansori masters in 19th century had interest in from the latter part to the early part of Sugungga. If taking a look focusing on main characters, they moved their interest in from Rabbit to the courtiers including Byeoljubu(鱉主簿) and Dragon King in Sugung palace, and it could say that, in this trend, Sori part and Deoneum were developed.

• Journal of architectural history
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• v.21 no.6
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• pp.7-18
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• 2012

This study was aimed at analyzing the location and topology of the 'Gungmyo(宮廟)' and in Hanyang Doseong(漢陽都城) during 18th and 19th century. Based on the changes of royal processions(行幸) which had been done between the Gungmyo and the Palace, the Gungmyo can be a barometer of cognition where the city center was. Hanyang Doseong was the the capital of Joseon(朝鮮) which had established by king Taejo(太祖). The city had been organized with Gyeongbok-gung(景福宮) as the center. However, after the Imjin War(1592), Gyeongbok-gung was destroyed and urban space was reorganized with Changduk-gung(昌德宮) which reconstructed first. As most kings in late Joseon dynasty had mainly stayed in Changduk-gung, lots of Gungmyos where a memorial service for king's relatives had been held were established in and around the palace and the frequency of visiting the Gungmyo varied by political purpose. Therefore, the location of the Gungmyo and the rounte of parade were important to impress on the center of urban space. In 18th century, lots of King's procession had been done with Changduk-gung as departure point. The king used to start from Donwha-mun(敦化門), and the routes included main street around Changduk-gung. It shows that the urban center focused on the east of the city. On the other hand, when the king lived in Kyeonghee-gung(慶熙宮), a secondary palace in late Joseon dynasty, the parade started from Hungwha-mun(興化門) and the urban center was expended to the west. Since Gyeongbok-gung had reconstructed in 1865, recognition scheme of urban space had changed from Changduk-gung to Gyeongbok-gung as the center. When the Gungmyo relocated western side of Gyeongbok-gung, spatial proximity of the palace and relation with facilities around downtown fed into changing the route of king's parade.