• Journal of the Korean Society for information Management
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• v.32 no.3
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• pp.341-360
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• 2015

Services for the elderly is a new challenge for the libraries in aging society. This study reviewed the obstacles faced by the old readers and presbyopia, and analyzed the states of the large-print books to understand and estimate the Korean large-print books availability. Based on the bibliographic list of large-print books collected by the National Library of Korea, large-print book stock list of the Kyobo Book Center, large-print book lists supplied to the libraries by the Korean Library Association, and the data of the previous Library Survey for the Disabled, number of titles and volumes, publication year, duplication, and subject field of the large-print books available are analyzed. Based on the results, problems are identified and recommendations for bibliographic control, collection development, reading promotion, and further research area are suggested.

• Journal of Korean Library and Information Science Society
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• v.45 no.4
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• pp.119-138
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• 2014

This study examines the actual conditions and present state of using large print books as a part of the senior services in the japanese public library as the super-aged society. The examination shows that nearly 80% of the public libraries in Yamagata Prefecture has large print books however there are few specialized services and book-lending rate is also low. This study also shows that there is no announcement about using large print books in the public libraries. Therefore, this study will present the redevelopment plan of the reading environment about large print books for the senior.

• Journal of Korean Library and Information Science Society
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• v.54 no.1
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• pp.69-90
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• 2023

The purpose of this study is to analyze the current status and bibliographic characteristics of large-print books produced and distributed by the Korea Library Association, which participates as an auxiliary operator in the support of the large-print books distribution project promoted by the Ministry of Culture, Sports and Tourism. As a result of analyzing the list of production books from 2009 to 2022, the average type was 20.5 books and the number of books was 21.7. The subject field of the selected books was 'literature (39.5%)', the proportion of translated books was 19.9%, and the author of the most books was a Beopryun monk with a total of six books. In addition, an average annual number of public libraries where large-print books were distributed was 454, and based on the research results, appropriate measures were sought and proposed in terms of policy, selection, production, and guidance so that the project could continue stably and achieve higher results in the future.

• Journal of the Korean Society for Library and Information Science
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• v.43 no.2
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• pp.171-192
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• 2009

To date, large print books have been published in Korea only for partially-sighted persons. However, as a recent explanation in the Reading Culture Promotion Act indicates, people who cannot use reading materials due to old age are now also considered to be reading-handicapped. This study is aimed at investigating the proper characteristics for the improvement of print publication for elderly people using data from a survey of 80 elderly persons. This study identified elderly people's preferences on the major characteristics of large format books such as font style, character size, line width, and page layout, derived from both quantitative and quantitative research methods.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.2 no.1
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• pp.102-131
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• 1974

The author's thesis is that the types used for the large-sized characters seen in the two metal type-printed books "Kyosik chubopop karyong"(交食推步法假令) and "Yok-hak kemong yohae"(易學啓蒙要解) both printed in 1458 belong to a new metal font hitherto unnamed. The former book was compiled by Yi Sun-ji(李純之) and Kim Sok-je(金石梯) in January of 1458 in accordance to King Sejo's order. A new font was created to be used for the large-sized characters of the book. Several. months after completion of the compilation, the book was printed with mixed use of the new font and the Kabin-ja(甲寅字) for medium- and small-sized characters. The latter book had been written by King Sejo before his accession to the throne. Ascending the throne the king had his scholar-subjects examine the writing to correct it where necessary. The examination was completed in July of 1458 and printing was immediately done with the two fonts the above-mentioned, new font for the large-sized letters and the Kabin-ja for the medium- and small-sized ones. The books were granted to the scholar-subjects and the students of the Sung Kyun Kwan Academy as a royal gift. The matrix seems to have been modeled after the calligraphy of King Sejo. Because the new font was created to print the large-sized letters of the two books in 1458, it may be proper to name it "Muin-ja" using the "kanji"(干支) of the year. The author is happy to identify and include another font in the list of Korean movable types as a result of the present study.

• Korean Journal of Childcare and Education
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• v.15 no.4
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• pp.115-134
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• 2019

Objective: This study was aimed to analyze the effects of activities using picture books for young children's language development and to identify factors that caused differences in these effects by applying meta-analysis. Methods: We conducted a homogeneity test of effect sizes on 21 Korean studies published in academic journals from 1990 to February 2018 and calculated the effect size by applying a random effect model. Additionally, we conducted a meta-ANOVA to investigate whether the effect sizes differed by types of language development, picture book activities, and environmental variables-such as place, time, and agent. Results: The results indicated that the effect sizes of the 21 studies were heterogeneous and the total effect size was 0.90, which was significantly large according to Cohen's standard. The effect sizes also varied by types of language development, picture book activities, and environmental variables. Conclusion/Implications: To increase the effects of activities using picture books for young children's language development, this study suggested the importance of picture book activities to be integrated with other play areas, teaching methods, and other print materials for the development of literacy abilities, and the link between home and early childhood education institutions.

• Cartoon and Animation Studies
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• s.45
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• pp.321-343
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• 2016

The purpose of this thesis is to look through the political and social background of China preparing for a new era after getting out of the Communist Party of Mao Zedong, rapid inflow of the Western modernism and the avant-garde art arising in China with the focus of art works of Xu Bing, which contributed to the expansion of printmaking of China. Particularly, 85 New Wave Movement arose by young artists since 1985 and the China/Avant-Garde Exhibition held in Beijing in 1989 are the two important issues which reflect a new change from the traditional Chinese art. The artists of 85 New Wave Movement, who pursued a historical revolution and novelty, worked very actively by leading private exhibitions. Since the Cultural Revolution, the government owned the National Museum of Fine Art Beijing had exhibitions on a large scale displaying various visual arts such as performing art, installation, painting, sculpture but the Chinese government interrupted exhibitions two time due to bold performing art and unconcealed installation. Some artists were even taken to the police when performing art. Under these circumstances, Xu Bing, who majored printmaking, produced one of his major works, Books from the sky(1988), while he was working on various experiments focusing on the production process of printmaking and its repetitiveness. Xu Bing devised letters, carved them in trees and finally created approximately 2000 characters. Going further he displayed it as installation work, which means the developed characters go beyond a printed form, for audiences. This made him earn favorable reviews since it was a form of western art coupled with Chinese contents 'Chinese character'. After he received unfavorable reviews, however, he went to America leaving his last work in China, Ghost Pounding the Wall, in 1990, which was not able to exhibited. In those days, China society was going through a chaotic era thanks to the extinction of the Cultural Revolution and Deng Xiaoping's(1904-1997) reformation after the debacle of Tiananmen Massacre. This study looks into Xu Bing's artworks from his initial print works until he went to the US in 1991 and examines how he performed experiments utilizing reproductivity and plurality of prints tinged with Chinese traditional elements, and ultimately became one of the avant-garde artists representing the period.