• 한국조경학회지
• /
• 제29권4호
• /
• pp.12-23
• /
• 2001

The research focused on the landscape of mountains and hills drawn in a landscape picture. The purpose of the research is to classify patterns of landscape drawning in landscape pictures and to clarify the characteristics of the pattern by a quantitative index. We selected 21 landscape pictures to understand the Landscape Setting Here(LSH) and Landscape Setting These(LST). We investigated size quantitative indices using 1 landscape picture. The index is a follow: altitude, Visual Distance, Angles, Angle of Appearance Size, Inclination, and Angle of Incidence. The following results were obtained by using this data. 1) It has been understood that we offer an important city view because the LSH of this research can establish understanding of the city structure. 2) We dividing 3 patterns by the LST space drawn in the landscape picture. 3 patterns are Ferry point, Beauty point, an Signal-fire point. 3) We clarified the landscape characteristics of each pattern and the characteristics between patterns by using the index according to this pattern. 4) We understood the problem concerning the Seoul city landscape examining the pattern of this research with the ordinance of Seoul city. It is necessary to standardized a system of pattern classification utilized in landscape pictures to establish a universally interpreted detailed quantitative index, which can be applied to research.

• 한국조경학회지
• /
• 제33권4호
• /
• pp.11-21
• /
• 2005

The purpose of this study was to analyze and evaluate landscape characteristics by classification of landscapes in Chuncheon. A system was developed to convert images taken with a fish-eye lens to panoramic pictures. Landscape characteristics were analyzed by appearance rate and area distribution rate of landscape elements on panorama picture. Landscape characteristics were analyzed according to the number of times landscape elements appeared and the amount of area that each element occupied in the panoramic picture. Each panoramic picture was classified into five types based on these landscape element factors. Landscape evaluation was carried out using dynamic images converted from picture by fish-eye lens. The results of this study can be summarized as follows. The urban landscape can be characterized by four essential factors: interconnectedness, nature, urban centrality and landscape scale. Five types of landscapes were determined: detached residential building landscape (type 1), street landscape with various elements (type 2), street landscape in the center of a city (type 3), landscape of housing complex (type 4), and landscape of green space (type 5). Type 5 had the highest degree of landscape satisfaction and the landscape satisfaction increased with the number of appearances of natural elements. The amount of peen space had a high relation with a landscape satisfaction.

• 한국조경학회지
• /
• 제27권3호
• /
• pp.80-87
• /
• 1999

This paper examines the conventional notion of natural beauty and its legacy on the aesthetic experience of nature and landscape architecture in terms of critical perspective. We can take its clue for discussion from the our routine convention of experiencing natural beauty from the picture-like nature. We often equate natural beauty with superficial representations of nature shown in pictures. However, it is no more than a by-stander's nature seen purely through the eyes of the outsider. Problems of the picture-like nature can be summarized as the contemplative and visual-oriented aesthetic experience of landscape, which has had its influence not only on the ways of seeing the natural beauty but also on the ways of making it. The tradition of the picture-like nature has been transplanted into the real world through the practice of landscape architecture. It has been mass-producing superficial beauty of nature, focused on visual form. Landscape architecture in such a form is just a static means of decoration devoid of meaning and content.

• 한국환경과학회지
• /
• 제12권10호
• /
• pp.1025-1032
• /
• 2003

The purpose of this study is to analyze the characteristics of the urban landscape by CG(Computer Graphic) pictures and visibility analysis. In this study, the CG picture was created by using zoning data and DEM(Digital Elevation Model) on Chunchon city. The landscape type was classified into three by cluster analysis using the area rate of the element which constitutes CG picture. Visible analysis used DEM as fundamental data, and was performed by using GIS(Geographic Information System). And the frequency seen on viewshed was classified into five grades. The result of this study are as follows: 1. The area rate of the element which constitutes CG picture was high development restriction zone(43%) in type 1, green land area(39%) in type 2, and city area(24%) in type 3. 2. In the analysis results of GIS visibility analysis, it turns out that Euiam lake is important area on the landscape in all types. 3. The land use of high frequency seen on viewshed was water area, residential area in type 1, development restriction area, park area in type 2, and development restriction zone, water area in type 3.

• 한국전통조경학회지
• /
• 제31권3호
• /
• pp.114-121
• /
• 2013

관음현상기는 세조가 미지산 상원사에 행차했을 때, 담화전(曇華殿) 상공에서 목격한 백의관세음보살의 화현 모습을 최항에게 일러 찬(讚)한 글이다. 관음현상기에는 화공이 그린 백의관음화현도가 붙어 있는데, 이 그림으로 인해서 조선 초기의 상원사의 모습을 알 수가 있게 되었다. 본 연구에서는 관음현상기에 실린 기록과 그림을 통해서 조선 초기 상원사의 경관성을 살피는 것에 주목하였다. 연구 결과, 조선 초기 상원사의 건물 배치나 공간구성 그리고 건물의 형식이나 조경처리에 있어서 다른 산지 사찰과는 다른 특별성이나 차별성을 확인할 수 있었다. 이러한 특별성이나 차별성은 상원사가 왕실의 원찰이라는 사격을 가지고 있었기 때문에 가능했던 것으로 보인다. 특히, 조경적 측면에서 볼 때, 경석은 주목되는 바가 큰데, 그것은 사찰조경이 주로 물을 재료로 해서 이루어졌다는 지금까지의 생각을 보완케 만드는 자료가 될 수 있기 때문이다.

• 한국농촌건축학회논문집
• /
• 제22권3호
• /
• pp.25-32
• /
• 2020

The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, 'designed landscape panorama' from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see 'designed landscape panorama'. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.

• International Journal of Advanced Culture Technology
• /
• 제10권3호
• /
• pp.174-183
• /
• 2022

The abstract should summarize the contents of the paper and written below the author information. Use the word "Abstract" as the title, in 12-point Times New Roman, boldface type, italicized, centered relative to the column, initially capitalized, fixed-spacing at 13 pt., 12 pt. spacing before the text and 6 pt. after. The abstract content is to be in 11-point, italicized, single spaced type. Leave one blank line after the abstract, and then begin the keywords. All manuscripts must be in English. When it comes to the issue of "virtual and real" in traditional Chinese painting, the first impression is to describe the problems of painting strokes and ink, layout of pictures, etc., but it runs through the initial conception of the work, creation in the middle and aesthetic appreciation of the work. It exists in the whole process of artistic creation and appreciation. In essence, it is a problem of aesthetic thinking and philosophical thinking. Because the traditional Chinese painting theory is influenced by Taoism, when the concept of "virtual and real" is implemented in the specific picture of Chinese painting, it is contained in the specific shape of "physics", that is, the painting theory research of "blank space" in the picture. Based on the traditional Taoist philosophy of China, this paper takes the "virtual and real" view in Lao Zhuang's thought as the research object, deeply analyzes and compares its relationship with the "virtual and real" in Chinese landscape painting, and finds out their artistic spirit, essential characteristics and how to present them. This paper mainly discusses the internal relationship between Taoist philosophy and "virtual and real" in Chinese landscape painting from the following aspects. The introduction expounds the origin, purpose, significance, innovation and research methods of the topic. This paper analyzes the philosophical thoughts about landscape in the philosophical thoughts represented by Lao Tzu and Zhuangzi. The development of Chinese traditional aesthetics theory is closely related to Taoist philosophy, which has laid the foundation and pointed out the direction for the development of Chinese painting theory since ancient times. It also discusses the influence of the Taoist philosophy of "the combination of the virtual and real" on the emergence and development of the artistic conception of landscape painting. Firstly, through the analysis of the artistic conception of landscape painting and its constituent factors, it is pointed out that the artistic conception is affected by the personality and the painting artistic conception. Secondly, through the Taoist thought of "the combination of the virtual and real" in landscape painting, so as to reflect that it is the source of the artistic conception of Chinese landscape painting. It is the unique spiritual concept of "Yin and Yang" and "virtual and real" that creates the unique "blank space" aesthetic realm of Chinese painting in the composition of the picture. Finally, it focuses on the "nothingness" in Taoist philosophy and the "blank space" in Chinese landscape painting. The connotation of the "blank space" in Chinese painting exceeds its own expressive significance, which makes the picture form the aesthetic principle of emotional blending, virtual and real combination and dynamic and static integration. Through the "blank space", it deepens the artistic characteristics of the picture and sublimates the expression of "form" in Chinese painting.

• KIEAE Journal
• /
• 제13권1호
• /
• pp.109-123
• /
• 2013

The study is to probe a technical alternative to enhance the reliability and accuracy of the results of various landscape simulations. This study to present technical criteria that are necessary in each stage of target site analysis, picture taking, and computer synthesis and, through these to present supplementary plans to enhance the reliability and accuracy of landscape simulations. In order to derive more practical and empirical results in terms of the reliability of the results of landscape simulations, examples that actually passed landscape review were selected. With regard to study process, an analysis was made first to analyze the landscape report data of designs that passed the review to analyze their characteristics, to be followed by an integrated analysis of problems that were revealed in various landscape simulations. Important factors that affect directly the work of landscape simulations such as the specification of camera lenses that were used in picture taking, distance, and angle. Design the work was carried out using Auto CAD, 3DS Max, and Photoshop program in the same way as in actual design. For verification of their accuracy and reliability, the results were entrusted to experts who have implemented similar jobs. To seduce differences from those too landscape simulations that conduct trial experiment of the virtual space that are to be created in the future with accurate numerical values.

• 농촌계획
• /
• 제5권2호
• /
• pp.46-55
• /
• 1999

This paper examines the pastoral ideal and its legacy to landscape design. We have had the routine convention of experiencing natural beauty from the picture-like nature. We, who would liken a scenic view to a picture, often equate natural beauty with superficial representations of nature shown in pastoral literature and traditional landscape paintings: the lush of towering trees, the field of endless green, the soft babbling flow of the river and the crisp clear sky. It is not a portrayal of nature as it is, but in fact a conceptual expression of its ideal form. The ideological root of that natural beauty can be retraced to the pastoral ideal, so eagerly longed for by people of the western world. A pastoral landscape graciously marked with leisurely peace and subtle harmony is what we identify as beautiful nature. In fact, however, it is no more than an artificial refuge in contextual isolation from its surrounding, and a by-stander's nature seen purely through the eyes of the outsider. The tradition of pastoralism, reaching its peak in the 18th century with its English Landscape Garden style, was transplanted into the real world through the practice of landscape architecture. Landscape design in such a form is just a static means of decoration devoid of meaning and process. And we simply identify the green ornamentation with nature.

• 한국지리정보학회지
• /
• 제6권3호
• /
• pp.117-128
• /
• 2003

본 연구는 춘천시를 대상으로 수치표고모델, 토지이용 데이터 및 토지피복분류 데이터를 구축하고 이를 이용한 토지이용 CG(computer graphics)화상과 토지피복 CG화상의 작성과 가시권분석을 통해 광역적 도시경관의 특성을 파악하였다. 토지피복분석의 결과, 1989년에서 2000년까지 시가지는 $7.7km^2$ 증가하였으며, 녹지는 $12.7km^2$가 감소하였다. 용도지역상 시가지, 개발제한구역, 녹지지역 등에서 녹지의 감소와 시가지의 증가가 나타났다. 춘천시의 도시경관은 3개의 유형으로 대분할 수 있었다. 유형1은 개발제한구역을 중심으로 형성된 경관, 유형2는 자연녹지, 생산녹지 등의 녹지를 중심으로 한 경관, 그리고 유형3은 시가지와 수역을 중심으로 한 경관특성을 가지고 있었다. 토지피복 CG화상은 모든 유형에서 녹지의 감소와 시가지의 증가가 나타났다. 가시권 분석의 결과, 경관적 중요도가 높은 영역에서도 녹지감소의 경향이 동일하게 나타나 이 영역에서 녹지경관의 보전 및 관리가 요구되었다.