• 제목/요약/키워드: Korean traditional lacquer

검색결과 33건 처리시간 0.027초

전통 칠 유래 성분의 확인 (Identification of the Derivated Species from Traditional Coating Films)

  • 신정화;안윤경
    • 한국지역사회생활과학회지
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    • 제24권2호
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    • pp.243-249
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    • 2013
  • Identification of coating film species from ancient coating materials is needed to maintaine their surfaces without loss of their original beauty for a long time and understand the historical background of manufacturing techniques. A pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) was applied to identify the origine of films in ancient coating materials. The pyrolysis products, which reflect the source from which they originate were detected distinctively at $500^{\circ}C$. This is a rapid technique that does not require large amounts of sample or any sample preparation. Sesquiterpenes are a class of terpenes that consist of three isoprene units were identified as cadienes, selinenes, cubebenes from the raw material of dendropanax morbifera. On the other hand, alkanes(tetra~heptadecanes), alkenes (tri~heptadecenes), allkyphenols, catechols and fatty acids were detected from the raw material of the lacquer film. Based on these results, the origine of historic coatings artifacts was identified using py-GC/MS by comparison with their pyrolysis products.

전통 편금사 복원 및 재현을 위한 재료 특성 비교 연구 (Comparative Study on Characteristic of Materials to Restore Traditional Gold Threads)

  • 유지아;김지은;한예빈;이상현;정용재
    • 보존과학회지
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    • 제30권3호
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    • pp.307-315
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    • 2014
  • 직금직물은 금사를 이용한 섬유공예 기술로 삼국시대부터 고려시대와 조선시대까지 이어져 온 공예기법이다. 이와 같은 금사 공예 기법은 우리나라의 문헌기록에서 다양하게 기록되고 있으나 영조 9년 문직기의 철폐와 더불어 현재 금사 제작 기술은 단절된 상태이다. 현재까지 이뤄진 전통 금사에 대한 연구는 주로 보존처리를 위한 세척 및 강화 등이 주로 이루어졌으며 전통 금사의 복원과 재현을 위해서는 재료와 제작기법의 규명이 필수적으로 요구된다. 금사는 금박과 접착제, 배지로 이루어지며 특히 접착제의 경우 외부에 노출되지 않기 때문에 이에 대한 연구가 어려운 실정이다. 본 연구에서는 금사의 각 층을 이루는 재료의 특성을 비교하기 위하여, 문헌과 국외 금사 제작 공방 조사를 토대로 순금 및 가금, 아교 및 옻칠, 다양한 조건의 한지를 선정하여 의사 시료를 제작하였다. 각 재료별 형태적 특성과 안정성을 평가한 결과, 금박은 순금, 접착제는 아교, 배지는 도침지가 가장 적절한 것으로 확인되었다. 전통 금사의 복원과 현대화를 위해서 본 연구를 토대로 하여 향후 제작 기법 및 제직 기법 등에 대한 연구가 필요할 것으로 판단된다.

한국전통수공업의 육성과 방향 (In Search of Developmental Strategies for Korean Traditional Handicraft Industry: Forcused on the Woodenware Handicraft)

  • 한홍렬
    • 한국경제지리학회지
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    • 제6권2호
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    • pp.257-292
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    • 2003
  • 본 연구는 목기 수공업을 통해서 전통 수공업의 현황과 육성정책 및 방향을 모색하였다. 인류는 석기문화를 형성하였고 아울러 목기문화도 병용하였다. 목기문화는 보존이 불가능하여 곧 칠기 출현의 계기가 되었다. 옻칠은 방부, 방수의 역할을 함으로써 해서 오랫동안 보존이 가능하게 되었다. 목기는 삼국시대, 고려, 이조시대를 통하여 상용으로 널리 쓰였으나, 1900년대 이후 스테인 그릇, 플라스틱 그릇 등 저가의 상품이 등장하면서 쇠퇴의 길을 걸었으나 전통산업으로서 목기수공업을 고부가가치의 산업으로 육성할 수 있는 정책과 방향이 모색되어야 한다.

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알러젠 제거 옻나무 추출물을 투여한 고령의 진행성 비소세포폐암 환자 1례 (A case of the elderly advanced Non-small Cell Lung Cancer Patient Treated with Allergen Removed Rhus Verniciflua Stokes extract)

  • 박형준;안지혜;이진수;정의홍;이상헌;전성하;정현식;김경석;최원철
    • 대한암한의학회지
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    • 제15권1호
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    • pp.71-77
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    • 2010
  • This case report documents a case in which the administration of an herbal product, an extract of the lacquer tree, Rhus verniciflua Stokes was related with a prolonged survival in a elderly advanced non-small cell lung cancer(NSCLC) patient. A 79-year-old man who had been diagnosed with advanced NSCLC refused conventional therapy and treatment with the allergen-removed Rhus verniciflua Stokes(aRVS) had continued from September 2007 to July 2010. He had survived for 35 months after the administration of aRVS and maintained good performance status with European Cooperative Oncology Group performance status(ECOG PS) of 1. This case suggests that aRVS be alternative treatment for the elderly advanced NSCLC patients.

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조선왕조 실록함의 수리복원 (Repair and Restoration of Joseon Historical Document Box)

  • 이용희;박정혜;박수진
    • 박물관보존과학
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    • 제15권
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    • pp.122-137
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    • 2014
  • 국립중앙박물관 소장의 실록함 K976은 조선왕조 선조대의 실록을 보관했던 함으로 장방형 몸체에 뚜껑이 달려있고 표면 전체에 검은색 옻칠이 되어있다. 실록함은 모서리 결구 부분의 짜임이 벌어지고 판재들이 밖으로 휘어지면서 심하게 변형되어 있었고 함의 몸체 상단부의 백골이 부분적으로 결실된 상태였다. 여기에 더하여 뚜껑에는 길이 방향으로 큰 폭의 균열이 발생되어 있었다. 표면의 칠은 곳곳이 들뜨거나 탈락되어 목제 백골이 겉으로 드러난 곳이 많았고 뚜껑을 연결하는 고리쇠 1개가 결실된 상태였다. 국립중앙박물관 보존과학부는 2013년 실록함의 수리 복원 작업에 착수하였으며 이에 앞서 실록함의 구조 양식, 손상 상태, 목제 백골 白骨의 수종 분석, 옻칠 기법 등에 대한 조사를 실시하였다. 그 결과 실록함의 목제 백골 재료가 피나무라는 것, 또 실록함 표면에 골회칠 骨灰漆 → 종이심 紙心, 토회칠 土灰漆, 연매 煙煤 혼합 흑색칠 → 옻칠이 순차적으로 도장되어 있다는 것을 확인할 수 있었다. 이 실록함은 전통 목칠공예 기술과 재료를 적용한 전면적인 수리 복원을 통해 그 본래의 모습을 되찾게 되었고, 이후 국립전주박물관 역사문화관 개편 전시에서 중요한 전시물로 활용되었다.

금관가야의 복식 연구 -관모(冠帽), 허리띠, 신발을 중심으로- (A Study on the Costume of Geumgwan Gaya -Focused on Headgear, Belt, Footwear-)

  • 권준희
    • 한국의류학회지
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    • 제43권4호
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    • pp.532-548
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    • 2019
  • This study examines Geumgwan Gaya's headgear, belt, and footwear. The relics excavated from tombs were examined first, then earthenware and clay figurines, followed by the visual data of related neighboring countries. The results are as follows. The headgear of Geumgwan Gaya, identified in the relics, is daegwan (帶輪式立飾冠) and lip (笠). Daegwan is a diadem with branch-shaped ornaments. It has an organic cap with fabric and leather as well as ties the strings to both ends of the diadem. Lip can be seen in the mounted figure of the earthenware. In neighboring countries, the top of lip is round or straight, but Geumgwan Gaya's lip is pointed and curved slightly backward. In addition, from neighboring countries' data, it is considered that the conical hat and gun (巾) are worn in Geumgwan Gaya. The belt is made of cloth or leather. Geumgwan Gaya also uses a belt with an animal-shaped hook and Jin style belt. Jin style belt shows the association with three-Yan culture of the Seonbi people in patterns and forms. Footwear of Geumgwan Gaya is li (履) and boots. Li included leather shoes, lacquer shoes, straw shoes and wooden shoes. In addition, there are leather boots decorated with round ornaments.

머위(Petasites japonicum) 추출물의 항알레르기 효과 (Anti-allergic Effects of Petasites japonicum)

  • 최옥범
    • 한국식품영양학회지
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    • 제15권4호
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    • pp.382-385
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    • 2002
  • 본 연구에서는 민간에서 옻나무에 의 한 알레르기반응 및 기관지천식의 치료 효과가 있는 것으로 알려진 머위(Petasites japonicum)추출물의 항알레르기 효과를 RBL-2H3 세포로부터 hexosaminidase의 방풀 억제 정도를 측정하는 enzyme assay를 이용하여 검색하였다. 실험결과에 대한 오차범위가 낮은 추추출 300 $\mu\textrm{g}$/mL 농도의 수준에서 methanol 추출물은 83.33%, ethylacetate 추출물은 69.75%, 열수 추출물은 50.62%의 저해효과를 나타냈으며, 대조구로 사용한 quercetin은 같은 농도에서 85.80%의 저해 효과를 나타냈다. 따라서 정제된 quercetin의 hexosaminidase의 방출 억제 활성을 비교해 볼 때 머위 추출물이 조추출물 상태인 점을 고려한다면 상당한 항알레르기 효과가 있음을 시사하고 있어 새로운 항알레르기성 신기능 물질로의 이용방안을 탐색하는 기초자료가 되리라 사교된다.

Anti-nociceptive Properties of Ribes fasciculatum

  • Kim, Jin Kyu;Im, Jun Sang;Kim, Bong Seok;Cha, Dong Seok;Kwon, Jin;Oh, Chan Ho;Ma, Sang Yong;Yu, Ju Hee;Nam, Jung Il;Jeon, Hoon
    • Natural Product Sciences
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    • 제19권4호
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    • pp.311-315
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    • 2013
  • Ribes fasciculatum (Saxifragaceae) has been widely used as a traditional medicine for the treatment of cough, antidote, cold, lacquer poison, and sore throat. In the present study, we evaluated the anti-nociceptive effects of ethyl acetate fraction of Ribes fasciculatum (ERF) in mice. Test results of tail-immersion test and hot plate test revealed that the ERF had strong anti-nociceptive activities on thermal nociception in a dose dependent manner, indicating ERF's anti-nociception on the central pain. Moreover, the acetic acid-induced chemical nociception was also significantly reduced by ERF treatment. This result shows that ERF may also work on the peripheral pain. We further performed formalin test to confirm ERF's anti-nociceptive properties and found that pain responses were significantly decreased by ERF treatment. Interestingly, in the combination test with naloxone, the analgesic activity of ERF was not changed, indicating that the opioid receptor was not involved in the ERF-mediated anti-nociception. These results indicate that ERF might be possibly used as a painkiller for the treatment of nociceptive pains.

나전장 김봉룡 칠화 작품의 조형 분석 (A Study on Modeling Analysis to Ottchil Painting Made by Najeon Master Bong-Ryong Kim)

  • 임승택
    • 한국가구학회지
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    • 제27권3호
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    • pp.185-196
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    • 2016
  • This study is about watching the changes in Modern and Contemporary ages, through Traditional Ottchil Painting analyzed the formative characteristics presented on 23 pieces of Najeon Master Bong-Ryong Kim. He restored and reproduced the Ottchil Painting Technique by making Najeon ware (lacquer ware inlaid with the mother-of-pearl) on the Korean Modern and Contemporary period. The formative characteristics of his Ottchil Painting Technique are as follows. He used a lot of the Myochilchaehoi Technique as the technique of expression, along with the Najeon Yanggam Technique mixed with Myochilchaehoi Technique. The frame material of Ottchil Painting Ware is handcrafted wood. And in the painting foundation, red is presented more than black. The colors of painting and the pattern drawn on the foundation of Ottchil painting are mainly bright red, blue, yellow, black, and white (five-color). The main pattern used is the dragon, and the subordinate patterns are clouds and Arabesque. Also, the main pattern is solo, and the subordinate pattern is mostly an arrangement combination of radiation symmetry. This style of art was most commonly used for painting fruit trays. As stated above, Bong-Ryong Kim presented various and masterful aesthetic quality based on sincere and exquisite Najeon ware production skills.

종이 의상을 위한 소재 변형 기법과 그 특성 분석 (Paper Manipulation Techniques for Garments and Their Characteristics)

  • 김용숙
    • 복식문화연구
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    • 제19권4호
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    • pp.851-862
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    • 2011
  • The purposes of this study were to identify the material manipulation techniques for paper garments and their characteristics. Reference books or articles were reviewed and catalogues from paper garments exhibition or show, brochures from Paper Museums, and internet sites of paper fashion designers were selected for analysis. Paper has much similarity with natural cellulose textiles in appearances and contents but has much distinct differences in their physical characteristics such as strength, durability, washability, and resilience, and could be treated as one category of textiles. Paper garments were developed with practicality and functionality for the poor and Buddist monks at first but progressed into more aesthetics later for the rich. Paper garments could be divided into 4 categories of garments made of paper, paper thread fabric or knit, modified paper with wanter, and beaten bark of mulburry bush. Paper can be manipulated by coloring & cutting, bonding, or quilting and bonding or quilting can reenforce the strength of paper but cannot increase flexibility. Paper manipulated by weaving or knitting has very similar physical properties as cotton or linen and ideal for summer textiles. Paper can be manipulated with water to make a paper paste and bodice can be moulded with paper paste or Joomchied. Also we can express beautiful patterns on the surface of paper by washouting. Konnyaku paste or lacquer can be used to make paper garments to be waterproof.