• Journal of the Korean Institute of Rural Architecture
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• v.1 no.2
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• pp.75-82
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• 1999

The purpose of this study is to plan the social space for utilization in rural protestant church. Sindai church is the oldest and has rural characteristics in Chung-Ju. This model is used with the data which were obtained by the paster, believer, inhabitants. The results of this study are as follows ; The movable furnitures have merits of multi-use space in the rural protestant church. This could be possible the various functions for a flexible worship space.

• Journal of architectural history
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• v.14 no.3 s.43
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• pp.129-148
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• 2005

The plan type of Korean protestant church architecture underwent changes as following five stages according to the changes of the distinction between the sexes. First stage - At the beginning of missionary work in Korea, Koreans generally worshiped in missionary houses which were traditional Korean styles. The plan type of these houses was a simple '-' figure. At that time, men and women worshiped separately because of the idea of the distinction between the sexes. They either worshiped in different places at the same time or in the same place at the different time. Second stage - At this stage, men and women started to worship together in the same place. At the beginning of this stage, men sat in the front of the chapel on a rostrum, and women sat behind the men. The plan type of the chapel was a simple '-' or a rectangular figure. Later, they sat separately on the right and left side. There are the visual interceptions which were set up between them. As the number of church members increased rapidly, a new type of church architecture appeared. It was a 'ㄱ' figure. At that time the entrances were separated by the sexes. Third stage - At this stage, the visual interceptions disappeared as the idea of the distinction between the sexes became weak. As new churches had been constructed by the plan type of rectangular figure, the visual interceptions weren't set up anymore. Fourth stage - At this stage, the separated entrances were unified as one. But the arrangement of their seats didn't change because of the old idea of the distinction between the sexes. Fifth stage - In the final stage, the plan type of the church architecture was not determined by the idea of the distinction between the sexes but social, economical, technological facts and the influence of the foreign architecture. At this stage, new and various kinds of the plan type appeared such as the fan, round, squared, or oval figure as well as the rectangular figure. Men and women were not classified anymore. They started to sit and worship together in the same place. Also, when men and women sat separately from side to side because of the Idea of the distinction between the sexes, men sat on the right and women sat on the left side of rostrum. It didn't applied Confucian ideas but the idea of protestant church; protestant churches have the idea that the right side is more important but it does not in Confucianism.

• Journal of architectural history
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• v.7 no.4 s.17
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• pp.113-130
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• 1998

This is a study on the ㄱ-shaped church in Korean Protestant churches. Since the Protestantism had been introduced into Korea, the style of ㄱ-shaped church was the popular style that have been fashioned in all the country of Korea. When the Protestantism was introduced into Korea, ideology which ruled over the Society of Chosun Dynasty was the Confucianism that emphasized the precepts, for example, the loyalty for the King, distinction between the sexes and so on. The Korean Protestants built the church which had ㄱ-shaped plan, so that they solved the second problem : 'distinction between the sexes'. The style of the ㄱ-shaped church is one of the characteristics which distinguish the Korean church from other nations'. Actually the ㄱ-shaped churches had been built by Korean Protestant denominations, from the early days of introducing the Protestantism till the end of 1920's. Even though most of the style of the ㄱ-shaped church is replaced with the modern style according to the extension of religious influence, luckily the ㄱ-shaped two churches : Kumsan Church(1908), Toodong Church(1929) are in existence in the Provice of ChonBuk. The purpose of this study is to make the architectural characteristics of the ㄱ-shaped church clear. This study is based on the actual survey of the ㄱ-shaped churches in existence: Kumsan Church, the Toodong Church and on the documents, photographs, interviews and so on for investigation not existing one now. The ㄱ-shaped church have the plan to separate men's side from women's with a right angle and have a pulpit which was placed at the meeting point of the front part of men's and women's sides. Generally, seen from the court, the churches have men's side in left and women's one in right. There was a screen blocking both sides in the church. But it disappeared in 1920's according to the change of the social conventionality. Most of its structural form is the Korean wooden style. The ㄱ-shaped church appeared in a transition period of the Korean church architecture.

• Journal of the Korean Institute of Rural Architecture
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• v.6 no.1
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• pp.1-12
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• 2004

This study is for figuring out the relationship between the transition of the religious outlook and the design of worship space in Korean churches after the year of 2000. Analyzing the design samples of worship spaces which are appeared in architectural and interior design publications, it is found out that the modernity in architectural and interior design is presented in many worship spaces. And the progressive effort for the renewal of the worship service is projected to composition of the pulpit and others. But the conservatism of the Korean church has not been eliminated yet. These phenomena are considered to be same in the most cases of rural community church.

• Journal of the Korean Institute of Rural Architecture
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• v.7 no.1
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• pp.100-111
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• 2005

Recent architecture of church purport to develop churches that are open towards regional society, and volunteer programs are executed to benefit diverse regional societies. As a means of various programs, church-affiliated of kindergarten which is social welfare facility is installed. Through church-affiliated of kindergarten, the awareness that it does not merely benefit and satisfy the needs of regional residents. Accordingly, diverse forms and structures are emerging within the protestant church both in terms of education and construction. Accordingly, this research conducted by focusing on church-affiliated of kindergarten. The results are summarized as follows.

• Journal of the Korean Institute of Rural Architecture
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• v.7 no.3
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• pp.57-67
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• 2005

Recent architecture of church purport to develop churches that are open towards regional society, and volunteer program are executed to benefit diverse regional societies. As a means of various programs, church-affiliated of kindergarten, the awareness that it does not merely benefit and satisfy the needs of regional residents. accordingly, diverse forms and structures are emerging within the protestant church both in term of education and construction. Accordingly, this research conducted by fousing on the User's Satisfaction of Church-affiliated Kindergarten. The result are summarized as follow.

• Journal of the Korean Institute of Rural Architecture
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• v.13 no.2
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• pp.79-86
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• 2011

The purpose of this study is to understand a architectural characteristics of local church in Virginia, U. S. This study focuses on not only analyzing the worship and service program inherent in the site planning of local church but also introducing worship service space and chancel elements of it in the village of garden area. We surveyed five protestant churches where are located in suburban and rural area outside of Midlothian city in the early August, 2010. I surveyed church building site and worship service space of churches focused on platform design, interviewed the historical background and program of churches with ministers, and corrected annual calender and newsletter. The results of this study are as follows. First, the characteristics of site plan have a comfortable parking lots and site of churchyard(cemetery) with playground that can take an activities out of chapel. The axis of church building follows to front street. Second, worship services keep two types of traditional and comtemporary worship in order to consider of both adult and youth members. The worship hall has a balance of bilateral symmetry. Third, the form of platform is built that is able to perform a music drama and movement of sermon without only one church, GraceLand Church that church building has over fifty years, and they stick to simple traditional type of Chancel that is established by pulpit, table(altar), baptistery(only baptist church), music instruments, and so on.

• Journal of the Korean Institute of Rural Architecture
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• v.25 no.3
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• pp.9-16
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• 2023

This study is an attempt to organize the historical records of the Hanok Church, which played a major role in the history of Korean Protestantism. It was confirmed that research on the theme of Hanok Church was not actively conducted. Through this study, we would like to study the theoretical consideration of the study of Hanok Church and the value of Hanok Church. Based on these results, the purpose was to serve as the basis for theoretical data on the theory of Hanok Church and to actively conduct related research. In addition, by systematizing the cultural values of the Hanok Church, basic information can be provided to establish future cultural values and business utilization plans as modern cultural heritage. Therefore, it is necessary to expand various consultative bodies to preserve Hanok churches around the region and churches and promote various projects to improve the environment for the preservation of Hanok churches. Lastly, I think efforts for long-term preservation and related research of the Hanok Church are continuously needed.

• Journal of architectural history
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• v.13 no.2 s.38
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• pp.57-70
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• 2004

Since Korea disclaimed to open the ports, Korean architecture has met the impetuous transformation. Although there would be various factors of this transformation, the new-coming architecture by missionary seemed to be a significant one, and many researches have been carried out on this theme in diverse viewpoints. However, because these researches have preponderated on the Catholic tradition, it is deficient for clarify the whole history of mission architecture. Therefore, this research has the meaning to enrich the history of Korean modern architecture by making balance. First of all, this paper is focused on the activities of one missionary, Graham Lee. He is a practical missionary at the beginning, his architecture made a critical influence in Korean traditional architecture. Graham Lee was born in Rock Island, Illinois, 1861, and he determined to become a missionary through grown up. He spent his boyhood by working as a plumber for his purpose and studied in a university afterward. Graduating of McComick Theological Seminary, he was nominated as a pioneer of Pyeng Yang Mission Station and set foot in Korea, September of 1892. Since then he started to erect missionary facilities in Pyeng Yang, such as Well House(1898), Pyeng Yang Central Church(1900-1901), Pyeng Yang Academy(1902). These all his works are designed with eclectic style which shows western and Korean traditional style intermingled. This unique characteristic made a profound influence to the Korean mission architecture afterwards. Especially, the L-type plan of Pyeng Yang Central Church, which is first shown by him, is recognized very unique, and this plan type had been spread all over the country. Therefore the L-type plan became the peculiar feature of the early Korean churches. Furthermore, working with Korean carpenters, he taught them new skills of modem buildings. After that, they were expanded out northern part of Korea and took the roles of master builders. According to this expansion, his particular style had got spread and had been settled as a unique eclectic style in Korean modern architecture. In the conclusion, he is evaluated to be a critical pioneer missionary, who left a big influence on the frame work of Korean modern architecture in the transitional times.