• 건축역사연구
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• 제14권1호
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• pp.57-70
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• 2005

This study is the consideration about Hwaryeong-Jeon that enshrines Joseon Dynasty 22nd king Jeongjo's portrait of a king. Suwon's Hwaryeong-Jeon that accompanied a portrait and performed ritual ceremonies had several formalities and ceremonies which are connected with rituals. therefore, we will try to examine what relation between arrangement of building and plane composition had. And through this, it is thing to observe construction special quality that Hwaryeong-Jeon has. Joseon Dynasty's young-jeon (a hall where the royal portraits are kept) is retaining each other different state according to construction age every moment. Hwaryeong-Jeon among Joseon Dynasty's a hall of royal portraits is the construction form which is equiped well and is known for keeping the form well from the foundation to now And this building is evaluated as the standard form of early part young-jeon building of 19th century. Especially, Hwaryeong-Jeon shows the typical ritual equipments late Joseon Dynasty and at the same time has all kinds of characteristics which only we can find at Hwaryeong-Jeon. Namely, Hwaryeong-Jeon is the building which brings the design concept of the hall of royal portraits to completion as the building which enshrines single portrait of a king. After all, Hwaryeong-Jeon is evaluated as the building which can pass excellent form of late Joseon Dynasty, the hall of royal portraits building just as it is. Therefore, as I study its own style, I expect Joseon Dynasty's mind that enshrined the portrait of a king elaborately to be revealed.

• 복식
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• 제5권
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• pp.23-40
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• 1981

Jin Chung Sa is located Daeyoli, Jigogmyen, Saesangun, Choongchungnamdo, there are equipped a portrait scroll of Jung Chung Sin. And top of the town hill live in his 13th grandson, Jung Jong Sul. There are his portrait scroll and command flag and a suit of mail. According to say, remains was stollen at 1975 and it found again. But helmet thrown in the sea at the present time lceave only photo. Also, Chung Ryul Sa is located Anrakdong, Dongraegu, Pusan city, there are portrait scroll of died at the Dadaepo and Pusan Jin Sung and Dongrae Sung. Same memorial center is display mail of vice-envoy and inspector. Thus, this copy is refer to mail of Jung Chung Sin and Chung Ryul Sa, besides we will study mail production of Chung Ryul Sa possession. Even if they are bad to condition, I found court rank of mail through it. I hope, in the future, at that find a good data.

• 한국의류학회지
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• 제27권3_4호
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• pp.333-342
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• 2003

The purpose of the study is to understand the newer and more direct design techniques, and to provide information to exert creativity in designing. The headdress, one of dress items, was selected so that the change might be investigated in designs and production methods. A headdress was manufactured on the basis of literature review and portrait analysis. The target period of the study was limited to Henry Ⅶ and Henry Ⅷl(1485∼l547) when gable headdress was put on. The details and the patterns of gable headdress were identified for the selected gable hood to be manufactured. It was not possible to get the same dress material, so a similar one was made as in the pictures. The same was done to the color. Putting the focus of the study on the reproduction of the figure in the portrait, some dimension were measured in bodily proportion and patterns were made by three-dimensional cutting. As results, some dimensions used in the manufacture had some limits.

• International Journal of Fuzzy Logic and Intelligent Systems
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• 제15권3호
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• pp.166-171
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• 2015

In this paper, we measure the current and vibration signals of one-dimensional time series that occur in a motor and pump, respectively. These machines are representative rotary and pumping machines. We also eliminate unnecessary components such as noise by pre-processing the current and vibration signals. Then, in order to diagnose fault signals for the pump and motor, we transform from one-dimensional time series to a two-dimensional phase portrait using Takens’ embedding method. After this transformation, we review the variation in the pattern according to the fault signals.

• 한국도서관정보학회지
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• 제26권
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• pp.333-363
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• 1997

The writers have attempted to produce a portrait of municipal public libraries in their present stage of development. They have used the case of a Southeastern city anonymously described as 'Paek-tu'. The portrait vividly reveals the ignorance on the part of city educational officials who govern the public libraries and the frustration on the part of certified librarians. The writers have extensively relied on interviews, participant observation, and document resources for analysis.

• 보존과학회지
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• 제32권1호
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• pp.89-100
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• 2016

18세기 제작된 유언호 초상화에 대한 비파괴분석 통해 채색에 사용된 안료의 종류와 채색기법을 추정하였으며, 이를 바탕으로 18세기의 초상화 11점과의 채색특성을 비교해보았다. 유언호 초상에 사용된 안료는 백색에 연백, 황색에 염료, 적색에 진사, 연단, 적색염료, 녹색에 석록, 청색에 석청, 갈색에 적색산화철, 갈색염료, 자주색에 청색과 분홍색의 염료 등을 사용하였다. 11점의 초상화와 채색 안료를 비교한 결과 18세기 초상화에 사용된 안료는 시기별로 큰 차이를 보이지 않았으며, 동일 화첩에 수록된 초상화일지라도 안료의 사용은 초상화마다 개별적으로 나타났다. 채색기법에서는 유언호 초상 이후의 초상에서 얼굴에 진사를 사용하지 않고 산화철만 사용하였으며, 의복의 배채에 녹색 안료 대신 염료를 사용하였다. 본 연구를 통해 18세기 전반에 걸쳐 제작된 초상화의 채색 특성을 확인할 수 있었다. 이번 연구결과가 조선 후기 초상화의 채색기법 연구에 기초자료로 활용되기를 기대해 본다.

• 한국가정과교육학회지
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• 제29권2호
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• pp.85-111
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• 2017

본 연구는 교육적 인간상의 근본적인 쟁점들을 분석함으로써 가정과교육에서 추구하는 인간상의 바람직한 상태를 설정하고 이에 부합하는 인간상을 설정하는데 그 목적이 있다. 이러한 연구의 목적을 달성하기 위해 인간상과 관련된 자료들을 대상으로 논의된 쟁점들을 분석하였으며 면대면 협의, 소집단 사전 협의, 전문가 협의를 통하여 지속적으로 논의하고 타당성을 검토하였다. 본 연구에서 설정한 바람직한 상태는 이상과 실제의 측면에서 이상적인 지향점을 제시할 뿐만 아니라 이를 구현할 수 있는 실현가능성이 높아야 한다, 보편성과 맥락성 측면에서 교육목표로 기능하기 위해서는 교과 맥락적인 측면이 반영되어야한다, 실천 교과의 철학이 담긴 교육과정 관점 즉 비판과학 관점이 강조되어야 한다는 것이었다. 이러한 바람직한 상태를 바탕으로 교육과정 총론에 나타난 핵심가치를 개인 가족/사회 국가/문화 세계의 세 영역으로 범주화하였으며 전문가 협의를 통해 교육적 합의에 이르고 인간상의 가치가 더 드러날 수 있도록 수정하고 재검토하였다. 마지막으로 각 범주의 진술문을 포함하여 교육과정의 핵심가치를 포괄할 수 있는 포괄적인 인간상의 진술은 '실천적 문제를 적극적으로 해결해 나가는 사람'으로 상정하였다.

• 한국의류학회지
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• 제48권2호
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• pp.193-210
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• 2024

The portrait featuring Jo Ban(1341-1401), a scholar-official from the late Goryeo and early Joseon period, and his wife is the oldest surviving couple portrait in Korea. It is of great value in uncovering the clothing culture of the period given the limited number of historical artifacts and records. This study examines the historical clothing and textile patterns of Jo Ban's wife and reproduces them using 3D fashion design software program CLO. She wears jokduri, chima, and baeja over layers of jeogori, a mixture of traditional Korean and Chinese styles. Her clothing illustrates eight patterns-one flower, five geometric, and two cloud. Records and relics of similar periods show that flower and geometric patterns in her clothing follow the prevailing styles of Goryeo, while the cloud patterns are representative of early Joseon. These details are used to reproduce six different styles of Jo Ban's wife with CLO tools. Various visualizations of textile patterns are applied to materials, generating a more realistic look than her existing 3D character created with the portrait. Results of this study are expected to help promote the use of Goryeo clothing and patterns in numerous designs and enhance intuitive understanding of Goryeo clothing based on 3D visualization.

• 한국의류학회지
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• 제40권5호
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• pp.801-814
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• 2016

This study uses the "Sejong chronicles" ritual manual to investigate the movements and roles of provincial governors during the enshrinement rituals of the royal portrait, the official uniforms of the provincial governors in their roles, and the characteristics of the official uniforms system for local governors in the early Joseon Dynasty. The results of this study are as follows. Provincial governors who participated in the enshrinement rituals of the royal portrait were governors 'en route' and governors 'in destination'. The movements of the governor 'en route' followed the provincial borders, official residences, and neighboring provincial borders. The movements of the governor 'in destination' followed the provincial borders, the official residence, and jinjeon. The roles of the governors included the welcoming ceremony, the bow-down ceremony, the front guard, and the farewell ceremony. The governors 'en route' wore Jobok in the welcome ceremony, and a Sibok in the bow-down ceremony before the farewell. The governor 'in destination' wore Jobok in the welcome ceremony, and Jobok (or Sibok if Jobok was not available) in the bow-down ceremony before the farewell. The characteristics of the official uniforms system for local governors in the Joseon Dynasty were as follows. First, the governors wore different uniforms depending on the importance of the rituals in the early Joseon Dynasty. Second, the names of official uniforms Sang-bok and Si-bok were used interchangeably in the early Joseon Dynasty. Third, local governors were allowed to wear Sangbok (or Sibok) instead of Jobok.

• 한국생활과학회지
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• 제18권3호
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• pp.799-807
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• 2009

When analyzing make-up trends of figures shown in portraits of different eras in Chinese painting history, you can see that red color was used much. This can be because the red color is the most outstanding among all the colors and was most preferred by ancient people, as the color of the sun, the blood, and the sacredness. The women in the Tang Dynasty was especially using the red color much. Though Seongrihak (Neo-Confucianism) in Song Dynasty was the governing ideology, it had an influence even upon its aesthetics. Thus, during Song Dynasty, the beauty of logos appeared too. This phenomenon showed a conservative tendency even in make-up as well as in costume, thereby the concept of clear and elegant beauty was emphasized. The real figure in the Ming and Ching Dynasty, was so young and weak as a sample of a delicate woman that a woman who had feminine beauty was regarded as an ideal type. The feminine image had been gradually generalized from the literary works in the latter half of Ming Dynasty. However, the painters in the era still preferred the beauty of a healthy woman. That tendency probably had an influence even upon make-up culture that was shown in portrait. As an analysis result of make-up culture in Chinese portrait paintings, it reveals that ancient make-up trends much reflected the social and cultural phenomena of the periods.