• 조형예술학연구
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• 제4권
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• pp.91-122
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• 2002

`Bio morphism` are constituted in paintings where the artists try to embody the elementary properties of living creature as of growth and durability. They are the most appropriate concept of painting to harmonize human being with nature closely. The formative ways of them attach great importance to both unconsciousness and desire , as well as variations or dynamics, by noticing a flow of natural senses and feelings of human being. In other words, the formative ways are based on a recognition of nature as the intrinsic force of life, with the result that aesthetics of incompleteness is embodied in images. Therefore they are clearly distinguished from that of functional, geometric images. A tendency of painting at that time, in a word, 'return to figure and expression', means a conversion into organic images like the incomplete, atypical, and biomorphic forms, while denying the mechanical or geometric. Elizabeth Murray are analyzed, for these works are remarkable in the characteristics of 'Bio morphism'. Consequently the features of organic images, that is, 'the formative acceptance of natural figures, or an informality' and 'the force of free will, or an incompleteness', could obviously be revealed. It is a type that obtains a motif out of natural figures like an animal, a plant, or the concrete figures of human being. In conclusion, this thesis is focused on not only emphasizing that 'Bio morphism' were a major tendency among the various trends of postmodern painting in the 20th century, but also analysing both the painterly formation of organic images and the structure of them. In addition to these points, it is a central aim to evoke that Bio morphism should accurately be evaluated and positioned in postmodern painting. A new recognition of 'Bio morphism' is a peculiarity of the times that reflects a cultural aspect of the present, hence it should be recognized as another way to approach the postmodern painting.

• 한국조경학회지
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• 제36권5호
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• pp.94-107
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• 2008

본 연구는 조선시대 풍속화를 분석하여 당대의 정원이 어떻게 활용되었는가를 추적해 보는 연구이다. 정원의 다양한 의미 중 감각적 즐거움의 장으로서 의미에 초점을 맞춘다. 이를 위해 서구의 감각적 즐거움과 비교되는 동아시아의 미학적 특질인 풍류 개념을 활용한다. 풍류의 개념은 감각적 즐거움을 넘어 정신적 희열로서 인간이 자연과 존재론적으로 조우하는 차원의 의미를 내포한다. 정원에서의 활동을 살펴보기 위해서 일상생활을 포착한 조선시대의 풍속화를 대상으로 하였다. 정원의 경계가 명확하고 구체적인 공간이용행태를 보이는 풍속화로 13점을 선정하여 분석하였다. 그 결과 다음과 같은 특징이 파악되었다. 첫째, 정원은 자연과의 합일을 통한 커뮤니케이션의 장이라는 점이다. 이 자연과의 합일은 사람과의 합일, 예술과의 합일을 촉발하며 공동체의 커뮤니케이션 작용을 가능하게 한다. 둘째, 정원은 문화 창작 공간이라는 점이 확인되었다. 정원은 사람들이 모여 시회를 하는 등 시적인 상상력을 촉진시키는 장소이다. 셋째, 정원은 내면 성찰을 위한 명상의 장이라는 점이다. 이러한 개인적 차원의 풍류가 존재하므로 소박하거나 일상적인 정원도 가치를 가지게 된다. 넷째, 정원은 취향, 권력, 인맥 등 드러내기의 장이라는 점이다. 풍류는 특정 계층에 의하여 추구되는 경향이 있기에, 이러한 계층적 특성이 정원문화에서도 나타난다. 정원과 관련된 풍류문화 역시 개인적인 사색적 풍류에서 유희적 풍류에 이르기까지 다양한 층위가 존재함이 확인되었다. 서구의 자연관이나 문화를 답습하기보다는 우리 선조들이 향유하였던 풍류문화를 현대적으로 재해석하고 보다 일상적이며 친숙하게 번안하는 시도가 요구된다.

• 대한기계학회:학술대회논문집
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• 대한기계학회 2007년도 춘계학술대회B
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• pp.2967-2970
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• 2007

In a usual painting process, a liquid drop spreads on canvas by being dragged along a paintbrush. To obtain the fundamental understanding of the painting process from the mechanical point of view, we experimentally investigate various dynamic behavior of a liquid drop that spreads between moving solid plates. It is shown that three distinct types of drop spreading take place, i.e. shearing, spreading, and intact dragging, depending on the liquid viscosity and surface tension, the plate speed, and the wettability. We suggest a regime map based on the capillary number and the receding contact angle, which indicates the boundaries between different types of spreading behavior in a dimensionless space.

• 펄프종이기술
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• 제32권4호
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• pp.81-86
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• 2000

Hanji is a traditional handmade paper, which has been famous for its excellent qualities in strength, whiteness, gloss, and smooth feel in painting and writing in ancient Far East for many years. Nowadays, however, its old fame has declined and it has been used only in limited extent such as in traditional Korean brush painting and writing. In this study, 9 kinds of commercial handmade papers made in Korea, China, and Japan were collected and their printing and writing properties were evaluated by image analysis. Chinese handmade paper showed the best result in absorption area of China ink, the roundness and feathering of China ink blots, followed by Hanji. Abrasion coefficient of the Chineses papers was higher than that of the others, which was regarded to contribute to the difference in touch feeling of the writing brush on the papers. It was shown that absorption rate and blot area of China ink were increased by Dochim. Hanji which has recently been made by so called \"traditional method\" showed no quality difference from the modified Hanji.ied Hanji.

• 한국화재소방학회논문지
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• 제23권5호
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• pp.66-71
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• 2009

본 연구에서는 방염처리 단청목재에 대한 방염성능 및 연소가스를 분석하여 그 독성지수에 근거한 유독성을 평가하였다. 시료에 대한 방염처리방법과 시료처리의 환경조건은 방염성능에 크게 영향을 미치지 않았다. 연소가스의 발생량은 방염액을 분무도포한 시료들에서 거의 비슷한 발생량을 보였고 독성지수는 위험등급 III에 해당하는 높은 위험도를 나타내었고, 방염액을 가압함침시킨 시료가 상대적으로 낮은 위험도인 위험등급 II를 나타내었다.

• 보존과학회지
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• 제35권1호
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• pp.91-98
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• 2019

The fragments of a wall painting excavated from among the historical remains of Jeseoksa Temple in Iksan. The extent of the damage to the fragments was examined and an analysis of the components of the pigment was conducted. The results of the component analysis of the pigment confirmed that the white pigment consisted of alkali feldspar and mullite. Although the results of the visual inspection revealed differences in color in the red and black pigments, the main component of the two colors was confirmed to be iron oxide. Red and black pigments are found at the same position. Although differences of color is obvious, those are identified as hematite and magnetite of oxidized steel's affiliation. It is judged that Differences of ingredients happened by external environment's factors.

• 건축역사연구
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• 제30권1호
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• pp.33-42
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• 2021

This paper analysed the architectural images on Pleasant Gathering of Leeum, Samsung museum of art, which has been assumed as a work of the Koryo dynasty. Through the comparison between the unique wooden structure at roof edge on the building images and real architectures, it found the buildings on the painting were from China Fujian(福建), not from Korea. It also analysed the color painting on buildings, trees, themes from previous famous paintings and dresses to confirm these images were came from the early period of the Ming dynasty. It is a very unique painting containing various information on the Fujian ancient architecture, but its architecture drawing is not as skillful as typical ancient Chinese paintings.

• 드라이브 ㆍ 컨트롤
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• 제19권1호
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• pp.1-7
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• 2022

Recently, a re-painting robot was developed to semi-automatically conduct blasting work in bridge spaces to improve work productivity and worker safety. In this study, a vision sensor-based monitoring module was developed to automatically move the re-painting robot along the path. The monitoring module provides direction information to the robot by analyzing the boundary between the painting surface and the metal surface. To stably measure images in unstable environments, various techniques for improving image visibility were applied in this study. Then, the driving performance was verified in a similar environment.

• 한국안전학회지
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• 제14권2호
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• pp.90-96
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• 1999

The characteristics of spontaneous ignition of painting waste was investigated at constant ambient temperature in oven. As the results of experiments, the spontaneous ignition temperature decreased as the sample vessel became large, and the spontaneous ignition temperature of the sample in small, intermediate and large vessels was $165.5^{\circ}C$, $144.5^{\circ}C$ and $134.5^{\circ}C$ respectively. The apparent activation energy calculated by the Frank-Kamentskii's thermal ignition theory was 34.73 kcal/mol.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2003년도 학술.기술논문발표회
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• pp.153-156
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• 2003

Recently, as changing construction environment, we have come to need rational systematic and transparent in construction industry. In other to consider application possibility of CM in specialty construction, in this study improvement of procedure management by several construction phases in the coating with paint work.