• 제목/요약/키워드: Korean movie

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전시회 - 아시아 최대 2014서울국제사진영상기자재전 개최

  • 대한인쇄문화협회
    • 프린팅코리아
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    • 제13권4호
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    • pp.102-103
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    • 2014
  • 아시아를 대표하는 사진영상축제인 '2014 서울국제사진영상기자재전'이 오는 4월 17일(목)부터 20일(일)까지 나흘간의 일정으로 서울 삼성동 코엑스 전시장 A, B홀에서 열린다. 이번 전시는 Photo & Travel, Photo & Optics, 제3회 대한민국사진축전, P&I Movie Zone, 6th SEOUL PHOTO 등 5개 전시회와 동시 개최된다.

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NASTRAN을 利용한 構造物의 動的解析

  • 박윤식
    • 기계저널
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    • 제22권6호
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    • pp.447-451
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    • 1982
  • NASTRAN은 모든 구조물 특히 대형 구조물의 정적 해석(static analysis)뿐 아니라 동적 해석, 구조물과 주변 유체 유동과의 관계, seismic analysis, acoustic analysis등 광범위하게 사용되어 질 수 있는 전산 프로그램이다. KAIST에서는 NASTRAN을 보다 효과적으로 활용하기 위하여 pre-processor, postprocess의 개발에 노력하고 있으며 특히 NASTRAN 해석의 결과를 가시화 하기 위하여 computer graphics를 위한 전산 프로그램인 MOVIE-BYU를 NASTRAN과 연결 시켜 사용하려 시도하고 있다.

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한글 음소 단위 딥러닝 모형을 이용한 감성분석 (Sentiment Analysis Using Deep Learning Model based on Phoneme-level Korean)

  • 이재준;권순범;안성만
    • 한국IT서비스학회지
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    • 제17권1호
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    • pp.79-89
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    • 2018
  • Sentiment analysis is a technique of text mining that extracts feelings of the person who wrote the sentence like movie review. The preliminary researches of sentiment analysis identify sentiments by using the dictionary which contains negative and positive words collected in advance. As researches on deep learning are actively carried out, sentiment analysis using deep learning model with morpheme or word unit has been done. However, this model has disadvantages in that the word dictionary varies according to the domain and the number of morphemes or words gets relatively larger than that of phonemes. Therefore, the size of the dictionary becomes large and the complexity of the model increases accordingly. We construct a sentiment analysis model using recurrent neural network by dividing input data into phoneme-level which is smaller than morpheme-level. To verify the performance, we use 30,000 movie reviews from the Korean biggest portal, Naver. Morpheme-level sentiment analysis model is also implemented and compared. As a result, the phoneme-level sentiment analysis model is superior to that of the morpheme-level, and in particular, the phoneme-level model using LSTM performs better than that of using GRU model. It is expected that Korean text processing based on a phoneme-level model can be applied to various text mining and language models.

영화 '킬빌(Kill Bill 1/2)'의 이접(異接)적인 시/공간 구성 연구 (A Study on the Spatial and Temporal Disjunctive Composition in the movie 'Kill Bill part 1/2')

  • 조한
    • 한국실내디자인학회논문집
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    • 제21권4호
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    • pp.57-67
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    • 2012
  • The goal of this research is to study the spatial and temporal disjunctive composition of the movie 'Kill Bill part 1/2' and to lay a foundation for the future exploration of the topological relationship between contemporary architecture and cinema based upon the spatial and temporal multiplicity. Since the birth of cinema in early 20 century, architecture and cinema have a dynamic interdisciplinary relationship as Soviet director and theorist Sergei Eisenstein has called the Acropolis of Athens as 'one of the most ancient films' based upon its cinematic spatial sequence, and contemporary architect and theorist Bernard Tschumi has adopted cinematic montage technique to create his own disjunctive event-structure. As french philosopher Gilles Deleuze has traced the cinematic version of his 'disjunctive synthesis' from Eisentein's 'dialectic montage', Deleuzian 'disjunctive synthesis' can be discovered not only from the work and theory of Bernard Tschumi and Rem Koolhaas, but also from the 'Kill Bill's disjunctive composition where the heterogeneous spatial images and temporal images are under continuous interaction to create rhizomatic relationship between the cinema and viewers.

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영화 사례분석을 통한 디지털 분장 기법에 관한 연구 (A Study of Digital Makeup Techniques, based on a Case Study of a Film)

  • 문정은;김숙진
    • 복식
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    • 제61권5호
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    • pp.48-63
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    • 2011
  • Digital makeup(DM), depending upon computer graphic softwares, is applied to various fields, e.g. character works in movie and game industries and visual printouts in printing works. Focused on makeup field, DM is extremely conducive to developing, scientizing and informationalizing makeup patterns. Despite of unlimited potential of DM of which market size has been growing day by day, its practical use by domestic makeup experts and educators is much less active than expected as far, due to the lack of knowledge accumulation. The purpose of this study is to suggest some theoretical frameworks to generalize DM techniques and analyze two cases using the frames therefore support academicians' recent efforts to theorize DM techniques. The study 1) defines and categorizes the concepts of DM and DFX(digital special effect); 2) reviews the literature relevant to DM and generalizes the types and methods of DM techniques; 3) applies general frames to analyzing two movie cases, famous for their DM effects; 4) then suggests, based upon analytical results, some efficient ways for makeup experts to use DM techniques in practice. This study contributes to providing the theoretical grounds to conceptualize DM thus broadening makeup artists' interests in DM and awakening the scholarly concerns in cultural technology including DM.

A Reliability Verification of Screening Time Prediction Reporting of 'Cine-Hangeul'

  • Jeon, Byoung-Won
    • Journal of Multimedia Information System
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    • 제7권2호
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    • pp.141-146
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    • 2020
  • Cine-Hangeul is a program that can predict the running time of a movie based on the screenplay before production. This paper seeks to verify the prediction reporting function of Cine-Hangeul, which is the standard Korean screenplay format. Moreover, this paper presents a method to increase the accuracy of the Cine-Hangeul reporting function. The objective of this paper is to offer a correction method based on scientific evidence because the current Cine-Hangeul reporting function has many errors. The verification process for five scenarios and movies confirmed that the default setting value of Cine- Hangeul's screening time prediction reporting was many errors. Cine-Hangeul analyzes the amount of textual information to predict the time of the scene and the time of the dialogue and helps predict the total time of the movie. Therefore, if a certain amount of text information is not available, the accuracy is unreliable. The current Cine-Hangeul prediction report confirms that the efficiency is high when the scenario volume is about 90 to 100 pages. As a result, prediction of screening time by Cine-Hangeul, a Korean scenario standard format program, confirmed the verification that it could secure the same level of reliability as the actual screening time by correcting the reporting settings. This verification also affirms that when applying about 50 percent of the basic set of screening time reporting, it is almost identical to the screening time.

u-멀티플렉스 서비스의 한계와 개선방안에 관한 연구 (A Study on Improving Services of u-Multiplex)

  • 김현수;이강배;정재운
    • 한국시스템다이내믹스연구
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    • 제10권2호
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    • pp.5-27
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    • 2009
  • Multiplex is a representative culture facility of citizens. Therefore, a lot of researches and investment on multiplex are carried out to improve benefits of service suppliers and users. Especially, focused on main services of a theatre such as ticket booking and issuing within multiplex, examination of tickets, admission information of movie screens and screening information inquiry, improvement activities are carried out. However, it is not enough to evaluate on what efficiency the above efforts have in the viewpoint of customer benefits and business. Therefore, this study analyzed value and limit of the newest service of multiplex applying the existing ubiquitous concept(u-multiplex service), and proposed a model and a plan for improving the existing services. The study interviewed with specialists in the related field and applied workshop-shape group interview to 110 university students and simulated service models. The contribution of the study is to analyze the value and limit of the existing multiplex service objectively, and to propose a new service model and plan to improve its limitation. In the future, the study plans to research on service models by extending space and functional roles of multiplex to the whole subsidiary facilities including movie screens.

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