• 한국생활과학회지
• /
• 제10권4호
• /
• pp.399-409
• /
• 2001

The purpose of this study was to evaluate the preference of image for modern application of Korean traditional patterns. A survey was conducted using the random selection among female undergraduate students in Daegu city. The degree of interest and preference in Korean traditional style or something like that measured by 5 scale method. And then they were classified into two groups which were interest/non-interest group, and preference/non-preference group. The image of Korean traditional patterns consisted of semantic differential scales. Frequency, percentage and mean were analyzed, for difference of groups t-test was analyzed. The results were as fellows; 1. For the degree of interest for Korean traditional patterns, it was showed that 53.8% of total respondents took interest and about 40.4% of them had preference for traditional patterns. the correlation coefficient of the degree of interest and preference was 0.782(p<0.01) and showed that the positive correlation was high. 2. Among 20 kinds of Korean traditional patterns, the degree of preference for the patterns of plants and nature was quite high whereas that for the patterns of geometrical things was low relatively. 3. It was evaluated that pattern of nature was fresh, refined and womanly image generally. It was evaluated that pattern of plants was womanly, fresh, weak, light and soft image and that of animals was heavy, splendid, high-class, manly, strong and positive image. It was evaluated that pattern of geometrical things was the most refined image and high-class, rigid and strong. 4. The statistical significance of mean between interest/non-interest group was showed statistically in the patterns of clouds, mountains, lotus, apricot, orchid, dragon, phoenix and bogey. In case of pattern of orchids, the degree of preference was most different between interest/non-interest group. 5. The pattern of plants showed the most different evaluation for images between interest/non-interest group. For refined/old-fashioned polar adjective images, the interest group evaluated the pattern of plants more refined. 6. For pattern of orchids, the difference of degree of preference between preference/non-preference group was most remarkable in Korean traditional patterns. 7. The pattern of geometrical things showed the most different evaluation for images between preference/non-preference group. For warm/cool polar adjective images, the preference group evaluated the pattern of geometrical things cooler.

• 한국의류학회지
• /
• 제31권6호
• /
• pp.892-901
• /
• 2007

본 연구는 한미 성인여성복의 산업계에서 상호적용이 가능한 신체 치수 호환표의 작성에 필요한 기초연구로, 본 연구에 사용된 인체 치수는 모두 3차원 스캐너를 통해 수집된 것이다. 분석대상인 한국인의 인체 치수는 Size Korea사업에 의해 수집된 1,988명의 인체 치수 자료이고, 미국인의 인체 치수는 SizeUSA사업에 의해 확보된 6,306명의 성인여성 인체 치수 자료이다. 의류제작에 관련이 높다고 사료되는 34개 측정 항목이 분석에 사용되었으며, 연구결과는 다음과 같다. 첫째, 어깨경사각을 제외한 전체 측정항목에서 미국 여성이 한국 여성의 인체치수에 비해 그 값이 유의하게 큰 것으로 나타났다. 둘째, 연령집단간 각 측정항목의 평균치를 차이를 검증한 결과, 한국 여성의 경우 엉덩이둘레를 제외한 모든 측정항목에서 연령집단간 유의차가 검증되었으며, 미국 여성의 경우 팔 길이를 제외한 모든 측정 항목에서 연령집단간 유의차가 검증되었다. 셋째, 양국 여성의 연령집단간 차이를 비교 분석한 결과, 몇몇 측정치의 경우 연령집단에 따라 유의미한 차이를 보였으나, 대부분의 항목에서는 연령집단간 유의차를 나타내지 않았다. 넷째, 양국 성인여성의 동일 연령집단간 t-test결과, 샅앞뒤길이, 어깨경사각, 엉덩이둘레-젖가슴둘레, 엉덩이둘레-허리둘레를 제외한 모든 항목에서 미국 성인여성 측정치가 한국 성인여성 측정치보다 유의하게 큰 것으로 나타났다.

• 복식
• /
• 제33권
• /
• pp.117-142
• /
• 1997

This study is on perfume case that is one of a great number of ornaments which was designed by out ancestors. We had developed the tradition and the history of perfume case bag fan-weight etc. These have the same function as the present perfume. case. There were basket-shaped perfume cases which were the smellest one among the personal girdle ornaments in the silla era. The various patterned perfume case were made of gold metal coral platinum or green jadeite etc. In the single-crop trinkets a embroidered perfume bag with the gold and silver thread whose forms perfectly match their functions appeared during the Yi Dynasty. There was also a perfume bag which was one of the daily necessities. A precious "jul perfume" was carried by noble women. A fan-weight perfume bag was attached to the fan to emphasize the intrinsic beauty of utility and function. It is necessary to know the function of prefume case. As perfume case is weared on the clothes it was given more decorative effects as well as the function of medicinal amulet with a sweet smell. Therefore it is very important for us to study perfume case that has various function as an ornament. So The purpose of this study is to investigate the practical and decorative side of perfume case with the general examines of perfume finding how to practice use through our life. The results were as follows; 1. The first use of perfume is perfume through smoke which is for ceremony of religion It removes human body odor by degrees and spreads a sweet odor. Also the materials for making perfume of early age is aromatic plants which will be used flour-made flowers stems. As the materials for making perfume use is increasing today we can invent alcohol perfume today 2. Our country the custom of perfume-used is wide. Among them men's perfume-used was very special phenomenon. For example men were wearing perfume bag in the Silla era. Because perfume represented wealth and noble in those days. They shew off social position personality through perfume-used. 3. One of early religion ceremony article there was the perfume. And perfume case was means for containing perfume. Gradually the perfume case was used widly as increasing needs of perfume in human life. 4. In the middle period of 'Koryo' Dynasty perfume cases had a close relationship with clothes but after Mongolian has been attacked 'Koryo' there were changes in wearing clothes therefore the position of perfume cases were transfered to coat string that was the origin of decoration style that they began. That is to say the perfume case has been influenced the position of perfume case shapes with changing of fashion. 5. The perfume case has been made manifest various function as an ornament. In the practical side First medical-perfume in perfume case has been played an important role in first-aid medicine in critical condition. Second it was amulet for self protection. That is the shape pattern color materials perfume of the perfume case was represented the amuletive nature. Third it was used as substitute article of perfume. Modern women use liquid-perfume as our ancestors used perfume case bag or jul perfume As started above. Also In the decorative side the perfume case has a beautiful formative arts by itself as well as a close relationship with clothes. That well as a close relationship with clothes. That is when the perfume case is worn on the clothes costume is showed aesthetices. That is the materials shapes color pattern of the perfume case we can see the visual beauty also the materials colors embroidered pattern knots tassel that are used the perfume case are increased the decorative beauty of costume. Sixth the symbol in pattern of the pattern case is shown ancetor's wealth and rank health longevity immortality many-born-boy in those days. Today the perfume case is not used with changing of costume by degrees, Accordingly I hope that the result of this study is an influened in devlopment of the perfume case design with matching the modern fashion.

• 복식
• /
• 제56권1호
• /
• pp.1-12
• /
• 2006

The purpose of this study is to comprehend the color and the coloration of Han-bok on the oil-painting of modern Korea. Generally, the modern Korean art is from late 19th to early 1980s' for the lowest year. Through the introduction of oil painting and the painter's work which had been reflected painter's realism at these times, we might know that the phases of the times and we could see a Korean costume and color combination. In this study, Han-bok is divided to upper clothes, lower clothes and the other parts which was distinguished by the color. The color of Han-bok which is watched on the modern art oil-painting is mainly white. The primary color including red, yellow, blue and middle tone colors is in harmony. It means that the five colors of Yin-Yang Wu-hsing were preferred until the modern times. The coloration of Han-bok is classified to a one-colored arrangement, two-colored arrangement and three-colored arrangement. The one-colored arrangement by white and black is a peculiar coloration to the modern times. The two-colored arrangement is a traditional coloration of Han-bok. The color which is high value and chroma is arranged on jacket, Jeogori. A dimension rate that is related with the difference of value and chroma made a visual harmony. In many cases of the two-colored arrangement of neutral colors is not much different in Jeogori and Chima. So Han-bok which is two-colored arrangement of neutral colors is colored in a breast- tie, pigtail ribbon, cuff and waist band for getting visual focus. The represented three-colored arrangement is white Jeogori and navy blue Chima with red breast-tie. It is a perfect visual color combination. The color of Han-bok was inherited a traditional color and the combination of neutral color was balanced. It was a refinable coloration system according to a difference of value and chroma. It means that a color sensation and arrangement of Korean have been developed by our unique climate, nations and the culture which has been formed for a long times.

• 복식문화연구
• /
• 제1권1호
• /
• pp.33-68
• /
• 1993

The purpose of this paper is to survey the influence of the culture change on the dress and personal adornments, and to survey the change of factors from the August 15. 1945 to 1960, in connection with the social and cultural background, applying B. Malinowski′s "Theory of Culture Change" which means an acculturation is the change′s elements of the dress and its ornaments. It is remarkable that the dress and personal adornments of Korean women after August 15, 1945 has great change from the traditional dress of the thousands years. Through the Liveration on August 15, 1945, American military government and the establishment of the Korean government, American democracy has brought many changes on Korean society. Advancement of education, an society with developed economic life, and introduction of scientific skill have influenced on the women′s way of thinking and a style of behavior and the view of value. The acculturation, the supply of mass communication, introduction of new institution and the reorganization of the old institution, the change of the economic situation, the change of the educational system, the change of the point of value, the development of scientific skill have greatly influenced on the dress and personal adornments. Modern dress and personal adornments of Korean women has the following developing procedure. The Liberation from Japan on the 15th, of August, 1945, the stationing of American Soldiers during hte Koran War, returning of the oversea′s brethern, and the mass communication have the direct and indirect contact with western civilization, and bring the occasion of development of the modern dress of Korean women. The increase of mass communication, such as radio, TV, newspaper, magazines and the frequent fashion shows showed fine design and practical western style dress to the women. This was the real beginning of the western style dress in Korea. By the increase of employment and the improvement of the economic situation, the consumption of clothing and the adornments was increased, so that a wide variety of fashions was set, and numerous kind and form of dress came in. As the increase of the number of women students, their practical and free dress life demanded western style dress. After the Liberation from Japan, the open-door policy of sex, public morals and traditional ethics became lax, and in this disordered society, indecent expose of the body was common. By the different kind of technological development, the form, fabrics, colors and patterns in clothes were much influenced and the hair style, make up, shoes and adornments were much influenced too. As shown above, the change of the dress has the same connection with that of society and culture. This shows that the dress and personal adornments represent clearly the cultural phenomenon of the society and cultural change of the society.

• 한국의류학회지
• /
• 제31권6호
• /
• pp.923-932
• /
• 2007

본 연구는 한국과 미국 여대생의 정숙성-비정숙성 개념에 대한 문화적 차이와 유사점을 질적 연구를 통해 알아보기 위한 것이다. 본 연구를 위한 자료수집은 2004년 2월 한국과 미국의 대학에서 동시에 이루어졌다. 전문가집단에 의해 진행된 사전조사에서 정숙성-비정숙성에 관한 심층 인터뷰와 토론내용을 녹음하여 내용 분석한 후, 본 조사를 위한 13개의 질문을 구성하였다. 본 조사에서는 58명의 미국 여대생과 36명의 한국 여대생이 수업시간 중에 질문지에 자유 기술식으로 응답한 후 토론하였으며, 응답의 내용을 내용 분석하였다. 그 결과, 응답자들은 정숙한 옷이란 신체가 드러나지 않도록 덮는 것, 시간과 장소에 적합한 옷, 주변의 지나친 시선을 끌지 않는 옷, 보수적이고 격식을 갖춘 옷이라고 응답하였다. 또한 정숙성과 비정숙성을 판단하는 데는 시간과 장소의 적절성이 밀접하게 연관되어 있으며, 두 나라의 여대생들은 정숙하지 못한 옷, 최신유행의 옷, 부적절한 옷, 섹시한 옷을 구분하여 인식하고 있었다. 한편 미국 여대생들은 정숙성에는 성별에 따른 차이가 있다고 응답한 학생들이 더 많았던 반면, 한국 학생들은 그 반대였으며, 한국 학생들만이 의복의 청결과 관리상태 및 디자인을 정숙성과 연관시켜 생각하였다. 또한 미국학생들은 개인적인 관점에서 정숙성을 인식하는 반면, 한국 학생들은 집단적인 관점에서 인식하고 있어 문화적 차이를 보였다. 본 연구의 결과, 미국 학생들은 정숙한 의복을, 한국 학생들은 비정숙한 의복을 받아들이는 경향이 과거보다 증가하고 있음을 확인할 수 있었다.

• 한국가정과교육학회지
• /
• 제21권2호
• /
• pp.23-43
• /
• 2009

본 연구는 2007년 11월에서 12월 중에 전라북도 소재 4개교의 남녀 중 고등학생 898명을 대상으로 설문지법에 의해 교복행동(교복에 대한 태도, 교복만족도, 교복변형)을 알아보고 외모에 대한 태도와의 관련성 등 변인들의 영향력을 파악함으로써 학교현장에 청소년기 의생활 연구의 기초자료를 제공하고자 하였다. SPSS 11.5 for Windows Program을 이용하여 요인분석, Cronbach's $\alpha$, $x^2$ 검증, t 검증, 일원변량분석(One-way ANOVA), Duncan의 다중비교검증, Pearson의 적률상관관계를 실시하였다. 본 연구 결과, 첫째, 교복에 대한 태도는 유행성, 과시성, 관리성, 변형성 4개 요인이 선택되었다. 교복에 대한 태도에서는 여학생이 남학생보다 변형에 대한 태도가 높았으며, 중학생이 교복에 대한 태도 중 유행성이 높았고, 관리성과 변형성에서는 고등학생이 높게 나타났다. 교복착용실태를 살펴보면, 현재 착용하고 있는 교복의 디자인, 색상, 옷감에 대해 전체적으로 만족하지 못하는 것으로 나타났다. 대부분의 청소년들이 교복변형의 경험을 가지고 있었으며, 남학생 보다는 여학생이 교복 변형 경험이 많았다. 교복변형실태에서 스커트(바지) 길이를 줄인 학생이 가장 많았고, 대부분의 청소년들은 외모를 돋보이기 위해 교복의 길이, 옆선 등 교복을 줄여서 몸에 밀착된 형태로 변형시키고 있는 것을 알 수 있었다. 교복변형의 가장 중요한 요인으로 '체형보정', '유행', '활동성', '무난함'의 순으로 나타났다. 둘째, 청소년의 외모에 대한 차원을 알아보기 위해 요인분석결과, 외모에 대한 동조 가치 욕구 3개 요인이 선택되었다. 여학생이 남학생보다, 고등학생이 중학생에 비하여 욕구 가치 동조 의식이 높게 나타났다. 아버지의 학력이 고졸 이상 일수록 욕구 가치 동조 의식이 높게 나타났으며, 가정의 월수입이 300만원 이상인 학생들이 욕구와 동조 의식이 높게 나타났다. 한 달 용돈을 3만원 이상 받는 학생들이 1만원에서 2만원 이하로 용돈을 받는 학생들보다 외모에 대한 욕구와 가치 의식이 높게 나타났다. 셋째, 조사대상 청소년의 교복변형유무에 따른 외모에 대한 태도, 교복에 대한 태도, 교복만족도의 차이에서 교복변형을 경험한 학생일수록 외모를 변화시키고자 하며 매력적인 외모에 가치를 두고 추구하는 태도를 지니고 있었고, 교복변형을 하지 않는 학생들은 교복에 대한 태도 중 유행성, 상징성, 관리성에서 유의하게 높게 평가하였으며, 교복변형을 한 학생들은 변형성만에서 유의하게 높게 평가하였다. 교복에 대한 태도의 하위영역인 유행성은 외모에 대한 태도와 부적 상관관계를 보였고, 변형성은 외모에 대한 태도와 정적 상관관계를 보였으며, 현재 착용하고 있는 교복의 디자인, 색상, 옷감에 대한 만족도와 외모에 대한 태도는 부적 상관관계를 나타냈다. 결론적으로 청소년들의 교복행동과 외모에 대한 태도는 관련이 있었으며, 청소년기 외모에 대한 관심은 하루 일과 중 가장 많이 접하는 교복행동 즉, 교복에 대한 태도, 교복만족도, 교복변형으로 이어지고 있었다.

• 복식
• /
• 제65권3호
• /
• pp.76-90
• /
• 2015

This is a basic study of the two remaining armors (artifacts number K2366, K2368) from the late Joseon dynasty that is part of the Korean costume collection, which is preserved in the Mission Museum of Saint Ottilien in Germany. The armor No. 1 (artifacts number K2366) is a coat-styled armor with brass studs. It has a U-shaped neckline with the non-overlapping collars and sleeve straight-lined inseam. The armor No. 1 has the Mu to the sides and is not back slit. Both its inner and outer material are padded with cotton. Leather mails are attached on the inner lining, and studs are attached on the outer lining to match the leather mails. For this reason, the armor No. 1 can be named MyeonPiGab (brass studded armor consisting of a cotton coat with internal leather mails). The outer material is faded to have the natural white, or antique white look and the patterns on it are indigo blue. The inner material is blue, but the original color is unknown since it is faded. The lotus blossoms and vine patterns are dyed on the surface of the outer material and a name is written on the inner material. The armor No. 1 was worn between the late 17th century and the 19th century. It is estimated that it was worn by military officers who were above the mid-rank in the end of the Joseon dynasty. The armor No. 2 (artifacts number K2368) is a coat-styled armor with brass studs and a low-cut U-shaped neckline. The armor No. 2 has a slit on the left armpit and a string around it. Studs are evenly attached on the armor. The iron mails are attached to the left chest area on its inner lining. It seems that it was designed with both formality and functionality in mind. The outer material is red flannel, the inner material is blue satin and the pads are cheesecloth. The side of its collars, cuffs, front lines, sidelines, back slit, and bottom lines are trimmed with fur. There are armors called "JeonCheolGap (brass studded armor consisting of a felt coat with internal iron mails)," which is similar to the armor No. 2, however, the similarities are limited because they are not made of the same material nor do they follow the same principle of nomenclature.

• 복식
• /
• 제17권
• /
• pp.221-245
• /
• 1991

The purpose of the study is to search for the existene mode of the modern cosmetology by not only understanding generally but also looking into the fundamental mental base and the aesthetic senses reflected in the literatuers and remans concerned with the traditional Korean cosmetology from anient times to modern times (1910). What are characteritic of in the systemetic study are summarized as follows : Chapter I The purposes and methods are systematized and the scop of study is specified. Chapter II The definition of cosmetology and osmetic indicates that the traditional cosmetology is a sort of whole deoration with costume. Chapter III It can hypothesized that since the Koreans were the northern nomadic tribe, in the beginning the cosmetology might have had a practical usage to protect themselves from the cold weather, and then gradually become to have a decoration meaning, and finally, with the development of various social culture, undergone the transition reflecting some characteristic of each era. Chapter IV While the female cosmetology had been much likely to accomodate the spirit of the times under the male, most of the male cosmetology had been done as a means to exhibit his social position, the tendency which had been prominent in the Yi dynasty. Chapter V Sinece beauty kits which were made of raw materials had been selg-supplying only to meet the small demand, their size were relatively small and had been given a menaing of a luchy omen or exorcism. Chapter VI Buddhism introduced bathing and incense, Confucianistic view of womanhood differentiated the cosmetology between Kissang and daughters of respectable citizens, and thin make-up was recomended. In addition, there many thoughts to have influence on the traditional cosmetology culture : body-and-soul unity, exorcism, naturalism, and short-lived beauty. Chapter VII Since the on-going movement of makeing use of the traditional cosmetic materials in order to apply to modern cosmetic may be a king of counter-vertical cultural phenomena to incorporate our own tradition with the modern cosmetology culture efficiently, the hope is that the findings of the study may contribute to the said efforts. In short, the study on the traditional cosmetology culture may be heloful in Looking into the existence of the modern cosmetology through its clarification of the nature of the traditional cosmetology culture.

• 한국의류학회지
• /
• 제30권3호
• /
• pp.458-469
• /
• 2006

복식문화교류의 사례분석을 통해 교류가 복식변화의 한 요인임을 밝히고, 나아가 현재와 미래의 복식 변화에 대한 이해를 돕고자 하는 목적을 가지고 본 연구에서는 정치적 요인에 의한 교류를 중심으로 사례분석 하였다. 복식문화교류를 분석할 수 있는 이론을 제시하기 위해 문화교류, 복식문화에 대해 고찰하고, 이를 근거로 전파, 선택, 재해석의 세 단계로 구성된 복식문화교류 과정의 모델을 제시하였다. 제시한 복식문화교류 과정 모델에 근거해 정치적 요인에 의한 복식문화교류 사례 4가지를 분석하였다. 복식이 기호로 표현 가능하다는 것을 정치적으로 이용한 교류는 강제적이거나 반강제적인 경우가 대부분이었다. 침략자들은 자신들의 우위성을 강조하기 위해 자국의 복식을 피전파지에 강제 수용시켰다. 단순한 물질로서의 복식을 이입시킨 것이 아니라 자신들의 가치관과 삶의 방식을 이입시키고자 한 것이다. 결과를 통해 얻을 수 있는 결론은 교류가 복식문화를 변화시키는 중요한 원동력이라는 것이다. 모든 교류가 전파와 수용 방식에 크게 영향 받지 않고 융합이라는 수용의 결과를 얻었으며, 융합은 기존의 복식과 외래의 복식이 서로 건설적인 방향으로 혼합되어 새로운 복식문화를 만들어 나아갔다.