• 한국실내디자인학회논문집
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• 제23호
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• pp.132-138
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• 2000

Architecture should deviate from euclidean ideas of abstract space while helping to accommodate individual perceptions and experiences of a given space. Concepts for making space should be cognitively processed. The process of gathering information from the environment represents a new spatial concept as expressed in the cognitive structural relationship between the environment and the individual as the subject of architecture. Additionally, the cognitive experience of space is primarily perceived visually, and visual perception is the basis for information-gathering and decision-making. Therefore architecture should be excluded from the conceptual focus on the existing space design rules, being expressed instead in experimental architectural spaces connected to subjective human experience. While some research has been done on this topic regarding architecture, further study is required in the area of interior design. This study proposes the possibility of composing effective living space through an investigation of cognitive space concept theory and expression elements, and includes a case study of Interior architectural spatial analysis.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.166-169
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• 2003

This study on the Environmental kindergarden from the Original Method as a Frobel and a Montessori. For the purpose of this story, in the motive by the interior design for architectural childhood is understanding prepared Environmental of PEDAGOGIA Montessori. The Montessori's opinion has The Material through the culture concept From childrens toys. And there are concept house $\ulcorner$CASA DEI BAMBINI$\lrcorner$ in Mantova 1920. This Environmental has original idea from the old Italian culture.

• 대한수학회논문집
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• 제25권2호
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• pp.273-282
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• 2010

The concept of intuitionistic fuzzy $\theta$-interior operator is introduced and discussed in intuitionistic fuzzy topological spaces. As applications of this concept, intuitionistic fuzzy strongly $\theta$-continuous, intuitionistic fuzzy $\theta$-continuous, and intuitionistic fuzzy weakly continuous functions are characterized in terms of intuitionistic fuzzy $\theta$-interior operator.

• 디자인학연구
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• 제15권4호
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• pp.409-416
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• 2002

자동차에서 실내공간 비중의 점진적 증대는 오늘에 이르러 자동차 차체 디자인의 조형개념에서 새로운 전환점을 제공하고 있으며, 이것은 차량의 차체 크기나 엔진의 배기량에 관계없이 차체에서 승객을 위한 실내 공간을 형성하는 캐빈(cabin)의 크기가 가장 높은 비중을 가지게 되는 것을 전제로 한다. 이에 따라 차체에서 실내공간을 이루는 캐빈의 비례는 차체의 다른 부분의 비례와 함께 변화되고 있다. 캐빈 이외의 공간은 차량을 구성하는 기구적 요소들을 위한 공간과 화물 수송 목적의 공간이다. 캐빈의 비례가 변화된다는 것은 종합적으로 탑승자의 공간 비중과 기구적 요소의 비례 관계가 변화됨을 의미하는 것이며, 이것은 결과적으로 차체에서의 공간개념의 변화를 초래하게 되었다. 이러한 변화로 인하여 현재의 차량은 과거의 차량에서 단순한 외형적 스타일만이 변화되는 것이 아니라, 공간 확보를 위한 차체의 구조와 형태가 차량의 운전공간과 탑승공간의 확보를 위해 변화되고 있으며, 이것은 향후의 차체 스타일에서 새로운 변화로써 나타나게될 것으로 보인다.

• 한국실내디자인학회논문집
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• 제38호
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• pp.100-107
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• 2003

The space can recognize by experience of sense, the each space to make identity through this. The contemporary architecture make possible an experience of sense through a complex paradigm and a composite concept expression. The material is not the assist to make a form, but to induce an image and an emotion of designers. The new material make possible the different design expression and the new aesthetic value. The appearance of difference material means the possibility to realize a designer's concept. The purpose of the study Is to analyze the new possibility of material expression through the study on material expression of interior design to associate the sense of being alive, to use basic data of the relation the material and the creativity. The study range is to define the sense of being alive, to image expression of material. It is to analyze the expression method of materials through to analyze the contemporary interior design. The expression method of materials to image the sense of being alive is direct and indirect and compromise. The interior design is visually to realize designer's concept, and the interior designer has to realize their it. The later study is on detail of material, in order to realize of material.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
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• pp.168-172
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• 2001

An applied art, business project for consumers, pursues aesthetic objectives. Therefore it is required to approach the concept of service marketing for consumer satisfaction. The purpose of this paper is to verify the effectiveness of concepts for service marketing in processing interior design project. The contribution of this research is the refined checklists for interior design projects which can be applied to actual business as well as the introduction of service marketing concept into interior design industry. This paper proposes an advanced business in interior design industry and is expected to increase consumer satisfaction in living space as their needs and life styles are being more diversified.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.96-99
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• 2005

One of the characteristics of contemporary interior design is the prominence of material and its challenge to the established concept of interior design. As material has risen to the new element of design, losing its old concept as something secondary surrounding space, it had become an useful instrument to create unique images as well as to express the paradigm of space that modern society demands. The active role of material has made itself one of the primary elements that make a difference in design. Particularly in commercial spaces where sales are important and attractive spaces are needed, material has been emergent conveying its appling to consumers. Therefore, this study analyses the materiality that material has and its characteristics represented as images in commercial spaces. With the analysis, it researches further into the unlimited possibility of material and show the way for modern interior design to head for.

• 디자인학연구
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• 제12권4호
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• pp.243-250
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• 1999

실내공간의 구성원리는 비가식적 측면의 '내용'과 가시적 측면의 '형태'간의 결합방식에 의해 결정되며 그에 따라 다양한 의미가 내재하게 된다. 특히 실내디자인에 있어서의 내용은 형식을 통하여 총체적으로 표현하고자 하는 비가시적인 개념이며, 이는 디자이너가 공간의 사용자에게 전하고자 하는 이미지가 중심이 된다. 본 연구에서는 이미지 표현에 있어서의 구조적, 유형적, 전달의 특성을 규명하기 위해, 관련 문헌 조사를 통하여 이지미에 관한 내용을 파악한 후 국내외에 발표된 상업공간을 대상으로 공간 분석을 시도하였다. 분석결과 실내공간에서의 이미지는 디자이너의 초기공간 개념으로써 의미의 심층부를 형성하며 다양한 형태소의 변환규칙에 의해 의미가 전달됨을 확인할 수 있었다. 결론적으로 실내공간의 이미지는 공간의 형식적인 요소에 의해 자연히 발생되는 부가적 개념이 아니라 공간계획의 초기 단계부터 다루어져야 하는 계획개념으로 인식되어야 한다는 결론을 얻을 수 있다.

• 한국실내디자인학회논문집
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• 제7호
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• pp.21-30
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• 1996

When one speaks of space in architecture, one immediately thinks of an entity that is an enclosed space. For most people , space is therefore equated with interior space. And in most discussions of architectural space the character of the outside and that of the inside have been strictly differentiated. But architectural space must be construed as a total , integral space. In this way , architectural space can articulate naturality. For example, by reasserting the eloquence of architecture and by graphically characterizing the different parts of the building. Ungers has moved far away from the traditional ideas of a modern movement that preached the homogeneity of all parts. so promoting uniformity and an expressionless monotony. From this perspective comes the purpose of this study which is to present :1. the character and meaning of the boundary that differentiates the outside from the inside of the architecture. 2. the types of the organization of the interior-space and the differences between those types. 3. the new concept of the interior -space through the analysis of the concept "Haus im Haus" that over-comes the polarity of the outside and the inside of ar-chitecture. This result comes from the idea that harmony is a-chieved not by resolving this polarity into one or the other extreme, but by allowing coexistence of both as-pects.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.171-175
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• 2005

The Principle of space composition in modern architecture is thought about functionalism that based on function and program but the present age attempt that escapes form of former space composition. The present age brings fast development than former ages, so we need the space which has correct flexibility on New Age for escaping in existing structural formality. Specially, the space that boundary of existing plate, column and wall is crumbled as becoming possible technological support with social backgrounds. What this study saying is the analysis about the relation between the concept of topology and the consecutive space composition. Therefore, there is the purpose understanding a characteristic of continuity of the plate through the topological concept and understanding the roll in interior space.