• 한국실내디자인학회논문집
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• 제20권2호
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• pp.72-84
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• 2011

In accordance with an active development, we now enjoy web 2.0 generation centering bilateral participation through the web 1.0 environment mainly providing the offering information and take a step web 3.0 understanding information by itself. The same time of digital technic development, consumption market arrived at market3.0 generation, also passed by market 1.0 and went via market 2.0 based on bilateral participation and understanding. This change have the marketing implement index changed as well. Nowadays, 7C is generalized of making up sensibility, emotion, communication, relationship, customization and interactive built as a major strategy from the day of 3p focused on customer environment, service process and 4P focused on physical quality of product. It isn't that brand and merchandise create life and experience like as past. It is focused on embodiment of a way of life, culture and creative experience from consumers' own. This treatise, therefore, fixes the object as flagship store positively reflecting the change and examine the change of a marketing code element and social factor stimulating customer behavior change. As a condition of this study, It fixes Maslow Motivation Theory as the main index of customer behavior, and 7C as the marketing code. This treatise ultimately studies the index of flagship store discussion based on domestic outdoor brand cases.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.115-123
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• 2009

The change of digital technology caused not only the whole human life but also the change of a thinking form and an expression method of human beings. Also, the interactive communication structure became to form in space structure, and space users also get changed to an active system. The interaction between a human being and space, which uses digital media as a medium, makes a human being experience sensitivity through a cognitive process of a human being. The present research aimed to find out characteristics and expression of emotional space applied with digital technology based on the relationship between media space and cognitive functioning and to realize new emotional space. The research method was to define on digital media and experience by cognition of a human being through a literature research and a precedent research and to consider on approach to emotional space through experience of a cognition process like this. Based on the theory like this, the present research progressed by focusing on dramatized characteristics of experience in the digital media space and emotional space expression by induced characteristics. Through the analysis like this, the space applied with digital media could appear as a field of communication that can experience by forming mutual relation through perception of a human being. Additionally, the space induces active participation of a human being through various productions of media and responds to movement, and thus, this suggested infinite possibility as emotional space that can try new experience by stimulating a sense as effect of a cognitive process of a human being.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.135-138
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• 2003

Skin, the complex membrane that holds the body together, also embraces the full spectrum of design today-from product to architecture, fashion, and media. Every object has a skin. thick or thin, smooth or rough, porous or impermeable, the skin is the line between a hidden interior and an exterior we experience. Skin： Surface, Substance and Design is a compendium of products, furniture, fashion, architecture and media that expand the limits of what we understand as surface. Reflecting the convergence of natural and artificial life, this provocative a thesis shows how enhanced and simulated skins appear everywhere in today's world.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.302-310
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• 2013

Many museums have recently employed digital technologies in exhibition installations to provide visitors with interactive experiences with the installations, not just audiences. However, most of them have focused on the adoption of new prototypes or technologies, not considering user experiences of those systems carefully. This study developed an evaluation tool for usability of the tangible user interfaces and conducted a usability study on museum installations emphasizing user interaction and experience. The evaluation tool is composed of 5 features of tangible user interfaces such as tangible, interaction, convenience, representation, spatial interaction and social interaction, and 24 items. The museum we investigated is the Gwacheon National Science Museum, where 8 installations, classified 4 categories, were selected for the usability study. We recruited 6 undergraduate students, who were divided into 2 teams, each team having 3 students. Three students in a team manipulated and experience each installation together and reported their evaluation score through the questionnaire and interviews. The results showed that the score of the usability for the category 3, which requires students to move their bodies for the interaction, is the highest one because it features with spatial interaction. Students expressed much interest in the category 4, which utilizes users' other senses, however, the score of the usability is the lowest because the interaction is temporary and repetitive. Most installations are well designed in terms of control constraints, legibility, lower thresholds, participation encouragement, and open to the public, but pooly designed in terms of multiple access points, configurability, accurate movement, ambient media, and full-body interaction.

• 복식
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• 제64권6호
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• pp.131-147
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• 2014

Purpose of this study is to analyze the meaning of the hybrid digital culture and to find out the features of digital fashion shows appearing in the period of the hybrid digital culture as there have been almost no studies on the hybrid cultural values in the fashion shows and on the diachronic socio-cultural viewpoint of fashion show. The characteristics of hybrid digital culture were identified through the analysis of cases, and they were organized into three for this study; 'non-economic creativity', 'interactive communication' and 'transcendence'. Based on these characteristics, the features of hybrid digital cultures in the modern digital fashion shows were classified into the digitalization of presentation form and the acceptance by audience of digitalization using case studies. The features of digital fashion shows which appear through the presentation form in the digital fashion shows are as follows; 'Expansion of presentation media of runway' and 'Destruction of component factors of runway'. The features of digital fashion show in the perspective of audience's acceptance of digitalization are as follows; 'Audience's field experience through the live video', 'Participation by audience in interactive manner' and, 'Immersion in the virtual reality by the audiences'.

• 디지털융복합연구
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• 제19권9호
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• pp.59-65
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• 2021

본 연구는 비대면 서비스를 중심으로 온라인 박물관의 전시 콘텐츠를 온·오프라인 연계 체험 형태로 개발하여, 초등학생의 학습 효과에 긍정적인 영향이 있는지 밝히고자 한다. 본 연구에서 개발된 온·오프라인 박물관 콘텐츠는 기존 온라인 박물관을 바탕으로 분석하여 기존 전시물 유형과 직접 체험 요소가 보완된 콘텐츠를 결합하였으며, 혼합 매체 사용을 통해 학습을 증진시킨다는 Blended learning 이론을 적용하였다. 이를 통해 기존의 온라인 박물관의 한계점을 분석하고 새로운 온·오프라인 박물관이 기존 온라인 박물관에 비해 학습 효과가 있는지 비교 실험하였다. 실험 연구 결과, 공통적으로 직접 체험이 혼합된 콘텐츠가 높은 만족도 및 빈도 지수로 집계되었으며 [놀이형]과 [경험형] 유형의 직접 체험 콘텐츠가 간접 체험 유형의 콘텐츠보다 높은 만족도를 확인할 수 있었다. 본 연구를 통해 온라인 박물관이 제공해 줄 수 있는 콘텐츠 개발에 있어서 새로운 시사점과 발전 가능성을 제공하고 어린이 교육에 다양한 효과를 도모하고자 한다.

• 한국융합학회논문지
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• 제12권5호
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• pp.127-138
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• 2021

본 연구의 목표는 인터렉션이 하나의 영역으로서 묘사 가능성을 증명하는 것이다. 또한 패러다임화된 시각으로 인터렉션을 이해하려고 시도하는 것이다. 일반적으로 통용되는 규칙에 기초하여 이론모델을 구축하고, 디자이너들에게 인터렉션의 본질을 효과적으로 이해하도록 돕고, 현재 인터렉션 설계가 주로 기초적인 수단으로 의존하게 됨으로써 파생되는 인력과 시간비용의 낭비를 방지하는 것이다. 2000년도에 처음으로 인터렉션 패러다임화의 개념을 제시한 이래 지금까지 관련된 연구에는 일부 결함이 존재한다. 예를들어 제시된 이론 모델들이 서로 다른 척도에서 만들어졌거나, 혹은 접근하는 시각에 객관성이 결여된 것, 그리고 주로 연구자의 개인적 경험 등에서 오는것 등이다. 본 연구의 가치와 뛰어난 성과는 그 전체적 기초가 파일검색이라는 토대위에 구축되었다. 최근 2000년 이래 현재까지의 인터렉션 패러다임화에 관한 연구 총 21편의 수집을 통하여 인터렉션 속성 모델 19개,인터렉션 속성 포함 총 174개를 추출하였다. 또한 이 174개 속성에 대하여 보다 통일된 표준 척도에 근거를 두고 집합류의 연구수단을 이용하여 재분류 귀납함으로써 두 개의 이론 모델을 한 조로 만들었다. 이 두 모형은 각각 인터렉션 운용과 인터렉션 체험의 시각으로 접근하며, 그중 각 모델은 각각 6개의 독립된 속성을 포함한다. 이 인터렉션 모델의 제시 및 집합류 데이터의 분석은 각 인터렉션 속성이 인터렉션 설계에서 얼마만큼의 주목을 받고 중요한지 밝히는데 도움이 될것이다. 이런 데이터는 디자이너가 디자인 과정에서 힘 분배를 합리적으로 할 수 있게 도와주며, 또한 미래에 인터렉션 설계에 관해 발전공간을 설계하기 위한 이론적 근거를 제공한다.

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.80-88
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• 2009

The relationship between architects and users has been multifarioiusly changed through architectural history. From the viewpoint of using a building, users who experience and interpret the building are as important as architects who design it. In the past, architects are not interested in the role of users. Modern architects only emphasized the concepts of users based on efficiency, and therefore users had the passive role following the design intentions in the space architects had created. However, since the end of modern movement, diverse definitions of users have been attempted. Especially the aesthetics of reception reilluminates the role of users neglected in modern movement. Therefore the one-way relationship between architects-buildings are changing into the interactive relationship between architects-buildings-users, and it results from the fact that users have the ability to reinterpret and create architectural space as well. Users have more creative and positive role in architectural space making and architects, too, reflect these trend in their architecture.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.77-78
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• 2007

This project has been designed for people to experience and understand the process, importance and benefit of coal fire plants. As the biggest and first typical Korean fire plant using coal, Boryeong fire plant has had important roll for the Korean industries. Even so, people has had wrong prejudice for the fire plant in terms of environmental protection. To do these kind of rolls, this museum has been designed with theme, "Boryeong fire plant mating symbiotic relationship between nature, human and technologies." The space was zoned with five major themes: i. circulation of energy in nature, ii. electric power and eco-fire plant, iii. future energy, iv roll for future of environment, v. Korea as the leading energy industry. The design has been developed focused on spatial experiences to make 'Design Sequence' with linear circulations haying several important destinations. The interior has been finished with minimal color and materials projected by big sized movie and various LED movie system. Concept of appordance has been used to make interactive experiences between exhibits and visitors.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2009년도 학술대회
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• pp.122-128
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• 2009

이 논문에서는 모바일 환경에서 촉각적 사용자 체험 (User Experience)을 향상 시킬 수 있도록 디자인된 새로운 방식의 핸드헬드 볼 기반의 햅틱 인터페이스 "TouchBall" 을 소개하고 그 성능을 평가한다. 작은 모바일 디바이스(모바일 폰, PDA, PMP 등)에 적당하도록 볼 기반의 기계적 메커니즘을 사용하여 작은 회전력으로도 높은 감도의 다양한 촉감을 손에 전달할 수 있도록 구성되어 있다. 제안하는 인터페이스를 적용한 프로토타입 버전을 구현하였고, 정신물리학적 실험을 통해 사람의 감각 인식의 가장 기본적인 척도가 되는 감지 역치를 측정하였다. 그리고 구현 가능한 다양한 촉각 패턴들의 인식강도를 절대적 강도추정 방법으로 측정하여 정확도와 인식강도를 알아보고 그 응용 가능성을 찾아보았다.