• 한국의류학회지
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• 제27권5호
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• pp.560-569
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• 2003

The purpose of this study was to investigate the usage condition of avatar, the clothing images of avatars, and the difference of self images among avatar user groups which were clustered by the clothing image of using avatar. Avatars were decorated not only to get personal satisfaction and joyfulness but also to realize the desire of relationship with other people. The clothing images of avatars were classified into 7 factors, which were labeled as cute, mature, sexy, old-fashion, unisex. and unique factors. There were no significant differences in self images among 3 avatar user groups which were clustered by 7 factors of clothing images. The result indicated that avatar users pursued various clothing images for their avatar, however, no significant relations were existed between avatar＇s images and user＇s self images and further studies would be required to find out significant variables which determined avatar＇s clothing images.

• 한국의류학회지
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• 제23권6호
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• pp.776-787
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• 1999

The purpose of this study is to analyze the factors which have formed gender images in men's fashion since the middle of the 19th century. For this purpose, the images of gender in fashion were analyzed and historical studies about gender images in men's fashion from the middle of the 19th century to the present days were done. Historically images of gender expressed in fashion were masculine image feminine image androgynous image and genderless image. Among those images masculine image and genderless image. Among those image masculine image and androgynous image have been the gender images in men's fashion since the middle of the 19th century. In psychoanalytic view point the factors which have formed the gender images are related with sexual pleasure. Libido for looking narcissism and exhibitionism have produced masculine image and androgynous image in men's fashion, In socioeconomic view point power structure between the sexes have built the gender images in fashion. Masculine image and androgynous image came in to being in men's fashion for the purpose of displaying power or expressing opposition to power structure between the sexes, In aesthetic view point the aesthetic sense of each age about sex have constructed the gender images. Modernism had influence on building masculine image and post-modernism have formed androgynous image in men's fashion.

• 한국의상디자인학회지
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• 제1권1호
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• pp.53-71
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• 1999

The purpose of this study is to determine the fashion images implied in men's fashion trends and systematize the characteristics of the textile materials used for fashion images, by analyzing men's fashion trends published by Korean fashion information service companies. This study would be meaningful if it can suggest some objective criteria for the characteristics of textile per fashion image. The researcher analyzed the data on the basis of 8 fashion images, which were ethnic, modern, traditional, avant-garde, active, romantic, natural, techno ones. Above men's fashion images were choosed by analyze the some literatures and men's fashion trend information. The data used for this study were information about S/S and F/W men's fashion trends published by Interfashion planning, Samsung fashion Research Center for the period of 1995-2000. The data collected were subject to “content analysis method”. As a result of the analysis, the major images of 1995-2000 were natural, active, traditional, modern, ethnic, avant-garde, techno images, and while such combinations of conflicting images as ethnic/modern, traditional/avant-garde, natural/techno. Other mixed images were ethnic/natural, modern/active, tradional/active, traditional/modern, romantic/modern, ethnic/romantic, traditional/natural, modern/natural, active/natural, active/traditional/natural, etc. The various characteristics of eight men's fashion images were found in color, pattern and textile materials.

• 복식
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• 제60권8호
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• pp.38-50
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• 2010

Many fashion designers are actively pursuing strategic alliances with other brands. The purpose of this study is to identify the differences in images between the original brands and the alliance brands made by fashion designers. This study also aims to review consumers' purchasing attitudes towards alliance brands products. Questionnaires were distributed to adults in their 20s and above, which were then collected. The research findings illuminated the differences in images between original brand products and the alliance brand products made by fashion designers. It was found that the fashion designer (A) brand mainly had luxurious, attractive and quality images, while its alliance brand mainly had practical and durable images. On the other hand, the fashion designer (B) brand mainly had quality and durable images, while its alliance brand mainly had luxurious, characteristic and attractive images. The fashion designer (Ga) brand mainly had characteristic, sophisticated and quality images, while its alliance brand mainly had trendy, attractive and practical images. The fashion designer (Na) brand mainly had trendy, characteristic and attractive images, while its alliance brand mainly had practical images.

• 대한두경부종양학회지
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• 제26권2호
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• pp.198-203
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• 2010

Objectives : Getting full information from axial CT images needs experiences and knowledge. Sagittal and coronal images could give more information but we have to draw 3-dimensional images in mind with above informations. With aid of 3D reconstruction softwares, CT data are converted to visible 3D images. We tried to compare medical photographs of 15 surgical specimens from neck tumors with 3D reconstructed images of same patients. Material and Methods : Fifteen patients with neck tumors treated surgically were recruited. Medical photograph of the surgical specimens were collected for comparison. 3D reconstruction of neck CT from same patients with aid of 3D-doctor software gave 3D images of neck masses. Width and height of tumors of each photos and images from the same cases were calculated and compared statistically. Visual similarities were rated between photos and 3D images. Results : No statatistical difference were found in size between medical photos and 3D images. Visual similarity score were higher between 2 groups of images. Conclusion : 3D reconstructed images of neck mass looked alike the real photographs of excised neck mass with similar calculated sizes. It could give us reliable visual information about the mass.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제8권11호
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• pp.4153-4169
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• 2014

To recognize F5-like (such as F5 and nsF5) steganographic algorithm from multi-class stego images, a recognition algorithm based on the identifiable statistical feature (IDSF) of F5-like steganography is proposed in this paper. First, this paper analyzes the special modification ways of F5-like steganography to image data, as well as the special changes of statistical properties of image data caused by the modifications. And then, by constructing appropriate feature extraction sources, the IDSF of F5-like steganography distinguished from others is extracted. Lastly, based on the extracted IDSFs and combined with the training of SVM (Support Vector Machine) classifier, a recognition algorithm is presented to recognize F5-like stego images from images set consisting of a large number of multi-class stego images. A series of experimental results based on the detection of five types of typical JPEG steganography (namely F5, nsF5, JSteg, Steghide and Outguess) indicate that, the proposed algorithm can distinguish F5-like stego images reliably from multi-class stego images generated by the steganography mentioned above. Furthermore, even if the types of some detected stego images are unknown, the proposed algorithm can still recognize F5-like stego images correctly with high accuracy.

• Imaging Science in Dentistry
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• 제48권1호
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• pp.41-44
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• 2018

Purpose: To evaluate the effect of different numbers of basis images and the use of metal artifact reduction (MAR) on the production and reduction of artifacts in cone-beam computed tomography images. Materials and Methods: An acrylic resin phantom with a metal alloy sample was scanned, with 450 or 720 basis images and with or without MAR. Standard deviation values for the test areas (around the metal object) were obtained as a way of measuring artifact production. Two-way analysis of variance was used with a 5% significance level. Results: There was no significant difference in artifact production among the images obtained with different numbers of basis images without MAR (P=.985). MAR significantly reduced artifact production in the test areas only in the protocol using 720 basis images (P=.017). The protocol using 450 basis images with MAR showed no significant difference in artifact production when compared to the protocol using 720 basis images with MAR (P=.579). Conclusion: Protocols with a smaller number of basis images and with MAR activated are preferable for minimizing artifact production in tomographic images without exposing the patient to a greater radiation dose.

• 대한건축학회논문집:계획계
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• 제34권2호
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• pp.85-94
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• 2018

This study tries to connect the 'four-elements metaphor' of Bachelard with architectural Images of Coop Himmelblau. Two basic terms of 'phenomenology of imagination' and 'material image' are explored firstly to understand the meaning and value of Bachelardienne four-elements in architectural discourse. The material images of air, fire, water, and clay are applied to the analysis of architectural experience of Busan Cinema Center(BCC) which is selected among works of Himmelblau by reason of its integrity of the four-elements' images. After elaborate Bachelardienne description of the images of BCC, the study examines whole Himmelblau's works since 1968 chronologically from the perspective of the four-elements' architectural images which are found in the analysis of BCC. The study of BCC could discover the images of air in two roofs, the images of fire in Double cone, the images of water in outdoor cinema, Dureraum square, flying brides, and the images of clay in Cinemountain and BIFF Hill. The chronological study found that Himmelblau had started their projects with the images of air in 1968 and tried the fire from 1978, and their regular examination of water and clay images had begun in mid 90's. After 2000, they could show a certain harmony of the four elements in their works.

• 천문학회보
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• 제44권2호
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• pp.44.1-44.1
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• 2019

We generate new intermediate images between observed consecutive solar images using NVIDIA's SuperSloMo that is a novel video interpolation method. This technique creates intermediate frames between two successive frames to form a coherent video sequence for both spatially and temporally. By using SuperSloMo, we create 600 images (12-second interval) using the observed 121 SDO/AIA 304 Å images (1-minute interval) of a filament eruption event on December 3, 2012. We compare the generated images with the original 12-second images. For the generated 480 images the correlation coefficient (CC), the relative error (R1), and the normalized mean square error (R2) are 0.99, 0.40, and 0.86, respectively. We construct a video made of the generated images and find a smoother erupting movement. In addition, we generate nonexistent 2.4-second interval images using the original 12-second interval images, showing slow motions in the eruption. We will discuss possible applications of this method.

• 복식
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• 제64권1호
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• pp.64-76
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• 2014

This study aimed to analyze the expressive characteristics of design elements and fashion images shown in wedding dress styles in the 2000s. The findings were as follows. First, in wedding dress style the fashion images analysis showed that classic images appeared the most frequently, and fantastic, modern, kitsch, sexy, futuristic and ethnic images appeared the most, respectively. Second, design elements analysis of fashion images concluded that as for the appearance frequency of the silhouette, A line was the highest in classic, fantastic and kitsch images and H line was the highest in ethnic, modern, futuristic and sexy image. As for the appearance frequency of the necklines, bared top neckline was the highest in all of the fashion images. As for waistlines, natural waistlines except modern image of obscure waistlines appeared the most frequently in all of the images. As for sleeve, sleeveless appeared the most frequently in all of the images. As for material, see-through was the highest in ethnic, classic, sexy, fantastic and kitsch images. Luster material was the highest in modern and futuristic image. As for colors, white and achromatic, traditional wedding dress color, appeared the same in all of the seven fashion images, but chromatic colors appeared the most frequently in ethnic images. Third, the distinguishing expression features of fashion images shown in the wedding dress style of the times is as follows: 'Total fashion in wedding dress style', 'Emphasizes sexy image expression in wedding dress style', 'Various co-existence of wedding dress style', and 'Avant-garde expression in wedding dress style'.