• 한국인터넷방송통신학회논문지
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• 제11권4호
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• pp.187-194
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• 2011

본 논문에서는 JPEG(Joint Photographic Experts Group)영상 디코더에서 영상데이타를 디코딩하는 기술에 관한 것으로, 종래의 정지영상 처리기에서는 허프만 코드화 처리를 하여 제1영상을 부호화한후 분할기반 부호화 방식의 연속영상 처리기법을 사용하였으나 작은화면의 코드화시에도 많은 계산 알고리즘이 필요하고 이미지의 닮음정도를 객관적수치로 표현할 수 없어서 비슷한 이미지를 중복 코드화 및 전송 작업을 하는 결함이 있었다. 본 논문에서는 이를 해결하기 위하여 이미지의 닮음정도를 수치화하고 기준값 이하의 영상은 코드화 작업을 하지않고 계산된 영상 변화값에 의해 구현된 영상으로 대체하여 저장 및 전송하도록 저장용량의 감축 및 시각적으로 전혀 거부감이 없는 정지영상을 구현하였다.

• 한국산학기술학회논문지
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• 제11권3호
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• pp.873-879
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• 2010

본 논문에서는 MPEG2(Moving Picture Expert Group 2)비디오 디코더에서 영상데이타를 디코딩하는 기술에 관한 것으로, 종래의 동여상 처리기에서는 허프만 코드화 처리를 하여 정지영상을 부호화한후 분할기반 부호화 방식의 동영상 처리기법을 사용하였으나 1프레임의 코드화시에도 많은 계산 알고리즘이 필요하고 이미지의 닮음정도를 객관적수치로 표현할 수 없으므로 비슷한 이미지를 중복 코드화 작업 및 전송 작업을 하는 결함이 있었다. 본 눈문에서는 이를 해결하기 위하여 이미지의 닮음정도를 수치화하고 기준값 이하의 영상은 코드화 작업을 하지않고 계산된 영상 변화값에 의해 구현된 영상으로 대체하여 저장 및 전송하도록 하여 시각적으로 전혀 거부감이 없는 동영상을 구현하였다.

• 한국가정과학회지
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• 제4권2호
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• pp.123-140
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• 2001

The purpose of this study is to find the suitable suit design of mid-aged men by examining visual effects in Physical and Psychological side aspects. I used convenience sampling by considering sex and age distribution. These methods were used to analyze data that were frequency analysis, variate analysis, centesimal scale, primary factor analysis, three primary variate analysis, duality variate analysis, equation variate analysis and Cronbach's multiplex range verification 1. Image perception of men's suit was analyzed with arrangement, numbers of button, pattern and the shape of one's body and was divided into charming, youthfulness, modernism. affection and manly. 2. 1) There are partly resemblance difference in physical visual effect by the shape of body and suit design. 2) There are partly resemblance differences in psychological visual effect by one's shape and suit design. In conclusion arrangement, number of button and Pattern are very important to give an effect on whole visual effect man's suit. Also, these were felt differently in each types of body Therefore it is confirmed that the type of body is important fluent to make people perceive.

• 대한산업공학회지
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• 제40권4호
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• pp.382-387
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• 2014

Image retrieval is a procedure to find images based on the resemblance between query image and all images. In retrieving images, the crucial step that arises is how to define the similarity between images. In this paper, we propose a new similarity measure which is based on distribution of color. We apply the new measure to retrieving two different types of images, wallpaper images and the logo of automobiles, and compare its performance to other existing similarity measures.

• 제어로봇시스템학회논문지
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• 제20권2호
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• pp.175-179
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• 2014

The histogram specification turns the shape of a histogram into that we want to specify. This technique can be applied usefully in various image processing fields such as machine vision. However, the histogram specification technique has its basic limits. For instance, the histogram does not have location information of pixels. Also, the accuracy of the specification drops because of quantization errors of the digitized image. In this paper, we proposed a multiresolution histogram specification method in order to improve the accuracy of specification in terms of resemblance between destination and source image. The experimental results show that the proposed method enhances the accuracy of the specification compared to the conventional methods.

• 융합신호처리학회논문지
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• 제2권2호
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• pp.47-54
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• 2001

본 논문에서는 얼굴의 특징 추출 알고리즘을 제안한다. 사람의 얼굴에 대한 특징 인수를 추출하기 위하여 우선 이진 영상을 생성한다. 하나 하나의 고립된 영역으로 분리하기 위하여 화소 라베링을 한 후 만들어진 가변 블록 단위로 면적을 구하고, 윤곽선 추적 방법에 의하여 둘레를 추한 후 면적, 둘레, 원형도 및 모양의 유사도를 구한다. 전체 유사도와 일반적인 구조 및 특징을 활용하여 눈, 코, 입의 특징 요소를 추출한 후 12개의 얼굴의 특징 인수들을 추출한다. 얼굴의 왼쪽 눈과 오른쪽 눈 사이의 거리, 왼쪽 눈과 코와의 거리, 오른쪽 눈과 코와의 거리, 왼쪽 눈과 입과의 거리, 오른쪽 눈과 입과의 거리, 코와 입과의 거리 및 각 거리간의 기울기를 이용하여 100명으로부터 획득한 297개의 원 영상을 대상으로 12개의 특징 인수를 추출한 결과 92.73%의 추출 성공률을 보였다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제7권6호
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• pp.1449-1462
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• 2013

We present a novel approach to producing facial caricature with Simpson cartoon style based on Moving Least Squares (MLS). We take advantage of employing the caricature stylization rule of caricature artist, Justin. Our method allows Simpson-style cartoon character similar to user's features by using Justin's technique, which is a set of caricature stylization rules. Our method transforms input photo image into Simpson style caricature by using MLS approximation. The unique characteristics of user in the photo can be detected by comparing to the mean face feature and the input face feature extracted by AAM(Active Appearance Model). To exaggerate the detected unique characteristics, we set up the exaggeration rules using Justin's technique. In addition, during the cartooning process, user's hairs and accessories are used to the deformed image to make a close resemblance. Our method preserves the reliable and stylized caricature through the exaggeration rules of the actual caricature artist's techniques. From this study, we can easily create a Simpson-style cartoon caricature to resemble user's features by combining a caricature with existing cartoon researches.

• 조형예술학연구
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• 제12권
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• pp.125-143
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• 2007

The politics penetrating through the contemporary art since modernism to postmodernism is to accomplish the 'Non-representation' in the artworks. This study argues that postmodernism did not put an end to the formalistic feature of modernism but intended to accomplish it. Modernist art aimed at purity, i.e. self-referential and self-definition art advocated by Clement Greenberg, and it carne to the end by accomplishing flatness and materiality. It was an 'evasion to the matter' which allocated the object from visuality of outer object to the psychic image of the subject. It failed being 'non-representational' as what it really achieved was transition of object. Jean Baudrillard's theory tried to overcome the representational quality by 'being simulacre'. In the representative artworks of the past, the meaning of artworks was reverted under the outer context or object. The meaning again failed being 'Non-representational' as it was restored to the psychic image of the subject in modernist artworks where the definite illusion was demolished Meanwhile, artwork advocating simulacre acquired Non-representational quality by liberating from both models. It did not deconstruct the self-referential tendency of modernism but maximized the Non-representational modernistic principle. After creating 'Non-representation' through simulacre, the existential status and function of an artwork is the inclination and moral of contemporary art as 'Non-representation'. The image theory of Henri Bergson sets the existential status of 'image' as it does not belong to either subject nor object. It provides significant foundation for arguing the existential status of simulacre. Moreover, though an artwork as a fragment forming a movement image in the world cannot represent the object, it can however sustain certain kind of fractal resemblance with the world by letting the two parties communicate. The theory of sense by Gilles Deleuze is of profound significance as it specifically indicated way how the stage of absorption through the unity of subject and object is realized in forms of artworks, and configured the latent and invisible energy.

• 한국인터넷방송통신학회논문지
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• 제12권3호
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• pp.29-35
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• 2012

본 논문에서는 MPEG(Moving Picture Experts Group) 영상 디코더에서 영상을 압축, 비교, 복원, 저장한후 디코딩 처리하는 방법을 종래의 픽셀 단위로 처리하는 방법과는 다르게 영상의 단위 화소 주변을 군집화소로 분류한 후 이를 클러스터링하여 오버랩정도를 결정 한다. 오버랩 정도의 임계치값을 결정하는데는 패턴식별을 취한후 샘플 패턴에 대한 기하구조의 파악과 결정함수의 도출로 활용된다. 특징공간이 4차원 이상이면 주어진 패턴 구조를 시각적으로 관찰할 수 없다. 이 때, 분포구조를 고찰해 볼수 있는 방법은 군집중심간의 거리, 군집별 패턴의 수 및 표준편차 등을 이용하는 방법이다. 임계치 값을 넘는 중복화면은 소거되고 넘지않는 군집화면은 패턴인식으로 복원된후 동영상으로 구현된다. 이방법이 기존의 픽셀 단위 처리하는 방법 과는 20%정도의 메모리 감축과 15%정도의 화면 복원에 성능이 향상된 것으로 판정된다.

• 조형예술학연구
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• 제2권
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• pp.193-221
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• 2000

The postmodern culture since the later 20C breaks downa tradition a relation between the reality and languages or sign images expressing it. It develops in the way to review the meaning on the object's imitation or the representation to have been followed since Plato and represent the new state and concept of expressed things. Also, The visual art leads an change of paradigm by images giving up the visual resemblance or the function of representation and endowing them with the new sense. This essay has a purpose to study an important discussion about this change centered on Baudrillard and Lacan. A sociologist Baudrillard promotes the concept of 'simulation' through detecting the reality and the social and historical state of the image. Studying on the course of this change, he calls the step that the image escapes from the stage to reflect the reality and become the pure imitation by itself simulation. The image in the stage of simulation is called 'hyperreality' because it doesn't have any an indicator or a substitute and happens by models without the original or the reality. So he asserts that art is not to contain some absoluteness or transcendency as the past, but to be as the spectacle with characteristics of meaningless, emptiness, contingency. Lacan dismantles the concept of the absolute Cogito to have become the center of the western ideology, and creates the concept of 'Other'. He concludes also the reality exists but can't be captured, and it's impossible for the thinking subject can reach it. The concept of new image which can be thought as the Symbolic in Lacan is 'Signifier without Signified' since it isn't possible to be the transcendent Signifier fixing the meaning finally in it. His 'Gaze' theory is which to be emitted in other's area determines the subject. Equally Baudrillard and Lacan sets up the new state of the image through the end of representation system As for Baudrillard, art intends to the worthlessness and is nothing but imagination. But in Lacan a picture represents the subject being in process by the dialectic of desire.