• 지능정보연구
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• 제10권1호
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• pp.1-11
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• 2004

원 영상을 처리하여 보다 강조된 영상을 얻는다는 것은 기존의 영상을 가공하여 이를 통하여 보다 낳은 결과를 얻기 위한 전처리의 중요한 한 부분이라고도 할 수 있다. 강조된 영상이라는 것은 단지 보기 좋은 영상만을 말하는 것이 아니고, 주어진 영상을 더 뚜렷하게 하는 것을 포함한다. 강조된 영상은 영상처리에 있어서 윤곽선 추출이나 영상 인식 등에 유용한 자료로 활용되기도 하는데, 특히 저 화질 영상의 경우에는 원 영상을 얼마만큼 잘 나타내느냐에 따라서 인식의 정도가 다르게 나타난다. 현재 강조된 영상을 얻는 알고리즘들은 다양한 종류의 영상에서 원하는 만큼의 뚜렷한 영상을 얻지 못하거나, 화질의 크기나 히스토그램의 집적도에 비례하여 많은 처리 시간을 필요로 하는 단점이 있다. 본 연구에서는 저 화질 영상뿐만 아니라 여러 가지 종류의 영상에 있어서 차후 사용될 영상의 본래 활용 목적에 적합하도록 강조하는 방법으로서 픽셀들이 히스토그램상에서 차지하는 분포도를 변경하는 방법을 제안한다. 즉, 영상에 있어서 히스토그램의 값을 역추적하면서 히스토그램 분포도를 수정 및 변경함으로써 원 영상의 화질을 개선하는 방법으로 제안한 방법의 경우에는 기존의 히스토그램 평활화 방법에 의한 결과 영상과 동일한 결과를 얻음과 동시에 그 처리시간에 있어서는 상당한 이익을 볼 수 있었다.

• 복식
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• 제59권4호
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• pp.14-25
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• 2009

This Study is purposed to comparative analysis in the case of balanced with Ethnic image fashion and the event of an unbalanced between fashion and make-up and to reconfigure on the make-up of the features on the Ethnic image Fashion in the 21st century. The result of this study is as follows. First, in the case of Japanese ethnic image make-up, to emphasize applied forms and formative characterization, they generally use circles and horizontal lines. Also the harmony between Japanese image make-up and primary colors like white and red strengthen ethnic images better. In the event of an unbalance between fashion and image make-up, fashion occurs dynamically in Africa and linearly in China. Sexy & natural image make-up also widely appear in the modern view. Second, in the case of African ethnic make-up balanced with African image fashion, the form is repeatedly dotted, widely water-colored, and mattedly textured using ash make-up colors such as white, red, gold, gray and so forth. African image make-up strongly expresses primitive natural beauty adding primal tribal painting art and mask forms. In case of an unbalance between fashion and image make-up, no distinctive ethnic image make-up appears. To emphasize natural patterns as well as splendid & decorative fashion, they try not to use primary colors, but instead focus on natural make-up and monotone colored point make-up, sexy make-up, avant-garde make-up, goth make-up, romantic make-up, glossy make-up.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 1998년도 추계종합학술대회 논문집
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• pp.851-854
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• 1998

Recently efficient image coding algorithms using zerotree have been proposed. In these methods, the locations of nonzero wavelet coefficients are encoded with a tree structure, called zerotree, which can exploit the self-similarity of the wavelet pyramid decomposition across different scales. These are very effective, especially in low bit rate image coding. In this paper, two zerotree image coding algorithms, EZW and SPIHT, are briefly introduced, and a new zerotree searching scheme is proposed to emphasize the significance of a wavelet coefficient by its orientations as well as its scale.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2002년도 춘계종합학술대회
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• pp.211-214
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• 2002

Recently efficient image coding using zerotree have been proposed. In these methods, the locations of nonzero wavelet coefficient are enrolled with a tree structure, called zerotree, which ran exploit the self-similarity of the wavelet pyramid decomposition across different scales. These are very especially in low bit rate image coding. In this paper, two zerotree image rolling algorithm, EZW and SPHIT are briefly introduced, and a new zerotree searching scheme is proposed to emphasize the significance of a wavelet coefficient by its orientation as well as its scale.

• 융합신호처리학회 학술대회논문집
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• 한국신호처리시스템학회 2000년도 추계종합학술대회논문집
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• pp.161-164
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• 2000

Recently efficient image coding using zerotree have been proposed. In these methods, the locations of nonzero wavelet coefficient are encoded with a tree structure, called zerotree, which can exploit the self-similarity of the wavelet pyramid decomposition across different scales. These are very especially in low bit rate image coding. In this paper, two zerotree image coding algorithm, EZW and SPHIT are briefly introduced, and a new zerotree searching scheme is proposed to emphasize the significance of a wavelet coefficient by its orientation as well as its scale.

• 한국지능시스템학회:학술대회논문집
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• 한국퍼지및지능시스템학회 1998년도 The Third Asian Fuzzy Systems Symposium
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• pp.479-484
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• 1998

As technology in a computer hardware and software advances, efficient information retrieval from multimedia database gets highly demanded. Recently, it has been actively exploited to retrieve information based on the stored contents. However, most of the methods emphasize on the points which are far from human intuition or emotion. In order to overcome this shortcoming , this paper attempts to apply interactive genetic algorithm to content-based image retrieval. A preliminary result with subjective test shows the usefulness of this approach.

• 패션비즈니스
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• 제8권4호
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• pp.33-44
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• 2004

In this study, based on the postmodern feminism were investigated in the non-fashion areas of painting, advertising and fashion areas. And, fashion illustrations were analyzed visually in the aspect of the essentialism and deconstructivism that constitute the postmodern feminism. In addition, it was examined how women images were expressed in fashion illustrations that reflected the postmodern feministic ideas. The research results first, in fashion illustrations were the essen tialistic women images were grouped in the opening of women bodies and actively emphasize. the opening of women bodies were expressed bodies the fetishistic, ecstatic images, actively emphasize features were expressed the sexual, and realistic images. Secondly, and fashion illustrations the deconstructivistic women images were grouped androgynous features, genderous features, the distorted feminine gender features, complex features. androgynous features were expressed the powerful, grotesque, humorous, androgynous image, that genderous features of immature, boyish image, that the distorted feminine gender features of simple, ethnic, techno-cyber image, that complex features of complex images.

• Journal of Multimedia Information System
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• 제4권2호
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• pp.65-73
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• 2017

This paper proposes a method to improve the image quality by designing Unsharp Mask Filter (UMF) based on Retinex theory which controls the frequency pass characteristics adaptively. Conventional unsharp masking technique uses blurring image to emphasize sharpness of image. Unsharp Masking(UM) adjusts the original image and sigma to obtain a high frequency component to be emphasized by the difference between the blurred image and the high frequency component to the original image, thereby improving the contrast ratio of the image. In this paper, we design a Unsharp Mask Filter(UMF) that can process the contrast ratio improvement method of Unsharp Masking(UM) technique with one filtering. We adaptively process the contrast ratio improvement using Unsharp Mask Filter(UMF). We propose a method based on Retinex theory for adaptive processing. For adaptive filtering, we control the weights of Unsharp Mask Filter(UMF) based on the human visual system and output more effective results.

• 한국인터넷방송통신학회논문지
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• 제15권1호
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• pp.165-170
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• 2015

언샤프 마스크 기법은 입력 영상에 그 영상의 경계를 추출 한 결과 영상을 더하여 영상의 경계를 강조하는 기법이다. 이 기법은 영상의 경계를 강화하여 화질을 개선시키지만 전체적인 대비 강화에 취약하고 잡음에 민감하여 영상을 거칠게 만든다는 단점이 있다. 멀티 채널 언샤프 마스크는 두 개 이상의 언샤프 마스크 채널을 적용하여 전체 영상에 대한 대비 강화가 가능하고 영상의 거친 느낌을 완화 할 수 있다. 그러나 이 기법은 스케일을 강하게 적용해도 경계가 약한 부분에 대한 강화에 한계가 있다는 단점이 존재한다. 이러한 문제를 해결하기 위해 이 논문에서는 기존 멀티 채널 언샤프 마스크의 선형적인 스케일링 방법에 지수함수를 도입하여 비선형적인 스케일링을 가능하도록 하였다. 실험결과 기존 언샤프 마스크 기법에 비해 영상강화에 세부적인 제어가 가능해서 원하는 영역에 대한 대비를 강화할 수 있었다.

• 대한전자공학회논문지
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• 제26권9호
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• pp.1410-1419
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• 1989

In this paper, we present a new synthetic high coding method which gives high image compression ratio. Given an image, only its low-pass component is transmitted by DCT coding` the high-pass component is not transmitted but synthesized using edge sharpening on the reconstructed low-pass image at the receiver. For the DCT coding which is used to encode the low-pass image, we used an improved version of Cox's variance estimator. Also, introduced are new image quality measures called GSNR and EPR which emphasize perceptual aspects of image quality. Experimental results show that the performance of the proposed synthetic high coding is better in various quality measures than that of Cox's adaptive transform coding. Also, it yields acceptable image quality with neither apparent block effect nor visible granular noise even at high compression ratio of about 30:1.