• 한국전통조경학회지
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• 제33권3호
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• pp.58-65
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• 2015

중국 강남지방 고전 사가원림의 포장문양은 황가원림보다 종류도 다양하고 변화도 많다. 쑤저우 사가원림에서 다양한 문양을 도입하게 된 사상적 배경을 규명하기 위해서 세계문화유산으로 지정된 9개소의 원림을 조사 분석하였다. 그 결과 원시 자연숭배신앙인 애니미즘과 토테미즘의 영향은 소수로 나타났다. 쑤저우 고전원림 포장문양 가운데 큰 영향을 미친 것은 유교, 도교, 불교 사상인 것으로 나타났다. 유교 사상이 나타난 사례는 간방식, 팔방식, 육방식 문양으로 주로 진입로나 정당건물 앞에 넓은 면적에 포설된다. 도교 사상이 나타나는 문양은 오복봉수(五福捧壽), 반도(蟠桃), 암팔선 문양이다. 불교 사상이 나타나는 사례는 팔보 문양인데 그 가운데 윤회사상을 나타내는 반장 문양이 제일 많이 나타난다. 이밖에 쑤저우 고전원림 포장 문양 76 종류 가운데에는 복(福), 재물, 다산(多産), 신분상승을 기원하는 의미에서 선호하고 믿었던 민속문화라는 범주의 문양들이 있다. 박쥐, 나비, 잠자리, 사슴, 개구리, 금섬, 잉어, 동전 등이 있다.

• 동의생리병리학회지
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• 제22권4호
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• pp.740-745
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• 2008

Although the demand on 'Ki' training because of the increased interest in health, there has not been an established theory and system in 'Ki' training from the perspective of oriental medicine. Therefore, many training associations are in operation without sound basis. The general use of the terminology 'Kigong' is the influence of China. As it was distributed to the general public through the translation and introduction of Chinese Kigong theory, the genuine Korean YangsaengKigong was not emphasized but it was included in or considered as the second-class to the Chinese Kigong. The purpose of the study was to establish and review YangsaengKigong based on our traditional ideologies. Korean Yangsaengkigong can be defined as the training method nurturing mind, energy, body based on the Sambeob training method such as Pause of thinking, Modulation of breath and Prohibition of sensibility with the goal of Yangsaengkigong, good health and long life and the maximum service for the benefit of humanity. Although this study can identify the differecnes between Korean Yangseangkigong and Chinese kigong through Korean traditional ideology, we could not develop this study to the necessity of ideological background of medical Kigong and concrete methodology of Yangsaengkigong and our traditional ideology because of scarce literature on Korea and Korean traditional ideologies. For the purspose of the study, we need cooperation between Studies of Korea, Studies of National History, and Oriental Medicine.

• 동의생리병리학회지
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• 제21권5호
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• pp.1356-1363
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• 2007

The purpose of the study was to identify the general status of Kigong organizations introduced on Internet. We have used www.naver.com, the biggest portal site in Korea and www.nice114.co.kr, which has the longest list of the telephone numbers to look up the organizations with the index of "Kigong and Danhak" and "Mediation". Among them we screened the organizations to have the list of organizations which have been established for more than 5 years, with more than 100 trainees and whether they published books or booklets regarding Kigong by the means of telephone conversation or home page access. The number of organizations identified by telephone and Internet with the indexes of Kigongdanhak and mediation was 852. The number of organizations that passed the primary criterion was 22, and that passed the secondary criterion was 8. Among the primarily screened organization, there are 5 focusing on mediation, 5 focusing on breathing, 3 focusing on Haenggong, 4 focusing on mediation and Haenggong, 4 focusing on breathing and Haenggong and 1 focusing on mediation and breathing. In secondarily screened organizations, they called their training method as Seondo, Shinseondo or Seonhak and origin of the training method as Dangun and Hwangwung. As Sambeop training of Jigam, Josik and Geumchok provide training methods which are a little different each other, the utilization rate was low although there are some organizations that have special training using Three Bibles. It was identified that there were many texts and writings that they took as training methods other than Three Bibles. Kigong training organizations based on Korean traditional ideologies are grounded on the Three Textbooks such as , , and and the concept of Hongikingan. This ideological ground is the study of Completion of Human Beings through physical and mental training and goes with Seondo, Pungryudo and Hyunmyojido.

• 한국의상디자인학회지
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• 제18권3호
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• pp.165-181
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• 2016

This study looks into the Korean traditional costume formation and the thoughts of the Korean people that form the foundation of that Korean traditional costume formation. And the goal of this study is in linking the thoughts and formative characteristics reflected in the Korean traditional costume formation to the fractal geometry, in an attempt to reveal correlation between Korean traditional costume formation which have existed for thousands of years to contemporary science of the West. The fractal theory that appeared as the new paradigm of contemporary science displayed similarities with the traditional ideologies of Korea, and the fact that formation principles of fractal appear in the formation of Korean costume, formed based on the Korean ideologies, show magnanimous capacity of the traditional Korean culture. When we look at the concept of fractal, the word fractal refers to the structure in which the shape repeats, where small structure is similar to the whole structure in form in endlessly repeating structure. In other words, 'fractal' means a structure that geometrically untangles the concept of 'self-similarity' which possesses the same shape in parts and in whole, and its major characteristics include 'self-similarity', 'circularity' and 'repeatability'. Korean costumes were formed based on the Han-thoughts, with a structure that possesses parts within the whole and the whole within parts, in accordance with the self-similarity theory of 'fractal'. This study compared studied fractal phenomenon which appear in formation characteristics of Korean traditional costume, which were formed based on the Korean traditional ideology, in other words, Korean costume formation and formation principles of fractal geometry were compared studied.

• 만화애니메이션 연구
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• 통권47호
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• pp.149-170
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• 2017

1995년 TV시리즈를 통해 등장한 애니메이션 <에반게리온>은 지금도 이데올로기나 인간의 심리를 반영한 성공적인 애니메이션 작품으로 평가 받고 있다. <신세기 에반게리온>은 일본에서 얻은 폭발적 반응에 힘입어 전 세계 애니메이션계를 강타하였다. 에반게리온의 특징이라면 신선한 메카닉 디자인과 다양하고 사실적인 밀리터리 미장센, 성서를 기반으로 한 심오하고 철학적인 세계관으로 요약할 수 있다. 어느 작품이든 작가의 철학과 이데올로기가 반영되기 마련이지만 <에반게리온>은 특히 여러 행태의 다양한 이데올로기가 반영된 작품이라고 할 수 있다. 또한 <에반게리온>은 제작진이 의도한 난해하고 끝이 모호한 줄거리로 팬들로부터 많은 비판을 받았던 만큼 그에 대한 활발한 토론과 해석을 유도하여 오히려 제2차 홍보의 기능을 하기도 하였다. 이와 같이 작품 속에 나타나는 심오하고 복잡한 이데올로기는 종종 사람들의 관심을 이끌어 흥행의 성공 요인이 되기도 한다. 이 논문에서는 <에반게리온>에서 반영된 이데올로기의 분석을 통해서 이데올로기가 <에반게리온>에 어떤 영향을 주었는지 살펴보고 또 인간 사회에 보편적으로 존재하고 있는 이데올로기가 이 작품에서 어떤 형태로 표현되었는지 이해해 본다. <에반게리온>에서 나타나고 있는 종교, 심리학, 철학의 이데올로기를 분석함으로써 만화애니메이션 작품의 여러 흥행조건 중에서 독자들의 관심을 이끌 수 있는 적절한 이데올리기 역시 흥행의 한 요인이 될 수 있음을 시사하려고 한다.

• Architectural research
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• 제16권3호
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• pp.109-120
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• 2014

South and North Korea, the divided nations on the Korean peninsula, began with the same modern city planning system, but following the adoption of different national ideologies-capitalism and socialism-, they established their own city planning system and developed their cities accordingly. However, the process of planning and developing a joint city of Kaesong Industrial Complex (KIC) led to the recognition about the need to bridge the differences and prepare for future joint development. This study examines North Korea's city planning system by comparing the two Koreas' systems, and identify the characteristics of North Korea's city planning system through a case analysis of the KIC. By comparing two cases, we found two distinct characteristics of North Korea's. The one is a tool for realizing ideologies and maintaining national system. The other one is that it is ideology-oriented system for the supreme leader and party while South Korea has control-oriented system for the public. We analyze the KIC case based on four pillars: planning system, development system and procedure, master plan, and use behaviors. Result of analysis shows that in KIC there are many socialistic features as we mentioned above in terms of planning system, urban design & structure, and use behavior even though a private enterprise-Hyundai Asan, in South Korea led the whole process. This study is meaningful in that it identifies the specific characteristics of North Korea's city planning focusing on the KIC and is expected to serve as a baseline material to set the future direction for North Korea's development.

• 가정과삶의질연구
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• 제22권5호
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• pp.331-344
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• 2004

Korean society recently realized the needs for a system that may effectively prevent and/or resolve different family problems caused by the rapidly changing modem society. In order to carry out this objectives. The Healthy Family Act has been legislated and is to be enforced from the 1st of January, 2005. Legislating the law is a means to establish an administrative and institutional structure that may bring in the total welfare system centered around family, so as to promote healthy families in our society. This is also a land marking event that has shifted the paradigm from the welfare system focusing on individual protection to the total welfare system based upon family units. Hence, this study is to examine the specific concepts of 'healthy family,' which is the goal of The Healthy Family Act, and thus to propose the objectives of the law by analysing the institutional system of it. The Healthy Family Act, which consists of major 37 items of 5 chapters with supplementary provisions, aims at the five ideals as follows. The first is to promote the healthy family which is the basis of individual welfare and well-to-do society. The second is to emphasize the importance of family and to provide total service system for family unit. The third is to establish the family value which supports gender-equality and democracy. The fourth is to reinforce the governmental support for independence and cooperation of family. And the fifth is to promote the in-advance and precautionary support for family problems. The law also includes administrative methods for Strong Families Center, different projects and programs for promoting healthy families, roles of Healthy Family Specialist and means to cultivating them, and the policies to specifically carry out the ideas of the law. It is now important to recognize that the development of nation is based on the healthy families and to put much effort in carrying out the ideas and goals of The Healthy Family Act.

• 비교문화연구
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• 제23권
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• pp.101-126
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• 2011

The principal purpose of this study is to analyse and critique how precisely the representation of women in the film Retrato de Teresa reconstructs the socio-cultural image of the female in the late seventies of Cuban society. The film of Pastor Vega is obviously an outstanding challenge on the new subject of 'women's liberation' against machismo in the context of the Cuban society. Teresa, the female character, as a socio-cultural image of the Cuban society don't focuses on the declarative and iconic images of the women's role as a revolutionary heroin that had appeared frequently in the films of the sixties, but she struggles for getting more realistic and pragmatic values such as women's emancipation to take rights in daily life. Therefore, the declaration of the emancipation of Teresa against machismo of her husband $Ram{\acute{o}}n$ has the special and symbolic meanings of social role and function of the film in the process of Cuban cultural revolution. The film concentrates on inducing the audience to make new perspectives such as women and gender issues in the daily experience of Cuban society where the machista ideologies and practices characteristic of a patriarchal society. Conclusively the female image of this film does not represent a national heroin, but reflects the women's desire, hope, and dreams in the society. Teresa makes the audience think of representations of the true meanings of the revolution in daily life, the machista ideologies in the patriarchal society, and the women's role and fuction in the Cuban society.

• 비교문화연구
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• 제45권
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• pp.479-496
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• 2016

본 논문은 죠셉 콘래드의 "어둠의 속"에서 중심인물인 말로우가 자신의 아프리카 탐험을 바탕으로 한 서사를 통해서 스스로를 서구 계몽주의의 합리적 이성주체 그리고 진리주체로 드러내고자 하는 시도를 하고 있음을 고찰하고자 한다. 작품에서 제국주의 이데올로기와 성 이데올로기는 서구 계몽주의 합리적 이성주체를 구성하는 데 작동하고 있다. 말로우는 아프리카에서 커츠를 만나러 가는 여정과 그와의 만남을 통해 제국과 성의 이데올로기들이 외부 현실세계에서 작용하고 있다는 사실을 알게 되었다고 자부한다. 그러나 말로우는 자신의 현실인식 역시 타자를 억압하고 타자의 정체성을 소멸시키는 서구의 전체주의적 이데올로기 담론에 의해 침윤되어있다는 사실을 모르는 주체이다. 말로우는 서구 계몽주의 주체인 동시에 계몽주의의 이분법적 위계서열을 가치판단의 기준으로 삼는 이성에 의해 지배당하는 식민주체이다. 말로우는 자신이 제국주의의 본질이란 정치적 폭력과 경제적 수탈로 점철되는 현실이고 이것을 깨달은 진정한 계몽주체라고 자랑한다. 그러나 그의 서사담론은 제국주의에서 발견되는 배타적이며 자기중심적 이데올로기와 성 이데올로기로 원주민을 비인간적 존재로 판단하고 여성을 이상화된 세계에 매몰된 존재로 파악하는 자기모순의 오류를 범하고 있다.

• 영미문화
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• 제9권1호
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• pp.185-219
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• 2009

This article aims to illuminate the comic characters and their humor in Dickens's novel David Copperfield in Bakhtinian point, and to clarify what the humorous characteristics are, and how they contribute to his reinforcement of socially critical messages in this novel. So far this novel has been called the only one of Dickens's comic novels, even though it includes lots of social critical meanings. But it is true that Dickensian critics couldn't make sure of the clear reasons why it is both very interesting and critical. Furthermore, it is also true that this novel has been criticized as a clumsy one in the realistic, psycho-analytic, dramatic angle. This approach to Dickensian comic characters through Bakhtinian fool, clown, and rogue concepts here could make up for or correct such criticisms, and reevaluate Dickens's humor and social criticisms in the context of general public culture. Bakhtin believes oppression by social ideologies prevent us from having good mutual relationships and divides our society. He thinks laughter liberates us from such oppression and restores our good relationships. As he applied his concepts based on the laughter of Middle Ages to Rabelais's novels, and examined what the authentically liberating power in Rabelais's laughter is, this article could clarify the liberating power of laughter by Dickens's comic characters, such as Mr and Mrs Micawber, Dick, Miss Betsey Trotwood and Miss Mowcher. In this novel, they often lead comic happenings, and such happenings are very similar to carnival-amusements including burning the dummy of the czar who has oppressed his or her citizenry. Especially, Dickens's comic characters's social criticisms, in the case of this novel, contain many complaints of social marginers, even though he has been labelled as being conservative politically. They always criticize the ideological absurdities in their society through the humorous words and behaviors in their comic happenings, like those of a carnival fool or clown in his or her amusements. This shows Dickens achieves both laughter and social criticism in David Copperfield by using Rabelaisian characterization-devices based on his general public culture. Like Bakhtin and Rabelais, Dickens seems to have believed that when we all truly liberate ourselves from the oppression of social ideologies, we can have desirable relationships between ourselves, and also solve social problems positively.