• 한국콘텐츠학회논문지
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• 제14권2호
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• pp.60-71
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• 2014

현실과 가상을 오고가는 텔레비전의 모습은 이미 오래 전부터 문제시 되어왔다. 그럼 텔레비전은 실재와 가상의 메시지를 과연 어디에 어떠한 모습으로 배치시키며, 어떤 상황에 모습을 드러내는 것일까? 이러한 질문에 처음으로 답을 한 사람은 독일의 비평가, 귄터 안더스이다. 안더스는 실재와의 혼동에서 오는 실재와 가상의 혼동 세계를 팬텀(Phantom)이라고 했으며, 그 팬텀이 가져오는 세상은 암울하고 혼란스러울 것이고 결국 인간은 미디어기계가 만든 복제 세상에 살게 된 것이라고 한다. 미디어 스스로가 이미지가 되고 그 이미지가 또 다른 이미지를 만들어 내고, 이런 과정을 통해서 우리 인간들은 실재가 과연 어떤 형상을 지녔는지 모르게 되었다. 자꾸만 텔레비전은 이런 상황을 조장하고 이런 상황의 옳고 그름을 논하기 전에 벌써 우리들은 깊은 팬텀의 세계에 빠져들어 가고 있다. 물론 이제는 미디어현실과 현실이 엄격하게 구분 될 수는 없다. 미디어는 더 이상 실재와 가상을 나누지 않고, 인간은 스스로 미디어가 보여주는 세상을 판단할 필요가 없는 것이 지금의 미디어현실이다.

• 사상체질의학회지
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• 제17권2호
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• pp.15-26
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• 2005

1. Objectives The pesent study purposed to examine Dongmu Lee Je-Ma's Sasang philosophy from the viewpoint of Che-Yong relation and to understand the effect of Che-Yong relation on Dongmu philosophy. 2. Methods First, we briefly compared the concept of Che-Yong relation in Jeongju philosophy, which has a dualistic philosophical structure, with the concept of Han Suk-Ji's harmonious Che-Yong relation, which has a monistic philosophical struaure and, based on rhe result, analyzed the characteristics of rhe concept of Che-Yong in Dongmu philosophy focused on Seongmyeong rheory, Sadan rheory and Hwakchung theory in ${\ulcorner}$Dongyi Suse Bowon${\lrcorner}$. 3 Results and Conclusions Jeongju philosophy is different from Dongmu philosophy in irs philosophical struaure characterized by Che-Yong relation, and the concept of Che-Yong in Dongmu philosophy forms the characteristics of Han Suk-ji's monistic harmonious Ole- Y ong relation. This produces results as follows. (1) Form a universal view of human beings centering of man's autonomous will and possibility. (2) Have a philosophical structure understood nor as a partial thought but as a total thought. (3) Assert that man has a good nature fundamentally and is obliged to practice goodness. (4) Assume that all human beings are equal. (5) It is assumed that the structural characteristics of harmonious Che-Yong relation in Dongmu philosophy can be the ground of definition of Silhak (practical science) in Oriental philosophy. It can be said that the realities of the universe and human beings can be discussed in philosophical structure with the logic of harmonious Che-Yong relation based on the unity of time and space. The philosophical logic based on the tealities can be defined as Silhak.

• 기본간호학회지
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• 제25권4호
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• pp.231-239
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• 2018

Purpose: This study was done to understand nursing students' exposure of needlestick and sharp injuries (NSSI), level of anxiety as well as experience of practicing injection with human beings during Fundamentals of Nursing (FN) practice. Methods: Data consisted of self-report questionnaires completed by 571 nursing students who had completed an injection practice in FN. The questionnaire included questions on general characteristics, exposure to NSSI, experience of practicing injections with human beings, level of anxiety and other experiences. Data were analyzed using descriptive statistics and content analysis. Results: Of the students, 17.5% experienced NSSI and 83.2% performed invasive injection procedures in the FN practice. The level of anxiety was 4.62-6.46/10 points when injecting a classmate and 1.27-1.93/10 points when using manikins. The feeling most often reported was worried about making a mistake that could hurt my classmate (57.2%). Conclusion: Nursing students are exposed to NSSI and experience a high degree of anxiety in invasive injection practice. These results indicate that it is necessary to develop and implement standardized NSSI prevention and anxiety reduction programs in FN.

• 융합정보논문지
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• 제10권11호
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• pp.185-194
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• 2020

제 4차 산업혁명 시대에 포스트휴먼적 존재들의 등장은 인간중심적인 근대 휴머니즘에서 탈피하여 인간 아닌 존재들과의 새로운 관계에 대한 성찰의 필요하다는 인식론적 변화를 야기했다. 이러한 성찰을 위해서 주변 세계를 공감하고 이해할 수 있는 포스트휴먼 감수성이 요구되며, 이러한 감수성 함양을 위해 포스트휴먼 시대를 사유하고 경험할 수 있는 미술작품 사례를 포스트휴머니즘 연구자인 브라이도티가 제시한 '동물-되기', '지구-되기', '기계-되기' 기준을 바탕으로 분석하여 제시하였다. 미술작품은 시대정신을 반영하고 있기에 포스트휴먼 시대를 성찰하고 체험해 볼 수 있는 텍스트라는 긍정적인 측면을 확인하였다. 본 연구는 포스트휴먼 감수성 함양을 위해 미술교육에서 활용할 수 있는 미술작품들을 제시하여 기초연구로서 의의가 있다.

• 대중서사연구
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• 제25권2호
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• pp.9-32
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• 2019

이 논문은 '감정 기계' 모티프를 설정함으로써, 우리 시대의 포스트 휴먼 현상이 매우 오래된 이야기 속 피조물들과 긴밀하게 연결되어 있으며, 인문학과 기술 문명, 동양과 서양의 문화적 역사적 경계를 넘어서 공유되는 인류의 보편적이면서도 지적인 상상력에 기반하고 있음에 주목했다. 신화 속 이야기에 등장하는 인간을 닮은 피조물들, 기술 문명 시대의 정교한 기계 장치를 통해 공포와 두려움을 불러일으켰던 기계 인간들, 디지털 기술 혁명 속에서 초월적인 형상과 능력을 갖게 된 포스트 휴먼들을 살펴봄으로써, 각각의 시대에 감정기계에 느꼈던 감수성과 인간다움의 조건을 밝히고자 했다. 그 과정에서 인간과 자연, 기계의 경계가 모호함을 이해하고, 인간중심적 인문학의 한계를 넘어, 21세기 포스트휴먼 시대 인간과 자연, 기계의 공존에 대해 음미해 보았다.

• 철학연구
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• 제131권
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• pp.131-163
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• 2014

'우리는 누구이며, 어디서 왔는가?' 우리 스스로에게 질문하고 우리 자신을 이해하는 것, 이것이야말로 인류 역사상 가장 위대한 혁명일 것이다. 하지만 우리는 아직 우리의 정체성을 묻는 이 물음에 명확한 답을 얻지 못하고 있다. 물론 '사회적 동물' 혹은 '이성적 동물' 같은 전형적인 정의들이 있지만 이들 역시 매우 허약한 규정들이다. 우리가 왜 사회적 동물이 되고 이성적 동물이 되었는지에 대한 해명조차 담고 있지 않기 때문이다. 이 글의 목적은 이 물음의 해답을 찾아가는 단서를 발견하여 우리의 정체성을 좀 더 명확히 하는데 있다. 실마리는 진화론적으로 우리와 가장 가까운 혈족으로 불리는 침팬지에게서 출발한다. 우리와 침팬지는 무엇이 다른가? 침팬지에게도 '자아'가 있을까? 이런 물음들을 통해 우리가 찾아낸 답은 이렇다. 즉 인간이 침팬지와 다른 존재가 된 것은 뇌의 발달과 함께 정밀하게 움직이는 운동 시스템을 갖게 되었고, 나아가 이러한 운동 시스템이 내면화되어 마음을 갖게 되었기 때문이다. 그리고 마음의 생각하는 능력도 바로 이러한 내면화 메커니즘이 진화 발전한 것이다.

• 대한인간공학회지
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• 제17권3호
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• pp.13-22
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• 1998

Aircraft and the three-dimensional environment in which they operate are not user-friendly for human beings. As a result, maintaining the proficiencies necessary to safely and efficiently fly an airplane are difficult, and costly. The physiological and emotional status of the human element remains crucial in maintaining safe performance by all crew members. In the study of Hagiwara et al.(1993). they called the physiological and emotional status of the human element into the human alertness or physiological activity and stress, fatigue, circadian rhythm, alcohol. smoking, and self-medication are known the major factors that deteriorate the human alertness. Accordingly. this paper deals with the quantitative and objective performance test based on tracking error and reaction time by means of the new computer test program into which the perception-motion system of human beings is applied. Throughout this experiment using performance test, the results suggest that performance capability in state of sleep deprivation 2 hours and alcoholic 0.05~0.06% in blood were more impaired than one in a normal state, and they further showed statistically significant differences between them, which were influenced by impairment factors of body regulation and pilot's grade. We also obtained the prediction value and the 95% confidence interval of tracking error and reaction time at the normal state for the purpose of distinguishing performance capability between the normal state and the abnormal state. And it is expected that the evaluation of human alertness using performance test will be applied to the quantitative assessment of an each pilot's realistic consciousness/attention, and will lead a flight commander to the accurate decision of mission approval prior to a flight.

• 한국의류학회지
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• 제33권7호
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• pp.1128-1139
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• 2009

This study is on the works of Hussein Chalayan that is an expression of his idea and abstract concepts such as culture, history, time, space, nature, and humanity. The perspective of E. H. Gombrich is studied to understand the works of Chalayan who is the one of representative fashion designers in the present age. The 'schema and correction' process of E. H. Gombrich provides a suitable interpretation frame that considers the variety of works of art and the deconstruction of genre in the after 20th century. Hussein Chalayan attempts to combine clothes with other territories to show the spirit as materiality. He expresses the clothes that speaks the form of nature, symbolizes the combination of culture, visualizes time and space, and investigates the existence of human beings. Hussein Chalayan poses an endless question about the existence of human beings. He has put a question about the relationship of the human being and time, space, history, and nature. His trial to visualize the metaphysical conception of 'ego' and 'self' through his works makes him the representative designer of the 21st century.

• 패션비즈니스
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• 제6권6호
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• pp.56-67
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• 2002

Fashion designs reflect the trend of the times embedded within the cultural structures of eastern and western civilizations as well as the traditional styles. However, the motives in fashion designs fundamentally come from human beings' willingness for creation through deep understand of nature or using symbolism and artificial esthetic appreciation. Mankind has expressed their willingness for creation through speculation not with the attitude of conquering nature but by acknowledging the flow between their lives and nature. The purpose of this paper is to investigate human beings' transcendental and embracing attitude toward the natural environment and the human environment in fashion design. In natural environment factors, sublimity toward nature's marvelous powers and the transcending state of mind within happiness and delight or the extreme fear or unavoidable coerciveness and the consequential daunting feelings and smallness, and sorrow all stimulate the will of mental speculation and cause a transcending sublimity. A sublime state of mind does not exist in a superficial framework of enjoyment. It is rather an act of transcendence and embracement residing in a sublime object and leading man's spirit into a state of philosophical thought. Also, in man-made Environment factors, we found from magnanimity we were ability to see the true nature of an era's culture.

• 대한가정학회지
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• 제49권4호
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• pp.93-104
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• 2011

The basic framework of traditional Korean clothing construction consists of circle, square and triangle. This composition principle has been presumed to be associated with the Cheonbu concept of the Dangun era wherein nature and human being are considered united. The Cheonbu concept is represented by circle, square and triangle which constitute Cheonbuin, the images and meanings of heaven. It contains profound philosophy wherein a circle symbolizes heaven and represents number one, a square symbolizes earth and represents the number two, and a triangle symbolizes human beings and represents the number three. Circles, squares and triangles have been used as various symbolic meanings both in the east and west and constitute the framework of Hanbok construction while connoting the Cheonbu concept and symbolism of the Cosmo-tree. From this point of view, the unity of human beings and heaven in Cheonbugyeong is symbolically inherent in Hanbok. Therefore, Hanbok with the basic framework of circles, squares and triangles can be considered a positive creation that created a composition principle of body-nature-clothing.