• 복식
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• 제58권4호
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• pp.72-85
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• 2008

With the new millennium setting in, our society is plowing its way through more drastically changing currents than ever. Nowadays, many people believe that high tech such as the Internet, digital civilization, the IT revolution, bio-industry, and the genome project, that has brought humans material prosperity, is the right change in direction. However, the more we adopt high tech into our lives, the more we desire high touch in order to achieve a balance. In other words, we need something to act as a ballast to stabilize our minds. As such, the more high tech develops, the more individuals miss and search for tools that appeal to their emotions. Because of this, although high touch is an opposite concept to high tech, it coexists with high tech, and it is defined as "human contact of high sensitivity that stimulates the emotion of humans". High Touch, a term which originated from "High Tech, High Touch", a book written by American futurist John Naisbitt, refers to human contact that makes human life richer, forminga deep impression on individuals and providing comfort. As such, high touch, which is gaining significant attention in modern society, is a phenomenon occurring throughout politics, society, culture, art, and religion, together with high tech. Through high touch, modern people must realize how to understand and accept a modern society that is dominated by the age of technology and in which direction they should head. Under this background, this study has the following objectives: to interpret the concept of high touch in the age of high tech in association with formative art and fashion, and through various media examine the desire for expression that may stimulate emotion in modern people, which is required by the high tech-prevalent modern society. It further analyzes how high touch is reflected in modern fashion and presents the direction future fashion should head in.

• 한국체육학회지인문사회과학편
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• 제55권3호
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• pp.15-25
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• 2016

이 연구는 퇴계의 경(敬)을 중심으로 운동하는 몸에 대한 생태윤리학적 접근을 시도하였다. 인간과 자연의 갈등원인은 인간의 욕망에서 비롯된 잘못된 자연관을 들 수 있다. 퇴계는 욕망의 문제를 경을 통해 극복할 수 있다고 보았다. 퇴계 경사상의 생태윤리학적 접근 가능성은 다음과 같다. 첫째, 퇴계의 경은 자연 속에서 완성된 것이기에 가능하다. 둘째, 퇴계의 경은 자연에 대한 인간의 책임(배려)을 강조한다. 셋째, 경은 도덕 실천능력과 연관되기 때문이다. 한편, 퇴계는 '몸을 잘 보존하는 것'이 자기보존인 동시에 자연의 순리를 따르는 천리의 의미로 이해하였다. 이러한 관점에서 운동하는 몸은 신체건강과 마음건강의 의미가 존재하며 동시에 인간과 자연을 하나의 관계망으로 이해하여 자연 질서를 따르는 생태적 가치의 측면도 존재한다. 운동하는 몸을 통한 경의 획득은 '경신(敬身)'과 '활경(活敬)'의 실천을 제안한다. 자연과 함께하는 신체운동을 할 때 몸을 공경하는 '경신'의 단계에 머무르는 것뿐만 아니라 생태환경을 보전(活敬)하면서 자연을 통해 요산요수(樂山樂水)의 덕을 함양하는 단계로 나아가는 것이다.

• 한국실내디자인학회논문집
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• 제14권2호
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• pp.104-111
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• 2005

Environment problem has proposed in the world at large, the desire for environment conservation and one's value change which lay emphasis on lasting human sensibility are increasing. Constant human mind and ecology centered in space is presenting as future space design substitute plan which is based on fundamental material quality in the space such as environment and human ,naturalist or Green Design, pro-environment construction, sense design and etc. So, we intend to anthropocentric value and get out of satisfaction of function as the past physical environment equipment which is applied the elements of ecology based on the organized body and interaction with human. A form of sensitive space is divided into sentient space, expressing method and material, change of space according to the flow of time, and is expressed in a more segmented form of sensuality by being replaced into a new sensitive space through transaction with human, who occupy within the space. The space embodiment which is satisfied human sense regards as alternative plan intention for the future, through two subjects relativity between the elements of ecology and sense, we will find the influence of sense as each space trait of the elements of ecology, examine sense form in the space with the synthetic summary. It is significant presentation for the lasting space based on anthropocentric delightfulness as the design which moves human mind while designing the space for this pattern of sense space.

• 한국가정과학회지
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• 제10권2호
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• pp.53-62
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• 2007

The purpose of this study is to analyze the formative properties of fashion bag in contemporary fashion. Today fashion bags can be divided into spatial aesthetic, romantic aesthetic, conspicuous aesthetic, active aesthetic. Spatial aesthetic is a type of big bag which is suitable for women carrying lots of things on a daily basis. Romantic aesthetic is a symbol of femininity in respect for its handmade artistry, splendor, decoration, and impracticality by small size. Conspicuous aesthetic embodies human desire of high quality and being part of prestige of luxury brand regardless of its cost. Multi-functional aesthetic was coming form sports gear and are popular among young generation. In comtemporary fashion, bag take important role as the fashion good which make the clothes look better and additionally they are representative products which reflect the historical situation.

• 한국가구학회지
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• 제23권3호
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• pp.317-323
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• 2012

Indoor of 21th century information-oriented society is feeling necessity of emotional design that can satisfy emotional of human. Desire of modern becomes various and emotional lighting design is risen on important element in indoor plan on human oriented modern society who become complicated. Emotional space is trend that is atomized as go today and is expanded as the target and area also go. That is, is included as target of emotional space to light and sound, taste, smack and is appealing by senses of human. Wish to do color that is optical element among element of senses differently and present design. Design concept of this research is emotional lighting design that can receive. It is lighting that equip emotional beauty and ability from modern indoor improving space. I wish to quote emotional lighting design about effect gotten to indoor by sight of designer.

• 대한가정학회지
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• 제35권5호
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• pp.119-129
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• 1997

The purpose of this study is to understand the meaning of‘housework’. In order to understand the intrinsic meaning of housework, we have to distinguish between ‘individual meaning’and‘institutional meaning’. The former is related to the concern, intent, habit, need, desire, and motivation of the given individual, while the latter is related to the social value, norm, and convention of human behavior. The majority of the studies on housework have been made by focusing on individual meaning. As the individual meaning of housework has gradually been emphasized, it has been forgotten that‘housework’itself is a very important part of‘home life’, and then the importance of home life has gradually diminished. Housework is naturally carried out in the process of human history, and housework reflect total human wisdom. In other words, it is thought that it is possible to grasp the total meaning of life in housework. Our life can be richer than now by increasing the quantity of philosophical analysis of the phenomena related to housework.

• 교육철학
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• 제63호
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• pp.105-131
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• 2017

The myth reflects the human way of thinking about the world. Therefore, an important part of myth is human creation and role. This study examines the process of human creation in myth and discusses implications for education. The subjects that can be considered from the viewpoint of education are as follows. The status and role of teachers and students, the relationship between teachers and students, how to create or create humans, and the purpose and results of human creation. First, it is the position and role of the teacher. In myth, being like a teacher is a divine being that transcends human ability. In Dangun mythology, Hwanwoong or Shinwoong descended from heaven, and in the Genesis it is the Creator God. In Dangun mythology, the role of the teacher guides the way of becoming a human and provides necessary tasks. In Genesis, the image of the teacher is the Creator God. God plays the role of a teacher who prepares various environments in which learners can work. Second, the status and role of students in myths. In Dangun mythology, students are symbolized by bear and tiger. They go to the teacher with the desire to become human beings. In Dangun mythology, the student is not a passive existence but an autonomous and active image. In Genesis, the appearance of a student is a passive being created by a teacher. Third, the creation of human beings in myth can be seen in terms of educational process and method. In Dangun Myth, the beginning of education is the wish or expectation of learners. Learners eat mugwort and garlic and participate in human learning. In Genesis 1, however, there is no need for a special method, since human beings are created according to the Creator's command. Fourth, the purpose of education can be discussed through the purpose of human creation. In Dangun mythology, the purpose of education is not to live according to instinct but to become human with culture and personality. In Genesis 1, the purpose of human creation is the role of the Creator in creating and managing the world. Therefore, it is the aim of humans to manage the world in an orderly manner. The purpose of education in Genesis 2 is to enable humans to serve the world.

• 한국콘텐츠학회논문지
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• 제9권9호
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• pp.304-312
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• 2009

최근의 사회는 매우 빠르게 변화하고 있으며 이로 인해 비장애인뿐만 아니라 장애인의 삶을 더욱 어렵게 하고 있다. 장애영역 확대로 인한 장애인구의 증가와 가족구조의 변화 등에 따라 장애인 복지 수요가 지속적으로 증가하고 있으며, 장애개념에 대한 변화와 자립생활에 대한 확산 그리고 무엇보다 장애인 인권의식 신장 등 장애인복지를 둘러싼 환경과 패러다임이 급속히 변화하고 있다. 노동권은 인간의 삶에 있어 생계는 물론이고 사회참여와 자아실현이라는 삶의 가치부여에 있어 아주 중요한 부분이며 장애인복지 패러다임인 자립생활을 가능하게 하는 핵심이기도 하다. 이에 본 연구는 청주시 중증장애인의 근로욕구 및 실태를 조사하여 향후 중증장애인의 욕구와 청주시특성에 맞는 일자리창출 및 중증장애인 고용 기회 확대 방안을 제시하고자 한다.

• 산업진흥연구
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• 제6권1호
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• pp.15-21
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• 2021

이 연구는 분석심리학적 관점에서 구스타프 융(Jung)의 원형이론의 내용과 클림트(Klimt)의 회화를 중심으로 작품의 특성과 색채가 가지는 의미와 상징성을 살펴보고, 인간의 무의식 속에서 발현되는 심리와 색채의 연관성을 살펴보는 데 그 목적이 있다. 융의 원형이론으로 분석해 본 결과 첫째, 클림트의 회화에서 황금색과 노란색의 화려한 장식과 문양은 무의식과 성(性), 그리고 여성의 성(性)으로 욕망을 표출하고, 남녀의 육체적 관계를 에로스와 삶과 죽음으로 표현했다. 둘째, 작품에 나타난 주요색은 푸른색, 검은빛 초록, 황금색, 노란색, 주황색으로 분노와 억압, 열정, 욕구, 희망, 에로티시즘을 나타내고, 주황색과 노란색의 배색은 희망의 내면적 치유 색으로 표현했다. 셋째, 작가 내면의 치유과정으로는 자신을 위한 컬러를 담고 있으며 내면의 '무의식과 의식'을 통합하고, 회화에 표현된 색채가 치유적인 의미뿐만 아니라 내면의 무의식을 의식하는 그것으로 치유로서 가치가 있음을 확인했다. 이에 상담심리 장면에서 색채는 심리표현 전달 도구로 활용하는 데 의미가 있다.

• 문화기술의 융합
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• 제10권3호
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• pp.475-487
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• 2024

오늘날 롤플레잉 게임은 '제9의 예술'로서 초현실적인 주제와 사회적 이슈를 반영해나가고 있으며, 플레이어는 스토리텔링과 게임의 전개를 통해 자신의 역할을 설정, 수행해나간다. 이에 연구자는 롤플레잉 게임 속에서 주체가 라캉의 '거울 단계'의 메커니즘과 같이 자아의 정체성을 설정한다고 주장한다. '플레이어'로서의 주체가 게임에 대한 해석을 통해 게임의 질서 속으로 이동되고, 게임이 부과하는 욕망에 의해 구조화된다. 롤플레잉 게임의 몰입적 경험과 정서적 유입은 인간의 근원적인 욕망을 부상시키게 된다는 것이다. 본 연구에서는 라캉의 정신분석학을 바탕으로 욕망하는 주체가 게임의 플레이어로서 대치된 욕망에 근접하게 되고, 자아 정체성이 변화하게 됨을 규명하고자 한다.