• 건축역사연구
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• 제18권2호
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• pp.47-63
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• 2009

This study focused on changes in form and spatial uses of Urban Hanok in Bukchon, Seoul. There are 10 representative cases which have been renovated through the policy of 'Preservation & Regeneration of Bukchon' by Seoul metropolitan government and other experts. Changes in form and spatial uses of Urban Hanok in Buckon are as follows. First, Changes of scale. Trough removing extension parts, facade of renovated Hanoks are 'transformed' into recovering their identity. Using basements or lofts, intensive application of spaces is transformation which promotes the vitality of Hanoks. Second, changes of space organization. As Hanok changes its function from residence to commercial or cultural use, il a1so changes space character or reorganizes space organization. It is important that deciding function of Hanok has to adjust its scale and organization. Third, changes of construction performance. Through introducing new material and constructing method, performance of wall has been changed respecting its wooden structure and interior-exterior figure. However, technical studies must back it up not to destroy its value of eco-friendly architecture. Fourth, changes of facility systems, like floor heating system. They changes floor level of Hanok equally, and then sections of Hanok have became simple. Furthermore, inserting new facility space, such as boiler room, stand-up kitchen, bathroom and toilet, organization of space also changed. It is necessary that wise alternative proposal through the method of transformation or mutation must be presented. These four changes can be classification into method of 'transformation' and 'mutation'. Changes of scale are method of transformation and changes of space organization are method of mutation. Also, while changes of construction performance are mutation, changes of facility systems are transformation. Recently, as price of lots have been increased, a lot of Hanoks have been commercialized. Thc commercial energy threat 'the identity of Bukchon as residential area'. From now on, to operate 'identity' and 'vitality' complementary, it is necessary to make up for the preservation policy of Hanok and consolidate renovating standards of Hanok which correspond to character of particular region and building usage.

• 한국의사학회지
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• 제36권1호
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• pp.1-9
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• 2023

To be an adjunct professor(gyeomgyosu) literally means to act as an instructor while also holding a different position. Adjunct professors were initially introduced under Confucianism. Gradually, technical offices also appointed adjunct professors using Confucian-educated bureaucrats for the purpose of educating lower-level technical officials and cadets. This paper examines the history of the civil service system related to adjunct professors through the Code of Laws, and examines those who have been appointed to the public office described in various documents. This paper argues that changes in the medical office's adjunct professor system reflect changes in the national medical talent training policy. The main basis of specific recognizing medical personnel is to decouple the appointment of Confucian scholars from that of full-time doctors. The replacement of the role of medical educators from Confucian scholars to full-time doctors was largely accomplished during the reign of King Jungjong(中宗) and was completed during the period of King Injo(仁祖). The time when Euiyakdongcham was created and the Office of Euiyakdongcham was established coincided with the period when the adjunct professor was disrupted in the medical office. However, this change in the adjunct professor system of medical authorities is in contrast to interpretation, which is a representative technical field. In the case of interpretation, Moonshin's sayeogwon position as adjunct professor was maintained even in the late Joseon Dynasty, and apart from this, there was a hanhagmunsin in Seungmunwon. Interpreter families had institutional arrangements that prevented them from making interpretation their own monopoly. Therefore, families of medical bureaucrats had more room for institutional growth than those of bureaucratic interpreters. Of course, these institutional devices did not prevent the growth of interpreting bureaucratic families in the late Joseon Dynasty. However, the situation in which medicine was accepted only as a kind of knowledge, not as an object of full-time work for sadaebue, would have been an opportunity to rise for those in technical jobs who were full-time medicine. As medicine became more differentiated and developed in the late Joseon Dynasty, medical knowledge and the knowledge about the medical profession became more important. The politicians could not avoid the use of a philosophically oriented system in which a confucian-educated bureaucrat equipped with only Confucian knowledge might replace a full-time doctor. Thus, the contradiction between the reality and the ideal of ignoring or denying reality was reproduced like other Confucian-centered societies. These contradictions have implications for us living in the modern age. Establishing the relationship between philosophy (or belief) and technology should not end with the superiority of one side or the other.

• 미술이론과 현장
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• 제16호
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• pp.7-40
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• 2013

Historian Eric J. Hobsbawm once said "the task that historians have is to analyze the meanings of the past within the context of society and to track the changes and implementation." It would not be too far of a stretch to apply Hobsbawm's quote to art historian since art history, although quite specific, is still history. In addition, Hobsbaum also asserted that, "a mold called the past continuously forms the present or at least thought to be." It is my recognition that the major westernization of the last century took place under the Japanese colonization which served as the channel to usher in western art; however, the current 20thcentury Korean art history fails to recognize that the mold of the past, namely western art in this case, has formed the modern art of the present. Based on this recognition, attention was given to what lacked in the analysis of the current 20th-century Korean art history in terms of "Informel" which was identified as the turning point towards "modern art" in the Korean art history as well as the following "experimental art." My belief is that the art history of Korea has to be reassessed from, a socio-cultural perspective as well as adopting multi-level and diachronic understanding. However, the existing Korean art, especially the one between the end of 1950s to the 1970s was based on the perspective of "severance"; thus, raising the needs for the starting point of a new perspective. It is my conviction that meta perspective on writing is most essential in order to lay a solid basis for the Korean art scene to have a productive discussion. I feel the utmost necessity to reinterpret the typified history analysis and criticism which stemmed from the trauma under the Japanese colonization. The most urgent task is to avoid academic closeness and to share the research. Painting is an individual expression of the artist, but the act of expression is not free from the cultural and societal influence to which the artist belongs.

• 한국과학교육학회지
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• 제26권1호
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• pp.25-39
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• 2006

진화에서 학생들이 보이는 대부분의 오개념들이 과학사적으로 진화 개념이 발달해오면서 나타났던 오류와 논쟁들과 매우 유사하다. 이러한 점에 착안하여 본 연구에서는 이미숙(2004)의 과학사 분석을 근거로 하여 9학년, 12학년, 대학교 1학년 학생들의 진화 개념의 상태를 조사, 분석하는 것을 목적으로 하였다. 이미숙(2004)의 과학사적 진화 개념 발달의 3차원 틀을 토대로 하여 진화, 적응, 변이(퇴행 변이 포함)의 기작, 대상, 시간에 대한 개념 검사지를 개발하고 각 학년의 학생들을 대상으로 개념 조사를 실시하였다. 학년이 올라가면서 학생들이 보이는 진화 개념의 상태는 어떻게 다른지를 분석하고 과학사적 진화 개념 변화 과정과 비교하였다. 학생들은 진화, 적응, 변이, 퇴행변이의 기작에 대한 개념이 학년에 관계 없이 과학사 단계 중 단계 2(라마르크적 사고)에 고착되어 있었다. 학생들은 기작, 시간, 대상에 대한 관점에서 논리적인 일관성을 지니지 못하였고 특히, 대상을 바라보는 관점에서 그러한 특징이 두드러졌다. 또한 학생들은 진화, 적응, 변이에 대한 개념에 구분이 없으며 오히려 진화와 적응과 변이를 동일한 것으로 여기고 있었다. 학생들의 변이에 대한 개념의 경우 새로운 형질의 등장이라는 상황과 형질의 퇴화라는 각 상황에 대해서 다르게 반응하고 있었다. 학생들의 올바른 진화 개념 습득을 위해서 학생들의 오개념 상태를 고려하여 변이의 중요성, 개체군내에서의 선택의 효과, 유전과의 연계(획득형질의 비유전성, 변이의 원동력으로서의 유성생식과 돌연변이의 역할 등등) 개념을 더 강조해야 하고 이것과 관련된 여러 가지 학습 전략들이 개발되어야 할 것이다

• 디지털융복합연구
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• 제15권1호
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• pp.443-452
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• 2017

건축의 한 분야인 동시에 역사학의 한 분야이기도 한 건축역사는 건축양식의 변천을 다루기는 하나 사회적, 경제적, 문화적, 기술적 상황 등의 시대 배경을 종합적으로 고찰할 필요가 있다. 그러므로 건축역사에서 주로 사용되는 용어는 다양한 분야를 아우를 수밖에 없다. 따라서 본 연구에서는 건축역사 관련 문헌을 대상으로 텍스트 마이닝과 연관 관계 분석을 수행하여 어떤 용어가 건축역사에서 핵심적인 용어인지를 파악해보았다. 우선 국내 건축역사 분야 유일한 학술지인 "건축역사연구"를 선정하여 지금까지 게재된 논문의 제목과 주제어, 초록에 사용된 용어 중 고빈도로 출현하는 핵심 용어들을 도출하였다. 다음으로 연구 분야별 문헌들을 구분하여 핵심 용어의 특징을 분석하였다. 마지막으로, 연관 관계 분석을 통해 핵심 용어들 간에 유기적인 관계를 분석하고 시각화하였다. 이러한 건축역사 핵심 용어의 파악은 건축역사 분야의 지금까지의 논의 내용과 향후 방향성을 이해하는데 유용할 것이다.

• 한국응용곤충학회지
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• 제50권3호
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• pp.209-214
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• 2011

곤충 군집의 변화는 서식지 환경의 변화를 파악할 수 있는 척도가 된다. 속리산국립공원에서 2003년부터 2007년까지 월별(4월-10월)로 Flight Interception Trap (FIT)을 이용하여 송장벌레류의 종 구성과 풍부도의 변화를 알아보기 위한 조사를 실시하였다. 그 결과, 6종 9,704개체가 조사되었는데, 이 중 넉점박이송장벌레(Nicrophorus quadripunctatus)가 8,763개체(90.3%)로 가장 높은 우점도를 보였다. 넉점박이송장벌레를 제외한 나머지 5종은 971개체(9.7%)에 불과하였다. 송장벌레 6종의 계절적 풍부도 변화에 따르면 7월과 8월이 최성기인 것으로 나타났다. 또한 연간 풍부도는 2004년 이후 점차 감소하는 경향을 보이고 있다. 장기간의 모니터링 결과, 환경지표종으로 활용이 가능한 송장벌레류의 종구성과 풍부도 변화는 속리산의 기후변화를 간접적으로 나타내고 있음을 시사한다.

• 대한한의학원전학회지
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• 제21권4호
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• pp.161-177
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• 2008

The oriental medicine is not static knowledge. Since the publication of "Hwangjenaegyeong(黃帝內經)", it has unceasingly changed and developed, that changes and developments ate the reflex of culture and civil progression, and they also are active acceptance of the time's demand. when we look back into the history of the Oriental medicine, angle of understanding disease can be classified into two concepts ; internal-external and Eumyang. Internal-external is whether we find the source of disease internal or external. Eumyang is deciding which is more important between yin-essence and yang-gi which are components of the essence-gi of body. This thesis view course of development of theory of the oriental medicine since publication of "Hwangjenaegyeong(黃帝內經)" at certain point of internal-external and Eumyang and with those as background, will inquire into sameness and difference between the Korean medicine and the Chinese medicine, and provide an advanced course for the oriental medicine.

• 한국지구과학회지
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• 제25권3호
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• pp.152-159
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• 2004

The purpose of this study was to explore characteristics of natural history museum exhibits from the viewpoint of science education. A total of ninety exhibits for this study were examined in national science museums of Korea and Japan. Exhibits of Tokyo national science museum were again divided into two groups: the old and traditional types, and the new and renovated ones. Even though analyzing data was not undertaken through quantitative statistical process, the interpretation of the data was valid enough to fulfill the purpose of the research. While there were clear changes and differences between the old and the new types of exhibits in Tokyo national science museum, the old part of Tokyo museum was similar to one in Korea. Based on analyzing the new types of Tokyo museum, the current movement in the field of natural history museums of Korea explicitly has toward utilizing more science education concepts and ideas.

• 한국의사학회지
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• 제32권2호
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• pp.51-59
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• 2019

All Deficiency section (諸虛門) in Euibangyoochui (醫方類聚), fills volumes 143-154 of Euibangyoochui's 266 volumes. In it, diverse and meaningful concepts such as Consumptive Disease (虛勞) and Fatigue Due to Overexertion (勞倦) are introduced to describe deficiency-oriented diseases. Before the 10th century, there are classified into six categories: muscle exhaustion, pulse exhaustion, flush exhaustion, Qi exhaustion, essence exhaustion, bone exhaustion, and prescribing treatments for treating diseases corresponding to each exhaustion. As medical knowledge was integrated through the medical books compiled by the government, awareness of Consumptive Disease was advanced to clarify the concept of pathways. The Confucian doctors have led to changes in recognition of the cause of the Consumptive Disease from damage of human factors to an internal problem. It can be seen that the classification of hurdles has become more diverse just before the outbreak of Euibangyoochui and that they include various diseases.

• 건축역사연구
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• 제30권4호
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• pp.17-29
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• 2021

Young-dang(影堂) is a ritual pavilion where figures of a dedicated person is enshrined. According to literature, establishment of Young-dang architecture is thought to have the affinity with Buddhist tradition in the beginning of its history. A tradition of enshrining figure could be found especially in Buddhism. Until the mid Joseon dynasty, enshrining figure made of wood, clay and bronze was quite often at Young-dang. In Confucian ritual tradition, a pavilion where enshrining ancestor's sprit tablet called Sadang(祠堂) or Myo(廟). In regarding portrait is a sort of figure, it has to be concerned with Buddhist ritual tradition. For this reaseon, Young-dang started to be distinguished from older aspect of existence in mid Joseon dynasty when the study of Confucian courtesy widely spread. It show the transformation process of Young-dang architecture from Buddhist tradition to Confucian tradition in J oseon dynasty.