• 복식문화연구
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• 제8권1호
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• pp.87-101
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• 2000

The purpose of study is explaining the Historicism as a result of compromise, historical eclecticism, between historical things and current cultural background instead of regarding it as an imitation from the past. It means that external factors in history help internal esthetic value surface out as costume. Fashion s history is more than the classified thing according to the appearance with the changes of the times. Intrinsic cultural elements should be added in creating new fashion. One of the different features between Modernism and Post-modernism. When coming to the period of Post-modernism, it connected with the historical factors to make something new by fragmenting, magnifying, or minimizing them. This is calles 'Historicism'in the world of art. It revived the past, not the past itself, in new ways : quotation, reuse, metaphor, and mixture. To represent the image, parody, pastiche, or bricolage was usually used. In post-modernism fashion, parody is a technique for imitating the past or the preceding forms with artists'own critical points of view. This technique gives us shock or surprise by using satirical, ironical or paradoxical expressions. pastiche shares the same part with parody in imitating particular or unique style, and it can be renamed empty parody, because it doesn't have any hidden motivation or satirical impulse. bricolage is a mixture of quotations from other works. It contains fragments that deepen the image. Like the techniques uttered above, the revival of history through parody, pastiche or bricolage is historical eclecticism and it is included in Historicism.

• 대기
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• 제26권1호
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• pp.185-192
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• 2016

In this paper, I studied about historical seasonal subdivision system and a theory of traditional monthly order, which was used for so long from Koryo dynasty to the late of Choseon dynasty in Korean histoy. Especially, I took note of the fact that there used the table of solar terms and meteorological observation what we called the table of Kihoo-pyo in the historical Sunmyung-calendar and the Soosi-calendar during the Koryo dynasty. This table of Kihoo was developed for explaining meteorological change during a year at that time. Here are largely four elements related meteorological nature : the first is the list of 24 solar terms, and the second is 12 monthly seasonal terms and 12 monthly central terms, the third is about four right hexagon based I-ching, the fourth is 72 meteorological observations called 72-hoo. Among them, the 72-hoo system is important to know how premodern people observed natural materials including animals and plants, weather, climate about meteorological phenomena according to the seasonal change or solar terms' change during a year. I argued in this article to need developing modern new table of Kihoo system like that, in order to show common people to recognize annual meteorological change more easy and clear. I also argued to need a distinct definition of meteorological seasons from a view point of modern meteorology.

• 한국지역지리학회지
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• 제11권2호
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• pp.155-168
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• 2005

본 연구는 최근 논의되고 있는 신지역지리의 방법론에 근거하여 지역에 대한 역사지리적 접근의 가능성을 모색하였다. 먼저, 지역지리학의 연구방법에서 구체적 총체성에 대해 살펴보고 구체적 총체성으로서의 지역연구가 신지역 지리 방법론에서 이루어지고 있음을 살펴보았다. 구체적 총체성으로서의 지역연구는 보편적인 사회적 변동의 프로세스와 지역을 고유한 것으로 생산 재생산하는 과정 사이에 상호관련성이 있다는 관점을 취하며 지역을 역동적으로 변화하는 역사적 단위로 본다. 지역의 변화 또는 시간개념에 대한 고려는 지역현상에 대해 지속과 불연속의 변증법 속에서 연구함을 의미한다. 지속과 불연속의 변증법은 지역에서 불연속을 초래한 계기나 현상을 포착하고 지속과 불연속의 연결고리를 찾아 상호관련성을 찾고자 한다. 자본주의의 역사지리에서 봉건제로부터 자본주의로의 이행 시기는 연속과 불연속을 동시에 포착할 수 있는 시기로 본다. 이 시기의 연구대상으로 삼을 수 있는 것은 자본주의로의 이행에서 화폐와 시장, 도시연구이다. 화폐는 자본주의로의 전환을 대표하는 것이며 시장과 도시는 봉건제로부터 지역주의로의 이행에서 진정한 의미를 갖는다. 도시는 화폐와 시장의 경제활동이 집중된 곳으로 자본주의 경제의 특성을 파악할 수 있는 지역이다. 한국사회에서 개항에서 일제강점기까지의 화폐와 시장, 도시에 대한 역사지리적 연구는 자본주의의 형성과정과 관련되어 연구되어질 수 있다. 한국에서 화폐와 시장이라는 렌즈를 통해 식민지 도시를 연구하는 것은 자본주의로의 이행시기에 대한 역사지리적 접근에 있어 구체적 총체성을 담아 낼 수 있는 주제이다.

• 복식
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• 제18권
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• pp.21-34
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• 1992

A Research on specialty carpet(Rug) in ancient Kurea. Wool carpet culture takes an important part of ancient textile culture in ancient Korea. This research on specialty carpet culture of ancient Korea has been made form the view point of traditional textile history on the basis of historical documents and the collections.

• 천문학논총
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• 제30권2호
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• pp.617-620
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• 2015

This paper presents an overview of the large international projects in which the National Astronomical Observatory of Japan is involved, namely, the Subaru Telescope, Atacama Large Millimeter/submillimeter Array, and the Thirty Meter Telescope. The last section provides a brief historical view of the international collaboration in East Asia regions over the last 20 years.

• 한국조경학회지
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• 제25권3호
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• pp.12-24
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• 1997

One argument of this study is that the policy to handle and landscape of cultural and historical property had to do with people's visual preferences. This study seeks to investigate people's visual preferences toward the landscape of cultural /historical property, specifically dealing with 'Namdaemun', which is the first class cultural property of Korea. People's visual preference was specifically examined into the four specific concepts : 'visual identity','harmony','beauty of the target property', and 'overall beauty'. Two objective variables, such as, 'distance' between the viewer and the cultural property, and 'height' of background buildings were considered possible predictors of the four visual preference variables. Photos of 'Namdaemun' were taken at three different directions and at three different distances. The photographed images of 'Namdaemun' were transferred ito the digitalized graphic images, where the height of background buildings was artificially changed and simulated. The simulated visual images were taken into the slides again. A total of 59 students of the Department of Landscape architecture at Seoul City University were sampled as subjects. A series of 17 slides were shown to the subjects four times. The subjects were asked to check their preference ratings concerning the four concepts on a 7-point Likert scale. The results found in this study were as follows : 1) In the results of ANOVA, it was clear that people visually preferred the view where the height of background buildings were lower than 15 floors to the view of more than 15 floors . 2) From the results of the path analysis, it was found that 'harmony','visual identity' and 'beauty of the target property' were direct predictors of 'the overall beauty'. The 'height ' of background buildings and the viewer's 'distance' were not found to be direct predictors, however, they demonstrated their effects on 'the overall beauty' through the other variable, which were direct predictors of 'the overall beauty'. In sum, the longer the distance and the higher the background buildings, the lower people's preference with the 'overall beauty'. These indirect paths, in turn, also explain why and how the 'height' of background buildings and the viewer's 'distance' negatively influence the 'overall beauty'. An implication from the these results is that when the height of background buildings were not controllable, there would be some other strategies for improving people's visual preference toward the historical /cultural view. To increase 'visual identity' of the cultural property, for example, changing colors of the cultural property or increasing the lighting level, etc., would be one strategy, since the increased 'visual identity' will, in turn, increase 'the overall beauty'.

• 한국지역지리학회지
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• 제12권3호
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• pp.408-420
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• 2006

이 연구는 역사도시의 시간성과 장소성은 문화콘텐츠적 성격을 지닌다는 시각에서 장소에 내재된 시간성을 관광자윈화하는 방안을 탐색하려는 목적으로 이루어졌다. 관광에 대한 기존 연구는 관광시설, 관광지 조성, 경제적 효과, 문화정책 등을 중심으로 이루어졌다. 이 연구에서는 역사도시에 대한 문화적 접근을 통해 시간에 의한 장소의 의미 형성, 장소를 통한 시간성의 탐색을 통해 한성부의 시공간적 특성이 관광자원화 될 수 있을 것으로 판단하였다. 한성부의 주요 장소는 당시의 기능과 문화적 의미에 의해 분류되며 이는 지역구조와 연관된다. 한성부는 자연지표, 조선시대의 문화적 특성에 의해 중심부, 경제의 공간, 주변부로 분리되며 한성부 원경관, 왕조도시적 성격의 반영, 성 안의 주변부, 성곽도시적 특성, 전근대 생활양식을 반영한 지역의 차이에 의해 영역별로 관광자원화 될 수 있는 요소가 다르게 나타난다.

• 수완나부미
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• 제8권1호
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• pp.121-146
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• 2016

Defining key characteristics of Southeast Asia requires historical interpretation. Southeast Asia is a diverse and complicated region, but some of modern history's "grand narratives" serve to unify its historical experience. At a minimum, the modern history of the region involves decisive encounters with universal religions, the rise of Western colonialism, the experience of world wars, decolonization, and the end of the "cycle of violence". The ability of the region's peoples to adapt to these many challenges and successfully build new nations is a defining feature of Southeast Asia's place in the global stage. This paper will begin with a question: is it possible to develop a hermeneutic of "expedience" as a way to interpret the region's history? That is, rather than regard the region from a purely Western, nationalist, "internalist" point of view, it would be useful to identify a new series of interpretative contexts from which to begin scholarly analysis. In order to contextualize this discussion, the paper will draw upon the writings of figures who explored the region before knowledge about it was shaped by purely colonist or nationalist enterprises. To this end, particular attention will be devoted to exploring some of John Furnivall's ways of conceptualizing Southeast Asia. Investigating Furnivall, a critic of colonialism, will be done in relation to his historical situation. Because Furnivall's ideas have played a pivotal role in the interpretation of Southeast Asia, the paper will highlight the intellectual history of the region in order to ascertain the value of these concepts for subsequent historical interpretation. Ultimately, the task of interpreting the region's history requires a framework which will move beyond the essentializing orientalist categories produced by colonial scholarship and the reactionary nation-building narratives which followed. Instead, by beginning with a mode of historical interpretation that focuses on the many realities of expedience which have been necessary for the region's peoples, it may be possible to write a history which highlights the extraordinarily adaptive quality of Southeast Asia's populations, cultures, and nations. To tell this story, which would at once highlight key characteristics of the region while showing how they developed through historical encounters, would go a long way to capturing Southeast Asia's contribution's to global development.

• 한국농촌건축학회논문집
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• 제13권1호
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• pp.9-20
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• 2011

This study is designed to examine characteristics and types of basic landscape design established by 7 local governments in Jeollanam-do and its availability as the index of landscape administration and present a guideline with view landscape plan of local governments. The results of this study are described below. In case of view landscape, while Korean cities have not many historical assets like landmark, they have locational characteristics with mountain or coast in the center or surroundings of downtown. Therefore, since view landscape has many cases of restricting individual property rights as well as having a value as public property of city which makes recognition of sharing city, it is very sensitive problem and establishing guideline of it is needed. But, it was found that view landscape plan of local governments established location of view spot with the nature of relief viewing downtown or coast from high spot. Selection of viewing objects in view plan require deciding an object as the public property of city and big cities require selection from the zone and small cities must select 1~2 spots from the viewpoint of whole downtown. 3~4 view spots of middle and distant views which makes city community centering around the subject of view must be selected through enough discussion and in case of natural landscape, View shaft or visible rays require setting of range that 30% of viewing objects is seen. View spot or viewing objects should be selected over twice as extra spots through public hearing and civil participation as the process.

• 복식
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• 제57권5호
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• pp.166-182
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• 2007

The purpose of this study is to reinterpret sexuality represented in fashion since the latter half of the 19th century in a contextual view, on the basis of Foucauldian idea of post-structural sexuality. As for research methodology, literary research was undertaken from the conception of sexuality to a historical review of the culture and dress. Foucault maintains the view of plural sexuality, which floats by power relationship between dominant and oppositional discourses in a specific historical context. In contextual approach sexual ideology codified in fashion since the latter 19C shows the following aspects: First, the traditional sexual ideology in the latter 19C is a capitalist value, which gives a priority to bourgeois man's profits, and the Victorian discourses of sexuality constructs the dichotomized fashion of the period. Next, the former half of the $20^{th}$ C is regarded as the period of conformity rather than opposition with various alternatives appropriated to the mainstream, so the traditional sexual ideology in fashion of this period is still preserved. Finally, in post-capitalism period of the latter 20C a variety of anti-fashion visualized plural sexuality from the enormous oppositional discourses. Although it doesn't all mean deconstruction of sexuality in fashion by the anti-fashion re-appropriated without oppositional meanings, pluralization of sexuality implies dynamics of sexual discourses in the next historical period. As a result, fashion since the latter 19C has been changed as a means for expressing age and sexual desire out of gender and class. And mainstream fashion in even postmodern period keeps the modern value on the center of the hegemonic heterosexual masculinity though the increase of Androgynous Femininity in women's fashion may connote the meaning of femininity. The plural sexuality represented in fashion has a contextual flexibility, thus sexuality floats with a specific socio-cultural context and fashion represents a masquerade as an identity vehicle.