• 대중서사연구
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• 제27권3호
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• pp.151-191
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• 2021

이 글은, 영화 <군산>이 재현하는 군산 도시 정체성의 내용은 무엇이며 구성 양상은 어떠한지, 그리고 이 도시 정체성 내용과 구성양상이 영화 서사의 구조와 어떻게 호응하는지를 살핀다. <군산>은 군산과 서울을 즉자적인 도시로 전제하는 동시에 상호 영향 관계에 의해 끊임없이 재구성되는 도시로 엮어낸다. 영화 서사 시간이 종료되는 서울은 다시 군산 여행을 위한 출발지로 전환되는데, 관객이 사후적으로 회귀하는 두 곳 즉 영화 서사 시간의 시작 지점 그리고 타이틀이 제시되는 지점이다. 이 영화의 여로형 서사 구조는 2차원의 평면적 원점회귀라기보다는 3차원의 입체적 나선형이다. <군산>은 이 나선형의 시공간적 구조 위에서 두 도시의 성격 그리고 도시 정체성의 선험성에 대해 형상화한다. 서울은 거대서사·집단기억과 미시서사·개인기억의 관계를 불가지한 것으로 단절시키는 도시, 관계·기억을 단절시키고 기억의 지속을 부정하는 도시다. 반면, 군산은 거대서사·집단기억과 미시 서사·개인기억이 공존하는 도시며, 단절의식·고립의식이 치유되고 상호 위로받는 도시다. 동시에 영화는 군산을 서울의 잉여, 대타적 공간으로 재현하는 한편 군산의 정체성을 확고하고 즉자적인 것으로도 그린다. 영화는 스토리와 서사구성의 상응을 통해, 군산과 서울을 역사적 단절과 지속이 교호하는 장(場), 상호대타적인 공간인 동시에 완고한 고유성의 공간으로 이해한다. 이 글은, 도시 정체성을 구성하는 시공간적 관계성과 영화 서사의 구조가 호응하는 양상을 살폈다는 데 의의가 있다.

• 한국농촌건축학회논문집
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• 제6권1호
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• pp.54-63
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• 2004

Ecomuseum has changed for general museums with a strong historical connotation, and more identity museums, which reminds one of their purposes of providing evidence, conserving and remembering. Small museums playa very important social role and have a level of importance which should do something to improve cultural policy. The "ecomuseum" phenomenon, in other words this spontaneous birth of numerous museums in local communities, this desire to retrace one's history and fix it in one's mind, has only one precedent in Italy. This precedent involved the opening of numerous museums dedicated to the "Risorgimento" and "Patriotic History", which, in the closing decades of the 19th century, were founded on political input all over the country, in big towns and little villages alike. Searching amidst the exhibits for the memory of a national identity and they are proof that local communities are filled with an unstoppable need to know about their roots and to reassess their own identities.

• 한국주거학회논문집
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• 제21권6호
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• pp.31-42
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• 2010

Korean Folk Village was founded in 1974 as the first open-air museum in Korea. It consists of over one hundred traditional Korean houses and buildings. Most of structures in the Village were reproduced or newly constructed in traditional style. Some houses were used as craft shop and folklore performance. Preservation of vernacular architecture by the government began in the late 1960s in Korea. The development of the Village was initiated by the central government for the sake of attracting both the foreign and domestic tourists. Park Chung-hee administration focused on national culture to justify their dictatorship. The government drove a very rapid economic growth in the 1970s and Korean society was in the midst of modernization leaving many traditional landscapes behind in the memory. The Village was aimed to appeal the Korean people's nostalgia and at the same time to combine their folk into the modern nation.

• 한국조경학회지
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• 제27권2호
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• pp.140-151
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• 1999

The purpose of this study is to trace historical changes and to show broad spectrums in landscape architectural drawing. Drawing has been both a locus of interpreting a site and a vehicle of imagining the new landscape. The designed landscape might be influenced by the way to draw in landscape design. Despite of its importance, landscape architectural drawing has rarely been discussed. Here, the drawing will be understood as theoretical issues and texts for criticism. Recently, the drawing has primarily been recognized in functional and instrumental ways. The stereotypes office drawings such as plan, section, perspective, axonometric are typical examples. Its symbolic and metaphoric dimensions have been seriously diminished. As a result, the poetic power in the designed landscape might be devastated. Composite drawing, notation are the alternative drawings to overcome the above mentioned dilemma along with the adaption of collage and photomontage. Finally, I would argue that landscape architectural drawing can be a creative tool to elicit the idea and to reveal the trace of memory. It could be also a poetic locus to postulating the vision. Designers should utilize both traditional drawing and experimental drawing in order to reconcile the instrumental representation with the symbolic representation.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2000년도 ITC-CSCC -1
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• pp.245-248
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• 2000

This paper proposes a cooperative parallel tabu search which incorporates with the historical information exchange among processors in addition to its own searching of each processor. We investigate the influence of our proposed cooperative parallel tabu search by comparison with a serial tabu search. We also propose two extensions of the cooperative parallel tabu search which are the cooperative construction of tabu memory and the selection of cooperative partner. Through computational experiment, we observe the improvement of solutions by our proposed method.

• 국제초고층학회논문집
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• 제7권2호
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• pp.127-140
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• 2018

The skylines of many cities worldwide are still defined by the dominant and ubiquitous office blocks of the twentieth century. While there is consensus stating that future tall building typologies should depart substantially from these past models, the inheritance of large and obsolete tall office building stocks presents a problem of global significance. Too old for present corporate models, but too new for gaining public historical importance, the twentieth-century office tower is a typology under threat of extinction. However, the need for a culturally informed strategy of preservation for that generation of tall buildings is seldom advocated. Drawing evidence from the case of Melbourne, Australia, this article presents a methodological pathway to overcome pitfalls of memory and interpretation, which commonly prevent an unbiased assessment of the value and urban contribution of late-twentieth-century skyscrapers.

• 이베로아메리카
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• 제23권1호
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• pp.79-111
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• 2021

The purpose of this article is to present the potential of balangandãs as a documentary source for intersectional studies of gender and slavery, from the analysis of formal and symbolic aspects of the museum objects in the Museu Nacional Nacional (MHN) and Museu Carlos Costa Pinto (MCCP). Balangandãs are a type of creole jewelry, made in gold or silver and used in Brazil since the 18th century by black women - women who worked, especially in the commercialization of foodstuffs in large urban centers. They are described in printed sources and engravings, and preserved in some museum institutions. In the study, the meanings attributed to the object over the centuries are observed: jewelry, amulet, peculium, document, travel memory and heritage. As a result, the article seeks to highlight the objects as a historical and documentary source, verifying similarities between the pieces musealized at the MHN and at the MCCP, also emphasizing the documental power of the pieces produced today.

• Journal of information and communication convergence engineering
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• 제21권1호
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• pp.9-16
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• 2023

The natural language on social network platforms has a certain front-to-back dependency in structure, and the direct conversion of Chinese text into a vector makes the dimensionality very high, thereby resulting in the low accuracy of existing text classification methods. To this end, this study establishes a deep learning model that combines a big data ultra-deep convolutional neural network (UDCNN) and long short-term memory network (LSTM). The deep structure of UDCNN is used to extract the features of text vector classification. The LSTM stores historical information to extract the context dependency of long texts, and word embedding is introduced to convert the text into low-dimensional vectors. Experiments are conducted on the social network platforms Sogou corpus and the University HowNet Chinese corpus. The research results show that compared with CNN + rand, LSTM, and other models, the neural network deep learning hybrid model can effectively improve the accuracy of text classification.

• 한국기록관리학회지
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• 제6권2호
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• pp.157-184
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• 2006

한 나라의 중심에 서 있는 대통령과 관련하여 생산해 낸 기록물은 대통령직 수행의 증거이며 역사적 핵심기록이라는 의미를 갖는다. 역사가 그들 활동의 증거를 토대로 심판할 수 있도록 이 핵심 기록을 제대로 생산하도록 제도적 기반을 갖추고 잘 관리해야할 책무가 있다. 역사적 평가는 증거 없는 기억만으로 이뤄질 수 없기 때문이다. 2007년 초 현재, 대통령기록물의 메카가 될 대통령 기록관 설립에 관한 의무조항을 포함한 대통령기록물관리 법률안이 국회에 계류 중이다. 대통령 기록관은 기록관 기능에 박물관, 교육 센터 역할을 수행하는 다기능적 국가기관으로 이해되어야한다. 또한, 이용도와 사료의 가치를 높이기 위해 수요자 지향적 행정 패러다임의 변화를 인식하고, 이용자 관점에서 서비스하는 자세가 요구된다. 본 논문에서는 행정 편의보다는 이용자 위주의 대통령 기록관 서비스 프로그램을 개발하기 위하여 미국 대통령 기록 박물관의 프로그램을 선진 사례로 먼저 살펴본 후, 한국 대통령 기록관의 서비스 프로그램 개발을 위한 가이드라인을 제안하고 적용 가능한 예를 제시하였다.

• 동남아시아연구
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• 제21권1호
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• pp.137-184
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• 2011

This article is aimed at understanding the political narratives represented in the National Museum of Indonesia. Starting initially as a colonial museum, the National Museum of Indonesia functioned as a useful tool for the Dutch colonial force to fuel its imaginations of the colonial territory and the people within it. The Dutch used the cultural display to advertize its benevolent colonial rule. All the while, the museum also inevitably reflected orientalism on the people and the culture of the colony. The republic of Indonesia inherited the colonial museum's practices and its display patterns. The business surrounding the museum also played a key role in the newly-born nation-state laying out a future for its redefined territory and people. Thus, what the colonial force imagined for the colonial territory through the study of museum displays was rather directly transferred to the republic without serious consideration of the decolonization process. Four main characteristics have been seen in the museum displays. The first is an emphasis on the glorious Hindu-Buddha history, from which numerous temples, statues, and jewelry have been found. Secondly, the Islamic period, which spanned between the Hindu-Buddha times to the colonial era, has almost completely been eliminated from the display. Third, the colonial era has been depicted as the time of Europe's exportation of scientific tools and adaption of sophisticated living patterns. Fourth, the images of ethnic groups were represented as being stagnant without reflecting any challenges and responses that these groups had faced throughout history. Looking at these display patterns, it can be concluded that all the dynamic internal developments and anti-colonial resistance that took place during the Islamic and Colonial Era have simply not been represented in the museum display. These display patterns do not reflect the real history or culture of the archipelago. Two considerations are thought to have influenced the neglecting of social realities in the display. The first of which is the Dutch's and Republic's apprehension over the possible political upheaval by the Islamic forces. Yet, more fundamentally, cultural displays themselves are distinct from historical education in that the former pays more attention to business ideas with an aim to attract tourists rather than to project objective historical knowledge. Thus, in cultural displays, objects which work to stimulate fantasies and spur curiosity on archipelagic culture tend to be selected and emphasized. In this process, historical objectivity is sometimes considered less vital. Cultural displays are set up to create more appealing narratives for viewers. Therefore, if a narrative loses its luster, it will be replaced by another flashy and newly-resurrected memory. This fact reveals that museums, as transmitters of historical knowledge, have a certain degree of limitation in playing their role.