• Journal of Community Nutrition
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• 제1권2호
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• pp.108-118
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• 1999

This study was designed to examined psychosocial status and nutritional factors(nutrition knowledge, dietary attitudes, eating behavior, dietary intakes) among female university students and to investigate if there were differences in these variables by weight loss attempt. A cross-sectional survey was conducted to 225 female university students in Seoul. Survey instrument was adapted or modified based on literature review, and dietary intakes were assessed using 24-hour recall and CAN-pro. Descriptive statistics, t-test x$^2$-test were used in data analysis. Mean height, weight of subjects were 162.7cm, 51.3kg, and mean BMI was 19.4. One hundred-nine students(48.4%) were grouped into weight loss attempt roup and 116 students were grouped int non-attempt group. According to BMI, 58.7% of weight loss attempt group were underweight, suggesting that unnecessary weight control is common in college women. With respect to psychosocial status, subjects received moderate degree of stress and were slightly satisfied with life. There was no significant difference in stress, social support or self-esteem between the two groups, however, students in non-attempt group were more satisfied with their life(p<0.01) and adapted better in school that students in weight loss attempt group. Subjects scored 14.9${\pm}$2.1 (highest score : 20) on nutritional knowledge, and showed favorable dietary attitudes. Overall, nutritional knowledge and dietary attitudes were not significantly different between the two groups. Common eating problems were irregular meals(71.6%), followed by unbalanced meals and eating-out. Subjects in weight loss attempt group were more likely to change eating habit after entering the university and showed more undesirable eating habit. Dietary intake data indicated hat the energy derived from fat was slightly higher than the recommended level. Most of the nutrient intake was lower than the RDA, particularly, iron and calcium intake was below the 50% of the RDA. Although this study did not reveal significant difference in nutritional knowledge or dietary intake by weight loss attempt, this study showed status of weight control, eating habit and dietary intake in female university students, and provide some information for nutrition education of college women.

• 대한치과교정학회지
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• 제34권2호
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• pp.197-203
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• 2004

골격성 II급 부정교합을 치료하는데 있어서, Tweed-Merrifield directional force technology는 시계 반대 방향으로의 양호한 골격적 변화 및 균형 잡힌 안모를 얻는데 기여하고 있다. 이는 적절한 방향으로의 J-hook을 통한 headgear force의 사용이 필수적이다. 따라서 환자의 협조에 대한 의존이 절대적이므로 약간의 문제점이 있는 것 또한 사실이다. 하지만 최근 skeletal anchorage를 이용하여 환자의 협조를 최소화하면서도 보다 효과적으로 고정원 보강을 할 수 있는 방법이 많이 시행되고 있어 이를 보완 할 수 있게 되었다. 저자는 HPJH(high pull J-hook)과 skeletal anchorage를 병용하여 directional force를 적용한 결과 상악 구치부에서의 고정원 보강과 상악 전치부의 토크 조절 및 mandibular response를 얻음으로써 양호한 안모의 균형을 얻을 수가 있었다. 이 치료 결과로 보아 skeletal anchorage는 HPJH을 대신하여 상악 견치 및 전치부 견인시 상악 구치부의 전후적 및 수직적 고정원 보강 역할을 할 수 있을 것으로 생각된다 상악 전치부 견인시 상악 전치부의 토크 조절, 압하 및 치체이동을 위해 HPJH을 사용하였지만, 이 또한 mini 혹은 microscrew로 대체한다면 환자의 협조를 최소화하면서도 양호한 치료결과를 얻을 수 있을 것으로 생각된다.

• 미생물학회지
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• 제42권2호
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• pp.103-110
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• 2006

들잔디(zoysia japonica)에 제초제를 살포 한 다음, 아미노산을 포함한 액비(LFcAA)를 처리한 들잔디 토양의 미생물 군집구조 및 다양성을 비교하기 위하여 16S rDNA서열에 기초한 T-RFLP (terminal restriction fragment length polymorphism)분식과 클론의 염기서열 분석을 실시하였다. 제한효소 HaeIII을 이용한 T-RFLP 분석결과 아미노산 액비를 처리한 실험구 KD3과 KD4에서, 32, 38개의 유효한 피크를 가진 T-RFs가 나타났다. 23개를 나타낸 아미노산 무처리구인 KD2가 KD3,4에 비해 미생물군집구조가 단순한 것으로 조사되었다. 네 개의 실험구 KDl (대조구), KD2 (무처리구), KD3 (LFcAA 1X)., KD4 (LFcAA 2X)에서 각각 110개의 클론의 16S rDNA부분 염기서열 분석결과 대부분이 $91{\sim}99%$ 유사도 수준에서 GeneBank에 등록된 염기서열 중 대부분 uncultured bacterium으로 BLAST결과 조사되었다. 이외의 대부분의 클론들은 Proteobacteria, Acidobacteria, Actinobacteria, Sphingobacteria, Planctomycetes 그룹들의 클론들이 조사되었고, 특히 LEcAA 2X 처리구인 KD4에서는 KD2에서와는 다르게 Alphaproteobacteria의 Rhizobiales, Shigomonadales,그리고 Caulobacterales목에 속하는 미생물들의 클론이 조사되었으며, Gammaproteobactetia의 Pseudomonas 속의 세균들이 주로 나타났으며, Betaproteobaderia 의 Nitrosomonadales 목의 Nitrosospira 속들이 주로 조사되었다. 이 외에도 Acidobacteria 그룹, Actinobacteria 그룰, Planctomycetacia, Sphingobacteria 그룹들이 다양하게 조사되었다. 이러한 결과는 제초제를 살포한 미생물 군집구조가 LFcAA 첨가로 들잔디의 미생물 군집 구조에 큰 영향을 주고 있음을 시사하였다.

• 법제연구
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• 제44호
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• pp.315-342
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• 2013

법무비용보험(권리보호보험)은 순수 손해보험으로서 보험의 대상이 되는 위험이 특수한 신생의 보험이다. 법무비용보험에 따라 법무비용보험자는 계약상 합의된 위험만을 오로지 인수하게 되는데, 여기서의 위험의 범위에 관하여는 독일보험계약법 제125조와 연관되어 법무비용보험보통약관에 매우 정확하게 기술되어져 있다. 독일보험계약법 제125조는 보험사고만을 정의하고 있지만 이를 통하여 우리는 법무비용보험의 개념을 간접적으로 알 수 있다. 독일보험계약법 제125조와 법무비용보험보통약관 제1조에 따라 보험자의 주급부는 피보험자의 권리보호에 필요한 비용의 전보가 되는 것이다. 독일보험계약법에서 법무비용보험에 대한 개념을 직접적으로 정의하는 것을 회피하고 있는 이유는 향후 보험시장의 발전에 대비하고 이를 개방적으로 이해하기 위한 것이다. 비교적 신생보험에 해당하는 법무비용보험의 법적 논의와 그 정착을 위하여 독일보험계약법 제125조 이하가 매우 좋은 입법례가 될 것이다. 법조시장의 확대에 맞추어 앞서 언급한 바와 같이 입법적 기술을 참고하여 지속적인 고찰이 요망되고, 우리나라에서 법무비용보험의 부보범위를 어떻게 확장해나갈 것인가도 논의하여야 한다. 또한 법무비용보험이 특수한 보험이므로 보험사고 및 보험대상에 대한 보험자의 설명이 다른 보험에 비하여 전문적으로 이루어져야 하므로 보험자의 설명의무도 관심의 대상이 된다.

• 동남아시아연구
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• 제28권1호
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• pp.173-218
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• 2018

본 연구는 지속가능개발목표(Sustainable Development Goals) 하에 보편적 건강보장(Universal Health Coverage) 달성을 목표로 전 국민의 건강보험 가입을 추진하고 있는 베트남의 보건의료 부문에 주목하여 보건의료 체계와 건강보험법의 개혁 과정에서 나타난 특징을 역사 문화적 맥락을 통해 파악해보고 개발의 관점에서 그 함의를 살펴보고자 한다. UHC의 세 가지 차원, 즉 인구 집단에 대한 보장성 확대, 다양한 의료서비스 제공, 그리고 재정적 보호를 기준으로 베트남 보건의료 부문의 현황을 요약하면 다음과 같이 정리할 수 있다. 첫째, 2015년 발효된 개정 건강보험법에서 가구 단위의 의무 가입과 그에 따른 건강보험료 정산 방식이 새로운 제도로 시행되고 있다는 점이다. 둘째, 1차 의료시설, 즉 사($X{\tilde{a}}$, Commune)급 단위의 보건소를 중심으로 예방 및 건강관리 서비스를 제공할 수 있는 의료 네트워크가 구축되어 있다는 점이다. 셋째, 의료보험법 및 다양한 제도 시행 이후 공공 지출이 증가하고 민간 지출이 감소하고 있지만 여전히 본인부담 의료비 지출(Out-of-Pocket Expenditure)이 많은 비중을 차지하고 있다는 점이다. 베트남의 사회건강보험 개혁은 현재 과도기이다. 따라서 베트남은 보건의료 체계와 건강보험 제도를 어떻게 구축해 나갈 것인가에 대한 문제가 더욱 중요할 수밖에 없는 시기적 상황에 당면해 있다. 제도와 체계에 대한 개발은 효율성보다는 그것을 고스란히 감당해내야 하는 주체, 즉 해당 사회의 구성원들에게 적절하고 정당한 방식으로 설계되어야 한다. 본 연구는 제도와 문화, 즉 제도를 공유하는 사회적 가치, 가족 문화 그리고 비공식적인 제도 등과의 상호작용 등으로부터 그 함의를 이끌어내고자 하였다.

• 한국산림과학회지
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• 제66권1호
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• pp.16-36
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• 1984

화강암질풍화토(花崗岩質風化土)의 미교란(未攪亂) 시료(試料)를 사용하여 일면(一面) 직접(直接) 전단시험(剪斷試驗)으로 측정(測定)한 전단강도(剪斷强度)와 함수비(含水比), 간극비(間隙比), 건조밀도(乾燥密度), 비중(比重)과의 관계(關係)를 통계(統計) 분석(分析)하였고, 화강암질풍화토(花崗岩質風化土)의 사방시공지(砂防施工地)에 식재(植栽)된 리기다소나무림(林)과 리기테-다소나무림(林)에서 토양단면(土壤斷面)을 만들어 산중식토양경도계(山中式土壤硬度計)로 토양(土壤)의 견밀도(堅密度)를 측정(測定)하고 수근분포(樹根分布)를 조사(調査)하여 통계(統計) 분석(分析)한 결과(結果) 다음과 같다. 1) 함수비(含水比), 간극비(間隙比)와 전단강도(剪斷强度) 간(間)에는 유의적(有意的)인 부(負)의 상관(相關)이며 직접적(直接的)인 관계(關係)에 있었다. 2) 건조밀도(乾燥密度)와 전단강도(剪斷强度) 사이에는 정(正)의 상관(相關)이며 직접적(直接的)인 관계(關係)에 있었다. 3) 비중(比重)과 전단강도(剪斷强度) 간(間)에는 유의적(有意的)인 상관관계(相關關係)를 인정(認定)할 수 없었다. 4) 전단강도(剪斷强度)에 영향(影響)을 미치는 영향요소(影響要素)의 직접효과(直接效果)의 크기는 함수비(含水比)>간극비(間隙比)>건조밀도(乾燥密度)의 순위(順位)이다. 5) 다중선형(多重線型) 회귀방정식(回歸方程式)의 분산분석결과(分散分析結果) 함수비(含水比)만이 회귀성(回歸性)이 인정(認定)되므로 함수비(含水比)를 독립변수(獨立變數)로 하여 전단강도(剪斷强度)를 추정(推定)하기 위한 회귀방정식(回歸方程式)은 제한(制限)된 건조밀도(乾燥密度)의 범위내(範圍內)에서 적합도(適合度)가 매우 높게 평가(評價)되었다. 6) 토양(土壤)의 견밀도(堅密度)는 토심(土深)이 깊어짐에 따라 높아진다. 7) 토양(土壤)의 지표경도(指標硬度)와 수근수(樹根數) 간(間)에는 유의적(有意的)인 부(負)의 상관(相關)이며 직접적(直接的)인 관계(關係)에 있었다. 8) 리기다소나무와 리기테-다소나무의 수근(樹根)은 토심(土深) 20cm까지에 대부분 분포(分布)하고 있었다. 9) 리기다소나무림(林)과 리기테-다소나무림(林)에서 측정(測定)한 토양(土壤)의 지표경도(指標硬度)를 독립변수(獨立變數)로한 회귀방정식(回歸方程式)으로 수근수(樹根數)를 추정(推定)할 수 있었으나 낮은 적합도(適合度)를 나타내었다.

• 복식
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• 제4권
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• pp.87-114
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• 1981

A costume reveals the social characteristics of the era in which it is worn, thus we can say that the history of change of the costume is the history of change of the living culture of the era. Since the Three States era, the costume structure of this country had been affected by the costume system of the China's historical dynasties in the form of the grant therefrom because of geographical conditions, which affection was conspicuous for the bureaucrat class, particularly including but not limited to the Kings' familities. Such a grant of the costume for the bureaucrat class (i.e., official uniform) was first given by the Dang-dynasty at the age of Queen Jinduck, the 28th of the Shilla-dynasty. Since then, the costume for the bureaucrats had consecutively been affected as the ages had gone from the unified Shilla, to the Koryo and to the Yi-dynasty. As the full costumes officially used by government officials (generally called "Baek Gwan") in the Yidynasty, there existed Jo-bok, Gong-bok and Sang-bok. Of such official costumes, Gong-bok was worn at the time of conducting official affairs of the dynasty, making a respectful visit for the expression of thanks or meeting diplomatic missions of foreign countries. It appears no study was made yet with regard to the Gong-bok while the studies on the Jo-bok and the Sangbok were made. Therefore, this article is, by rendering a study and research on the styles of costumes of civil servants' stone images erected at the Kings' tombs of the Yi-dynasty, to help the persons concerned understand the Gong-bok, one of the official costume for Baek Kwan of that age and further purports to specifically identify the styles and changes of the Gong-bok, worn by Baek Gwan during the Yi-dynasty, consisting of the Bok-doo (a hat, four angled and two storied with flat top), Po (gown), Dae (belt), and Hol (small and thin plate which was officially held by the government officials in hand, showing the courtesy to and writing brief memorandums before the King) and Hwa (shoes). For that purpose, I investigated by actually visiting the tombs of the Kings of the Yi-dynasty including the Geonwon-neung, the tomb of the first King Tae-jo and the You-neung, the tomb of the 27th King Soon-jong as well as the tombs of the lawful wives and concubines of various Kings, totalling 29 tombs and made reference to relevant books and records. Pursuant. to this study, of the 29 Kings' tombs the costume styles of civil servants' stone images erected at the 26 Kings' tombs are those of Gong-bok for Baek-gwan of the Yi-dynasty wearing Bok-doo as a hat and Ban-ryeong or Dan-ryenog Po as a gown with Dae, holding Hol in hand and wearing shoes. Other than those of the 26 tombs, the costume styles of the Ryu-neung, the tomb of the Moon-jo who was the first son of 23rd King Soon-jo and given the King's title after he died and of the You-neung, the tomb of the 27th King Soon-jong are those of Jobok with Yang-gwan (a sort of hat having stripes erected, which is different from the Bok-doo), and that of the Hong-neung, the tomb of the 26th King Go-jong shows an exceptional one wearing Yang-gwan and Ban-ryeong Po ; these costume styles other than Gongbok remain as the subject for further study. Gong-bok which is the costume style of civil servants' stone images of most of the Kings' tombs had not been changed in its basic structure for about 500 years of the Yi-dynasty and Koryo categorized by the class of officials pursuant to the color of Po and materials of Dae and Hol. Summary of this costume style follows: (1) Gwan-mo (hat). The Gwan-mo style of civil servants' stone images of the 26 Kings' tombs, other than Ryu-neung, Hong-neung and You-neung which have Yang-gwan, out of the 29 Kings' tombs of the Yi-dynasty reveals the Bok-doo with four angled top, having fore-part and back-part divided. Back part of the Bok-doo is double the fore-part in height. The expression of the Gak (wings of the Bokdoo) varies: the Gyo-gak Bok-doo in that the Gaks, roundly arisen to the direction of the top, are clossed each other (tombs of the Kings Tae-jong), the downward style Jeon-gak Bok-doo in that soft Gaks are hanged on the shoulders (tombs of the Kings Joong-jong and Seong-jong) and another types of Jeon-gak Bok-doo having Gaks which arearisen steeply or roundly to the direction of top and the end of which are treated in a rounded or straight line form. At the lower edge one protrusive line distinctly reveals. Exceptionally, there reveals 11 Yang-gwan (gwan having 11 stripes erected) at the Ryu-neung of the King Moon-jo, 9 Yang-gwan at the Hong-neung of the King Go-jong and 11 Yang-gwan at the You-neung of the King Soon-jong; noting that the Yang-gwan of Baek Kwan, granted by the Myeong-dynasty of the China during the Yi-dynasty, was in the shape of 5 Yang-gwan for the first Poom (class) based on the principle of "Yideung Chaegang" (gradual degrading for secondary level), the above-mentioned Yang-gwans are very contrary to the principle and I do not touch such issue in this study, leaving for further study. (2) Po (gown). (a) Git (collar). Collar style of Po was the Ban-ryeong (round collar) having small neck-line in the early stage and was changed to the Dan-ryeong (round collar having deep neck-line) in the middle of the: dynasty. In the Dan-ryeong style of the middle era (shown at the tomb of the King Young-jo); a, thin line such as bias is shown around the internal side edge and the width of collar became wide a little. It is particularly noted that the Ryu-neung established in the middle stage and the You-neung in the later stage show civil servants in Jo-bok with the the Jikryeong (straight collar) Po and in case of the Hong-neung, the Hong-neung, the tomb of the King Go-jong, civil servants, although they wear Yang-gwan, are in the Ban-ryeong Po with Hoo-soo (back embroidery) and Dae and wear shoes as used in the Jo-bok style. As I could not make clear the theoretical basis of why the civil servants' costume styles revealed, at these tombs of the Kings are different from those of other tombs, I left this issue for further study. It is also noted that all the civil servants' stone images show the shape of triangled collar which is revealed over the Godae-git of Po. This triangled collar, I believe, would be the collar of the Cheomri which was worn in the middle of the Po and the underwear, (b) Sleeve. The sleeve was in the Gwan-soo (wide sleeve) style. having the width of over 100 centimeter from the early stage to the later stage arid in the Doo-ri sleeve style having the edge slightly rounded and we can recognize that it was the long sleeve in view of block fold shaped protrusive line, expressed on the arms. At the age of the King Young-jo, the sleeve-end became slightly narrow and as a result, the lower line of the sleeve were shaped curved. We can see another shape of narrow sleeve inside the wide sleeve-end, which should be the sleeve of the Cheom-ri worn under the Gong-bok. (c) Moo. The Moo revealed on the Po of civil servants' stone images at the age of the King Sook-jong' coming to the middle era. Initially the top of the Moo was expressed flat but the Moo was gradually changed to the triangled shape with the acute top. In certain cases, top or lower part of the Moo are not reveald because of wear and tear. (d) Yeomim. Yeomim (folding) of the Po was first expressed on civil servants' stone images of the Won-neung, the tomb of the King Young-jo and we can seemore delicate expression of the Yeomim and Goreum (stripe folding and fixing the lapel of the Po) at the tomb of the Jeongseong-wanghoo, the wife of the King Young-jo, At the age of the King Soon-jo, we can see the shape of Goreum similar to a string rather than the Goreum and the upper part of the Goreum which fixes Yeomim was expressed on the right sleeve. (3) Dae. Dae fixed on the Po was placed half of the length of Po from the shoulders in the early stage. Thereafter, at the age of the King Hyeon-jong it was shown on the slightly upper part. placed around one third of the length of Po. With regard to the design of Dae, all the civil servants' stone images of the Kings' tombs other than those of the Geonwon-neung of the King Tae-jo show single or double protrusive line expressed at the edge of Dae and in the middle of such lines, cloud pattern, dangcho (a grass) pattern, chrysanthemum pattern or other various types of flowery patterns were designed. Remaining portion of the waist Dae was hanged up on the back, which was initially expressed as directed from the left to the right but thereafter expressed. without orderly fashion,. to the direction of the left from the right and vice versa, Dae was in the shape of Yaja Dae. In this regard, an issue of when or where such a disorderly fashion of the direction of the remaining portion of waist Dae was originated is also presented to be clarified. In case of the Ryuneung, Hong-neung and You-neung which have civil servants' stone images wearing exceptional costume (Jo-bok), waist Dae of the Ryu-neung and Hong-neung are designed in the mixture of dual cranes pattern, cosecutive beaded pattern and chrvsenthemum pattern and that of You-neung is designed in cloud pattern. (4) Hol. Although materials of the Hol held in hand of civil servants' stone images are not identifiable, those should be the ivory Hol as all the Baek Gwan's erected as stone images should be high class officials. In the styles, no significant changes were found, however the Hol's expressed on civil servants' stone images of the Yi-dynasty were shaped in round top and angled bottom or round top and bottom. Parcicularly, at the age of the King Young-jo the Hol was expressed in the peculiar type with four angles all cut off. (5) Hwa (shoes). As the shoes expressed on civil servants' stone images are covered with the lower edges of the Po, the styles thereof are not exactly identifiable. However, reading the statement "black leather shoes for the first class (1 Poom) to ninth class (9 Poom)," recorded in the Gyeongkook Daejon, we can believe that the shoes were worn. As the age went on, the front tips of the shoes were soared and particularly, at the Hong-neung of the King Go-jong the shoes were obviously expressed with modern sense as the country were civilized.

• 패션비즈니스
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• 제13권6호
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• pp.125-136
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• 2009

The main objective of this research was to understand the characteristics of complementary color scheme through the analysis of contemporary women's fashion color coordination as they appear in the 'Collections'. Data collection of 115 was done through review of 'pr$\hat{e}$t-$\grave{a}$-porter Collections' of four cities; Milan, London, New York, Paris. Statistical analysis of frequency and also qualitative interpretation of characteristics of complementary color harmony characteristics which appeared in four collections were completed. The main findings were as followed; (1) Only 115 complementary color schemes out of 4968 two color combinations appeared. Compared the comparative ratios of appearance frequency between the two color combination and the complementary color harmony, London showed the highest, and followed by New York, and Milan and Paris. (2)The combined color type of 'red+green' was the most frequently appeared, and followed by 'violet+yellow' and 'orange+blue'. For the type of tone harmony, the contrast tone showed the most, and followed by the similarity and identity. According to the type of complementary color combination, the type of tone harmony used differently. Some differences showed in the types of color harmony and tone harmony between collections. (3) The complementary color scheme which shown in four collections harmonized two opposite colors mainly through the strong tone contrast and this could cause tension along with interest in the image. The complementary colors intensified and brought out the attributes each other. More details, high contrast of two complementary colors of yellow and violet created a vibrant look especially when used at higher saturation. Sometimes, however, some tone variations of two hues neutralized the strong effect and sometimes enhanced each other. When they used in similarity tones or identity tones in light colors, the tension was reduced and became softened but still presented nice harmony. In the type of 'red+green' color harmony, the various color combinations were demonstrated, mostly through tone manipulation of green color. The similarity tone harmony, which used the most, could effect a better sense of harmony and present more sophisticated looks. When used in contrast tone harmony, some changes in its own color which have only one color of two the excessive intensity led a good harmony. The 'orange+blue' color harmony was shown the least and used three tone harmony almost the same ratio. In this color harmony, blue amplified its energy and brilliance of orange and seemed to work better when one color was at a lower intensity than the other. In harmony with a similarity and an identity tone, this color harmony produces a stable and calm image. (4) The complementary scheme appeared more frequently in the S/S collections than in A/W collections and showed some differences in the types of color harmony and tone harmony between seasons, however, no big differences between collections.

• 패션비즈니스
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• 제16권5호
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• pp.57-73
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• 2012

The main objective of this research was to understand the characteristics of pleats design through the analysis of modern female fashion as they appear in the 'Collections' from '09 A/W to '12 S/S. Data collection of 1027 was done through the review of 'pr$\hat{e}$t-$\grave{a}$-porter Collections' of three cities; Milan, New York, Paris. Along with the qualitative interpretation of pleats design, statistical analysis of frequency and ${\chi}^2$-test were completed for data analysis. The main findings were as follows; 1. The five types of pleats design were founded in the order of accordion, knife, box, inverted, and sunburst pleats. The frequency and ratio of pleats design occurency showed significant difference between collections. 2. There were significant difference between the types of pleats and their line characteristics of thickness, continuity, length, direction. = Thin fabrics with delicate fine folds were mainly appeared in accordion and sunburst pleats. On the other hand, midium thickness fabrics were used for knife, box & inverted pleats, however, the different images were projected according to the width and the number of folds, characteristics of fabrics and textures. = In all the type of pleats but sunburst, continuity line was appeared the most. The discontinuous lines were appeared the most in the layered types and, sometimes, at some construction lines to add some decorative details or design variations. = The long line were the most frequently appeared in long one-pieces or long skirts of knife, accordion, sunburst pleats. While, the shorter lines showed the most frequently in box and inverted pleats, which mainly used for skirts or the lower part of one-piece. = For the line directions, the vertical lines were the most frequently appeared, and followed by mixed and diagonal line. In mixed or diagonal lines, same type of pleat was repeated in one design. For diagonal lines, one direction was mainly used, however, the symmetrical arrangements or repeated diagonal pleats in various directions also used. In mixed lines, the type of one or two diagonal and one vertical line was the most frequently appeared.

• 복식문화연구
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• 제4권3호
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• pp.305-323
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• 1996

The purpose of this sty is to forecast the tendency of clothing colors, to provide materials useful for making the color plan for a better costume, and suggest new information in the apparel industry. To achieve these purposes, this study was carried out by suggesting vogue colors of recent apparel, along with the 20 standard colors of Muncell to 350 men and women in their 20s residing in Taegu.. We analysed and compared their preferred colors in suits vidual factor ;age, sex, education ,skin color, and body shape, and additionally classifying their interest in clothing colors, cause for color selection , degree of interest in color of clothes, color satisfaction of apparel market, and color combination of clothing, color satisfaction of apparel market, and color combination of clothing. We compared these elements according to their age, sex, and education. The results of this study is summarized as follows; 1. It was shown that both men and women in their 20s preferred warm colors the first colors mentioned being the most popular ; Pastels, Red, Blue and Black. They disliked dark and sordid colros in the order of Mauve, Khaki and Red. They preferred wearing Pastels and Yellow in the Spring, White, Blue, and Pastels were the favorites for summer, Beige in autumn, and black, Gray, and Beige in winter. The repugnated colors they chose two wear were Black, Red, Mauve, Khaki in spring and summer. Mauve, Red, Yellow were favorites for autumn, and Blue·White, Yellow·Green, and Pastels in winter. 2. The preferred colors for T-shirts were Yellow, Pastels, White in spring. White and Pastels were summer favorites, Beige an Red for autumn, and Black, Red, Beige in Winter. As for suits, the preferred colors in spring were in the order of Pastels, Beige and Yellow. The preferred colors of upper garments in summer were in the order of White and pastels. for lower summer garments Pastels, White and Blue were favorites. In autumn, Beige was shown to be highly preferred, and in winter, the order of preferred colors was Black, Gray and Beige. 3. On of those individual factors showing the greatest difference was sex. 4. Those factors having the greatest impact on the selection of clothing color were the season and their preference color. 5. The in vogue color of men in their 20s was at a higher level than hat of women. The groups that had an upper college level education showed a significant difference in their choices thant hose who were highschool graduates and technical college student and graduates. The consideration of inteterest in color of clothes, holding clothes during new purchasing, body shape and skin color was higher for women than men. In buying and wearing accessaries, women tend to take into consideration the harmony with the garment, and there was shown a significant difference between highschool graduates and the groups above the level of college education.