• 복식
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• 제63권8호
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• pp.76-89
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• 2013

This study is about 'asymmetry triangle-Mu' Jeoksam and Hansam in the early days of Joseon Dynasty. A study was done regarding the records of Jeoksam and Hansam in literature, the present state of the excavated 'asymmetry triangle-Mu' clothing Jeoksam and Hansam, and finally a deduction of the reason for the appearance of the 'asymmetry triangle-Mu' clothing Jeoksam and Hansam. The width of front length of 'asymmetry triangle-Mu' clothing in the early days of Joseon Dynasty is 29.5~35 cm and the width of one breath of the sleeve is 29.5~35 cm. The width of 'asymmetry triangle-Mu' is 9.5~16 cm and it is relatively big. Comparing to the width of one breath of the sleeve, it is almost 1:2.2~3.6 ratio. Therefore, when the sleeve was cut, the Mu was linked in order to save fabric the gusset of sleeve had to be folded and turned, and finally it became asymmetric. As a result of the above consideration, since the width of upper garments of $16{\sim}17^{th}$ century was big, the wearing of short tops of Jeoksam or Hansam without side vent as a small 'triangle-Mu' was uncomfortable. Because of this reason, the size had no option but to become bigger. So, during the $16^{th}$ and $17^{th}$ century, a period where mass production of fabric was difficult, the 'asymmetry triangle-Mu' type was considered to be a reasonable cutting method. After the middle of $17^{th}$ century, it can be estimated that 'asymmetry triangle-Mu' clothing disappeared according to the narrow aspect of clothing type.

• 한국환경농학회지
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• 제12권1호
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• pp.59-67
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• 1993

본 연구는 토양에 처리한 Heptachlor (0.1ppm)와 Heptachlor epoxide (0.1ppm)가 Hop와 한삼덩굴에 미치는 약해의 특성을 알아보기 위하여, 토양과 식물체 내의 약제의 잔류량, 생육시기에 따른 약해의 경향, 광합성능, 그리고 chlorophyll 함량에 대한 조사를 수행하였다. 실험 결과를 요약하면 다음과 같다. 1. Heptachlor와 Heptachlor epoxide 0.1ppm 처리구에서 Hop의 생육조사 결과 Heptachlor 0.1ppm 처리구에서는 2차시기부터 지하부에서 심한 약해를 유발하였으며, 3차시기에서는 지상부, 지하부 공히 심한 생육 저해를 받았다. Heptachlor epoxide 0.1ppm 처리구에서는 2차시기부터 지상부, 지하부 모두 약해가 유발되었으며, 3차시기부터는 생육저해가 지속되었다. 공시약제간에는 Heptachlor epoxide 처리구가 Heptachlor 처리구에 비하여 지하부와 지상부 공히 심한 약해를 나타내었다. 2. Hop 및 한삼덩굴에서 Heptachlor 및 Heptachlor epoxide의 잔류량은 뿌리 > 줄기 > 잎의 순서이었으며, 공시식물의 각 생육시기별 잔류량도 뿌리 > 줄기 > 잎의 순서이었다. 공시식물의 각 생육시기별 잔류량은 2차시기에 가장 많았다. 공시약제 간에는 Heptachlor에 비하여 Heptachlor epoxide의 잔류량이 많았으며 공시식물간에는 2차시기 이후에 Hop보다 한삼당굴에서 더 많은 잔류를 보였지만 약해의 양상은 Hop에서 심하게 나타났다. 3. 광합성능에서 Hop는 heptachlor 처리구에서 2차시기부터 저해가 나타났으며, Heptachlor epoxide처리구의 경우 1차 및 2차시기에서도 광합성능이 저조했으며, 3차시기에서는 심한 저해를 나타냈다. 그러나 한삼덩굴의 경우 공시약제간, 생육시기별 광합성능의 저해는 거의 나타나지 않았다. 4. Cholorophyll의 함량에 있어서는 Hop의 경우, 공시약제 처리구에서 생육실험이나 광합성능에서 처럼 현저한 차이는 없었고, 생육시기별 Chlorophyll의 함량에서도 대조구에 비하여 큰 차이는 없었다. 한삼덩굴의 경우, 공시약제간 Chlorophyll함량의 감소는 큰 차이가 없었으며 생육시기별로도 같은 경향이었다.

• 한국의상디자인학회지
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• 제7권1호
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• pp.1-13
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• 2005

This study is for the construction of Cheo-Yongdance Costumeby historical research based on Ak-Hak-Gue-Peom(樂學軌範). Through the production of Cheo-Yongdance Costume by historical research, it is examined and this study is expected that be a help of the right succession of a traditional costume. Cheo-Yongdance Costumeis draught to real size by comparing the size and picture suggested in Ak-Hak-Gue-Peom. In the specialty of Cheoyong(處容) dance Costume in the drawing, the length of clothes was 152cm that is longer than the length of the excavated Danlyeong(團領) of Chosun Dynasty period. Width was 81.9cm that is very big and the width of Danlyeong is 11.7cm. The sleeve length of Hansam(汗衫) is 20O.60cm and it is one that attached Hansam to Jeogori(저고리). The material used for Cheoyong dance Costume is Dan(緞), Cho, Joo(紬), Red gold patterned brocade(紅金線). At the same part, and as the goal was differently used at the same clothing. As the methods of dyeing, the process of dyeing naturally is suggested. A gardenia seeds, indigo plant, and ink stick are used for the color of blue, red, yellow and black. The producing process is made in concrete by suggesting the process of producing clothing. Danlyeong is required the technique of smoothing out wrinklesin case of attaching. Goon(裙) was made by making plaits below and attaching string for making form in the literature. Ui(衣), Chon-ui(天衣) and Goon(裙)'s Bang-sul(方膝) are drawn a Man-hwa Mun(蔓花紋) on Ak-Hak-Gue-Peom by using the golden dyeing material. As the result of producing the clothe by using the recorded size in Ak-Hak-Gue-Peom, it could be examine a pertinent dance clothing for expressing the dance performance with big motions.

• 한국전자거래학회지
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• 제16권1호
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• pp.117-131
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• 2011

현대 제조기업들은 효율성이 높은 제품의 생산 활동만으로는 시장에서 차별성을 얻기 어렵다는 것을 이해하고 있다. 이에 과부화 된 시장에서 제품에 서비스를 부가함으로써 또 다른 가치를 창출하여 경쟁우위를 가지려고 노력하고 있다. 하지만 서비스화의 유형과 그 방법의 다양성, 서비스 영역의 선정, 고객의 요구 사항을 반영한 서비스화 전략 개발, 기업의 조직적 변화 등에 대한 고려가 필요하기 때문에 제조기업의 서비스화는 풀어가야 할 많은 문제가 존재한다. 본 연구는 탐구적 연구로서 심층 사례 분석을 통하여 서비스화의 과정에 대해 관찰하고, 이에 대한 기업의 대응 방안에 초점을 맞추어 그 시사점을 도출해 보는데 그 목적이 있다. 본 연구를 통해 도출된 조직직인 측면에서 이슈는 조직 내의 갈등, 기존 채널과의 갈등, 조직 역량에 대한 문제로 종합되었으며, 실제로 가구 제조기업인 '한샘'의 사례를 통해 서비스업에 맞는 고객상대 비즈니스 프로세스 구축, 기존 대리점 중심 유통 채널 혁신 시도, 새로운 모델실행을 위한 인적 자원 마련 등의 구체적인 해결방안이 제시되었다.

• 한국정보과학회 언어공학연구회:학술대회논문집(한글 및 한국어 정보처리)
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• 한국정보과학회언어공학연구회 2022년도 제34회 한글 및 한국어 정보처리 학술대회
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• pp.192-197
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• 2022

요약 연구의 주류는 아직 문서를 대상으로 하지만, 최근에는 회의 요약 연구에 대한 관심이 크게 높아지고 있다. 본 연구는 국립국어원 국어 빅데이터 구축 사업의 일환으로 국내에서 아직 연구되지 않은 국회 회의록 생성 요약에 대해 연구를 진행하였으며, 국회 회의록에 대한 생성 요약 데이터세트를 구축하였다. 또한 생성 요약 모델을 통해 구축된 데이터세트에 대한 정량 및 정성적 평가를 진행함으로써 국회 회의록 요약 데이터세트에 대한 평가 및 향후 생성 요약과 회의록 요약의 연구 방향을 모색하였다.

• 복식
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• 제48권
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• pp.151-168
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• 1999

A Study on a Woman's Shrouds in Middle of the 16 Century based on the excavation of the Mrs. Moon's grave in Andong is reported in this paper. As a result of the study the followings are obtained: 1. From the architecture and costume in the Mrs. Moon's grave we can conclude that Confucian funeral rites were already established in Andong region of the 16th century. 2. The articles used for funeral rites can be classified as Bujangpum(副葬品) Chikwanjeku(治棺諸具) Bokongpoom(補空品), and Yumsupku(斂솝具) and costumes for the death wrapping can be especially classified as Yumsupeui(斂섭衣) 3. Total 63 remains were excavated from the Mrs. Moon's grave. Among them 3 Chikwanjeku 19 Daeryumku(大斂具) 12 Soryumku(小斂具) and 29 Supku(섭具) Yumsup procedure was performed with great care Shrouds were the casual cloths and only Sangbok were made for the ritual Several Sooeui were found. 4. Pricedyak characteristics of Yumsup include unusual direction of wrap the meaning of Boolryu and unusual Chingsoo of used clothes. 5. There were 41 costumes in : Coats were Sangbok and Jangot upper cloths were long jacket and short jacket Danjukori Jeoksam and Hansam Each of the trousers and the skirts were two different kinds by the form The pair of Hangjeon socks shoes and a cap found in this grave were also studied.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.85-106
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• 2011

This study analyzes excavated Danryeong of the same period to understand differences between female and male Danryeong, and to identify characteristics of female Danryeong, including their purpose, then-name and women's wearing of them. The subject female Danryeong were estimated to be worn in the late 15th century and the early 17th century, and newly-discovered female Danryeong, along with those examined in the Song Mi-kyeong's study, were studied. This study found that female Danryeong have distinctive characteristics from male's in many aspects such as ease of a garment, sleeve design, Hansam (a layered sleeve to cover hands), shape of Moos (side pleats), Goreum (a coat string), Dae (a belt). From this finding, the purpose of female Danryeong can be assumed: a ceremonial robe, which is different from that of mem's official robe. Female Danryeong began to disappear as Wonsam, a ceremonial topcoat, emerged. From the transitional Danryeong and excavated Wonsam, female Danryeong were estimated to be used as ceremonial robes in the mid Joseon period when Wonsam had yet to be created; and they were estimated to be called "Dansam" or "Wonsam."

• 한국의류산업학회지
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• 제14권2호
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• pp.203-210
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• 2012

This study, focusing on the costumes of Kouge in the era of Kamakura and the end of Heian in Japan, aims to explore the aspects and characteristics of the costumes that were developed under political, economical, and social circumstances. The findings are the following. Male costumes include Sokdae, Pogo, Euigwan, Jikeui, Sueui, and Sugan, while female costumes include Shipidan, Sogyu, Sejang, and Hansam. Different clothes of Kuge were chosen depending on the types and purposes of the occasions: full dress and Yahkjang, a semi-dress, for a ceremonial purpose, street costume for a personal visit purpose, outdoor clothing for hunting and outdoor activities, Cheongjangsok, and Sukjikjangsok. In these various types of clothes we can assume the elegant life of aristocratic class of Kouge. In addition, different fabrics, patterns, and dresses were chosen depending on the grade of ranks of Kouge, so that Kouge can differentiate their ranks, keep the order of the ranks, and enhance their authority by themselves. With the advent in the era of Kamakura, the power of Kouge was weakened and their clothes underwent changes, some types of clothes were omitted or simplified or the clothes of subordinates were worn. In addition, when new forces appeared and new clothes came about, there were changes in the purpose and the wearer of the clothes: from ordinary clothes to official clothes, from the clothes of lower class to the clothes of higher class, and from Sukjikjangsok to Cheongjangsok.

• 복식
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• 제25권
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• pp.105-118
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• 1995

Chinese shroud through literature are as follows. 1. Taetae, SimeI, P'oo, Hansam, Ko, Mal, Nukpaek , Kwatu, Ch'ungi, Pokkn, Myokmok, Ri, Aksu, Mo and m were used the most in China. 2. The cloths of Chinese shroud were p'o, Paek , Kyon and Kum. The colors of the Chinese shroud were Hyon, Hun and white. 3. The size of the Chinese shroud is as follows . The size of the Ch'ungi was similar to the size of jujube kernel, the length of Myokmok was one Chk two Chn or one Chk two Chn or one Chk five Chn, the length of Aksu was one Chjk two Chn and it's width was five Chn. The chil of Mo reached the hands and the length of Swae was three Chk and the length of m was five Chn. 4. In Chinese shroud, , cotton was put in P'oo. Aksu was tide by the strings at two corners. Myokmok was tied by the strings of four corners. The tip of the m was divided and Mo warpped the whole body. 5. The clothes of Soryom was nineteen Ch'ing. The clothes of Taeryom in Kum were one hundred Ch'ing in the Chinese. The impliment of Soryon were Kum, kyo, SangeI, SaneI, Ch'im , Yok and Kyon in the Chinese shroud. In the case of the implement of TAeryom, the chinese shroud had Kum , Kyo, SangeI, Sane, Ch'im and Yok.

• 복식
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• 제25권
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• pp.117-118
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• 1995

Chinese shroud through literatures are as follows. 1. Taetae, Sime i, P'oo, Hansam, Ko, Mal, Nukpaek, Kwatu, Cu'ungi, Pokk n, Myokmok, Ri, Aksu, Mo and m were used the most in China. 2. The cloths of Chinese shroud were p'o, Paek, Kyon and Kum. The colors of the Chinese shroud were Hyon, Hun and white. 3. The size of the Chinese shroud is as follows. The size of the Ch'ungi was similar to the size of jujube kernel, the length of Myokmok was one Ch' k two Ch'on or one Ch' k five Ch'on, the length of Aksu was one Ch' k two Ch'on and it's width was five Ch'on. The chil of Mo reached the hands and the length of Swae was three Ch' k and the length of m was five Ch'on. 4. In Chinese shroud, cotton was put in P'oo, Aksu was tide by the strings at two corners. Myokmok was tied by the strings of four corners. The tip of the m was divided and Mo wrapped the whole body. 5. The clothes of Soryom was nineteen Ch'ing. The clothes of Taeryom in Kun were one hundred Ch'ing in the Chinese. The impliment of Soryom were Kum, Kyo, Sange i, Sane i, Ch'im, Yok and Kyon in the Chinese shroud. In the case of the implement of Taeryom, the chinese shroud had Kum, Kyo, Sange i, Sane i, Ch'im and Yok.